A few examples of appraisal values for
THOUSAND EYES

• NIGHT HAS A THOUSAND EYES.Night Has
  NIGHT HAS A THOUSAND EYES.Night Has a Thousand Eyes. Paramount, 1948. Insert (36 x 14"). Film noir. Short tears and minor abrasions in the margins. A-.
• 17TH C. CHINESE MING DYNASTY GILT
  17TH C. CHINESE MING DYNASTY GILT BRONZE SEATED GUANYIN...East Asia, China, Ming Dynasty, ca. 17th century CE. A wonderful bronze statue rich with iconography of a Bodhisattva known as Avalokiteshwara (also Guanyin, Guan Yin, Kuanyin in Chinese), the goddess of kindness, compassion, and mercy, boasting a lustrous gilded visage. Seated in lotus position on an integral plinth, the tranquil deity is heavily adorned with a plumed crown and several lengthy strands of Japamala (prayer beads) that cascades down her chest, wraps around her waist, and lays in her lap. Many eye-shaped pendants are featured across the strands, possibly referencing her title as "The One with a Thousand Arms and Thousand eyes." Her right hand rests in her lap in the Abhayamudra, or gesture of fearlessness, as her left hand is raised in the Varadamudra, which is the "generosity gesture." A translucent robe flows down her body, displaying a decorative hem at her shoulders, opening at her chest, and then falling into a puddle of fabric below her, as a slender ribbon winds around her arms. Size: 6.875" W x 11.5" H (17.5 cm x 29.2 cm) Flanked by sizable ears, her serene visage displays downcast eyes beneath a sweeping brow, a naturalistic nose, and bowed lips held in a gentle smile. Sinuous branches seemingly rise from her arms displaying two objects of her iconography: a parrot, symbolic of a faithful disciple, on her left and a vase, one of the eight symbols of good fortune, on her right. A lovely abstract relief decorates the periphery of her corseted pedestal. Bodhisattvas are among the most compassionate beings in the universe, devoting themselves to saving the suffering and helping others achieve enlightenment and Buddhahood. Traditionally depicted as less austere than Buddhas with graceful postures and elegant garments, a nod to the riches of the Northwestern Chinese Silk Road, this piece is no exception. Guanyin is associated with compassion and mercy - her long ears significant, because they rescue all human beings by hearing their cries for help and the sounds of suffering. Provenance: private Englewood, Colorado, USA collection; ex-M. Komor Gallery, New York, New York USA, acquired in 1965 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #163621 Condition: Missing proper right middle finger. Minor repairs to ears. Nicks to periphery of base. Expected surface wear with a few small nicks and abrasions, as well as light softening of detail, all commensurate with age. Otherwise, excellent with impressive remaining gilding and nice patina. Rich encrustations on interior and light earthen deposits in recessed areas.
• HAWKES CUT GLASS & SILVERPLATE
  HAWKES CUT GLASS & SILVERPLATE TANTALUS SET, 3PC T.G. Hawkes & Co. (American, 1880-1962), mark used 1902- c. 1920. Locking silverplate tantalus set containing two colorless leaded cut glass decanters decorated with circular cuts. The stoppers and decanters all with acid marks, the underside of the frame marked "Hawkes/S1268". Note: This design is similar to the "Thousand Eyes" pattern. Approx. overall, h. 9.75", w. 9", d. 4.5".
• HENRY SARASON PORTFOLIO 'SMALL
  HENRY SARASON PORTFOLIO 'SMALL CITY' CA 1955 Henry Michael Sarason (German/American 1896-1979), cased portfolio "Small City, " circa 1955, containing 8 silver gelatin prints, including 'A Thousand Eyes, ' 'Antagonists, ' and 'Metropolis, ' all float framed on paper glued down to board, in a cloth covered portfolio box. Sarason's work has been shown at the Museum of Modern Art, NY; and is part of the permanent collection of the Metropolitan Museum, NY. Approximate dimensions: photos h. 3. 5", w. 2. 5; overall with mat board h. 10", w. 8".
• 31 pieces. Movie Posters.
  31 pieces. Movie Posters. (Drama, ca. 1940s): "The Spellbinder." RKO, 1939. Without code markings. * "The Vanishing Virginian." MGM, [1941]. Without copyright or code markings. * "H.M. Pulham, Esq." MGM, [1941]. Without copyright or code markings. * "Mister V." United Artists, 1942. Without code markings. * "The Young Mr. Pitt." 20th-Century Fox, 1942. Without code markings. * "Happy Land." 20th-Century Fox, 1943. Without code markings. * "The Green Years." MGM, 1946. * "Her Sister's Secret."PRC, 1946. * "Boomerang." 20th-Century Fox, 1946. Without code markings. * "The Foxes of Harrow." 20th-Century Fox, 1947. 2 copies. * "Thunder in The Valley." 20th-Century Fox, 1947. * "Night Has a Thousand Eyes." Paramount, 1948. * "If Winter Comes." MGM, 1948. * "The Time of Your Life." United Artists, 1947. * "The Patient Vanishes." Film Classics, 1947. * "The Walls of Jericho." 20th-Century Fox, 1948. * "B.F.'s Daughter." MGM, 1948. 2 copies. * "Moss Rose." 20th-Century Fox, 1947. Without code markings. * "That Forsyte Woman." MGM, 1949. * "The Bribe." MGM, 1949. * "Slattery's Hurricane." 20th-Century Fox, 1949. * "The Great Gatsby." Paramount, 1949. Alan Ladd. * "I Married a Communist." RKO, 1949. * "Pinky." 20th-Century Fox, 1949. "These Three." Film Classics, re-release. * "I've Always Loved You." Republic, n.d. Without copyright or code markings. * "On The Sunny Side." 20th-Century Fox, 1942. Without code markings. * "Dishonored Lady." United Artists, 1947. * "A Lion is in The Streets." Warner Bros., 1953. All color litho insert formats, 36 x 14 inches (915 x 355 mm). Several with repairs to versoes & small creases/fissures, other scattered wear. Conditions C/A-, most B+.