A few examples of appraisal values for
ACP

• 19TH CENTURY AMERICAN SILVER
  19TH CENTURY AMERICAN SILVER WATER PITCHER BY G. MACPHERSON Mid 19th century. New Orleans maker. Weight: 29.2 troy ounces.
• ESSEX ARMS COLT 1911A1 PISTOL
  ESSEX ARMS COLT 1911A1 PISTOL United States,.45 ACP caliber, serial number 13905, Pachmayr rubber grips, matte black finish, marked on the right side of the slide "COLT'S PT. F.A. MFG. CO. HARTFORD, CONN. U.S.A.", marked on the right side of the frame "ESSEX ARMS CORP./ISLAND POND, VT.", with Bo-Mar sights, and a magazine. Note: FFL
• KRISS VECTOR SDP PISTOL United
  KRISS VECTOR SDP PISTOL United States,.45 ACP caliber, serial number 45P018516, black composite stock, marked on a data place recessed into the left side "KRISS USA, INC., CHESAPEAKE, VA/VECTOR SDP CAL. .45ACP", with flip up sights, a magazine, and marked on the left and right side "KRISS". Note: FFL
• US ARMY COLT 45ACP M1917 REVOLVER
  US ARMY COLT 45ACP M1917 REVOLVER US PROPERTYColt .45 M1917 (serial #:112153)Serial number places the year of production at 1920. Top of the barrel has the two line Colt address and patent dates, left side of the barrel is marked COLT DA 45, the underside of the barrel is marked UNITED STATES PROPERTY and the underside of the butt ''U.S./ ARMY / MODEL / 1917 / No / 112 / 153.'' The left side of the frame behind the trigger has flaming bomb proof mark top left of frame by the hammer is marked ''S20'' with eagle's head. Correct smooth walnut military version grips, no moon clips, lanyard on the underside of the butt.This gun qualifies for shipping directly to a holder of FFL Type 03 License - Collector of Curios and Relics.Measures overall 10.5 inches with 5.5 inch barrel.Very good condition, 90% or better finish, grip with very few dings.
• US ARMY SMITH & WESSON 45ACP
  US ARMY SMITH & WESSON 45ACP M1917 REVOLVERSmith and Wesson .45 M1917 (serial #:117247)Serial number places the year of production at 1918. The top of the barrel has the two line S&W address and patent dates, the left side is marked S&W DA 45, the underside of the barrel is marked UNITED STATES PROPERTY and the bottom of the butt ''U.S./ ARMY / MODEL / 1917 / No / 117 / 247.'' The left side of the frame has flaming bomb proof mark in front of the hammer. The serial number on the butt, barrel, and cylinder all match. The grips are the correct smooth walnut military versions, case-hardened trigger and hammer, no moon clips, lanyard ring base of the butt.Measures overall 10.5 inches with 5.5 inch barrel.Good condition, 70% or better finish, with some spots of bluing missing, some with oxidation, grips with very few dings and scratches.
• A 1912 COLT 45ACP M1911 SEMI-AUTO
  A 1912 COLT 45ACP M1911 SEMI-AUTO PISTOL US PROPERTYColt .45 M1911 (serial #:16571)Serial number places the year of production at 1912. Marked with two-line Colt address and Colt logo on the slide and MODEL OF 1911 U.S. ARMY, frame marked UNITED STATES PROPERTY. Small blade front and round top rear sight, fitted with a smooth trigger, serrated hammer, slide catch, and thumb safety, wood checkered grips with double diamonds. One magazine with a bail mounted underside.This gun qualifies for shipping directly to a holder of FFL Type 03 License - Collector of Curios and Relics.Measures overall 8.5 inches with 5 inch barrel.Very good condition, 90% or better finish and some damage to the grips. Magazine has some damage.
• WWII REMINGTON 45 ACP M1911A1
  WWII REMINGTON 45 ACP M1911A1 SEMI-AUTO PISTOL US ARMYRemington .45 M1911A1 (serial #:1748284)Serial number places the year of production at 1944 production. The two-line Remington address on the slide and a ''FJA'' inspectors mark right side, right side of frame marked U.S. ARMY near crossed cannons. Blade front and flat top rear sights, fitted with a checkered stamped trigger, thin serrated hammer, slide catch, thumb safety and mainspring housing. With one magazine marked with an ''S'',This gun qualifies for shipping directly to a holder of FFL Type 03 License - Collector of Curios and Relics.Measures overall 8.5 inches with 5 inch barrel.Excellent condition, 95% or better finish.
