A few examples of appraisal values for
ALBERT BANKS

• Alastair Banks (20th Century
  Alastair Banks (20th Century British) - Oil and pastel painting - Studies of racehorses and riders board 44ins x 32ins signed with initials in gilt frame and glazed
• MICHAEL BANKS (AMERICAN/ALABAMA, B.
  MICHAEL BANKS (AMERICAN/ALABAMA, B. 1972)Michael Banks (American/Alabama, b. 1972), "Hands Holding Flowers and Rosaries", 2 paint and tar on panels, each signed lower right, 16 in. x 24 in. and 20 in. x 24 in., both unframed. (2 pcs.)
• ALFRED JOSEPH CASSON (CANADIAN
  ALFRED JOSEPH CASSON (CANADIAN 1898-1992) HILLS AT BANCROFT; FARM NEAR BAPTISTE TWO LIMITED EDITION PRINTS - 69/300 and 123/300 9.3" (height) 23.6cm (height) 11.5" (width) 29.2cm (width)
• Albert Ern
  Albert Ern
• John D. Banks (Australian,
  John D. Banks (Australian, 1883-1945)
• ALBERT BEANIE BACKUS 'JAMAICA
  ALBERT BEANIE BACKUS 'JAMAICA RIVER' OIL PAINTINGAlbert Ernest 'Beanie' Backus, American (1906-1990). Highwayman Beanie Backus, known as the 'Dean of Florida Painters', oil on canvas, signed lower right. Titled 'Jamaica River' on verso and stamped 'Albert Beanie Backus, Studio 122 Avenue C, Fort Pierce'. Measures 35.5"H x 30.5"W framed; 29.5"H x 24.5"W visual.
• ALFRED SISLEY (FRANCE, 1839-1899)
  ALFRED SISLEY (FRANCE, 1839-1899) "Banks of the Loire", depicting mother and daughter picking lilies at the river's edge, circa 1880, oil on canvas, signed lower right, titled on tag, housed in an ornate matched corner gold gesso frame, OS: 31" x 23", SS: 23 1/4" x 15 1/4", cleaned and relined.
• UNUSUAL STILL BANK BOOKENDS Folk
  UNUSUAL STILL BANK BOOKENDS Folk art wood banks each painted in black yellow highlights one reads ''Albert '' the other reads ''Florence '' slots at top. 5'' h x 5 1/4'' w. Bubbling to paint. (Exc. Cond.)
• Major General N. P. Banks
  Major General N. P. Banks Collection of Fifteen CDVs Comprising ten different uniformed cartes along with a civilian pose and two lithographic vignettes most being common Anthony-Brady views. Another CDV show Banks' three young children. The last view is a penciled caricature extolling the victory at Port Hudson captioned The Banks of the Mississippi. None are autographed by Banks. The collection includes nearly the full array of known Banks' wartime cdvs.A self-made politician of humble origin and modest education Nathaniel Prentiss Banks (1816-1894) epitomized the worst of the American volunteer general promoted well beyond his ability. A political moderate the inexorable Banks was elected Speaker of the House emerging after an incredible 133 ballots and was the sitting Governor of Massachusetts when Lincoln appointed him major general in May 1861.Banks secured Baltimore following the riots and took credit for keeping Maryland in the Union while opening the lines of communication with the beleaguered Capitol. Banks' subsequent Civil War record was mediocre at best reflecting his role as fundamentally a politico with rank. He was ejected from the Valley in 1862 and summarily defeated by "Stonewall" at Cedar Mountain. Transferred to command the Department of the Gulf in 1863 Banks oversaw the costly but ultimately successful assaults on Port Hudson and later operations along the Texas coast that curtailed the prospect of French recognition and prevented much needed war material from reaching the Confederacy. For this Lincoln personally commended Banks. In January 1864 he received the official Thanks of Congress-one of just thirty general officers so honored-for "his courage and endurance which compelled the surrender of Port Hudson."Later in 1864 Banks was part architect (with Henry Halleck) of the disastrous Red River Campaign an unnecessary and overly complicated two-prong diversionary attack aimed at capturing Shreveport and drawing out the Confederate Trans-Mississippi Army. Beset by poor communication and logistics the combined army-navy operation was a complete fiasco that siphoned off resources ultimately costing nearly 6 000 Union casualties amidst allegations of rampant cotton speculation and profiteering by senior officers. Northern newspapers bleated the battlefield defeats and hasty retreat. Coupled with the stranding of part of Admiral Porter's fleet the inflammatory editorials made certain that Banks would never again hold field command. The general retained administrative control of the Army of the Gulf no doubt as a face saving gesture and took leave in the fall of 1864 to lobby Congress for Lincoln's temperate reconstruction policies for Louisiana-home in a familiar political arena.Major General Banks was not formally mustered out of service until August 1865 and received none of the customary brevet promotions accorded other senior officers. Still after the war Banks triumphantly returned to politics and was immediately elected to the first of six terms in Congress serving opportunistically as both a Republican and Democrat. In the interim Banks was appointed United States Marshal for the state of Massachusetts by President Grant in 1879 serving through 1888. The general's health had declined precipitously during his last term in the House and he died three years later in September 1894 age 78. The Ed Steers Lincolniana & Civil War Collection Condition: CDVs uniformly G+. with varying degree of light wear and handling.
