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AVEM charger, designed by Anzolo
AVEM charger, designed by Anzolo Fuga, c.1955. Delicate yellow, green, and purple bands on white basin with shimmering gold leaf. Partial paper label. 17 7/8\"L. Very good condition with no chips
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Avem (Arte Vetraria Muranese),
Avem (Arte Vetraria Muranese), "Anses Volantes" art glass vase by Georgio Ferro, Murano, Italy, circa 1952, two openwork handles, blue with iridescent surface, 12-3/4 in. Excellent condition, irregular surface texture as made, base wear. Private Collection, Hendersonville, North Carolina
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A & V Lucario Indian Pottery Vase
A & V Lucario Indian Pottery Vase carved geometric & dancers 8'' excellent.
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AVEM Anse Volante Murano green
AVEM Anse Volante Murano green iridescent art glass vase. 8"H.
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VARDA AVNISON (AMERICAN,
VARDA AVNISON (AMERICAN, 20TH/21ST CENTURY) FOR ARTFUL HOME, ART GLASS VESSEL Abstract bowl form, fused glass with red, orange, yellow, and iridescent purple and green, signed.
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A & V Lucario Indian Pottery Vase
A & V Lucario Indian Pottery Vase carved geometric & dancer decor 9'' excellent.
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AVEM, designed by Ansolo Fuga,
AVEM, designed by Ansolo Fuga, Filament Series, large bubbled and green banded assymetric form vase with pierce formed internal filaments. 15 3/4"H. Very good condition with no chips, cracks or repairs.
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A Troika vase by Alison Brigden
A Troika vase by Alison Brigden of cube form incised two circular and two rectangular panels 10cm (4") high
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VAMSA, executed by Alfredo Barbini,
VAMSA, executed by Alfredo Barbini, green glass ducks. 7 3/4"H. Very good condition with no chips, cracks or repairs.
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JOHN AJohn A. Vickers (American,
JOHN AJohn A. Vickers (American, 20th C.), oil on canvas, architectural facade of brick house with light yellow trim, a bay window on the second floor above a door and two windows looking out on front porch, signed and dated (19)72 lower right, unframed, wear consistent with age, ss: 17 1/2" h. x 9 1/2" w.
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Van Briggle Carved Vase 1906
Van Briggle Carved Vase 1906 American a tapered vase having a carved stylized design and covered in a curdled ivory and lavender glaze marked Van Briggle/1906 No 647; ht. 6 in. Condition: With a small tight interior hairline that does not extend to outside of vase.
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A gourd shaped vase by Davenport
A gourd shaped vase by Davenport decorated with enamel flowers approx. 28 cm high circa 1900.
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AVEM, designed by Ansolo Fuga,
AVEM, designed by Ansolo Fuga, monumental internally decorated polychrome patch and cane work with gold leaf. 19 1/2"H. Very good condition with no chips, cracks or repairs.
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(VARIOUS) A group of two boxes of
(VARIOUS) A group of two boxes of books on various subjects.
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1905 with flame mark and Roman
1905 with flame mark and Roman numeral ''V'' with decorators initials ''LA'' (Lenore Asbury 1894 - 1931) further marked ''V'' for vellum and with shape # 907E the short circular neck over a tapering body decorated with branches of maple leaves 9.25'' H x 3.5 Dia.
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Giacomo Balla (Italian 1871-1958)
Giacomo Balla (Italian 1871-1958) "Avanti Avanti A Tutto Vappore" dated 1924. Colored pencil graphite and brown ink on paper; printed page from the Amministrazione delle Poste e dei Telegrafi. With ink inscription along bottom edge in black stamped with a collector's stamp from the Casa di Fascio of Ferrara. Ex-Collection in Ferrara Italy; Gabrielle Celati by descent to his cousin Gianni Celati. Paper size 12-1/2"T x 8-1/2"W. Overall in gold tone frame under plexiglass 20-1/4" x 15-3/4".
