A few examples of appraisal values for
ALBANO

• CONTINENTAL SCHOOL: PUTTI OVER A
  CONTINENTAL SCHOOL: PUTTI OVER A DOOR SURROUNDInk and wash on paper, signed with initials 'P.H.' lower right, inscribed 'No. 40' upper left, inscribed 'F. Albano' in another hand on the mount. 8 x 9 7/8 in. (sheet), 14 1/2 x 16 in. (frame). Condition Sheet mounted on blue paper and with remains of paper and glue on the reverse. A central vertical crease and creases at the upper corners. Staining and surface soiling. Stray pencil inscription at the right edge.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (1720-1778): AVANZI DI ANTICHE TERME IN ALBANO; VEDUTA DEL SEPOLCRO; AND VEDUTA DEGLI AVANZI DE'MAUSOLEIThree etchings in black on wove paper. 16 x 24 in. (plate), 34 x 43 in. (frame), two 15 1/2 x 23 1/2 in. (plate), 34 x 40 in. (frame), 34 x 43 in. (frame). Condition All with margins, central vertical creases and some staining. Albano loose on hinges. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• 2 PIRANESI CLASSICAL
  2 PIRANESI CLASSICAL ARCHITECTURAL ETCHINGSTwo (2) Roman architectural etchings by Giovanni Battista Piranesi (Italian, 1720-1778). 1st item: Concerning the Fountainhead of the Acqua Giulia, from The Ruins of the Fountainhead of the Aqua Giulia, originally published 1761. Plate: 15 3/8" H x 8 1/4" W. Sheet: 19 1/2" H x 11 3/4" W. Frame: 25 3/4" H x 19 1/2". Ref.: Focillon 403, Wilton-Ely 397. 2nd item: Practical Illustrations of the Spillway of Lake Albano, from the series Description and Design of the Emissarium of Lago Albano, originally published 1762, printed by Francesco Piranesi (Italian, 1756-1810), Paris, First Edition. With sticker of Henry Sotheran Limited, London, affixed to backing. Plate: 15 1/2" H x 24 3/4" W. Sheet: 21 1/2" H x 30 3/4" W. Frame: 35 3/4" H x 27 1/4". Ref.: Focillon 486, Wilton-Ely 489. Both items on laid paper and housed behind plexiglass in modern, black and gilt frames with white mats. Exhibition History: Ewing Gallery of Art and Architecture, University of Tennessee, Learning From Piranesi: Architectural Representation and Tectonics, 2021. Condition: 1st item is affixed to canvas support to stabilize 14" tear along platemark at right. With mat burn, foxing, and toning. 2nd item with unobtrusive foxing. The central crease has been stabilized with tape en verso. Both with wide margins.
• SET OF 12 ITALIAN SCHOOL STUDIES OF
  SET OF 12 ITALIAN SCHOOL STUDIES OF ANCIENT TEMPLESSet of 12 Italian School Studies of Ancient Temples, engravings, to include Piazza Del Popolo; Porta Tiburtina; Basilica; Nuova Cascato; Sepolcro Albano; Basilica Laterans; Piazza Colonna; Stewart; Ingresso Alla Villa Borghese; Panteon Di Agrippa; Ponte Lucanoe; along with Androne Nella Villa Search instead for Piazza Del Popolo; Porta Tiburtina; Basilica; Nuova Cascato; Sepolero Albano; Basilica Laterans; Piazza Colonna; Stewart; Ingresso Alla Villa Borghese; Panteon Di Agrippa; Ponte Lucanoe; along with Androne Nella Villa, each 8" x 11", foxed, overall fair condition. Provenance: Property from a private New York collection sold to benefit charitable foundations. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• "MONTE ALBANO" SOICHER
  "MONTE ALBANO" SOICHER MARINBeautifully custom framed artwork from SOICHER MARIN titled "Monte Albano" Dimensions: framed: 42" x 42" IN. art: 35" x 35" IN.
