A few examples of appraisal values for
ALBERT MORITZ

• Albert Ern
  Albert Ern
• Albert Moritz Wolff, Russian,
  Albert Moritz Wolff, Russian, 1854-1923, Bronze Sculpture, a naturalistic rectangular base, realistically cast as a mother seated in a horse-drawn cart with her son who is playing a harmonica, on a red marble base. Signed on base 'M Wolf' in Cyrillic, also stamped with 'Gladenbeck & Sohn' foundry mark. 12 1/2" long, 5 1/4" wide, accompanied by the book; "Russian Imperial Style", Laura Cerwinske, Wings Books, 1990; the bronze is illustrated in a room setting photo on page 197
• ALBERT MORTIZ WOLFF (GERMAN
  ALBERT MORTIZ WOLFF (GERMAN 1854-1923)ALBERT MORTIZ WOLFF (GERMAN 1854-1923) Fleeing from the Wolf , bronze with dark brown patina atop marble base overall dimensions including base: 17 (h) x 33.6 (l) x 17.5 (d) cm (6 3/4 x 13 1/4 x 6 7/8 in.) signed lower right, dedicated Geserusch vorm h. Gladendecks Sohn along right edge CONDITION The sculpture is in overall excellent original condition. One extremely fine parabola-shaped scratch by the signature on base. Marble base chipped at center and top back corner. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• SCHWEITZER ALBERT Photograph
  SCHWEITZER ALBERT Photograph inscribed (''Albert Schweitzer'') in German 1964 part illegible text slightly faded. Framed and matted. 6 x 4 inches.
• A pen and ink drawing of three
  A pen and ink drawing of three young gentlemen in effete poses titled above in colloquial German. 34x24cm.
• FRIEDRICH ALBIN KOKO-MICOLETZKY
  FRIEDRICH ALBIN KOKO-MICOLETZKY WINTER PAINTING Austria,1887-1981Impressionist landscape blanketed by snow marred with footprints illuminated by the pink light of sunset.
• ALFRED H. FRIED & CIE, FURST
  ALFRED H. FRIED & CIE, FURST BISMARCKS GESAMMELTE WERKE, TWO VOLUMESAlfred H. Fried & Cie, Furst Bismarcks Gesammelte Werke, Two Volumes
• Siegfried Lenz/ Oskar Kokoschka
  Siegfried Lenz/ Oskar Kokoschka '' Einstein Uberquert die Elbe Bei Hamburg '' Hoffmann und Campe. Believed to be the deluxe edition of which only five were printed. Six original lithographs and portfolio with text the lithographs signed by Kokoschka in pencil each measuring 44 x 33 cm together with a limited edition lithograph of a man and a woman by Oskar Kokoschka numbered in Roman numerals 29/30 signed in pencil 30 x 38 cm. Provenance: an English private collection.
• Johann
  Johann
• AFTER ALBERT MORITZ WOLFF (GERMAN
  AFTER ALBERT MORITZ WOLFF (GERMAN 1854-1923) THE PLOUGHSHAREAfter Albert Moritz Wolff (German 1854-1923), The Ploughshare Signed on base Moritz Wolff 1894 and Boriepr Bronze sculpture with brown patina on a mottled gray and red marble base; impressed with founder's mark Akt. Ges. H. Gladenbeck & Sohn. Height overall: 6 in (15.2 cm); Length including marble: 12-1/4 in (31.1 cm)Property of Various Owners
• AFTER ALBERT HENDSCHEL (GERMAN
  AFTER ALBERT HENDSCHEL (GERMAN 1834-1883), 'AUS A. HENDSCHEL'S SKIZZENBUCH': EIGHT LIGHT PRINTS FROM A VOLUME OF 30, FRAME: 18 X 16After Albert Hendschel (German 1834-1883), 'Aus A. Hendschel's Skizzenbuch': Eight Light Prints from a Volume of 30, By Martin Rommel et Cie, Stuttgart
• LUDWIG BURGEL (1901-1972) THREE
  LUDWIG BURGEL (1901-1972) THREE ALPINE SCENES Color etching: 8 x 7 in. Framed; all inscribed and signed: L. Burgel
• JOSEF ALBERS (German/American
  JOSEF ALBERS (German/American 1888-1976). VARIANT X signed dated '66 titled and numbered in pencil lower margin. Silk screen - Framed image: 10 in. x 14 in.
