A few examples of appraisal values for
A MORELAND

• George Moreland (British,
  George Moreland (British, 1765-1804) \"The Door of the Village Inn\" and \"Cottagers\", pair of hand-colored engravings, sight 16\" x 20-3/4\". Presented in eglomise mats and polychromed and parcel-gilt frames.
• After George Moreland (British,
  After George Moreland (British, 1763-1804) "Pigs", oil on canvas, 10" x 12". Presented in a giltwood frame.
• More (Hannah) The Two Wealthy
  More (Hannah) The Two Wealthy Farmers or The History of Mr Bragwell inscribed Charles Maurice Shipton 1830 The Gift of Mrs Hannah More; The Book of Common Prayer in Latin apud Henricum Bonwick London 1687 and a passport for The Reverend John Grove and his wife signed Stanley and dated 1868 (3)
• Coronelli's Geographic and
  Coronelli's Geographic and Historical Description of Morea Description Geographique et Historique de la Morée, by Vincenzo Coronelli (1650-1718), printed in Paris by Nicolas Langlois, 1687, first French edition, leather-covered board covers with tooled and gilt raised spine, 122 pages plus index, 73 engraved maps and views of Morea and Greece, 15 x 10 in.,
• AFTER GEORGE MORLAND (BRITISH,
  AFTER GEORGE MORLAND (BRITISH, 1763-1804), FOUR MEZZOTINTS Each a mezzotint in colors, to include Children Gathering Black-Berries, Shepherd's Meal, Children Fishing, and Cottage Family, each matted and framed.
• Finely detailed watercolor painting
  Finely detailed watercolor painting of a mansion with mother and children possibly "Lemon Hill" in Philadelphia's Fairmount Park. 14"x18"
• More (Thomas) Utopia, Kelmscott
  More (Thomas) Utopia, Kelmscott Press, 1893. 8vo., orig. vellum gilt with ties. One of 300 copies
• Mildred Nung
  Mildred Nung
• WILLIAM MELLOR 'ON THE HILLS,
  WILLIAM MELLOR 'ON THE HILLS, WESTMORELAND' O/C William Mellor (British 1851-1931), 'On the Hills, Westmoreland', oil on canvas, depicting a man in a hat with a cane walking with a dog through the countryside with sheep on the right, signed to lower right, titled en verso, framed. Approximate dimensions: canvas h. 30", w. 20"; frame h. 39", w. 29", d. 4" (to canvas)
• After Henry Moreland (British,
  After Henry Moreland (British, 1730-1797) "The Unlucky Boy", chromolithograph, sight 21-1/2" x 16", titled lower margin. Glazed and presented in an ebonized and parcel-gilt frame.
• Moran Leon [American/New Jersey and
  Moran Leon [American/New Jersey and Pennsylvania 1864-1941] ornately framed and matted fine watercolor of children in a field of wildflowers with geese in the background signed l.r. "Leon Moran '98". 14"X22"
• Circle of George Morland Rest
  Circle of George Morland Rest Beside the Road Estimate:$2,000-$3,000
• MOREZ, Mary, (American, 1946-2004):
  MOREZ, Mary, (American, 1946-2004): Cubist Family, Mixed Media on paper/Canvas, 20'' x 16'', signed lower right, framed, 25.5'' x 21''.
• Vesta D. Morehouse (American/New
  Vesta D. Morehouse (American/New York, Mid-20th Century) "New York Harbor View", 1945, watercolor on paper, sight 14-3/4" x 20", signed lower right "Vesta D. Morehouse". Glazed, matted and presented in the original polychromed frame; the verso bears envelope with old Brooklyn framing label and annotation: "1945 - Watercolor painting by Vesta Morehouse - Lower entrance N.Y. Harb. as ice breaks in Hudson flowing into East Rv. from Brooklyn Hts.". Reference: Davenport's Art Reference and Price Guide and Falk's Who's Who in American Art. Morehouse, a Brooklyn artist, was a member of the American Watercolor Society from 1942 until 1966.
• Baker-Manch
  Baker-Manch
• MOREHOUSE Edith. Oil on Burlap of
  MOREHOUSE Edith. Oil on Burlap of Female Figures.Signed lower right. Edith Morehouse American 20th century. From a Garden City NY location. Dimensions: 22.75'' high x 32.75'' wide. Condition: Light surface grime otherwise good.
• MORE MAGIC.Hoffmann, Professor
  MORE MAGIC.Hoffmann, Professor (Angelo J. Lewis). More Magic. London: George Routledge, 1890. First edition, dark green cloth stamped in colors, beveled edges to covers. Floral endleaves. A.e.g. Half-title. Illustrated. 8vo. 457pp + 5 leaves advts. Front gutter splitting, small hole to flyleaf from label removal, edges rubbed.
• VOLNEY ALLAN RICHARDSON
  VOLNEY ALLAN RICHARDSON (AMERICAN, 1880-1955) "PARK MEADOWS" Oil on artist board. Signed and dated 'V. A. Richardson '28' (lower right).
• MARGE HAMMOND-FARNESS OIL PASTEL ON
  MARGE HAMMOND-FARNESS OIL PASTEL ON PAPERMARGE HAMMOND-FARNESS (Oregon, born 1930) oil pastel on paper, "View from Buena Vista." Signed lower right. Image measures 22" x 28". In a wood frame; 32.25" x 38.25" overall.
