A few examples of appraisal values for
ADDERLEY

• After Sir Peter Lely Master
  After Sir Peter Lely Master George Audley Grey Estimate:$1,000-$1,500
• William Egley
  William Egley (1798-1870)/Portrait Miniature of a Young Officer/wearing a black coat and red sash/signed and dated 1834/watercolour on ivory, 90mm x 68mm/in a folding Morocco leather case/Ivory registration reference: K75U9ZHU/Provenance: The Estate of Anthony J Beeson
• AVERY PALMER (1983- )Artist:
  AVERY PALMER (1983- )Artist: Avery Palmer (1983- ). Titled: A Curious Turn of Events. Signed LR: Avery Palmer. Medium: Oil on board. Dimensions: (housing size) 14 1/2 x 17 1/2 inches; (image size) 10 1/2 x 13 1/2 inches. Housing: Gold and copper painted wood frame with serpentine pattern to the innermost and outermost border. Description: A bald figure posed as a horse, with feet for hands and dressed as a clown, looks down at a man sitting in a boat in a very small body of water; the man, naked and seated, looks down at a large spider on his right leg. Condition: : Very good. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• Etley from Jefferson Co., Missouri.
  Etley from Jefferson Co., Missouri. 6 3/8".
• GEORGE OWEN WYNN APPERLEY (ENGLISH,
  GEORGE OWEN WYNN APPERLEY (ENGLISH, 1884-1960), STREET SCENE, ALBAICíN, GRANADA Watercolor on paper, signed at lower right, retains hand-written label to verso identifying the scene, matted and framed under glass.
• Arthur Weaver (British, 1918-2008),
  Arthur Weaver (British, 1918-2008), Gardner Dickinson Watches Archer Putt on the 17th (Road Hole) Alcan Tournament, St. Andrews, 1967, watercolor and gouache over charcoal, signed lower right "A. Weaver 1967" and titled lower left, 18-7/8 x 25 in., modern gilt wood frame,
• AIDEN LASSELL RIPLEY (1896-1969
  AIDEN LASSELL RIPLEY (1896-1969 MASSACHUSETTS)Grasse-France two figures and donkey walking down a garden path. Watercolor study, with grid, framed and glazed glass in a gilded frame. Signed lower left and dated 1925. Sight size 14" x 18" overall 22" x 26" Provenance: Alfred J. Walker Fine Art. Good overall condition.
• STANLEY ANDERSON, RA, RE
  STANLEY ANDERSON, RA, RE (1884-1966) MAYFAIR BACKWATER:CRABB'S OPPONENT drypoint, 1930, a superb impression signed by the artist in pencil, 19.5 x 24cm
• AIDEN LASSELL RIPLEYAmerican
  AIDEN LASSELL RIPLEYAmerican 1896-1969Flight Woodcock''. Signed in pencil in lower right margin ''A. Lassell Ripley''. Titled in pencil lower left. Guild of Boston Artists' label verso.Etching and drypoint on paper 9'' x 12'' sight. Framed.''
• RALPH DWIGHT AYER (MA, 1909-1985)
  RALPH DWIGHT AYER (MA, 1909-1985) Tryptich: An Allegory of Love, india ink on illustration board, signed lower right in pencil, unframed, 13" x 19", some alterations in white gouache, toned.
• After E. Cresey & G. L. Taylor
  After E. Cresey & G. L. Taylor [ROMAN ARCHITECTURAL STUDIES] Eleven engravings, framed together in two frames. Estimate:$500-$700
• AIDEN LASSELL RIPLEY
  AIDEN LASSELL RIPLEY (1896-1969)Grouse and Vines, 1917 signed and dated "A. Lassell Ripley 1917" lower right watercolor, 17 1/2 by 24 3/4 in. Provenance: Estate of Anne C. Allen Private Collection, Florida, acquired from Copley Fine Art Auctions, The Sporting Sale 2015, lot 346
• Aiden Lassell Ripley
  Aiden Lassell Ripley (Massachusetts/New York 1896-1969) FARM SCENE WITH HORSES watercolor framed unsigned old gallery labels on verso H8 1/2'' W11 1/2'' Provenance: North Carolina private collection. C. Duncan Connelly Atlanta Georgia. Coe Kerr Gallery New York.
