A few examples of appraisal values for
ALEXANDER HAY RITCHIE ENGRAVING

• ALEXANDER HAY RITCHIE (AMERICAN,
  ALEXANDER HAY RITCHIE (AMERICAN, 1822-1895), WASHINGTON AND HIS GENERALS Copperplate engravings, published by Ritchie in New York, 19th century, in antique but likely later framing.
• ALEXANDER HAY RICHIE, (AMERICAN
  ALEXANDER HAY RICHIE, (AMERICAN 1822-1895), FREDERICK DOUGLASS, ENGRAVING IN GILT FRAME, C. 1875, FRAME: 26 1/2 X 29 IN. (67.3 X 73.7 CM.)Alexander Hay Richie, (American 1822-1895), Frederick Douglass, Engraving in Gilt Frame, c. 1875,, Dimensions: Frame: 26 1/2 x 29 in. (67.3 x 73.7 cm.)
• ALEXANDER HAY RITCHIE, (AMERICAN,
  ALEXANDER HAY RITCHIE, (AMERICAN, 1822-1895), WASHINGTON AND HIS GENERALS, COLORED ENGRAVING, 26 X 37 IN.ALEXANDER HAY RITCHIE, (American, 1822-1895) Washington and His Generals, colored engraving colored engraving Dimensions: 26 x 37 in. Provenance: The Collection of a New England Family. Condition: Overall good condition, no visible tears or scratches to paper. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• ALEXANDER HAY RITCHIE
  ALEXANDER HAY RITCHIE (SCOTTISH/AMERICAN)Alexander Hay Ritchie (Scottish/American, 1822-1895), "Washington and His Generals", color restrike lithograph on paper mounted to board, 23 5/8 in. x 36 in., framed without glass. Condition: Overall poor condition. Ext. Frame: 35 in. x 45 in. x 1 in.
• ALEXANDER HAY RICHIE AFTER DARLEY
  ALEXANDER HAY RICHIE AFTER DARLEY (SCOTTISH/AMERICAN, 1822-1895) FIRST BLOW FOR LIBERTY: TO THE MEMORY OF THE PATRIOTS OF 1775 STIPP...Unframed; Published by Mason Bros. 64 Nassau St. New York. Stipple and line engraving: 27 x 35 in. (full sheet)
• ALEXANDER HAY RITCHIE (NEW
  ALEXANDER HAY RITCHIE (NEW YORK/CONNECTICUT, 1822-ALEXANDER HAY RITCHIE (New York/Connecticut, 1822-1895) engraving, "On the March to the Sea," Union General William T. Sherman leading the march from Atlanta to Savannah, Georgia. The image depicts soldiers tearing up train tracks, pulling down power lines, gathering supplies, burning houses, breaking bridges, and black civilians fleeing with the Union army. After the painting by F.O.C. Darley, published by L. Stebbins, Hartford, CT, 1868. Image measures 25" x 40.5". In a wood frame; 39.75" x 53.75" overall.
• After F. O. C. Darley A. H. Ritchie
  After F. O. C. Darley A. H. Ritchie engraver ''First Blow for Liberty'' (Ritchie & Co. New York) colored stipple engraving 24 x 33 in. framed Estimate $ 150-200
• WASHINGTON RELATED ENGRAVING,
  WASHINGTON RELATED ENGRAVING, ALEXANDER HAY RITCHIE(Scottish-American, 1822-1895) after Daniel Huntington (American, 1816-1906), Lady Washington's Reception, image 21-1/2 x 35 in.; black painted frame, 33 x 45-1/2 in. Note: "When the country was being torn apart by the Civil War, this image was meant to be a tool to unite the country and pay homage to the states’ common origin. The romantic, idealized scene depicts an evening reception with dignitaries to honor Martha Washington set in May of 1789 in Philadelphia, about a month after George Washington’s Presidential Inauguration." - Rachel Lovett, Curator & Assistant Director, Hammond-Harwood House Museum The lot is accompanied by a framed key identifying the figures. Condition: not removed from frame, some toning, possible damage behind canted mat; frame with abrasions and losses
• After F.O.C. Darley A. H. Ritchie
  After F.O.C. Darley A. H. Ritchie engraver ''Triumph of Patriotism Washington entering New York ... 1783'' (Ritchie & Co. New York 1858) engraving 28 x 37 3/4 in. framed Estimate $ 100-200 Tide marks and toning in lower margin.
• George Rickey American 1907-2002
  George Rickey American 1907-2002 Three Axes bronze and lead kinetic sculpture executed 1971 inscribed ''Rickey 715 '' on black marble base base - 15 in. H. blades 28 in. L. 39 in. maximum height Provenance: photograph with Zabriskie Gallery label on verso Estimate $ 20 000-30 000 Two chips on corners of square base wear to bronze some encrusted polish and moves well.
