A few examples of appraisal values for
ACKERMAN

• A PAIR OF FRENCH PORCELAIN VASES AS
  A PAIR OF FRENCH PORCELAIN VASES AS LAMPSA pair of French porcelain vases now as table lampsheight excluding fitments 16 1/2in (42cm); diameter 6 1/4in (16cm) Provenance:With Ackermann Galleries, New York.With Robert Gilfillen, Inc., New Yor
• OSBOURNE'S PICTORIAL ALPHABET CARDSOsbourne's
  OSBOURNE'S PICTORIAL ALPHABET CARDSOsbourne's Pictorial Alphabet cards, published by C. Osbourne and Messrs. Ackermann & Co., 1835, in slide case, contains twenty-seven cards. Competitive in-house shipping is available for this lot. Condition: Approx. 3" x 4". Surface dirt and stands, set incomplete.
• French Ackerman Loire plastic champagne
  French Ackerman Loire plastic champagne bucket, approx 21cm H x 21cm Dia
• PAIR OF FRAMED ANTIQUE LIMOGES CABINET
  PAIR OF FRAMED ANTIQUE LIMOGES CABINET PLATESPair of Framed Antique Limoges Ackermann Porcelain Cabinet Plates. Each depicting neoclassical scenes. Plates measure 8-3/4" diam. Frames measure 18 1/2" squared. Condition: Good condition. Estimate 4
• Karl Bodmer (Swiss/French 1809-1893),
  Karl Bodmer (Swiss/French 1809-1893), Set of Three Prints ACKERMAN & Co., publisher. Includes Noapeh/Psihdja-Sahpa, Indians Hunting the Bison, and Scalptanz Der Monnitarris/Danse Du Scalp Des Indiens Meunitarris. Largest 16 1/4 x 21 1/4 inches.
• Karl Bodmer (Swiss/French 1809-1893),
  Karl Bodmer (Swiss/French 1809-1893), Set of Four Prints ACKERMAN & Co., publisher. Includes Chief of the Blood Indians/War Chief of the Piekann Indians/Koutani Indian, Dacota Woman and Assiniboi Girl, Wahk-Ta-Ge-Li, and Pehriska-Ruhpa. 20 1/4 x 14 1/2 inches.
• EVELYN ACKERMAN (1924-2012) MODERNIST
  EVELYN ACKERMAN (1924-2012) MODERNIST MOSAIC FOR ERAEvelyn Ackerman (1924-2012) (Circa 1960.)The glass tile mosaic depiction of a lion in bright colorful glass tiles is found with the original ERA Industries paper label verso.Overall framed size measures 13 x 49 inches.Very good condition throughout, no damage, repair, losses, replacements or wear.
• NAVAL ACADEMY ARCHITECTURAL DRAWING
  NAVAL ACADEMY ARCHITECTURAL DRAWING Drawing on paper, signed LM Goldsborough, submitted August 10, 1855, marked "Ackerman Lith., 379 Broadway, NY" lr, sight size: 7 x 14 in., framed.
• PAIR OF REGENCY GREY PAINTED MAHOGANY
  PAIR OF REGENCY GREY PAINTED MAHOGANY AND COMPOSITION FOOTSTOOLS WITH BRASS FEETOne retains remnant of paper label. One has two feet from a later period. 10 x 14 x 16 1/2 in. Note: The design for these stools directly related to a pattern for a 'Grecian footstool' published in R. Ackerman's Repository of Arts of 1826 , pl. 58. Ackerman praises this type of stool for its comfort and stability (see P. Agius, ed., Ackerman's Regency Furniture and Interiors , London, 1984, p. 88). Condition Both missing areas of carving and molding. Some carving is plaster not wood. Minor staining and areas of over-painting. Sound frames, will need to be re-upholstered. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• Pair of Royal Vienna porcelain urns,
  Pair of Royal Vienna porcelain urns, semi-nude women with cherubs, gilt decoration, Ackermann & Fritze Austria beehive mark, #126, 14" h
• THE REPOSITORY OF ARTS, LITERATURE,
  THE REPOSITORY OF ARTS, LITERATURE, COMMERCE...The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics , published by Rudolph Ackermann, London: Ackermann, 1809-1828, (twenty-two volumes only, 1809 through 1828), including hand-colored aquatints, plates, fabric samples, etc., the annual publication influenced fashion, architecture, and culture during the Regency and late Georgian period, 9 3/4" x 6". Competitive in-house shipping is available for this lot. Condition: Foxing, some pages with browning, wear to spines and boards, with two lacking calf covering. Quarter calf, with marbled paper boards.