• MANNER OF THOMAS GAINSBOROUGH:
  MANNER OF THOMAS GAINSBOROUGH: PORTRAIT OF A GENTLEMAN Gentleman is thought to be Ralph Leycester Esq. of Toft; oil on canvas. With labels from American Art Association-Anderson Gallery Sale April 2 1931 and Agnew & Sons 43 Bond St. London. 30 x 25 in. (sight) 39 1/2 x 34 in. (frame).
• Elias T. Abberley American,
  Elias T. Abberley American, 19th/20th Century Deer in a Landscape Estimate:$400-$600
• [CALDER, ALEXANDER] L'ESTRANGE, SIR
  [CALDER, ALEXANDER] L'ESTRANGE, SIR ROGER. Fables of Aesop. Estimate:$600-$900
• E. HEDLEY FITTON ETCHING (British
  E. HEDLEY FITTON ETCHING (British 1859-1925) depicting St. Andrew's castle. Image measures 11''W x 11.5''H pencil signed ''Hedley Fitton'' lower right. In a wood frame.
• Andrew Afleck print English
  Andrew Afleck print English countryside black frame chipping to exterior of frame.
• Edward Tayler
  Edward Tayler (1828-1906)/Portrait Miniatures of Arthur William de Brito Savile Foljambe and of Gerald William Frederick Savile Foljambe aged one year/dated respectively 1871 and 1879/watercolour on ivory, 5cm x 4cm framed by J & W Vokins/Provenance: From the collection of the Earl of Liverpool
• Adolf Schreyer (German 1828-1899)
  Adolf Schreyer (German 1828-1899) Mounted Arab Scout charcoal on paper 30 x 24 1/2 inches.
• THE LATE GEORGE APLEY.The Late
  THE LATE GEORGE APLEY.The Late George Apley. 20th Century Fox, 1947. One sheet (27 x 41"). Comedy starring Ronald Colman and Peggy Cummins. Pinholes at corners and wear at fold lines. Folded. B-.
• ANTHONY VANDYKE COPLEY FIELDING
  ANTHONY VANDYKE COPLEY FIELDING (BRITISH, 1787-1855) LA...Anthony Vandyke Copley Fielding (British, 1787-1855) landscape, having sheep herder with a castle, 1841, watercolor on paper, signed and dated lower left, 12" x 8". Provenance: Former home of Mel Gibson, Old Mill Rd, Greenwich, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Anthony T. Avery (20th C. English)
  Anthony T. Avery (20th C. English) oil on canvas landscape with birches ''Wye Valley Scene Herefordshire England '' signed LR ''A.T. Avery '' ss: 8'' h. x 10'' w. framed.
• RALPH DWIGHT AYER (MA, 1909-1985)
  RALPH DWIGHT AYER (MA, 1909-1985) Young Native Mexican Man, oil on canvas, signed lower right, depicted shirtless with a headband, seated in a blanket draped chair, in black and gold ogee frame, OS: 30" x 27 1/2", SS: 25" x 22 1/2".