• WWII US ARMY ITHACA 45 ACP
  WWII US ARMY ITHACA 45 ACP M1911A1 SEMI-AUTO PISTOLIthaca .45 M1911A1 (serial #:1462967)Serial number places the year of production at 1943 production. Marked with two-line Ithaca address on the slide and a ''FJA'' inspection marks on frame, the right side of frame marked U.S. ARMY near crossed cannons. Blade front sight, flat top rear sights, fitted with a checkered stamped trigger, thin serrated hammer, slide catch, thumb safety and mainspring housing, one magazine marked with letter R.This gun qualifies for shipping directly to a holder of FFL Type 03 License - Collector of Curios and Relics.Measures overall 8.5 inches with 5 inch barrel.Very good condition 90% or better finish.
• COLT 45ACP M1911 SEMI-AUTO PISTOL
  COLT 45ACP M1911 SEMI-AUTO PISTOL US PROPERTYColt .45 M1911A1 (serial #:751539)Serial number places the year of production at 1943. The two-line Colt address on slide and ''W.B.' inspection mark on frame, right side of frame marked UNITED STATES PROPERTY. Blade front sight, flat top rear sights, fitted with a checkered stamped trigger, thin serrated hammer, slide catch, thumb safety and mainspring housing, one magazine marked COLT 45 AUTO.This gun qualifies for shipping directly to a holder of FFL Type 03 License - Collector of Curios and Relics.Measures overall 8.5 inches with 5 inch barrel.Very good, 85%, scratch left side above the trigger.
• COLT "MODEL OF 1911 U.S. ARMY"
  COLT "MODEL OF 1911 U.S. ARMY" PISTOLCOLT "MODEL OF 1911 U.S. ARMY" SEMI AUTOMATIC PISTOL, 45 ACP caliber, 5" barrel, blued finish, checkered walnut grips, two tone magazine, dovetail rear sight, lanyard loop, eagle over S11 proof on frame, serial #321216, manufactured circa 1918. Lot requires FFL or background check.
• RUGER "LCP" MODEL SEMI AUTOMATIC
  RUGER "LCP" MODEL SEMI AUTOMATIC PISTOLRUGER "LCP" MODEL SEMI AUTOMATIC PISTOL, 380 ACP, caliber, 2 3/4" barrel, matte black finish, glass-filled nylon frame, fixed sights, (2) six shot magazines, original box and manual, Ruger soft case, serial #371111920, shipped from Ruger 2013. Lot requires FFL or background check.
• STERLING MODEL 300 SEMI AUTOMATIC
  STERLING MODEL 300 SEMI AUTOMATIC PISTOLSTERLING MODEL 300 SEMI AUTOMATIC PISTOL, 25 acp caliber, 2 1/4" barrel, blued finish, black plastic grips with Sterling logo, seven shot magazine, fixed sights, serial #023938. Lot requires FFL or background check.
• BRESCIA .25ACP SEMI-AUTOMATIC
  BRESCIA .25ACP SEMI-AUTOMATIC PISTOLBrescia, Italy pistol, .25ACP caliber (.635mm), semi automatic, sight groove at top of slide, black plastic grips, "Made in Italy" at right slide, detachable magazine, SN 424XXX *REQUIRES FFL TRANSFER*
• BUDISCHOWSKY TP-70 SEMI-AUTOMATIC
  BUDISCHOWSKY TP-70 SEMI-AUTOMATIC PISTOL .25 CAL.Budischowsky TP-70 pistol, Norarmco, Mich., 25ACP caliber, semi-automatic double action, 2.6" barrel, stainless finish, black grips, SN 1511 *REQUIRES FFL TRANSFER*
• TISAS ZIG M1911 W/ KIMBER SLIDE &
  TISAS ZIG M1911 W/ KIMBER SLIDE & WILSON BARREL, .45 ACP An offering of a "Commander" style 1911 assembled of parts from various manufacturers. The frame is sourced by a Turkish-made Tisas ZIG M1911 with the slide replaced with one from a Kimber Pro CDP along with a Wilson Combat barrel and full-length guide rod. Both slide and frame are in a matte silver-gray finish. The slide is mounted with a NOVAK style rear sight and simple square front blade with tritium inserts. The gun is in overall good but well-used condition, the gun feels tight overall while all parts still operate smoothly. Gun comes with one original Kimber magazine and two surplus GI steel mags. Includes steel lockbox with drum key. S/N: T0620-20Z01956, Caliber: .45 ACP,
• TAURUS MODEL PT-945 DOUBLE ACTION
  TAURUS MODEL PT-945 DOUBLE ACTION PISTOLTAURUS MODEL PT-945 DOUBLE ACTION SEMI AUTOMATIC PISTOL, 45 acp caliber, 4 1/4" barrel, matte black finish with gold plated controls and screws, "Sig Foxtrot" light mounted on accessory rail, (2) eight round magazines, three dot sights, original box and papers, serial #NXH 11746. Lot requires FFL or background check.