• BRITISH SCHOOL MARITIME OIL ON CANVAS,
  BRITISH SCHOOL MARITIME OIL ON CANVAS, 19TH C. Circle of Thomas Luny (British, 1759-1837) or William John Huggins (British, 1781-1845), portrait of an East Indiaman off Dover, maritime oil on canvas featuring full-rig sailing vessels, including two ships flying the British flag, one of which is named: "Rockingham" and an additional ship with an English East India Company flag, the water and sky are rendered in moody shades of green and grey, likely early 19th century, paper label remnant affixed to frame reverse, partial text reads: "Arthur Ackermann...London..." Image: 33.75" H x 55.5" W, frame: 42" H x 61" W. Craquelure, patch repair visible verso. Provenance: Arthur Ackermann & Son, London.
• AFTER KARL BODMER (1809-1893) HAND COLORED
  AFTER KARL BODMER (1809-1893) HAND COLORED ENGRAVINGKarl Bodmer (1809 - 1893)Cave-In-Rock. View on the Ohio (Circa 1839.)The edition depicting an Ohio Steamer on the Ohio River just below Shawnee Town with several figures at the rail is lettered lower left Paris. Arthus Bertrand editeur and Coblenz bei J. Holscher lower right, legend below the image includes the title and London by Ackermann & Co 96 Strand. December 1th 1839.Plate measures 9.75 x 13.75 with a framed size of 28.75 x 32.25 inches.Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. Framed to archival standards. This work has not been examined outside the frame.
• (4) ENGLISH SHOOTING PRINTS AFTER WOLSTENHOLME(lot
  (4) ENGLISH SHOOTING PRINTS AFTER WOLSTENHOLME(lot of 4) Framed English hunting prints on paper, after Dean Wolstenholme Sr. (1757-1837), engraved by Thomas Sutherland (1785-1838), published by Rudolph Ackermann (1764-1834), plates I-IV, including: Going Out, Game Found, Dogs Brought the Game & Reloading, and Refreshing, labels verso for Fores Ltd. printsellers, (one) lacking glass, sight: approx 15"h, 17.75"w, overall: approx 16.25"h, 19"w; 17lbs total
• GROUP OF TWELVE BOOKS, INCLUDING A SIGNED
  GROUP OF TWELVE BOOKS, INCLUDING A SIGNED COPY WILLIAM BUTLER YEATS 'JOHN SHERMAN AND DHOYHA'Comprising: Quintus Horatius Flaccus Narcissus; or The Young Man's Entertaining Mirror by Charles Wiseman, London, 1778 John Sherman and Dhoya by Ganconagh (William Butler Yeats', T. Fisher Unwin, London, signed Forget Me Not by Frederic Shoberl, Ackermann Strand, London, 1831 Roderick Hudson by Henry James, vol. II, MacMillian & Co., 1883 The American by Henry James, vol. I, MacMillian & Co., 1883 Several Tracts by Sir Matthew Hale, W. Shrowsbery, London The Fruit of the Tree by Edith Wharton, Charles Scribner's & Sons, NY, 1907 Point Counter Point by Aldous Huxley, Chatto & Windus, London, 1928 The Life of Sir Thomas More by Reverend Joseph Hunter, William Pickering, London, 1828 Paris and Helen by W.J. Turner, Sidgwick & Jackson Ltd., London, 1921 The Most Noble and Famous Travels of Marco Polo by John Frampton, The Argonaut Press, London, 1929 Property from the Estate of R.C. Bald Donated by Margaret Bald Sold to Benefit the Finger Lakes Land Trust Condition Wear, staining, losses and foxing consistent with age and use. Tracts and John Sherman with torn coversNot withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ELYSE LORD (ENGLISH, 1900-1971) Pair
  ELYSE LORD (ENGLISH, 1900-1971) Pair of etchings. To include: "Parrakeets", signed lower right, no. 70 from an edition of 75, 8.5'' high x 5.75 wide; "Red Azaleas", signed lower right, no. 52 from an edition of 85, 8.5'' high x 4.5'' wide. Arthur Ackerman & Son Inc. label verso. From a Park Avenue, NYC collection. Condition: Framed behind glass, not examined out of frame. Good.