• GEORGE LORING BROWN
  GEORGE LORING BROWN (MASSACHUSETTS/NEW HAMPSHIRE, 1814-1889), "'TWILIGHT' LAKE OF ALBANO NEAR ROME"., OIL ON CANVAS, 22" X 36". FRAMED 30" X 44".GEORGE LORING BROWN Massachusetts/New Hampshire , 1814-1889 "'Twilight' Lake of Albano near Rome". Titled verso and signed "Painted by Geo. Loring Brown 1877". Oil on canvas, 22" x 36". Framed 30" x 44". Dimensions: Oil on canvas, 22" x 36". Framed 30" x 44".
• JOHN GADSBY CHAPMAN (NEW
  JOHN GADSBY CHAPMAN (NEW YORK/ITALY, 1808-1889), "FRA PLACIDO"., OIL ON BOARD, 10.25" X 14". FRAMED 17.5" X 21.5".JOHN GADSBY CHAPMAN New York/Italy 1808-1889 "Fra Placido". Inscribed verso "Fra Placido on the 'Riformati' at Albano John G. Chapman Rome 1870". Oil on board, 10.25" x 14". Framed 17.5" x 21.5". Dimensions: Oil on board, 10.25" x 14". Framed 17.5" x 21.5".
• 19TH C. "PORTRAIT OF A WOMAN FROM
  19TH C. "PORTRAIT OF A WOMAN FROM ALBANO" O/C Style of Ludwig Doell (German 1789-1863), "Portrait of a Woman from Albano" 19th century, oil on canvas depicting a noble woman seated in front of a red curtain holding a small bouquet of flowers in one hand and a black mask in the other apparently unsigned, framed. Provenance: : From the Private Collection of Bebe & Earl Lou Leonard, Atlanta, Georgia. Approximate measurements: canvas h. 38", w. 28"; frame h. 42. 5", w. 32. 75", d. 2".
• 19TH C. "PORTRAIT OF A WOMAN FROM
  19TH C. "PORTRAIT OF A WOMAN FROM ALBANO" O/C Style of Ludwig Doell (German 1789-1863), "Portrait of a Woman from Albano" 19th century, oil on canvas depicting a noble woman seated in front of a red curtain holding a small bouquet of flowers in one hand and a black mask in the other apparently unsigned, framed. Provenance: From the Private Collection of Bebe & Earl Lou Leonard, Atlanta, Georgia. Approximate dimensions: canvas h. 38", w. 28"; frame h. 42. 5", w. 32. 75", d. 2".
• BOOKS (3) VOLS PHILIPPINE ART
  BOOKS (3) VOLS PHILIPPINE ART JUAN LUNA, JOSE JOYA Three hardcover volumes including: Juan Luna The Filipino as Painter. Eugenio Lopez Foundation, 1980, hardcover in jacket, inscribed and signed by the author Santiago Albano Pilar; Joya by Joya Book of Drawings. Leonides Virata Cancer Research Foundation, 1978. Hardcover in jacket, in slipcase, inscribed and signed by Joya; and, Contemporary Philippine Art from the Fifties to the Seventies. Vera-Reyes, 1972. Hardcover in jacket. Gift inscription on front endpaper; largest: 12.5"h x 11.75"w
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALY, 1720–1778) "Dimostrazioni dell’Emissario del Lago Albano" (Illustrations of the Emissarium of Lake Albano), from "Descrizione e Disegno dell’Emissario del Lago Albano", 1762–64, etching, drypoint, burin on laid paper. Signed on plate lower-right in the cartouche “Piranesi F.”, and titled on plate in the same cartouche. Joined sheet, as issued in book, in walnut frame, linen mat, glazed, OS: 25 1/2" x 31 1/2", impression: 16 5/16" × 25 1/4" in., good condition, not examined out of frame.
