A few examples of appraisal values for
AHRENFELDT

• CARL EDUARD AHRENDTS(Dutch,
  CARL EDUARD AHRENDTS(Dutch, 1822-1898) A pair of river scenes: Fishing Near a Windmill, 13-1/2 x 16-5/8 in.; Figures by a Castle, both signed lower left "K.E. Ahrendts..", both oil on panel, 13-1/2 x 16-3/4 in.; matching gilt wood and composition frames, 17-3/8 x 20-1/2 in. Provenance: Private Collection, Hickory, North Carolina Condition: yellowed varnish, surface dirt, abrasions and a chip at edges
• SCHMIDT-HOFER Arthur (German
  SCHMIDT-HOFER Arthur (German 1873-1925): Archer Chalkware 20'' h. x 15 1/2''
• Ernest Finkernagel German, 19th
  Ernest Finkernagel German, 19th Century Estimate:$5,000-$8,000
• CHARCOAL DRAWING - View of
  CHARCOAL DRAWING - View of Festung Ehrenbreitstein Koblenz Germany by J. Andre Castaigne (French 1860-1930) signed lr and dated 1914 depicting the famous fortress above the frozen confluence of the Rhine and Moselle Rivers pedestrians and a Prussian
• HEINRICH CAMPENDONK, DUTCH/GERMAN
  HEINRICH CAMPENDONK, DUTCH/GERMAN (1889-1957), DIE BETTLER (AFTER BRUEGHEL), 1922, WOODCUTHeinrich Campendonk, Dutch/German, (1889-1957) Die Bettler (after Brueghel), 1922, woodcut loose, unframed. Provenance: From a private collector, Indianapolis. From the archives of AskArt: After his studies under Dutch artist Johan Thorn Prikker at the Krefeld "Kunstgewerbeschule", Heinrich Campendonk followed Franz Marc's invitation to the Bavarian village of Sindelsdorf and moved there in 1911. At that time Heinrich Campendonk already found the basic subject of his works: the depiction of harmony between man and beast, Creation, the infinite circle of life and death. He produced paintings, watercolors, gouaches and his first woodcuts. In Sindelsdorf the artist met other members of the "Blauer Reiter" group and participated in one of the group's exhibitions that very same year. Two years later, Heinrich Campendonk also showed his work together with the "Blauer Reiter" at the "Erster Deutscher Herbstsalon" at Herwarth Walden's gallery "Der Sturm" in Berlin. During these years Campendonk's artwork was influenced by Marc, Macke and Kandinsky. A stiff geometrical form language was combined with color in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Heinrich Campendonk moved to Seeshaupt at the Starnberger See, from where he went on extensive travels. At that point Campendonk's painting was marked by softly flowing forms, large calm areas of intensive light and lyrical, often fairytale-like mood. He also produced works in glass painting. In 1926 Campendonk was appointed professor at the Düsseldorf Art Academy. Campendonk gained acclaim as an artist since the mid-1920s particularly through numerous glass windows he made for churches and public buildings (such as the Düsseldorf parliament building and the Paulskirche and the Essen Münster etc.). When he was dismissed from his teaching profession in 1933, he emigrated to the Netherlands, where he accepted a teaching position for "monumental and decorative art" at the "Rijksakademie van beeldende Kunsten" in Amsterdam. After the end of the war, Campendonk did not return to Germany. He continued to work as a teacher and received numerous orders for glass windows in the Netherlands and Germany. In 1956 Campendonk was awarded the Quellinus Prize by the city of Amsterdam and made knight of the order "De Nederlandse Leeuw". woodcut
• Friedrich Arnold (German,
  Friedrich Arnold (German, 1831-1862), fisherman in a lush landscape, oil on canvas; 19 1/2" x 23 1/2"; signed lower left. Canvas edges trimmed.
• AUGUST HAERNING (DANISH, 1874-1961)
  AUGUST HAERNING (DANISH, 1874-1961) 16" x 20 ¾" "Entrance to Frederiksberg Garden", ca. 1910-1920. Oil on canvas, signed with initials AH lower left, in a gilt wood frame, overall 20" x 25". Provenance: Obro Art Gallery, Copenhagen, Denmark.
• AUGUST HAERNING (DANISH, 1874-1961)
  AUGUST HAERNING (DANISH, 1874-1961) 16" x 20 ¾" "Entrance to Frederiksberg Garden", ca. 1910-1920. Oil on canvas, signed with initials AH lower left, in a gilt wood frame, overall 20" x 25". Provenance: Obro Art Gallery, Copenhagen, Denmark.
