A few examples of appraisal values for
AARON LITHOGRAPH BY THOMAS HART BENTON

• THOMAS HART BENTON (1889-1975),
  THOMAS HART BENTON (1889-1975), "AARON," 1941, LITHOGRAPH ON PAPER, IMAGE: 12.875" H X 9.5" W; SHEET: 19" H X 12.5" WThomas Hart Benton, (1889-1975) "Aaron," 1941, Lithograph on paper Edition of 250 Signed in pencil in the lower margin, at right: Benton Lithograph on paper Dimensions: Image: 12.875" H x 9.5" W; Sheet: 19" H x 12.5" W
• THOMAS HART BENTON (1889-1975),
  THOMAS HART BENTON (1889-1975), "AARON," 1941, LITHOGRAPH ON PAPER, IMAGE: 12.875" H X 9.625" W; SHEET: 14.25" H X 10.875" WThomas Hart Benton, (1889-1975) "Aaron," 1941, Lithograph on paper From the edition of 250 Signed in pencil in the lower margin, at right: Benton Lithograph on paper Dimensions: Image: 12.875" H x 9.625" W; Sheet: 14.25" H x 10.875" W
• THOMAS HART BENTON (AMERICAN
  THOMAS HART BENTON (AMERICAN 1889-1975) AARON Lithograph: 12 7/8 x 9 1/4 in. Framed; lower left signed in plate: Benton; lower right signed Benton; 1941 ed. of 250; fath 42
• AFTER THOMAS HART BENTON: AARON
  AFTER THOMAS HART BENTON: AARON Lithograph signed in the plate and below the image. 12 3/4 x 9 1/2 in. (image sight) 21 1/4 x 18 1/4 x 2 in. (frame).
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Self-Portrait (1972)The lithograph published by Associated American Artists in an edition of 300 prints on Rives watermarked paper is signed by the artist in pencil below the image lower right and listed as Fath catalog number 84. Printed on Rives watermarked paper.Benton's comments in Fath read: This is a study, from the mirror image of an old artist, 'grandaddy Benton' as all the kids call me. I had a belly when I did it but after building a stone retaining wall, 65 feet long and in some places 10 feet high, on our place in Martha's Vinyard, I got rid of it. It hasn't come back.Image measures 19.5 x 13.75, sheet is 24.75 x 18.5 inches.Very good condition, the full untrimmed sheet with four deckle edges, not laid down, no damage, punctures, tears or repair; a faint mat burn surrounds the image, tape residue on the upper edge as shown, presents very well framed and matted.Provenance: Private collection, Des Moines, Iowa.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Jessie and Jake (1942)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 55.Benton's comments in Fath read: Painting of this subject made in 1941 when daughter Jessie was three yrs old. Our shepherd dog Jake impersonated the wolf in this Red Riding Hood theme. The area depicted is in our wood lot on Martha's Vineyard and shows a path leading to my mother's place there. Trees, white oak, grow thick at the trunk but do not get very high in our part of the Island because of the winds. Painting in my possession. Litho was made from it at request of A.A.A.Image measures 13.5 x 10, sheet is 15.75 x 12.5, and frame is 21 x 18 inches.The full untrimmed sheet, not laid down, two deckle edges, no stain, punctures, tears, there appear to be a number of reinforcements and or repairs to the paper, possible rebuilding of thin areas after the sheet was removed from a backing, plus a line across the top edge form a previous mounting.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Benton Farm (1972)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 87.Benton's comments in Fath read: Our daughter belongs to one of those youth groups, or communes, which have sprung up over the United States in late years. They represent at sort of protest against the stultifying conventions over taking so much of our society. A number of those in her group wanted to try faming and found a good farm for sale out in mid Kansas. We bought this, two hundred and eighty one acres, and let them have a crack at running it. They are doing extraordinarily well. Though on the edge of the great plains, the country in this particular area of Kansas is broken. There are ridge and bottom lands and spring fed creeks. Here's the barn and the road out of the Benton farm.Image measures 11.25 x 14.25, sheet is 16.25 x 19, framed size is 20.5 x 23.5 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair, a very nice example.Provenance: Private collection, Des Moines, Iowa.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Frankie and Johnnie (1936)The lithograph published by Associated American Artists in an edition of only 100 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 11.Benton often chose heroes of folk lore and the subjects of popular ballads as subjects for his paintings. In the Fath catalog he is quoted as saying: From Section of Missouri Mural at Mo. State Capitol, Jefferson City, Mo. The incident according to legend happened in St. Louis though the Tune in various forms is earlier than the 1890 St. Louis story. Anyhow the story is a part of Missouri Mythology like the Jesse James and Huck Finn stories.Image measures 16 x 22, sheet is 20.5 x 24, with a framed size of 26 x 31.5 inches.An outstanding example. Fine to very fine, the complete sheet with deckle edge along the top and right side, equally wide margin on the left suggests that side is complete as well, original wider margin along the bottom, properly mounted with two minimal acid free hinges, not laid down, no stain, damage or repair, very clean and free from mat burn. A nice, dark impression in slightly better condition than the example sold by our firm in March of 2023.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) Lithograph. Signed (lower right).