• Alfred de Breanski Sr (1852-1928
  Alfred de Breanski Sr (1852-1928 British) At Wallingford on the Thames
• JOHN O. BANKS (BRITISH FL.
  JOHN O. BANKS (BRITISH FL. 1856-1873)John O. Banks (British fl. 1856-1873) , oil on canvas of a young girl in a pastoral landscape, signed lower right, 8 1/4" x 12 1/2". Competitive in-house shipping is available for this lot. Condition: A few touched up flakes and abrasions. A few scattered flakes and gold paint splatter from frame touch-up.
• EMILE ALBERT GRUPPE 'FISHING THE
  EMILE ALBERT GRUPPE 'FISHING THE GRAND BANKS' O/CEmile Albert Gruppe, America (1896-1978). Large oil on canvas in gilt wood frame with museum plaque, signed lower right. Measures 39"H x 45.75"W framed; 36"H x 30.5"W unframed.
• Alfred de Breanski Sr (1852-1928
  Alfred de Breanski Sr (1852-1928 British) Cows Watering Along a River in a Mountain Landscape
• After Frederic S. Cozzens
  After Frederic S. Cozzens LYING-TO OFF GEORGE'S BANKS Chromolithograph Estimate:$600-$800
• ALFRED JOSEPH CASSON (CANADIAN
  ALFRED JOSEPH CASSON (CANADIAN 1898-1992) BRUCE BEACH; BANCROFT TWO LIMITED EDITION PRINTS - 45/300 and 115/300 9.3" (height) 23.6cm (height) 11.5" (width) 29.2cm (width)
• WORK ON PAPER, JAMES ALBERTSON
  WORK ON PAPER, JAMES ALBERTSON James Albertson (American, 1944-2015), "The New Fish," 1994, watercolor, graphite and gouache on paper, signed, dated, and titled lower left-center, sheet: 14"h x 15.25"w, overall (with frame): 17.75"h x 19.25"w
• Alastair Banks (20th Century
  Alastair Banks (20th Century British) - Pastel - ''Hurricane Run Kieren Fallon Prix de L'Arc'' 16.5ins x 23.25ins signed and titled in modern painted wooden frame and glazed
• A.C. WILLIAMS BASEBALL PLAYER STILL
  A.C. WILLIAMS BASEBALL PLAYER STILL BANKS Lot of (2) Early 20th c. Cast Iron Banks by A.C. Williams (Ravenna, OH), with blue painted and gold painted uniforms, original surfaces, 5 3/4" high. Paint losses.
• LOT OF TWO TIME IS MONEY STILL
  LOT OF TWO TIME IS MONEY STILL BANKS Cast iron includes A.C. Williams example in black and Arcade example in gold. 3 1/4'' dia. (VG Cond.)
• Albert Newsam (American, 1809-1864)
  Albert Newsam (American, 1809-1864) Andrew Jackson, after a work by William James Hubard (British/Virginia, 1807-1862), published by Childs & Lehman, Philadelphia, 10 x 8 in.; wood frame,
• Henry William Banks Davis RA
  Henry William Banks Davis RA (1833-1914)/Avenue of Silver Birch Trees Beside a Stream/oil on paper, 35cm x 26cm/another by the same hand and sundry pictures
• ALBERT SMITH, ABSTRACT ACRYLIC ON
  ALBERT SMITH, ABSTRACT ACRYLIC ON PAPER, 1985 Albert Smith (American/California, born 1929). "Abstract" -1985, acrylic on paper. Signed and dated lower right and on verso; Atherton Gallery, Atherton CA label verso, framed.