• 4 HANS GUSTAV EHRENREICH
  4 HANS GUSTAV EHRENREICH HOPTIMIST TOYS Denmark,1917-1984Includes one large Bimble and Bumble pair and one small pair, all decorated with red enamel and different expressions
• Arthur Johann Severin Nikutovski
  Arthur Johann Severin Nikutovski (German, 1830-1888) Abschied des Landsturmmannes, 1876 oil on canvas signed A. Nikutowski and dated (lower right) 17 1/2 x 22 1/4 inches.
• Neundorf (Anhult) German Pottery
  Neundorf (Anhult) German Pottery Figural Stein 8'' tall #820
• NORDHAGEN 1904 UTEN FOR AKERSHUS
  NORDHAGEN 1904 UTEN FOR AKERSHUS Engraving: 15 x 25 1/2 in. Framed
• FRIEDRICH ERNST MORGENSTERN
  FRIEDRICH ERNST MORGENSTERN (GERMAN, 1853-1919), BRANDING, ISLE OF AYRAN Oil on panel, signed at lower left, inscribed en verso, presented in a later molded giltwood frame.
• Gerd Arntz (German, 1900-1988)
  Gerd Arntz (German, 1900-1988) Vorneheme strasse, 1924/79 woodcut signed, dated, titled, and numbered 2/20 in pencil 10 1/2 x 15 1/4 inches. Property From the Estate of Lucia Woods Lindley
• Freidensreich Hundertwasser
  Freidensreich Hundertwasser (Austrian, 1928-2000), Irinaland Over the Balkans, 2850/3000, silkscreen with metallic embossing on paper, 17-5/8 x 23-3/4 in. (sight); modern gilt wood frame, acid-free mat.
• Albert Ern
  Albert Ern
• GERHARD ARIJ LUDWIG MORGENSTJERNE
  GERHARD ARIJ LUDWIG MORGENSTJERNE MUNTHE (GERMAN/DUTCH, 1875-1927) 19 ¾" x 23 ¾" Katwijk beach with sailboat and onlooker, 1914. Oil on canvas, signed "G. M. Munthe" and dated "14" lower left, framed in a wood carved and painted period frame with shell motif made by The Sala Bros. of Leiden, overall 26 ½" x 30 ½". Provenance: Acquired in Amsterdam by L'eau du Art Gallery of Nijmegen, Netherlands; purchased by currnet owner from L'eau du Art Gallery in June, 2009.
• HANS ERNI. "FRIEDENSTAUBEN,"
  HANS ERNI. "FRIEDENSTAUBEN," PORCELAIN (Swiss, 1909-2015). Limited edition Rosenthal porcelain plate, number 654A, printed signature on verso with further identifying information, signed lr, 8 1/2 x 8 1/2 with hanging mount on verso.
• Augarten Vienna White Glazed
  Augarten Vienna White Glazed Model of a Rearing Stallion, Karin Jarl-Sakellarios, 20th century, Austrian on an ebonised wood plinth with applied plaque inscribed 'Zur Erinnerung an den Staatsbesuch in Kanada / Dr. h.c. Franz JONAS / Bundespräsident der Republik Österreich / Mai 1967' without plinth height 18.9 in — 48 cm signed in the mould K. Sakellarios Jarl, impressed numerals 1724, printed crowned shield mark and Wien in underglaze blue
• AAGE SCHAD(Danish, 1904-1974) The
  AAGE SCHAD(Danish, 1904-1974) The Artist's Courtyard, Stormgade 5, Dragor, Denmark, signed lower right "Schad.", oil on canvas, 27-1/8 x 23 in.; painted wood frame, 28-3/4 x 24-1/2 in. Provenance: Estate of Brock Arms, Flat Rock, North Carolina Condition: surface dirt, original stretcher and tacking edge, canvas slack; frame with abrasionsÿ
• JOHANN CHRISTOPH VOLCKAMER
  JOHANN CHRISTOPH VOLCKAMER (GERMAN 1644-1720) LIMEA ARANZATA - IN HERREN DR. FALKNERS GARTEN Hand coloured engraving: 13 x 8 1/4 in Framed; upper right: pag. 164. b.; handcolored engraving from Nurnbergische Hesperides Nuremberg 1708 and 1714
• HEINRICH BURKEL (German 1802-1833).
  HEINRICH BURKEL (German 1802-1833). PRUNCH SCHEPEN AM ZIRLER BERG indentified dated 1833 and titled on label verso. Oil on canvas - Framed 16 in. x 22 in.
• JOHNNY FRIEDLAENDER ABSTRACT
  JOHNNY FRIEDLAENDER ABSTRACT AQUATINT ETCHING Germany,1912-1992 Titled "Eloge," comprised of green, deep yellow, red, and orange forming a cross shape over gray. Deaccessioned from the collection of the Huntsville Museum of Art, proceeds to benefit the museum.