• ATTRIBUTED TO JOHN VARLEY (1778-1842):
  ATTRIBUTED TO JOHN VARLEY (1778-1842): CHINEFORD CHURCHWatercolor on paper, signed 'J. Varley' lower right, titled on the reverse, with label from Ackermann's Repository of Arts, London. 9 3/4 x 19 in. (sheet), 19 3/4 x 28 3/4 in. (frame). Condition Sheet mounted on card with inpainting along the bottom edge. Staining and foxing.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• SAMUEL HENRY ALKEN (1810-1894): MR.
  SAMUEL HENRY ALKEN (1810-1894): MR. S. NICHOLS' BAY COLT "NEWMINSTER" WITH SIMON TEMPLEMAN UPOil on board, 1851, unsigned, with label from Arthur Ackermann & Son Ltd, London. 7 x 9 in., 10 x 11 3/4 in. (frame). Literature: T.H. Taunton, Portraits of Celebrated Racehorses, 1888, Vol. IV, pp. 81-83. Condition Craquelure and surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ELYSE LORD (1900-1971): SPRINGTIME AT
  ELYSE LORD (1900-1971): SPRINGTIME AT LOYANG NO. 1; AND SPRINGTIME AT LOYANG, NO. 2Two etching in black with hand-coloring on Japan, signed in pencil, numbered 65/100, with label from Arthur Ackermann & Son, NY, Both 13 3/4 x 10 1/4 in. (plate), 23 x 18 3/4 in. (frame). Condition Both with margins. Apparently in very good condition. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HENRY KOEHLER (1927-2019): HEAVYWEIGHT
  HENRY KOEHLER (1927-2019): HEAVYWEIGHT HUNTEROil on paper, signed 'Henry Koehler' lower left, with label from Arthur Ackermann & Son, NY. 10 x 14 in. (sheet), 17 x 21 in. (frame). Condition In excellent condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HENRY KOEHLER (1927-2019): LISTENING
  HENRY KOEHLER (1927-2019): LISTENING STAG HUNTERCharcoal and oil on paper, 1982, signed 'Henry Koehler' lower right, titled and dated on the reverse, with label from Arthur Ackermann & Son, NY. 14 1/4 x 10 1/2 in. (sheet), 21 1/2 x 17 1/2 in. (frame). Condition In excellent condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HENRY KOEHLER (1927-2019): LESTER PIGGOTT
  HENRY KOEHLER (1927-2019): LESTER PIGGOTT UPCharcoal and oil on paper, 1982, signed 'Henry Koehler' lower left, signed, titled and dated on the reverse, with label from Arthur Ackermann & Son, NY. 14 1/2 x 10 1/2 in. (sheet), 21 1/4 x 17 1/4 in. (frame). Condition Extremely pale light- staining. Taped to the overmat with clear tape along the reverse of the top sheet edge. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HENRY KOEHLER (1927-2019): MORNING WORKOil
  HENRY KOEHLER (1927-2019): MORNING WORKOil on canvas, 1975, signed 'Henry Koehler' lower left, signed, titled and dated on the reverse, with label from Arthur Ackermann & Son, NY. 12 x 18 in., 18 1/4 x 24 1/4 in. (frame). Condition In excellent condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HENRY KOEHLER (1927-2019): SECOND HUNTSMAN,
  HENRY KOEHLER (1927-2019): SECOND HUNTSMAN, THE PYTCHLEYCrayon on paper, 1983, signed 'Henry Koehler' lower right, with label from Arthur Ackermann & Son, NY. 17 1/2 x 15 in. (sheet), 24 3/4 x 22 in. (frame). Condition Extremely pale mat staining. Otherwise in very good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• 19TH C. BRITISH WATERCOLOR ARTIST'S