• MARGE HAMMOND-FARNESS (OREGON, BORN
  MARGE HAMMOND-FARNESS (OREGON, BORN 1930) OIL PASTMARGE HAMMOND-FARNESS (Oregon, born 1930) oil pastel on paper, "View from Buena Vista." Signed lower right. Image measures 22" x 28". In a wood frame; 32.25" x 38.25" overall.
• ROBERT MORE, LADIES IN A PARK,
  ROBERT MORE, LADIES IN A PARK, OIL ON CANVAS, SIGNED L.L., FRAME: 30 X 41 IN. (76.20 X 104.14 CM.)Robert More, Ladies in A Park, Oil on Canvas, Signed l.l.,, Dimensions: Frame: 30 x 41 in. (76.20 x 104.14 cm.)
• AFTER GEORGE MORLAND (BRITISH,
  AFTER GEORGE MORLAND (BRITISH, 1763-1804), THE RECKONING Mezzotint, printed 1895, print made by Beatrice Schütte (pencil signed at lower right) and published by I. P. Mendoza, retains labels to verso, in antique wooden frame with gilt fillet.
• PAINTING, WILLIAM MOREHOUSE William
  PAINTING, WILLIAM MOREHOUSE William Morehouse (American, 1929-1993), "Jenner from Poff Ranch," 1990, oil on canvas, signed, titled, and dated verso, canvas (unframed): 24"h x 36.5"w
• Milford Zornes N.A. (1908-2008
  Milford Zornes N.A. (1908-2008 Claremont CA) Gold and Grey
• Ellwood Morris (American/Indiana,
  Ellwood Morris (American/Indiana, 1848-1940) "Autumnal Indiana Valley Landscape", oil on canvas, faintly signed lower left "E. Morris", 16" x 22". Presented in its original period giltwood frame. Ellwood Morris was a member of the "Richmond School" of painters. The Richmond School was a group of Impressionist painters who worked in the Richmond, Indiana area from the late 19th century through the mid-20th century. Their work was well received in national exhibitions and locally with the Richmond Art Association, now known as the Richmond Art Museum.
• MARION POST WOLCOTT (1910-1990): "A
  MARION POST WOLCOTT (1910-1990): "A RURAL SCHOOL IN BREATHITT COUNTRY KY" Gelatin silver print 8 x 10 in. (image) titled and signed.
• ABELARDO MORELL (b. 1948): LAURA
  ABELARDO MORELL (b. 1948): LAURA AND BRADY IN THE SHADOW OF OUR HOUSE Gelatin silver print 24 x 20 in. (sheet) numbered 5/30 signed titled and dated 1994.
• AFTER MORET, WOMEN IN LANDSCAPE,
  AFTER MORET, WOMEN IN LANDSCAPE, OIL ON BOARD, FRAMED, 23-1/2 X 27-3/4 INAfter Moret, Women in Landscape, Oil on Board, Framed, 23-1/2 x 27-3/4 in
• After George Morland (English
  After George Morland (English 1763-1804) two mezzotints including; "Summer Amusement" 1812 engraved by Thomas Williamson sight 20 3/4 in. x 25 3/4 in.; and "The Fern Gatherers" 1799 engraved by R. Smith sight 20 3/4 in. x 25 3/4 in. framed alike. Provenance: The Grove Tallahassee FL.
• IN THE MANNER OF PAULUS MOREELSE
  IN THE MANNER OF PAULUS MOREELSE (CONTINENTAL SCHOOL, 19TH CENTURY) 27" x 21" Portrait of a woman, three-quarter length, in a cartwheel ruff with lace edging. Oil on canvas, unsigned, framed in a carved and gilded wood frame, overall 32" x 26". Frame bears nameplate of Paulus Moreelse (Flemish, 1571-1638) though the painting was probably painted after the artist's lifetime.
• Merton W. Willmore painting (Merton
  Merton W. Willmore painting (Merton Widdicombe Willmore, Massachusetts/Ohio, 1893-1974), winter landscape with houses, signed lower right "M. Willmore", oil on canvas, 13-3/8 x 16-1/2 in.; original gilt wood frame. Grime, original stretcher and tacking edge; frame overpainted with green paint, possibly by artist, flaking, abrasions.
• Margaret Graham Boroughs Adams
  Margaret Graham Boroughs Adams (American, 1882-1965), floral still life, oil on canvas; 29 3/4" x 34 1/2"; signed lower right. In 1910, Adams went to Italy to study with William Merritt Chase. It was here that she met her future husband and noted portrait painter, Wayman Adams. She exhibited in New York, Pennsylvania, Texas, and at the Hoosier Salon in Indiana.
• Milford Zornes N.A (1908-2008
  Milford Zornes N.A (1908-2008 Claremont CA) The Santa Clara Near Saugus
• A. MOREAU: GLORIA VICTISpatinated
  A. MOREAU: GLORIA VICTISpatinated bronze, on an integral base, mounted to a marble plinth; signed in casting (no foundry mark); Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA overall: 9 1/2 inches wide; 8 inches deep; 17 1/2 inches high; the bronze: 14 1/2 inches high Condition:
• Lanier Meaders lidded canister
  Lanier Meaders lidded canister (White County, Georgia; Arie, Macon County, North Carolina, 1897-1989), cylindrical with applied grapes and leaves, blue and olive over white ground, base incised in script "Lanier Meaders", possibly decorated by Arie Meaders, 7 in. Excellent condition, glaze anomalies as made.
• Follower of Jacob More (British
  Follower of Jacob More (British 1740-1793)/Rural Landscape/figures and sheep beside a lake, with ruins in the distance/oil on canvas, 34cm x 44cm