• ASTLEY DAVID MIDDLETON COOPER (1856
  ASTLEY DAVID MIDDLETON COOPER (1856 - 1924): 'ARABIANoil on canvas; signed and dated lower left; titled to plaque; 50 x 30 inches; 59 x 39 inches frame
• Aiden Lassell Ripley (American,
  Aiden Lassell Ripley (American, 1896-1969) framed and matted watercolor/gouche titled "Two Horses in Spring Farm Landscape," estate stamped on reverse, provenance: Alfred J. Walker Fine Art, 158 Newbury Street, Boston, Massachusetts, sight 6"h x 9 1/2" w
• Ashby (20th century) Portrait of
  Ashby (20th century) Portrait of Ferdinand Schaefer Woodcut Pencil signed and titled lower margin. Dedication and signature of Ferdinand Schaefer verso. 12" x 7"
• ARLENT EDWARDS MEZZOTINT & FAN
  ARLENT EDWARDS MEZZOTINT & FAN AFTER FRAGONARDSamuel Arlent Edwards mezzotint engraving portrait of a woman after Thomas Gainsborough's Lady Sheffield, pencil signed lower right and signed and dated 1900 in the plate below the image, 14 3/4" x 6 7/8" (with frame 22 1/2" x 14 1/8"); hand painted fan after Jean-Honore Fragonard's The Swing, signed illegibly on right, fan 9 1/2" x 17 1/4" (with frame 16" x 23"). Some discoloration in margins of mezzotint, minor chips and losses to frame; minor tear to fan on one side, chips and repair to gilt decoration on right side of frame, splits to bow decoration on top of frame.
• Edward Rooker, after Michael
  Edward Rooker, after Michael 'Angelo' Rooker/The New Front of the Archbishop of York's Palace at Bishopthorpe, 1769/engraving, 33.5cm x 54.5cm
• AIDEN LASSELL RIPLEY(American,
  AIDEN LASSELL RIPLEY(American, 1896-1969) Snee Farm, Charleston, South Carolina, signed lower left "A. Lassell Ripley", watercolor on paper on board, 21 x 15 in"; modern wood frame, 21-1/4 x 28-1/2 in.; together with blueprint map of "Snee Farm Plantation/Owned by Mrs. Thomas Ewing/Christ Church Parish/Charleston/S.C. Condition: paper mounted on board, very good surface and bright color, no apparent fading or toning; frame with light wear
• AZALEA GREEN BADGLEY (AMERICAN
  AZALEA GREEN BADGLEY (AMERICAN 1880-1971), ROAD THROUGH THE FOREST, PASTEL ON PAPER, FRAMED: 24 X 27 INAzalea Green Badgley (American 1880-1971), Road Through the Forest, Pastel on Paper, Framed: 24 x 27 in
• MANNER OF ADALBERT SUCHY:
  MANNER OF ADALBERT SUCHY: PORTRAIT OF A GENTLEMAN Oil on canvas unsigned framed. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 11 1/4 x 9 in.
• FREDERICK CAYLEY ROBINSON A.R.A.
  FREDERICK CAYLEY ROBINSON A.R.A. (BRITISH 1862-1927) AN AUTUMN IDYLL, 1893 oil on canvas, signed, inscribed and dated verso41cm (16in), 51cm (20in)Provenance: Christie's, South Kensington, 7th March 2002, lot 453.
• GEORGE OWEN WYNNE APPERLEY
  GEORGE OWEN WYNNE APPERLEY WATERCOLOR ON PAPER (British 1884-1960) ''El Patio de Los Leones'' (Court of the Lions) Alhambra Granada Spain. A view of the Fountain of Lions from within the Nasrid Dynasty Palace of the Lions constructed circa 1362-1391. Image measures 14'' x 10'' signed ''Apperley'' lower right circa 1920. Matted and framed. Compliments Lot 691 and 724.
• William Albert Ablett (1877-1936)
  William Albert Ablett (1877-1936) coloured etching Dressing Up signed in pencil 19 x 15.25in. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?260
• STANLEY ANDERSON, R.A., R.E.
  STANLEY ANDERSON, R.A., R.E. (british 1884-1966) "HEDGE-LAYING" 1945, edition 250. Pencil signed in the margin. Engraving. 3 15/16 x 3 in. note: This lot will be accompanied by an essay titled "Hedge-Laying" written by the artist. provenance: Private Collection, Pennsylvania. Framed, matted. Not examined out of frame. Overall apparent excellent condition. Sheet is clean, print is dark and crisp.