• BROWNING BLACK LABEL 1911-380
  BROWNING BLACK LABEL 1911-380 PISTOLBROWNING BLACK LABEL 1911-380 SEMI AUTOMATIC PISTOL, 380 ACP caliber, 4 1/4" barrel, blackened stainless slide, black composite frame, burlwood grips, skeletonized trigger, bobbed hammer, grip safety, (5) eight round magazines, original plastic carry case, manual and lock, serial #51HZV01503, manufactured 2015. Lot requires FFL or background check.
• COLT MODEL 1903 HAMMERLESS POCKET
  COLT MODEL 1903 HAMMERLESS POCKET AUTOMATIC PISTOLCOLT MODEL 1903 HAMMERLESS POCKET AUTOMATIC PISTOL, .32 acp caliber, 3 3/4" barrel, blue finish, black hard rubber "COLT" grips with rampant colt, (2) eight shot magazines, dovetailed rear sight, factory letter, serial #330469, shipped from Colt December 22, 1919. Lot requires FFL or background check.
• RUGER LCP SEMI AUTOMATIC
  RUGER LCP SEMI AUTOMATIC PISTOLRUGER LCP SEMI AUTOMATIC PISTOL, .380 acp caliber, 2 3/4" barrel, matte blue finish, black polymer grip frame, Crimson Trace laser sight, (2) six shot magazines, fixed sights, double action only, original box and manual, serial #370-08299, shipped from Ruger 2008. Lot requires FFL or background check.
• KEL-TEC MODEL P3AT SEMI AUTOMATIC
  KEL-TEC MODEL P3AT SEMI AUTOMATIC PISTOLKEL-TEC MODEL P3AT SEMI AUTOMATIC PISTOL, 380 ACP caliber, 2 3/4" barrel, matte black finish, black polymer grip frame, "Arma-Laser", six shot magazine, shrouded hammer, fixed sights, push button magazine release, serial #J6F 11. Lot requires FFL or background check.
• CASPIAN ARMS 1911 WITH A GLADES
  CASPIAN ARMS 1911 WITH A GLADES SLIDE. Caspian Arms 1911 stainless, 45 acp, with custom Glades Gun Works competition 5.5” ported slide and barrel, plus original Caspian slide, serial # WCB90006, T-488, NICS Background check required unless FFL or C&R exempt, out of state buyers must ship to an FFL in your state.
• A ST. CLOUD TREMBLEUSE SAUCER circa
  A ST. CLOUD TREMBLEUSE SAUCER circa 1725-35, Henri-Charles Trou II period, with a gadrooned well, the border painted in underglaze blue “Broderies à Rinceaux”, blue underglaze marks, 12cm diameter Provenance: Robert MacPherson Antiques, November 2010.
• Set of Ivory Mounted Ebony Reel
  Set of Ivory Mounted Ebony Reel Pipes (Small Bagpipes), Sinclair-MacPherson, Edinburgh, Scotland, mid 20th century signed on the chanter bass drone length 19.75 in — 50.2 cm
• Sir James MacPherson Le Moin
  Sir James MacPherson Le Moin (1825-1912), Canadian QUEBEC PAST AND PRESENT: A HISTORY OF QUEBEC, 1608-1876 IN TWO PARTS QUEBEC PAST AND PRESENT: A HISTORY OF QUEBEC, 1608-1876 IN TWO PARTS
• Good William Braisted Heyer, New
  Good William Braisted Heyer, New York, Coin Silver Beaker, ca. 1788-1828, monogrammed in period script \"E. C. MacPaige, h. 3-1/2\", dia. 2-7/8\".