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Back from the Fields (1945)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 66.Benton's comments in Fath read: This is a diorama scene. Cotton pickers returning home with the last bags picked. Image measures 9.5 x 13, sheet is 11 x 14.5, and frame is 18 x 21 inches.Good condition, not laid down, no damage, punctures, tears or repair; the edges of the sheet have no deckle and are not wide, there is very light, even cream toning across and around the image. framed to archival standards in acid free mounts.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)Instruction (1940)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, listed as Fath catalog number 41. A very strong impression.Benton's comments in Fath read:A painting of this was made in 1940 directly from life. On of my students at the K.C. Art Institute found the man selling snake medicine in the pool halls of 15th Street in downtown K.C. He caught rattle snakes and let them rot and ferment in gallon jars and sold the result as an aphrodisiac. He was also a preacher and conducted a Sunday school class. This picture shows him telling about the Bible. The painting is in the Louvre Collection, Great Neck N.Y.Image measures 10 x 12.5, sheet is 12.5 x 16.75, with a framed size of 19 x 23.25 inches.Very, very good condition, the full untrimmed sheet with four deckle edges, not laid down, no damage, stain, puncture or repair. There are two tiny points of foxing in total throughout the entire sheet and printer's ink lower right brown tape verso.Provenance: A private Kansas City collection.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (1889-1975)Back from the Fields (1945)The lithograph published by Associated American Artists in an edition of 250 prints is signed by Thomas Hart Benton in pencil below the image lower right and listed in the artist's catalog raisonne as Fath number 66.Benton's comments in Fath read: This is a Louisiana scene. Cotton pickers returning home with the last bags picked.Image size 13.25 x 9.5, sheet measures 11.5 x 15, frame is 17.5 x 21.25 inches.Very good condition noting light mat burn, the complete sheet, not laid down, no other stain, damage or repair.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Making Camp (1972)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 86.Benton's comments in Fath read: As I've said lots of times, I like rivers. I especially like those clear free flowing rivers of the Ozarks which have escaped the attentions of the Army Corps of Engineers. For years I've floated down these rivers every Spring either by canoe or 'jon' boat, an extra long sort of skift. Sometimes the water is fast and rough, at other times is slows up in deep pools. Generally the river floaters I run with make camp at the end of the day on the gravel bars lining one of these pools and fish them while supper is cooked. That's what this litho shows. The pool is under some bluffs on the Buffalo River in northwest Arkansas.Image measures 12 x 14, sheet is 16 x 19, and frame is 25 x 27 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.Provenance: A Leawood, Kansas corporate collection.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Edge of Town (1938)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 22.Image measures 8.75 x 10.75, sheet is 12 x 16, and frame is 18 x 19.5 inches.The full untrimmed sheet, four deckle edges, not laid down, no damage, large band of masking tape residue along all four sides of the image as shown outside the frame and mat - presents well in frame and mat.Provenance: The private collection of a Clay County Circuit Court Judge
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)I Got a Gal on Sourwood Mountain (1938)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 19.Benton's comments in Fath read: From a tempera painting made in 1937 - now owned by Hymen Cohen, layer of N.Y. City. A color reproduction was made of this picture in England sometime in the middle '30s for The International Studio, a magazine they published in London. This is another of the song and people who sing it - or, in this case, dance it. Mr. Cohen has died and the picture resold. I don't know who owns it now.Image measures 12.5 x 9.25 on a 16 x 12 inch sheet with an overall framed size of 21 x 17.75 inches.Very good to