A few examples of appraisal values for
ALAN WALLWORK

• Alan Wallwork (1931-2019)/A
  Alan Wallwork (1931-2019)/A stoneware vessel of egg form, mottled white and iron brown glazes, incised AW mark, 12.5cm high
• Alan Wallwork (1931-2019)/A
  Alan Wallwork (1931-2019)/A stoneware vessel of disc form, textured surface with Celtic cross design to each side, mottled blue, grey and iron brown glazes, incised mark, 18.25cm high
• Alan Wallwork (1931 England) Urchin
  Alan Wallwork (1931 England) Urchin Pot1980Ceramic; ht. 3.5 dia. 5.5 in. Daniel Jacobs and Derek Mason Collection; Acquired from Gilbert Parr Gallery UK 1981.
• Alan Caiger-Smith (1930-2020) an
  Alan Caiger-Smith (1930-2020) an Aldermaston Pottery candlestick painted in resist with typical calligraphic brush-strokes, 24cm high, painted potter's mark, together with an Aldermaston lustre 'albarello' vase, with bold brush strokes in gold lustre on a midnight glaze, 26.5cm high, painted pottery marks and paper label of Andrew Hazelden (2)/Provenance: from the Henry Sandon Study Collection
• Alfred de Breanski Sr (1852-1928
  Alfred de Breanski Sr (1852-1928 British) At Wallingford on the Thames
• Alan Reynolds (born 1926) ''Modular
  Alan Reynolds (born 1926) ''Modular Study (12A)'' 1985 pencil on paper laid on card signed dated and titled in pencil Juda Rowan Gallery label verso approx. 44 x 44cm.
• Alan Caiger-Smith (1930-2020),
  Alan Caiger-Smith (1930-2020), for Aldermaston Pottery, a fruit bowl or wall hanging plate of tin glazed earthenware, blue with floral motif and lustre decoration, painted potter's mark and 1981 date mark, 41cm diameter, 10.5cm
• Alan Caiger-Smith (1930-2020),
  Alan Caiger-Smith (1930-2020), for Aldermaston Pottery, a tin-glazed twin-handled soup tureen, cover, ladle and stand, simple brush decoration in brown on a grey ground, painted potter's mark and 1976 date mark, 26.5cm high
• Alan Reynolds (born 1926) ''Modular
  Alan Reynolds (born 1926) ''Modular Study (8)'' 1983 pencil on paper laid on card signed dated and titled in pencil Juda Rowan Gallery label verso approx. 34.5 x 54.5cm.
• Alson Skinner Clark (1876-1949
  Alson Skinner Clark (1876-1949 Pasadena CA) Figures in a Courtyard
• ALAN FALK (AMERICAN, B. 1945),
  ALAN FALK (AMERICAN, B. 1945), ARTIST AND MODEL, OIL ON...Alan Falk (American, b. 1945), Artist and Model, oil on canvas, signed lower right "A. Falk", signed, titled, and dated on the reverse "Artist and Model Alan Falk 1981/82", 34" x 23". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• John Allin (British, 1934 -1991)
  John Allin (British, 1934 -1991) Folk Outsider Art pub scene oil on canvas signed and dated '77 lower right Allin was born in London, he became famous for his simple and direct pictures of East End Streets. Many of these depicted scenes he had known as a child. Allin was a fine natural draughtsman who joined prison art classes while serving a sentence for theft, and continued to work in the evenings later when employed as a Lorry driver. 18" x 13 1/2"
• Harold Altman (American
  Harold Altman (American 1924-2003) "Figures and Awnings II". Aquatint on paper signed in pencil lower right titled lower center margin and "Edition 65" lower left. Altman who was born in New York in 1924 is best known for his etchings and lithographs. His subjects are figures in landscapes focusing on soft and serene scenes connecting people to nature. This early and rare etching is rather dark depicting four figures walking away from awnings. The image itself measures apprx 23" x 18-1/4" overall with glass and frame apprx. 36" x 29-1/2".
• Alan Caiger-Smith (1930-2020, for
  Alan Caiger-Smith (1930-2020, for Aldermaston Pottery, an earthenware ewer or jug, brown, green and yellow brushed decoration on grey ground, painted potter's mark, 30cm high
• ALAN CAIGER-SMITH (BRITISH,
  ALAN CAIGER-SMITH (BRITISH, 1930-2020), BARBADOS Watercolor and gouache on paper, signed with artist's initials and dated "9-2-89," matted and framed under glass.