• (LOT OF 3) CELEBRITY AUTOGRAPHED
  (LOT OF 3) CELEBRITY AUTOGRAPHED AND ARTIST SIGNED LIMITED EDITION PHOTOGRAPHS (lot of 3) Celebrity autographed and artist signed limited edition photographs, consisting of Annette Bening by Dana Pineman, 13/50, sheet 11"h x 14"w; Anne Heche by Antoine Verglas, 17/50, sheet 11"h x 14"w and Helen Hunt by Andrew MacPherson, 35/50, sheet 14"h x 11"w
• MCPHERSON MS COIN SILVER FISH
  MCPHERSON MS COIN SILVER FISH SLICENatchez, Mississippi coin silver fish slice or crumber with beaded handle, the center cartouche engraved with a landscape scene with houses, surrounded by elaborate Rococo style foliate scroll designs, marked G. Macpherson in rectangle on back (George MacPherson, active Natchez, MS 1841-1872), 12"L. 5.21 oz troy. Provenance: the collection of John Montague, Memphis, Tenn. Condition: Very good condition.
• AMANDA NOTARIANNI -
  AMANDA NOTARIANNI - ISOLATIONSigned, 2015, Blown glass, 11h x 9.5w x 5.5d. Internationally acclaimed glass artist, Charlie Macpherson, creates elegant pieces of hand-blown contemporary glass for gardens and interiors. Charlie draws inspiration from his surrounding environment, balancing the beautiful simplicity of his forms with a more complex use of texture, line and pattern. The stimulating and aesthetic nature of his work has led to pieces being included in public and private collections in Europe, America, Hong Kong, Australia and Canada. Each piece is signed by Charlie, adding to their provenance, and providing a reference for Collectors. “ I have learnt to work with the fluidity of the material, capturing a moment, the glass almost frozen in time, from the heat and fluidity of the molten glass to the movement created as it is cools.” Condition: Excellent
• CHARLIE MACPHERSON - CURLINGSigned,
  CHARLIE MACPHERSON - CURLINGSigned, 2018, Hand blown glass, textured and polished, 8h x 19w x 7d. Internationally acclaimed glass artist, Charlie Macpherson, creates elegant pieces of hand-blown contemporary glass for gardens and interiors. Charlie draws inspiration from his surrounding environment, balancing the beautiful simplicity of his forms with a more complex use of texture, line and pattern. The stimulating and aesthetic nature of his work has led to pieces being included in public and private collections in Europe, America, Hong Kong, Australia and Canada. Each piece is signed by Charlie, adding to their provenance, and providing a reference for Collectors. “ I have learnt to work with the fluidity of the material, capturing a moment, the glass almost frozen in time, from the heat and fluidity of the molten glass to the movement created as it is cools.” Condition: Excellent
• FIVE PIECES NATCHEZ COIN SILVER
  FIVE PIECES NATCHEZ COIN SILVER FLATWAREMississippi, mid 19th century, including tablespoon, fiddle handle, marks for George Macpherson (working 1843-1871); serving spoon, fiddle handle, marks for Samuel Cockrell (Dumfries, Virginia, before 1838; St. Francisville, Louisiana, c. 1838 and Natchez, Mississippi, working 1838-1893); three pieces with marks for Thomas Chester Coit (Norwich, Connecticut, c. 1811-1819; Natchez, Mississippi 1820-1832 and New York, NY 1833-c. 1840) including pair salt spoons and sauce ladle, most with monograms, 4.09 oz. T., 4-1/8 in. to 9 in. Provenance: Private Property from a New Orleans Collection Condition: some small dents in bowl, one salt with pitting on edge, all with light scratches and small dents
• GEORGE III MAHOGANY SERPENTINE
  GEORGE III MAHOGANY SERPENTINE CHEST HAVING LATER ADDED...George III Mahogany Serpentine Chest having later added "Guillestre Breccia" marble top over four graduated banded inlaid drawers top drawer fitted with adjustable compartments and sliding green felt writing surface all on bracket feet, label on back inscribed J.G.S. Macphail, height 36 inches, width 50 inches, depth 24 1/2 inches. Provenance: Purchased from Christie's, South Kensington sale, November 30, 2000. Collection from Mr. and Mrs. Fowler, West Hartford, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• PAIR OF OLD SHEFFIELD PLATE WINE