fine condition, the full untrimmed sheet with four deckle edges, not laid down, very clean, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Self Portrait (1973)The lithograph signed by the artist in pencil below the image lower right is numbered 57 from an edition of only 100 prints, Fath number 90.Benton's comments in Fath read: This portrait was made at the request of Harry Abrams to accompany a special edition of a book he put together on my career. It is one of the few front-face portraits I have attempted. Image measures 13 x 11, sheet is 18 x 15, and frame is 23 x 21 inches.Very good condition, noting a very, very pale outline of toning framing the image and visible only outside the frame. otherwise very good with full sheet having all four deckle edges, not laid down, no damage or repair.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Lonesome Road (1938)The lithograph published by Associated American Artists in an edition of 250 prints on GCM watermark paper is signed by the artist in pencil below the image lower right and listed as Fath catalog number 18.Benton's comments in Fath read: Drawing made in Arkansas in 1926. I had come up river on a tow boat from New Orleans to Helena, Arkansas where I took a train to Little Rock. The train stopped over a road crossing and our of the window I saw this negro with his donkey cart on the hot dusty road. I made the drawing from the train window.Image measures 10 x 13, sheet is 12 x 16, and frame is 18 x 21 inches.The full untrimmed sheet with deckle edges, not laid down, no damage or repair, a considerable mat burn surrounds the image.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Gateside ConversationThe lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 69.Benton's comments in Fath reads: ''From a drawing made in southern Louisiana in the early 40s. A painting of this subject is owned by John Paxton of Ft. Worth, Texas.''Image measures 9.75 x 14.25 on a 11.5 x 15.75 inch sheet with an overall framed size of 18.5 x 22.5 inches.Good to fair condition, not laid down, trimmed edges, paper tape around the outer edge front and back, mat burn, not puncture or tear.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Wyoming Autumn (1974)The rarely seen large format lithograph in exceptional condition is published by Associated American Artists in an edition of 250 prints and signed by Benton in pencil below the image lower right. It is included in Fath's catalog as number 91. A nice, strong impression in fine condition.Benton's comments in Fath read: During the fifties, I spent many Autumns in the mountains of Wyoming drawing and painting. This is the time cattle are brought down from the high pastures. The litho shows the pick up of a few strays.Image measures 17 x 23.25, sheet is 22 x 28, and frame is 29.5 x 36 inches.Very good to fine condition, very clean and complete, the full untrimmed sheet with wide margins and deckle edges all around, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts.Provenance: A Leawood, Kansas corporate collection.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)Jesse James (1936)The lithograph on GCM Rives watermarked paper from an edition of 100 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, Fath number 13.Benton's comments in Fath read: 'Also from Mo. State Capitol Mural. The foreground figure was posed by Don James, an actual descendant of the James Clan. This picture shows actions that occurred at different times as if they were simultaneous.'Image size 16.25 x 21.75, sheet measures 19 x 23.5, the frame is 25 x 30.75 inches.Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, puncture or repair. There is the outline of toning from a previous mat framing the image and clipped upper corners as shown here outside the framing.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)New England Farm (1951)The lithograph from an edition of 300 prints published by Associated American Artists is signed by Benton in pencil below the image lower right, and recorded as Fath number 76. The label verso is a facsimile.Benton's comments in Fath read: This is a haying scene on the Martha's Vineyard farm of Denys Wortman, famous N.Y. newspaper cartoonist.Image measures 9 x 13.75 with a framed size of 19.25 x 23.25 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts. Because this print is from a collection well-known by this auction firm for more than twenty years, it has not been removed from its framing for inspection. As with all lots we offer, the condition is guaranteed to be as stated or a full refund will be issued.