• Johann Andreas Pfeffel (German
  Johann Andreas Pfeffel (German 1674-1748), after Johann Cyriak Hackhofer (Austrian, 1675-1731)/A Banquet/with three tables for Furschneiders, Stabelmeisters and Falckenmeisters/engraving, 28.5cm x 37cm
• VICTOR HEINRICH SEIFERT (German
  VICTOR HEINRICH SEIFERT (German 1870-1953). TRINKENDER FRAUENAKT signed and stamped AKT. Ges Gladenbeck Berlin. Bronze with gold patina - Height: 8 1/2 in.
• CHRISTIAN ALSDORF WATERCOLOR
  CHRISTIAN ALSDORF WATERCOLOR FRAKTUR VORSCHRIFTChristian Alsdorf (Southeastern Pennsylvania active 1789-1821) , ink and watercolor fraktur vorschrift for Johanes Lantz, dated 1796 , 7 1/2" x 12 3/4". Competitive in-house shipping is available for this lot. Condition: Scattered small repairs, mostly along edges. Laid down.
• FRIEDENSREICH HUNDERTWASSER
  FRIEDENSREICH HUNDERTWASSER (AUSTRIA, 1928-2000) WFRIEDENSREICH HUNDERTWASSER (Austria, 1928-2000) woodcut, "Little Palace of Illness," 1970, from Nana Hyaku Mizu Portfolio. Signed lower center, dated 1970, artist number 487A, edition number 71/200. Label attached verso from Foster Goldstrom Fine Art Inc., San Francisco, Ca. Image measures 13.5" x 9.5". In a wood frame; 20" x 25.75" overall.
• AN EARLY 20TH-CENTURY GERMAN NEF
  AN EARLY 20TH-CENTURY GERMAN NEF B Neresheimer & Sohnes, Hanau, with additional import marks for B Muller & Son, London 1911, of traditional form, the main tall mast with multi-section sails, a manned crow's nest and rigging, with cannon to the bow of the ship and anchor hanging down, raised on four wheelsLength: 28cm
• GOTTFRIED HOFER (GERMANY,
  GOTTFRIED HOFER (GERMANY, 1858-1932) OIL ON CANVASGOTTFRIED HOFER (Germany, 1858-1932) oil on canvas, forested landscape featuring a plaque engraved with the poem by Friedrich Nietzsche titled "Alle Lust Will Ewigkeit" (All Lust Wants Eternity). Signed lower right. Image measures 29.5" x 23.5". In a wood frame; 34.5" x 28.5" overall.
• F. Herink (Austrian 1843-1902)
  F. Herink (Austrian 1843-1902) Beyrut Landscape Oil on canvas signed l.l. F. Henrink who was primarily known as Karl Kaufmann; 12 x 20.5 in. ?Label on verso reading??Vue of Beyrut. Condition: Craquelure.
• Erik Henningsen (1855-1930
  Erik Henningsen (1855-1930 Danish) Figures on the Street Copenhagen
• Dreizehnlinden by F. W. Weber
  Dreizehnlinden by F. W. Weber Publisher: Ferdinand Schoninghca. 1890. Green pictorial cloth embossed w/gilt, AEG, beveled boards, and delicately patterned, gilt endpapers Illustrated by Karl Rickert.
• * (ENGRAVINGS) DURER ALBRECHT
  * (ENGRAVINGS) DURER ALBRECHT Niederlandische Reise. Edited by J. Veth and S. Muller. Berlin: G. Grote'sche; Utrecht: A. Oosthoek 1918. 2 vols. Large folio publisher's orange linen with artist's mark stamped in gilt to upper covers. Illustrated with numerous reproduction plates in black and white with captioned tissue guards. Wear to boards; corners and spine ends bumped; small tear to cloth at top right corner of head of spine both vols.; some brownspotting to half-titles; light marginal toning.
• AAGE SCHAD
  AAGE SCHAD
• Hans Erni (Swiss b. 1909) Three
  Hans Erni (Swiss b. 1909) Three figures. Lithograph on paper signed in the lower right margin numbered21/95 in the lower left margin matted and framed under glass overall 29-1/2" x 34-3/4".
• AN AUSTRIAN PRESENTATION ALBUMAn
  AN AUSTRIAN PRESENTATION ALBUMAn Austrian gilt bronze and enamel leather and silk presentation albumcirca 1912Inscribed to interior Zum 40 Jahrigen Jubilaum gewidmet von der arbeiterschaft der Firma Ericsson Wein IV with signature