  PAIR OF OLD SHEFFIELD PLATE WINE COOLERSEnglish, late 18th/early 19th century, bucket-shaped, reeded bands, square handles, let in shields with engraved with the coat-of-arms and motto of the MacPherson clan with motto on banner: "NA BEAN DON SEAN GUN LAMHAINN" (Don't touch the cat without the glove.), unmarked, 8-1/2 x 8-3/4 x 8-1/4 in. Provenance: Collection of the Birmingham Museum of Art, sold to benefit the Decorative Arts Acquisition Fund Condition: both with reinforced seam on bases, dents, wear and typical wear
• EDWIN AUGUSTUS
  EDWIN AUGUSTUS HARLESTON(American/South Carolina, 1882-1931) Sketch of David after Antonin Mercie sculpture, signed lower edge "E A Harleston", charcoal on paper, site 24 x 12 in.; modern frame, 35-1/2 x 22-3/4 in. See lot 505 for the bronze by Antonin Mercié. Literature: “Edwin Harleston ”: The Johnson Collection, LLC , thejohnsoncollection.org/edwin-harleston/. Accessed 12 Apr. 2023. Constantly constrained by both racial barriers and family duty, Edwin Augustus Harleston, who was once described by W. E. B. Du Bois as the “leading portrait painter of the race,” was never able to fully devote himself to his art. Born in Charleston, South Carolina to a prosperous African American family, “Teddy” Harleston graduated as valedictorian from the Avery Normal Institute, the first accredited secondary school for African Americans in the area. He went on to attend Atlanta University, where he studied under Du Bois, a renowned scholar and future co-founder of the NAACP. His enduring relationship with Du Bois fueled Harleston’s academic ambitions and political activism. Determined to rise to his mentor’s challenge to the “talented tenth,” Harleston “took seriously his moral obligation to serve as a guide for [his] race” and would later serve as the first president of the Charleston chapter of the NAACP in 1917. Following his college graduation, Harleston enrolled at the prestigious School of the Museum of Fine Arts in Boston, foregoing his admission to Harvard. Over his six-year tenure in Boston, his instructors included Frank Benson and Edmund Tarbell; in 1924 and 1925, Harleston was a summer student at the Art Institute of Chicago. Despite his promising start as a professional artist in Boston, Harleston was pressured by his father to return to Charleston in 1912 and assume responsibilities with the family funeral home. The tension between family obligations and artistic passion pervaded Harleston’s adult life. In 1920, he married Elise Forrest, who became a respected photographer. Two years later, the couple opened a photography studio—which included space for Edwin to paint—across the street from the Harleston Funeral Home. A first for the African American citizens of Charleston, the establishment sought “to furnish the people of this community who are interested in works of art with portraits, in the following media, oil painting, charcoal, pastel, and French crayons.” In the years that followed, Harleston met with modest success as a painter; racial prejudices and segregation prevented several high profile commissions from coming to fruition and derailed a planned 1926 exhibition of his work at the Charleston Museum. In response, Harleston turned his attention to painting working African Americans. In a 1923 letter to Elise, he explained his plan to carry on the legacy of Henry Ossawa Tanner by portraying African Americans “in our varied lives and types with the classic technique and the truth, not caricatures . . . to do the dignified portrait and take the picturesque composition of arrangements or scenes showing the thousand and one interests of our group in industry, religion, general social contact.” Harleston often used photographs taken by Elise as source material for his portraits. One example of this practice is Miss Bailey with the African Shawl , widely regarded as one of the artist’s finest works. Sue Bailey, a New Yorker with extensive connections in Harlem’s cultural community, was the national traveling secretary for the YWCA and, in that role, visited Charleston to establish a high school chapter for African-American girls. The three-quarter seated pose executed in strong color, reflects the artist’s sure academic foundation and mastery of mood. Harleston was quite proud of the portrait and entered it in the 1931 Harmon Foundation juried exhibition. In addition to portrait commissions, Harleston also created paintings depicting many of the local figures—such as black street vendors—featured in works by other artists of the Charleston Renaissance