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Planting (1939)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 28.Benton's comments in Fath read: From a drawing made in southern Arkansas in 1938. The man plows, the woman sows. Common enough scene up to very lately - maybe it is still to be found. Old ways don't die easily.Image measures 9.75 x 12.5, sheet is 11.5 x 14.75, and frame is 18 x 21 inches.The trimmed sheet shown here outside the frame and mat has mat burn and brown tape around the outer edge.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Ten Pound Hammer (1967)The lithograph from an edition of 300 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, Fath number 79. A nice, dark impression on Rives watermarked paper.Benton's notes for this piece read, ''Old story from my youth - before the steam hammer beat out John Henry.''Image measures 13.75 x 9.75, sheet is 17.5 x 13, and the frame is 22.5 x 18.25 inches.Very, very good condition, the complete sheet, not laid down, no stain, damage or repair, very clean and in near fine or fine condition.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Frankie and Johnnie (1936)The lithograph from an edition of only 100 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, listed as Fath catalog number 11.Benton's comments in Fath reads: ''From Section of Missouri Mural at Mo. State Capitol, Jefferson City, Mo. The incident according to legend happened in St. Louis though the Tune in various forms is earlier than the 1890 St. Louis story. Anyhow the story is a part of Missouri Mythology like the Jesse James and Huck Finn stories.''Image measures 16 x 22.5, sheet is 20.5 x 24.25, framed size is 25 x 30.25 inches.Very good-plus condition, the complete sheet with deckle edges, clean condition with only a very, very pale shadow from a previous mat visible when removed from the frame as shown here, not laid down, no stain, damage or repair. A nice, dark impression.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Down the River (1939)The lithograph circulated by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 33. A dark impression.Benton's comments in Fath read:A scene on the White River in The Ozarks. Drawings for it were made in August 1939 while on a float trip down the river. The area presented is now under seventy five feat of water, due to the construction of Bull Shoals dam. However, such scenes are still common in the clear water Ozark rivers which remain free flowing. Twice yearly, Spring and Autumn, I have floated those rivers from many years, fishing, camping out on the sand and gravel bars and just watching the river banks go by. The boy in the picture is my son T.P. Benton. Also called 'The Young Fisherman.'Image measures 12.25 x 9.75 with a framed size of 21.25 x 18.25 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Fire in the Barnyard (1944)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, listed as Fath catalog number 64. A nice dark impression.Benton's comments in Fath read: 'This picture was made from a memory of my childhood. My grandfather 'Pappy' Wise had a cotton farm a few miles, 5 or 6, out of Waxahachie, Texas and one night when I was about 7 or 8 years old a great light appeared in the sky. It was so great that speculation about the end of the world was bruited about among the grown folks at the farm. As it turns out a straw stack had caught fire on an adjoining farm and some small tool sheds and part of a fence was burned. We all visited the place next morning and heard tell of how the farmer and his sons had got the scared horses of the the barn. Such things are immensely impressive to young uns.'Image measures 8.5 x 13.5 on a 12 x 16 inch sheet with an overall framed size of 21.75 x 17 inches.Good condition, the complete sheet with deckle edges, not laid down, no damage or repair, paper tape on the front surface top right and left, mat burn around the image.
• THOMAS HART BENTON. "CRADLING
  THOMAS HART BENTON. "CRADLING WHEAT," LITHOGRAPH (American, 1889-1975). Lithograph, pencil signed "Benton" lr, image size: 9 1/2 x 12 in., framed.