• ALAN WOLTON (ENGLISH, B. 1934)
  ALAN WOLTON (ENGLISH, B. 1934) 40" x 72" "Abundant Lilies". Impressive impasto oil on canvas, signed lower right, title verso on stretcher, in heavy black and gilt frame, overall 48 ¼" x 80 ¼".
• HOLLINGSWORTH, Alvin Carl,
  HOLLINGSWORTH, Alvin Carl, (American, 1928-2000): Composition with Figures, Mixed Media on paper, 17 1/2'' x 11 1/2'' sight size, signed, framed, 20 4/2'' x 18 1/2''.
• Alfred Van Loen (American,
  Alfred Van Loen (American, 1924-1993?) Arabesque variation, ca. 1972 Acrylic, aluminum, and walnut Unsigned Series example referenced in "Beyond Time; The Art of Alfred Van Loen" SunStorm c.1993, p. 77. Van Loen was a highly influential modern artist and teacher of German descent. He relocated to Amsterdam during WWII and was eventually formally trained there. He came to teach and be active in New York. His work is held in numerous important collections including MOMA. He succumbed to diabetes in the early 1990s. Overall; 37"H.
• ALAN SARET (b. 1944): GREAT SWEEP
  ALAN SARET (b. 1944): GREAT SWEEP AND SWELL 1967 Colored pencil on paper signed and dated on verso. Provenance: Property from the collection of Jan Cowles. 10 7/8 x 21 7/8 in. 12 1/2 x 23 1/2 in. (frame).
• AL (ALFRED) JACKSONAmerican
  AL (ALFRED) JACKSONAmerican 1940-2001Still life of apples and a crock. Signed lower right Al Jackson''.Provenance: Arts International LTD Chicago. Private Collection Cape Cod Massachusetts.Oil on canvas 16'' x 20''. Framed.''
• ALFRED BRYAN WALL, OIL ON CANVAS,
  ALFRED BRYAN WALL, OIL ON CANVAS, C. 1887 Alfred Bryan Wall (American, Pennsylvania, 1861-1935), Portrait of the Artist with Portfolio, signed and dated lower left, metal artist tag on frame, 30"h x 20"w (sight), 42"h x 32"w (frame)
• Alan Caiger-Smith (1930-2020),
  Alan Caiger-Smith (1930-2020), for Aldermaston Pottery, an earthenware fruit bowl with blue, green and pink painted details, painted potter's mark, 30cm diameter x 12.5cm high
• Allan D'Arcangelo 1930–1998. 64th
  Allan D'Arcangelo 1930–1998. 64th Street Wall. 1970, screenprint in colors. 20¼ h × 17¾ w in. result: $504. estimate: $400–600. Signed, titled, dated and numbered to lower edge '8/100 64th Street Wall D'Arcangelo 70'. This work is number 8 from the edition of 100.
• Allan Laycock RWA
  Allan Laycock RWA (1928-2020)/Surfcaster, Buarcos, Portugal/acrylic watercolour, 28cm x 36cm/Buarcos, Sea Wall/acrylic watercolour, 20cm x 28.5cm and/Amarante, Portugal/watercolour, 25.5cm x 38cm/all unframed
• Alan Wardrop, 20th / 21st c -
  Alan Wardrop, 20th / 21st c - Aberglasney Bloom (Helichrysums), signed with initials and dated '05, signed and dated again and inscribed on the backboard, pastel, 20 x 20cm and two coastal scenes, one by Debbie Dunbar, acrylic on board (3) More Information The lot in good condition
• Alfred Hackney (1926-1994) -
  Alfred Hackney (1926-1994) - Watercolour - Landscape - ''Cobham Wood Kent'' - Wooded valley landscape 13.25ins x 20.5ins signed in full in pencil in modern gilt moulded frame and glazed Provenance : Royal Watercolour Society Galleries 26 Conduit Street London exhibition label to reverse with title artist's name and price
• HOLLINGSWORTH, Alvin Carl,
  HOLLINGSWORTH, Alvin Carl, (American, 1930-): ''Purple Landscape'', Mixed Media collage, Watercolor / Acrylic, sight size 23 1/2'' x 29 1/2'', signed, framed, 30'' x 36'', titled verso.
• ALAN CAIGER-SMITH (BRITISH,
  ALAN CAIGER-SMITH (BRITISH, 1930-2020), TWO SUNNY LANDSCAPES Crayon on paper, each signed with artist's initials and inscribed at lower right, matted and framed under glass; the first a view in Mustique, dated 1989 (Frame dimensions 25 x 19 1/4 in.); the second a view with indistinct inscription, dated 1993 (Frame dimensions 18 1/2 x 21 3/4 in.).