• MATHIAS JOSEPH ALTEN
  MATHIAS JOSEPH ALTEN (GERMAN-AMERICAN, 1871-1938)Mathias Joseph Alten German-American, 1871-1938 Valencia , 1912 Oil on board, signed, dated, and titled lower right Oxen and drivers with a boat in the Mediterranean surf, framed. Proclaimed a "Second Generation-Impressionist" by William H. Gerdts, preeminent authority on American regional painting, Alten's range and prolificity - having produced over 3,000 works in a wealth of subject and style - spoke of the nomadic German's drive for traditional success in an artistic world on the brink of evolution. Alten's education in the craft began at the acclaimed Académie Julian and at the Académie Colarossi - his first accolade a gold medal awarded by the school for the best figure drawing. As early as 1905, Alten was fielding invitations from museum exhibits, among these, the National Academy in New York, the Art Institute of Chicago, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, and the Detroit Institute of Art. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure…to more cosmopolitan experience in artistic craftsmanship and association." Alten spent the first years of the century conquering Europe by ship, train, carriage, and sometimes mule: Paris in 1899, then the Hague School of Dutch artists, then the Netherlandic realms of the Maris brothers, Jozef Israëls, Willem Roelofs, van Gogh, and Piet Mondriaan, before touring Spain in the pursuit of the influence of Joaquín Sorolla. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. The esteem of his national recognition in tow, Alten never ceased to frequent noted art colonies such as Étaples, France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida, though never settling in colony nor school or style. Fastidiously retained was a freedom of subject and style, from still lifes to animals, portrait commission to southwestern scenes such as Valencia . Alten never succumbed to the encroaching Modernist fervor of his peers, and this conviction paid him handsomely, earning him gallery space alongside the likes of Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, Oscar E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase, and William Wendt. Sight: 11.1 x 15 1/4 in. (28.2 x 38.7 cm.), frame: 15 1/2 x 19 3/4 in. (39.4 x 50.2 cm.) Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• Alfred Hrdlicka (Austrian
  Alfred Hrdlicka (Austrian 1928-2009) Muster ohne Worte-Studie zu Makart etching edition 128/1000 signed Hrdlicka (lower right) 13 1/2 x 19 1/2 inches.
• ALBERT MANSER YODELING IN SWISS
  ALBERT MANSER YODELING IN SWISS ALPS OIL ON BOARD Albert Manser (Swiss, 1937 - 2011), "Schellensch?tten auf der Alp" (Yodeling in the Alps), folk naive painting, oil on board, 1983, signed lower right. Image: 3.5" H x 11" W; frame: 6" H x 13.5" W. Provenance: Removed from a collection in Mt. Kisco.
• ALBERT URBAN (GERMAN/AMERICAN
  ALBERT URBAN (GERMAN/AMERICAN 1909-1959), PORTFOLIO 1948, TWO LITHOGRAPHS 25 X 20 INCHESAlbert Urban (German/American 1909-1959), Portfolio 1948, Two Lithographs 25 x 20 inches
• MATHIAS JOSEPH ALTEN
  MATHIAS JOSEPH ALTEN (GERMAN/AMERICAN, 1871 - 1938) 12 ¼" x 17 ¼" Landscape with a river scene, 1916. Oil on canvas mounted to board, signed and dated lower right, in a gilt frame with velvet liner, overall 18 ½" x 23 ½".
• GEORG OESTREICHER (20TH CENTURY):
  GEORG OESTREICHER (20TH CENTURY): WINDBEUTELALMWindbeutelalm (Berggasthof Almhutte); 1925; oil on canvas; signed and dated lower left; Provenance: DeRu's Fine Arts, Laguna Beach label verso; 24 x 31 inches; 32 3/4 x 38 3/4 inches frame Condition:
• Josef Albers (1888-1976)
  Josef Albers (1888-1976) German/American EA Colour lithograph; signed with initials titled dated ??~73 and numbered 51/100 in pencil 15" (height) 38.1cm (height) 22" (width) 55.9cm (width)
• 2 vols. (Albertina Katalog.)
  2 vols. (Albertina Katalog.) Beschreibender Katalog Der Handzeichnung in der Staatlichen Graphischen Sammlung Albertina: Band I: Die Zeichnungen der Venezianischen Schule. Vienna: Anton Schroll, 1926. 4to, orig. 1/4 morocco & marbled bds. With 487 illus. * Band VI: Die Schulen von Ferrara, Bologna, Parma und Modena, der Lombardei, Genuas, Neaples und Siziliens. Vienna: Anton Schroll, 1941. 4to, orig. 1/4 morocco & bds. 174 collotype plates with 784 illus. Both tight & clean. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• GERHARD MARCKS (GERMAN.
  GERHARD MARCKS (GERMAN. 1889-1981)Almtanz (Alpine Dance), 1926. Signed in pencil l/r, titled l/c. Woodcut, from the periodical in portfolio form, Die Schaffenden, vol. 6, no. 21924–26, published 1929.