• THOMAS HART BENTON (AMERICAN
  THOMAS HART BENTON (AMERICAN 1889-1975), DISCUSSION (FATH 82), LITHOGRAPH, 305 X 248 MMThomas Hart Benton, (American, 1889-1975) Discussion (Fath 82), Lithograph, 1969, signed Benton, in graphite l.r., from an edition of 250, circulated by Associated American Artists, New York; apparently in good condition. Framed.* Dimensions: Sheet size: 305 x 248 mm (12 x 9-3/4 in)
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Discussion (1969)The nice, clean example in fine condition is published by Associated American Artists in an edition of 250 prints on wove paper and signed by the artist in pencil below the image lower right, Fath catalog number 82.This is a fine, dark impression in exceptional condition.Benton's comments in Fath read: 'In the summer of 1937, Life magazine hired me to report, with drawings, on the famous 'sit down' strikes occurring in the Detroit area at the time. Some newspaper reporters had written of these strikes as if they were the beginnings of revolution. I found neither talk about or desire for revolution, only an itch for more money. The drawing from which this litho was made represents a discussion between a union recruiter and a negro worker. The Union boss sits in the background looking on.'Image measures 9.75 x 12, sheet is 12.75 x 18, and frame is 19.75 x 23.5 inches.Fine to near mint condition, very clean, the full untrimmed sheet with four deckle edges, not laid down, no damage, stain, punctures, tears or repair; a very fine example framed to archival standards in acid free mounts.Provenance: A private Kansas City collection.
• THOMAS HART BENTON (AMERICAN,
  THOMAS HART BENTON (AMERICAN, 1889-1975) "AFTER THE BLOW" 1946, Lithograph. Signed 'Benton' (lower right). Edition of 250.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)The Little Fisherman (1967)The lithograph published by Associated American Artists in an edition of 300 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 80. A good strong impression on Rives watermarked paper.Benton's comments in Fath read: ''Not much story. Britt Adler, a boy of our neighborhood, posed for it some fifteen years ago. Based on a common incident in Missouri country - a boy, on the lake or river bank, baiting his hook. No doubt the same occurs in Texas wherever, and whenever, there's water and fish.''Image measures 14 x 10 on a 18 x 13 inch sheet with an overall frame size of 22.75 x 19.5 inches.Very good condition, the complete sheet with deckle edges, not laid down, no damage or repair. There is a very pale outline from a previous mat framing the image.
• THOMAS HART BENTON SIGNED
  THOMAS HART BENTON SIGNED LITHOGRAPHThomas Hart Benton (American, 1889-1975), lithograph titled "Sunset" from 1941. Signed in pencil, lower right. 10" x 13" in 19" x 22-1/2" frame. Original gallery information on verso. Some light age toning. See images. shipping info This item can be shipped in-house.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Minstrel Show (1934)The lithograph published in an edition of only 100 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 7. Fath states, 'This lithograph was included in the 'Fifty Modern Prints Exhibition' of outstanding prints done in 1934 held at the Weyhe Gallery in New York City in February 1935.Benton's comments in Fath read: Date of drawing 1934. West Virginia Mts. Description of theme in 'Art in America' - chapter on 'the Mountains.'Image measures 9 x 11.5, sheet is 9.5 x 13, and frame is 17 x 20 inches.Fair condition, noting trimmed close edges, considerable toning, adhesive tape along the upper edge, the print is laid down.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)Sunset (1941)The lithograph from an edition of 204 prints published by Associated American Artists is signed by the Benton in pencil below the image lower right and retains the original AAA label verso. It is recorded as Fath number 43.Image measures 9.75 x 13, frame size 20 x 22.5 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts. Because this print is from a collection well-known by this auction firm for more than twenty years, it has not been removed from its framing for inspection. As with all lots we offer, the condition is guaranteed to be as stated or a full refund will be issued.
• BENTON Thomas Hart (American
  BENTON Thomas Hart (American 1889-1975): Self Portrait Lithograph sight size 20 1/2'' x 14 1/2'' pencil signed lower right edition of 300 lower left fine silver gilt frame with very minor wear 38 1/2'' x 22 1/4''.CONDITION: The print is not laid has large margins and is free of foxing and staining in the margins. You will be happy to own this print. It is hinge mounted at the top with another small piece 3/4's down the left margin to secure it.
• Thomas Hart Benton (American
  Thomas Hart Benton (American 1889-1975) Sunday Morning Lithograph on paper Associated American Artist edition of 250 with original label on verso; signed l.r.; plate size 9.5 x 12.5 in. Condition: Some toning otherwise in good condition.