  19TH C. BRITISH WATERCOLOR ARTIST'S BOX, UNUSED Mahogany Deluxe Case full of all of the materials an artist could want, appears to be unused, having a hinged lid with paper label that reads "R. Ackermann, Manufacturer of Superfine Watercolors, 191 Regent Street" (London). A lift out tray at back contains twenty-four still wrapped cakes of color, and a stick of Chinese ink, under which are three compartments containing cotton wrapped sticks of black, white and bistre chalk. The central portion contains two recessed porcelain bowls, with pans of blue and red, three divot porcelain mixing palette, rubber eraser and ivory brush rest. The foremost compartment (with a second repetitive label) contains the various brushes, blending stumps and chalk holders; and an ivory handled blending sponge. A lift out pin in edge releases the shallow drawer with flush mount brass pull at bottom, which stores six square and two larger oblong porcelain mixing pans (still wrapped in paper). Lacking key. 3" x 12" x 8". Magnificent condition. Ackermann has hidden a calling card under the central palette.
• HONNEGER AFTER BODMER INDIAN PRINTS,
  HONNEGER AFTER BODMER INDIAN PRINTS, 2 Johann Jacob Honegger (active in Zurich, 1820-1840) after Karl Bodmer (Swiss, 1809-1893) hand-colored stone lithographs after the originals from "Travels in the interior of North America, 1832-1834 " published by Ackermann, London. Images: 13" H x 9" W; frames: 27.5" H x 23.5" W.
• COMBE; DR. SYNTAX IN DELUXE LEATHER
  COMBE; DR. SYNTAX IN DELUXE LEATHER BINDINGS Two titles by William Combe: THE TOUR OF DR. SYNTAX, IN SEARCH OF THE PICTURESQUE, A POEM; and THE SECOND TOUR OF DR. SYNTAX, IN SEARCH OF CONSOLATION, with color plates after Thomas Rowlandson, each noted as the 2nd edition (London: Ackermann, 1812 and 1820) 2 vols. large 8vo, uniformly bound in full green goatskin, richly gilt, with red silk doublures (by Root & Son, London, 1st quarter, 20th century).
• (4) Pcs Austria porcelain, c/o Ackermann
  (4) Pcs Austria porcelain, c/o Ackermann & Fritze teapot with classical woman (5-1/2" h), Ackermann & Fritze teapot with house in lake landscape (5-1/4" h), Victoria Carlsbad portrait ewer (9-1/2' h), Ackermann & Fritze urn with portrait of Marie Leczinski Queen consort of Louis XV of France (16-3/4" h, missing lid), gold loss to handles of tea pot, large vase
• TWO 19TH C. KARL BODNER HAND COLORED
  TWO 19TH C. KARL BODNER HAND COLORED ENGRAVINGS. Two Karl Bonner hand colored engravings, including 'Horse Racing of Sioux Indians', published by Ackerman & Co., Image 10” x 14”, Overall in frame 25” x 29.5”. 'Herd of Elk and Bison', Image 12.5” x 14”, Overall 26” x 27”.
• KARL BODNER HAND COLORED ENGRAVING.
  KARL BODNER HAND COLORED ENGRAVING. Karl Bodner hand colored engraving, 'Bison Dance of the Mandan Indians', published by Ackerman & Co. Image 15.5” x 20.5”, Overall 30.5” x 36”.