era. In 1930, Aaron Douglas , one of the leading figures of the Harlem Renaissance, invited Harleston to assist him in completing a mural commission at Fisk University in Nashville. Harleston readily accepted the younger painter’s offer and spent several months working on the project alongside him. The unfinished murals form a backdrop to Harleston’s 1930 portrait of Douglas, a departure from more typical neutral backgrounds seen in other portraits, like that of Miss Bailey. Edwin Harleston died from pneumonia at the age of forty-nine in Charleston. Today, his works are represented in the collections of the Gibbes Museum of Art, Savannah College of Art and Design Museum of Art, and the California African American Museum. Condition: paper slightly toned, small spots of foxing, wavy at left edge, not examined out of frame; frame with light wear
• PRESIDENT KENNEDY MOST HISTORIC
  PRESIDENT KENNEDY MOST HISTORIC CIVIL RIGHTS NOTEThis note showcases President John F. Kennedy writing the last names King, Abernathy, and Wilkins on his gold-embossed Aboard Air Force One stationery. JFK was obviously referring to Dr. Martin Luther King, Jr., Ralph Abernathy, who headed the Southern Christian Leadership Conference, and Roy Wilkins, president of the NAACP (National Association for the Advancement of Colored People). Exactly sixty years ago, during the summer of 1963, Kennedy became the first president since Abraham Lincoln to address the civil rights agenda nationwide. The riots in Birmingham with police dogs and fire hoses; George Wallace's face-down with Nicholas Katzenbach over two blacks wishing to enroll at the University of Alabama; the killing of four young black girls at a church bombing in Birmingham; the August 28th Freedom March at the Lincoln Memorial in Washington, D.C.; and the eventual assassination of Kennedy himself dominated the 1963 news. The late Evelyn Lincoln called it one of the most critical doodles ever sketched by John Fitzgerald Kennedy! Provenance: comes from the John Burke Jovich collection. World-renowned US Presidential Historian. JFK's personal secretary during his senatorial and White House years, Evelyn Lincoln, was a dear friend of mine. She frequently reminded Kennedy to pass on his doodles and notes, all unofficial documents, to his friend Congressman Mike Kirwan. Evelyn and her husband Abe (Harold) Lincoln, reviewed every one of JFK's doodles in my Kirwan collection during my visit at their Chevy Chase, MD home back in the early 1990s. She never questioned their authenticity, and her vivid memory of Kennedy scrawling some of the documents brought tears to her eyes. Evelyn was the expert at deciphering the late president's difficult to read handwriting Size: 7.25 x 4.25 in. Unframed Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MacPherson (HA) and others, Fur,
  MacPherson (HA) and others, Fur, Feather and Fins, 4 vols (game) and two others/Provenance: The Estate of the late Sir John and Lady Smith
• COLT US ARMY MODEL 1917 45 ACP
  COLT US ARMY MODEL 1917 45 ACP REVOLVERColt Army model 1917 .45 ACP 6 shot double action revolver. Barrel measures 5 1/2". Serial #54608 (1919). Fixed blade front and frame notch rear sights. The left side of the barrel is marked "COLT D.A. 45" with the two-line Hartford address and patent dates on the top. The underside of the barrel is marked "UNITED STATES PROPERTY". The revolver has the correct standard unpolished blue finish with the Rampant Colt on the side plate, factory inspection marks, and a circled "JMH" final inspection mark at the top left of the frame. The butt has standard model and military serial number markings as well as a lanyard loop. Fitted with smooth grips. 85% plus original blue finish remains with some high point and muzzle wear, scattered light spotting, and a mottled gray/brown patina on the grip straps. The revarnished grips are fine and have some small handling marks and light pressure indentations. Mechanically excellent. See photos for more details on condition. Please check the shipping details in our terms and conditions. Blackwell Auctions holds a Federal Firearms License (FFL). All firearms: pistol, handgun, shotgun & rifle transactions will be conducted in accordance with local, state and Federal laws, without exception. shipping info This lot can be shipped in-house.