• LIBERMAN Alexander (American
  LIBERMAN Alexander (American 1912-1999): ''Bank Street'' Lithograph 22'' x 30 5/8'' pencil signed lower right dated '69 titled lower left ''Bank Street Atelier Proof'' unframed.CONDITION: Several very minor handling creases.
• Albert Ernest Brockbank painting
  Albert Ernest Brockbank painting (British, 1862-1958), flower gatherers in field overlooking sunlit harbor, signed lower left "A.E. Brockbank", oil on canvas, 29-7/8 x 20 in.; 20th century painted and gilt wood and composition frame. Lined with linen, retouch primarily scattered in sky and water, crackle, cupping, flaking, stretcher marks, canvas loose; frame with abrasions.
• WALTER ALEXANDER BAILEY
  WALTER ALEXANDER BAILEY (AMERICAN, 1894 - 1989) 14" x 11" Riverbank. Oil on canvasboard, signed in the lower left corner, framed in a gilt frame with linen liner and gilt liner overall 23 ¼" x 20".
• General Nathanial Banks Portrait
  General Nathanial Banks Portrait Oil on canvas 19th century unsigned a rendering of Nathanial Banks and horse; 22 x 28 in.
• ALBERT BABB INSLEY (AMERICAN,
  ALBERT BABB INSLEY (AMERICAN, 1842-1937) 12" x 18" Summer landscape with stream. Oil on canvas, signed "Albert Insley", framed in an ornate gold frame with black accents, overall 19" x 25". Provenance: Acquired by current owner at an antique store in Cleveland, OH. Paul Duda framing label verso.
• FOOTBALL PLAYER STILL BANK A.C.
  FOOTBALL PLAYER STILL BANK A.C. Williams cast iron painted in gold overall depicted with football tucked under arm. 6'' h. Wear to paint. (VG Cond.)
• 2 IRON FIGURAL STILL BANKSca.
  2 IRON FIGURAL STILL BANKSca. 1909-1920s; both figural cast banks with brass paint: attributed to A.C. Williams duck or goose bank, standing on wide oval feet, 4 3/4", Condition: 85%-95% original paint; attributed to A.C. Williams "Campbell Soup Kid" depicting comical boy and girl twin children used by Campbell Soup, 3 1/4", Condition: extensive wear and replaced screw, 40% original surface
• Albert E. Smith American, 1862-1940
  Albert E. Smith American, 1862-1940 Connecticut Landscapes: Two Estimate:$1,000-$2,000
• WORK ON PAPER, JAMES ALBERTSON
  WORK ON PAPER, JAMES ALBERTSON James Albertson (American, 1944-2015), "Pandora's Box," 1989, ink on paper, pencil signed and dated lower right, titled lower left, sheet: 18"h x 13.5"w, overall (with frame): 21.75"h x 18.75"w
• Henry William Banks Davis RA
  Henry William Banks Davis RA (1833-1914)/Mother and Son/pen and ink sketch, 7.5cm x 10cm/and seventeen other sketches, a folio
• Lot of 2: Cast Iron African
  Lot of 2: Cast Iron African American Still Banks. Description Both manufactured by A.C. Williams. Includes one Aunt Jemima bank (Mammy with Spoon) circa 1905 to 1930 and one Sharecropper bank (toes visible on one foot) circa 1901. Some overall wear to both banks. Condition (Very Good - Excellent). Size Largest: 6" T.
• JOSEF ALBERS (German/American
  JOSEF ALBERS (German/American 1888-1976). VARIANT X signed dated '66 titled and numbered in pencil lower margin. Silk screen - Framed image: 10 in. x 14 in.
• Albert Ernest Bottomley (British
  Albert Ernest Bottomley (British 1873-1950)/Friday Street, Near Boxhill/signed/watercolour, 24cm x 34cm
• Alexander John Drysdale
  Alexander John Drysdale (American/New Orleans, 1870-1934) "Riverbank at Dawn", oil on panel, 11-1/2" x 17-1/2", signed and dated lower left "A. J. Drysdale/1910". Presented in a later carved giltwood frame.