• PAIR OF ACKERMANN & FRITZE PORCELAIN
  PAIR OF ACKERMANN & FRITZE PORCELAIN VASES GERMANY, EARLY 20TH CENTURY HEIGHTS 16”.PAIR OF ACKERMANN & FRITZE PORCELAIN VASES, Germany, Early 20th Century, With gilt decoration and painted figural scenes signed Wagner. Includes gilt-decorated wooden bases. Dimensions: Heights 16".
• SAMUEL ALKEN (ENGLISH, 18TH-19TH CENTURY)Two
  SAMUEL ALKEN (ENGLISH, 18TH-19TH CENTURY)Two Hunting Drawings each pencil and watercolor, 12 by 18 in. each Arthur Ackermann & Son Inc., London label on back
• ORIGINAL BAMBI ANIMATION CEL ON KEY
  ORIGINAL BAMBI ANIMATION CEL ON KEY MASTER BACKGROUNDAn original production animated cel painting set-up from Disney's Bambi (1942), featuring Bambi, Faline, and three rabbits, all trimmed and laminated between layers of clear celluloid. Below the celluloid is a key master production background painting, with a faded stamp seal to the bottom left corner of the image. Complete cel set-up by Courvoisier Galleries (San Francisco), and originally sold at Arthur Ackermann & Son (London/New York). Taken from the tag affixed to the reverse: "This original master 'background' and 'cel' painting from the Walt Disney Studios was used in the filming of BAMBI. Only one background is made for each scene, consequently this is the only one of its kind in existence. Copyright - All Rights Reserved, WALT DISNEY PRODUCTIONS". The mat sight measures 7 1/2" x 8 1/2", and the frame measures 14 5/8" x 15 3/4". Condition Not removed from the frame. There is significant damage to the cel animation layer, with rippling and bubbling to the lamination and flaking to the character paintings. However, the background painting remains intact in what appears to be very good condition.
• "NAPLES AND THE CAMPAGNA FELICE" (1815,
  "NAPLES AND THE CAMPAGNA FELICE" (1815, ILLUSTRATED)Lewis Engelbach Naples and the Campagna Felice, in a series of letters addressed to a friend in England in 1802 First edition, 1815 Pub. R. Ackermann (London) Octavo, 10 1/4" x 6 7/8" 400 pages, featuring 16 hand-colored engravings by Thomas Rowlandson, as well as two maps (one fold-out map of the Gulf of Naples, one map of the Island of Capri). Covered in the original brown cloth with gilt spine, found in protective clear plastic with a vintage custom cloth case. Condition The cover is generally worn but good, and the binding remains very good. The text block is very good as well, with only occasional minor issues (such as folds or smudges).
• LITHOGRAPH OF WINTER ON ICE AT QUEBEC
  LITHOGRAPH OF WINTER ON ICE AT QUEBEC CITY, 1833An early lithographic print of winter on the ice at Quebec City. Entitled "The Ice pont between Quebec & Point Levi" engraved by J. Stewart after an original sketch by Lt. Col. James Coburn and published in London, 1833, by Ackerman &Co. Strong colours, some wrinkling, minor foxing and some water damage to outside edge of white border on upper right. Dimensions, 38" x 27.5". FRANCAIS: Ancienne lithographie de l'hiver sur la glace à Québec. Intitulé "The Ice pont between Quebec & Point Levi" gravé par J. Stewart d'après un croquis original du lieutenant-colonel James Coburn et publié à Londres, 1833, par Ackerman & Co. Couleurs vives, quelques rides, rousseurs mineures et quelques dégâts d'eau sur le bord extérieur de la bordure blanche en haut à droite.
• LITHOGRAPH, AFTER LT. COL. J. COCKBURN
  LITHOGRAPH, AFTER LT. COL. J. COCKBURN (1778-1848)After Lt. Col James Cockburn, "Famous Ice Bridge formed between Quebec and Pont Levi", an offset lithograph of winter on the ice at Quebec City. Engraved by J. Stewart after an original sketch by Lt. Col. James Cockburn and published in London, 1833, by Ackerman &Co., creasing, 18.5" x 26".