• LOVIS CORINTH (GERMAN 1858-1925):
  LOVIS CORINTH (GERMAN 1858-1925): TWO MUSICIANS (SCHWARZ 320 AND 347) Drypoint both signed. 15 1/4 x 10 7/8 in. (sheet) and 15 3/4 x 10 7/8 (sheet).
• KASSNER, ALOIS. DIREKTOR
  KASSNER, ALOIS. DIREKTOR KASSNER.Hamburg, Friedländer, ca. 1913. Early one-sheet color lithograph depicting the “Thurston of Germany” amidst bubbles, devils, and other symbols of the magician’s craft. 27 ¼ x 36 ½". Tears along edge of poster, minor tear affecting image. A-.
• ALBRECHT D?RER (German
  ALBRECHT D?RER (German 1471-1528). PEASANT COUPLE GOING TO MARKET engraving with thread margins in good conditon. Bears several unknown collector's stamps on verso - Unframed image: 4 1/2 in. x 2 3/4 in.
• *Josef Albers (American/German
  *Josef Albers (American/German 1888-1976) Formulation: Articulation 1972 serigraph edition 873/1000 10 x 15 3/4 inches.
• THOMASCH, Wilhelm, (Austrian,
  THOMASCH, Wilhelm, (Austrian, 1893-1964): Seated Harlequin with Mandolin, Alabaster sculpture, 13'' h x 7''w x 6 1/2'' d, incised signature. Goldscheider signature metal coin in base.
• MATHIAS JOSEPH ALTEN
  MATHIAS JOSEPH ALTEN (GERMAN/AMERICAN, 1871 - 1938) 5 ¼" x 7 ?" Marsh landscape. Oil on board, signed lower right, in a gilt frame with linen liner, overall 12" x 14".
• JOSEF ALBERS, (GERMAN/AMERICAN,
  JOSEF ALBERS, (GERMAN/AMERICAN, 1888-1976), SOLO, INKLESS INTAGLIO, 3 1/8 X 4 1/8 IN.JOSEF ALBERS, (German/American, 1888-1976) Solo, inkless intaglio inscribed For Lux, with thanks and A58 3 1/8 x 4 1/8 in. Provenance: The Estate of T. Lux Feininger Condition: Condition: Speckled foxing throughout; paper evenly toned.
• ALBERT DORFINANT, L' ALSACIENNE
  ALBERT DORFINANT, L' ALSACIENNE TEINT TOUS TISSUSAlbert Dorfinant, Belgian, 20th C., L' Alsacienne Teint tous tissus, c.1930, Imp J E Goossens-Brussels, lithograph (SSWA2649)(MM) Dimensions: Image 61 x 45, framed 68 x 52 Condition: In very good framed condition
• *A Russian Bronze Figural Group
  *A Russian Bronze Figural Group Albert-Moritz Wolff (1843-1923) depicting a horse drawn cart with a maiden with her head lowered and a young boy playing an accordion raised on a rectangular naturalistic base further set on a rouge marble plinth signed in Cyrillic. Width overall 13 1/2 inches.
• Alfred Eisenstaedt (American
  Alfred Eisenstaedt (American 1898-1995) Trees in Snow St. Moritz Switzerland 1947 gelatin silver print edition 46/50 signed Eisenstaedt (lower right); titled and dated (verso) 11 1/4 x 10 3/4 inches.
• three color lithographs OTMAR ALT
  three color lithographs OTMAR ALT (german b. 1940) UNTITLED Each pencil signed and numbered from a series of 100. Largest 17 1/4 x 23 1/2 in. provenance: Private Collection, New Jersey.
• Two Viennese drawings: recto, "F.M.
  Two Viennese drawings: recto, "F.M. Karl F. Schwarzenberg" (1771-1820), lying in state in a bedroom, ink and watercolor with gilt highlights on card, affixed to paper page, 7-1/8 x 8-3/4 in., abrasion ; verso, pencil sketch of a cottage in a woodland setting with three figures, inscription in ink in Hungarian, paper backing signed lower left "Prinz. Therese Lobkowicz +1868", both unframed, attributed to Princess Therese of Lobkowicz, Austria, 1800-1868. Foxing, toning, fading. Descended in the House of Schwarzenberg
• Daniel Albert Wehrschmidt Oil on
  Daniel Albert Wehrschmidt Oil on Canvas portrait of an older gentleman well listed artist signed upper right & dated 1908 28'' x 36'' in period frame.
• PR. MAX ACKERMANN ABSTRACT
  PR. MAX ACKERMANN ABSTRACT LITHOGRAPHS Germany1887-1975Includes a worked titled "Allegretto," comprised of primary colors over slate blue, edition 70/100 dated 1956, and a work titled "Capriccio," comprised of secondary colors over blue edition 52/100 dated 1953.