• T. ALLEN LAWSON (1963-PRESENT),
  T. ALLEN LAWSON (1963-PRESENT), NATURE'S TAPESTRY Fine Art
• AL HANSEN (1927-1995) 1966
  AL HANSEN (1927-1995) 1966 COLLAGE ON WOOD PANELAl Earl (Alfred) Hansen (1927-1995)As Soon as the Guards Fell Asleep She Stripped and Ran Off Across The Lawn (October 1966)Displayed in the original frame and mount made by the artist, the title and artist's signature are verso in felt tip pen: Al Hansen October 1966 New York City N.Y.Al Hansen was a fascinating talent, teacher and trailblazer. He was also very prolific in a number of artistic endeavors from performance art to collage watercolors. He participated in both one man and group shows for 30 years. Around the time this work was created, he had solo exhibitions at Eastend Gallery and Ringelhaupt Gallery in Massachusetts and Hallmark Gallery in New York.Image measures 11.5 x 7 with a framed size of 16.25 x 12 inches.Very good condition, noting minor flaking at the edge as is often the case with the collage works. No damage, repair, lifting, loss or issue of any type.Provenance: From a private Kansas City living estate.
• AL (ALAN) JAFFEE (NEW
  AL (ALAN) JAFFEE (NEW YORK/LITHUANIA, 1921-), FISHING TRAWLER., ENGRAVING ON PAPER, 6.75" X 8" TO THE PLATELINE. FRAMED 11.5" X 14".AL (ALAN) JAFFEE, New York/Lithuania, 1921-, Fishing trawler. Numbered 14/100. Signed in pencil lower right. Personally inscribed on mat "To Susan and Doug with best wishes from Joyce and Al". Dimensions: Engraving on paper, 6.75" x 8" to the plateline. Framed 11.5" x 14".
• ALFRED WALLIS (BRITISH 1855-1942)
  ALFRED WALLIS (BRITISH 1855-1942) ST. IVES BAY pencil and oil on board7.5cm x 30.1cm (3in x 11.9in)Provenance:In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin.This Wallis was given to Wilhelmina Barns-Graham by Sven Berlin for research she did on the Wallis family, presumably for his book on Wallis.Exhibited: 1950: Bournemouth, Bournemouth Arts Club, Alfred Wallis and Christopher Wood, 12 Aug to 2 Sep 1950, no. 56;1959: St Ives, 36 Fore Street (Penwith Gallery?), Alfred Wallis Exhibition, 1-6 June 1959, cat. no. 26;1968: London, The Arts Council of Great Britain, Alfred Wallis, Tate Gallery 30 May to 30 June 1968, York City Art Gallery 6 to 28 July;1968, Aberdeen Art Gallery 3 to 25 August, Abbot Hall Art Gallery 31 Aug to 22 Sep 1968, cat. no. 16;1983: St Ives, Penwith Gallery, Alfred Wallis, 3 September to 1 October 1983, cat. no. 6.Published References: Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat no. 56The Arts Council of Great Britain (1968), Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, cat no 16.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.
• ALTMAN, Harold, (American,
  ALTMAN, Harold, (American, 1924-): ''December, 1985 I'', Monochrome Lithograph on Arches, sight size 11'' x 13'', pencil signed, titled and numbered 43/285, Mourlot blindstamp lower left, framed, 23 1/2'' x 25 1/2''.
• HOLLINGSWORTH Alvin C. O/B Woman
  HOLLINGSWORTH Alvin C. O/B Woman Leaning Towardsthe Sun. Oil on artist's board. Signed lower left. Alvin Carl Hollingsworth African-American 1928 - 2000. Dimensions: 16'' high x 20'' wide. Condition: Surface dust.
• Alan Caiger-Smith (1930-2020),
  Alan Caiger-Smith (1930-2020), for Aldermaston Pottery, a pair of lustre goblets, blue, green, red and gold decoration, painted potter's mark and other details verso - possibly relating to a commission, 13.5cm high x 8.5cm diameter
• PHOTOGRAPHS, DARREN ALMOND (lot
  PHOTOGRAPHS, DARREN ALMOND (lot of 4) Darren Almond (British, b. 1971), "Thames to Hudson," 2000, c-type prints mounted to aluminum, one panel signed verso, edition 2/3, gallery label (Matthew Marks Gallery, New York) adhered verso, overall (unframed/each): 28.75"h x 28.75"w