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A. VAVILINA MIXED MEDIA W/ GOLD &
A. VAVILINA MIXED MEDIA W/ GOLD & SILVER LEAF, 2021Alena Vavilina (Russia, b. 1986). "Life is a game" 2021. Mixed Media: Gold leaf, silver leaf, acrylic, and chalk on paper. Signed "AV" at lower right. A captivating composition by award winning contemporary artist Alena Vavilina, featuring two ethereal creatures of rich red hues with huge eyes and royal blue puddles below, one with fins delineated in silver leaf, the other with fins delineated in gold leaf, surrounded by black globular forms and a gold and silver leaf checkerboard. Nature is Vavilina's greatest muse, and water is oftentimes highlighted in the form of puddles and droplets in her compositions. This composition was also inspired by magical creatures envisioned in the artist's dreams. Size: 39.5" L x 27.5" W (100.3 cm x 69.8 cm)
The sad eyes are similar to those of Vavilina's sculptures, namely the Big Ocean Drops (2019) and Ocean Drops Little (2019) , and are, according to the artist "windows into the souls of the creatures of our ocean" as well as a "dedication to the pollution within the big blue sea" intended to draw "attention to nature." By placing the droplets against a gold and silver leaf checkerboard and entitling the piece, "Life is a game" Vavilina is making a powerful artistic statement about how humankind "plays" with nature by creating interventions that disturb our ecosystem. In addition, according to Vavilina the checkerboard pattern is also a metaphorical symbol for the artist who is conveying the idea that life is a game. Furthermore, this pattern symbolizes the artist's philosophical thoughts about life and the rules that artists and people in general should follow as well as how they should 'play' their lives.
In the Spring 2020 issue of Harper's BAZAAR Art, Vavilina was introduced as follows, "Vavilina’s love for art flourished from a very young age; her first tutor was her father. He was not an artist himself, but he introduced the use of water colour and still life painting techniques very early on in Vavilina’s life. In her adolescent years, she enrolled into an art school in Moscow and never looked back. Vavilina has also been educated in France, England, Malta, China and Dubai – her travels have left a mark on her art pieces in one way or the other.
Her adoration for Chinese culture has seen her spend some of her early days studying the language and Chinese diplomacy. So influenced is she by the culture, that she calls herself an 'Orientalist,' and this is evident in the style of her art on canvas, for instance, as seen in Cherry Blossom (2019) and in her Butterflies series."
Alena Vavilina's Artist Statement, "Alena Vavilina’s art is both a unifying and graceful force as it seamlessly weaves an invisible thread binding countries and cultures. Russian by birth, Alena Vavilina grew up in Moscow. She studied in France, England, Malta, China and UAE. Her experiences in these countries and with these cultures are captured in her artistic creations.
Her art is trans dimensional, as she attempts to create a world without territorial or temporal boundaries. Through formal lessons at Academic Art School in Moscow, Alena learned the principles of art, and with this foundation she created her own signature mixed media style by which she can be easily recognised.
In Alena Vavilina’s art, there is the mixture of ancient Chinese style, juxtaposed with modern European civilization. It can be described as reunion of styles, time and the unique author personality. A key source of inspiration for Alena is Vincent Van Gogh, and his quote, 'I dream my painting and then I paint my dream…' represents the verbal expression of her work.
The paintings of Alena Vavilina are a part of private arts collections around the world. She is curated by Gallery Artistry’s Vienna, Austria ; ART WEME Contemporary Gallery, Kuala Lumpur, Malaysia and IAM Gallery Abu Dhabi, UAE. Alena Vavilina's artworks and sculptures are always exhibited at the main international Art Fairs: Art Basel Miami, Art Expo Malaysia, Asia Contemporary Art Hong Kong, World Art Dubai, Carrousel du Louvre…"
Provenance: Collection of the artist, Alena Vavilina, Dubai, United Arab Emirates
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#164430
Condition:
Excellent overall with minor gestural marks/abrasions to the gold and silver leaf ground that are commensurate with the artist's process. Signed "AV" at lower right (on one of the gold leaf fins).
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An Alison Geissler (1907-2011)
An Alison Geissler (1907-2011) globular vase, wheel engraved with 1930s stylised figures in various poses, an explosion to the front with the word 'BLITZ', the letters V and A on either side, engraved signature to base 15cm high
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AVTANDIL VARAZI (GEORGIAN. B.
AVTANDIL VARAZI (GEORGIAN. B. 1952)Melancholy. Signed, numbered edition 26/95. Giclee. Measuring 36 by 18 in., framed 43 by 25 in. Provenance: Hamilton Fine Art, Ft. Lauderdale, FL
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Avon Pottery. Collection of three
Avon Pottery. Collection of three vases. c. 1902, glazed earthenware. 9¾ h × 3 w × 3¼ d in. result: $625. estimate: $1,000–1,500. Glazed signature to body near base of two shorter examples ‘A. Cusick’. Impressed manufacturer's mark to underside of three-sided vase ‘Avon W Pts Co.’ and inscribed ‘Some hae meat Who canna eat Some hae none Who want it We hae meat an we can eat...So let the Lord be thank it’. Provenance: Collection of Jordan Lubitz