• A KPM Berlin porcelain portrait
  A KPM Berlin porcelain portrait plaque 'The Beauty of Albano' after Riedel late 19th century the three-quarter length figure standing in woodland and holding a fan in her right hand the reverse with impressed sceptre and 'KPM' marks 12.5ins. x 10ins. in a gilt frame Estimate ?3 000-5 000 plaque grubby at edges and corners frame is gold-painted and has small losses otherwise in good condition Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?3 000
• GEORGE INNESS OIL ON PANEL
  GEORGE INNESS OIL ON PANEL (American 1825-1894) Titled ''The Orchard '' an olive-green meadow with apple trees and russet spots of weeds. In the middle ground is a small pond and in the far distance on the left stands a roof top among trees. The sky is a mixture of clouds with just a touch of highlights from the sun and pale blue sky with tall trees on the right. Image measures 20'' x 30''. Signed ''G. Inness'' lower right and dated 1885. Paper label from the William MacBeth Gallery 237 Fifth Avenue New York attached verso with title inscribed on label. The William MacBeth Gallery was located at this address from 1892-1906. Also a label from the Garfield Safe Deposit Co. New York is attached verso. The mahogany panel has a manufacturer's label attached verso that states ''French's Artist Board Patented June 29th 1880. This Board is `built-up' of three layers of Venners...'' and ''Manufactured only by E. F. French New York.'' George Inness was known to paint on these boards such as his painting titled ''Albano Italy'' located at Princeton University. Set in a gilt wood frame. ''The Orchard'' exhibits a Tonalist style with a Barbizon influence. Inness's signature style is emphasized in his deformation of space where the foreground sinks to the middle ground and the middle ground sinks to the background by varying and sometimes confusing uses of crisp delineation contrasted with mist enshrouded features. For example the objects in the foreground are just hints of grass and rocks while the center apple tree trunk is sharp and the wild flowers are sometimes sharp and sometimes just suggestions. And again in the background the roof line of the building in the distance is sharply delineated while the trees and fields around it are mass of tones and hazy shapes. The mission of his art was to see reality in a new light an attempt to attain the vision and insight of God. Inness believed that his paintings should speak of the harmony and unity between nature man and God. This was a constant struggle for him he felt that he was never able to finish a painting because the medium of oil never fully satisfied his quest for the unity of spiritual and physical sight. Inness claims to have destroyed more paintings than he sold because of this struggle. Provenance: passed down within the family. The painting is believed to have been purchased by the consignor's great grandfather John Henry Burgard. Burgard was a shipping magnate and insurance man who started his career in 1880 in Buffalo NY and moved to Portland Oregon in 1888 where he was an influential business man. Burgard was a member of the Portland City Council an organizer of the Metropolitan Street Railway Company an organizer of the Columbia Pacific Shipping Company Director of the Alaska Pacific Fisheries and on the directorate of various lumber and railway companies. The painting is in good condition.? There is some light inpainting mostly to the lower left and some frame wear as circled in red.? There is some?craquelure?where the paint has been heavily built-up and some inpainting to the craquelure.? The wood panel is in very good condition and shows no cracks or repairs.? The frame is in very good condition and is of recent make.
• Landscapes by Albano Watercolor
  Landscapes by Albano Watercolor Albano (American 20th century) two watercolor landscapes signed l.r.; each approx. 8.5 x 6 in. Condition: Slight water stains on edges.
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) eleven engravings including "Vedute de Roma"; "Pinna o sia merlo angolare... tempio o sepolcro"; "Avanzi di antiche terme in Albano"; "Disegno di spoglie d'anchichi"; "Prospettiva della piscine delle mediseme"; "Sepolcro antico su la Via Appia" and "Stanza rinvenuta l'anno 1758"; "Rovine delle...Cora nel Lazio"; "Piedestallo e base della Colonna Trajana"; "Dimonstrazioni in grande del Capitello della colonna Trajana"; "Dimonstrazioni in grande del Capitello della Colonna Trajana"; "Disegno di una Quarta Parte di una Volta" (Wilton-Ely 134 641 649 651 659 668 669 674 698 705) sheet sizes from 21 in. x 14 1/2 in. to 43 in. x 30 in.
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) Antichita d'Albano e di Castel Gandalfo... bound together with Descrizione e Disegno dell'Emissario del Lago Albano... c. 1800 large folio first Paris edition with 51 plates (includes frontispieces) many folding or double-page no text birdcage watermark full calf with gilt tooling by Tessier Paris the first pastedown with manuscript list of plates in old hand. Reference: Wilton-Ely pgs. 668-727 watermark pg. 1178.