• ALEXANDER RITCHIE (1856-1941)
  ALEXANDER RITCHIE (1856-1941) IONA HEART-SHAPED BOX & COVER, CHESTER 1908 silver, stamped maker's marks and hallmarked 19085.6cm across
• CHARLES RITCHIE, AMERICAN 1954-,
  CHARLES RITCHIE, AMERICAN 1954-, APRIL 2008, AQUATINT, MEZZOTINT, ETCHING AND DRYPOINT ON ACCORDION FOLD MOUNTED IN LINEN BOOK IN LINEN COVERED BOX, 4 5/8 X 6 3/8 X 1 3/8 IN. (11.75 X 16.19 X 3.49 CM.)CHARLES RITCHIE, AMERICAN, 1954- APRIL 2008, Aquatint, mezzotint, etching and drypoint on accordion fold mounted in linen book in linen covered box Signed and dated on front inner cover; no. 3/100; published by Center Street Studio, April 2008 is an artist book based on a section of the artist's Journal 130 kept during April 2008 Aquatint, mezzotint, etching and drypoint on accordion fold mounted in linen book in linen covered box Dimensions: 4 5/8 x 6 3/8 x 1 3/8 in. (11.75 x 16.19 x 3.49 cm.) Provenance: Purchased from Center Street Studio by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
• Russell Alexander Trees signed
  Russell Alexander Trees signed lower right in pencil etching
• Ritchie (L) Travelling Sketches
  Ritchie (L) Travelling Sketches from Drawings by Clarkson Stanfield, 2 vols, orig. red morocco, Longman 1833, Roscoe (T) The Tourist in France, illustrated by J D Harding, orig. green morocco, Jennings & Chaplin 1834, and Stanfield's Coast Scenery, a series of picturesque views in the British Channel, orig. cloth, Smith, Elder & Company 1847, all 8vo.
• ALEXIS-LOUIS ROCHE (1891-1961):
  ALEXIS-LOUIS ROCHE (1891-1961): UNTITLED Ink and colored pencil on paper 10 1/4 x 8 in. (sheet) signed AL Roche '58.
• Andrew Afleck print English
  Andrew Afleck print English countryside black frame chipping to exterior of frame.
• RICHARD SMITH ETCHING AND
  RICHARD SMITH ETCHING AND AQUATINT ON PAPERRICHARD SMITH (New York/England, 1931-2016) etching and aquatint on folded paper, untitled, pencil signed lower left, dated 1977, edition 18/50, embossed mark lower right, 19.5" x 11" (image), 28" x 22.5" x 1" (paper), 30.25" x 24.75" (Lucite frame). Label attached to frame: Atlantic Richfield Company Art Collection.
• Isaac Robert Cruickshank (British
  Isaac Robert Cruickshank (British 1789-1856) Tom Echo Laid Up color engraving 5 x 7 1/4 inches.
• JAMES ALFRED AITKEN (SCOTTISH
  JAMES ALFRED AITKEN (SCOTTISH 1846-1897), ROCKY RIVER LANDSCAPE, OIL ON CANVAS, SIGNED AND INSCRIBED RSW L.L. FRAME: 17 X 21 1/4 IN. (43.2 X 54 CM.)James Alfred Aitken (Scottish 1846-1897), Rocky River Landscape, Oil on Canvas, Signed and Inscribed RSW l.l., Dimensions: Frame: 17 x 21 1/4 in. (43.2 x 54 cm.)
• Richard Smith (British b. 1931)
  Richard Smith (British b. 1931) Abstract etching edition 24/40 signed (lower left) 14 1/2 x 30 1/4 inches.
• TWO GEORGE WASHINGTON PRINTS:
  TWO GEORGE WASHINGTON PRINTS: ENGRAVING AFTER A.HTWO GEORGE WASHINGTON PRINTS: engraving after A.H. Ritchie (New York/Connecticut, 1822-1895) "Washington and His Generals," image measures 17" x 24.25"; offset lithograph after Arnold Friberg (United States, 1913-2010) "The Prayer at Valley Forge," image measures 24" x 37". In gilt wood frames; 36" x 41.5" and 34" x 47" overall.
• Alex Wilson Sr. etching cityscape 3
  Alex Wilson Sr. etching cityscape 3 1/2'' X 5 3/4''.
• PRINT, ALEXANDER RZEWSKI
  PRINT, ALEXANDER RZEWSKI Alexander Rzewski (Russian, 1893-1983), Seated Woman, etching, pencil signed lower left, image: 10"h x 8"w, overall (with frame): 22.25"h x 15.75"w
• ALEXANDER COLVILLE R.C.A. STUDY FOR
  ALEXANDER COLVILLE R.C.A. STUDY FOR LOOKING DOWN Medium: ink and acrylic on paper signed and dated 19?16 May 19~88 - 1 June 19~8819? 7.25" (height) 18.1cm (height) 7.25" (width) 18.1cm (width)
• AIDEN LASSELL RIPLEYAmerican
  AIDEN LASSELL RIPLEYAmerican 1896-1969Flight Woodcock''. Signed in pencil in lower right margin ''A. Lassell Ripley''. Titled in pencil lower left. Guild of Boston Artists' label verso.Etching and drypoint on paper 9'' x 12'' sight. Framed.''
• MONUMENTAL ENGRAVING - 'First
  MONUMENTAL ENGRAVING - 'First Blow for Liberty - To the Memory of the Patriots of 1775' by A.H. Ritchie (Alexander Hay 1822-1895) dated 1863 'Here once the embattled farmers stood and fired the shot heard round the world' mitered black lacquer frame
• Lithograph & Acrylic Artwork pencil
  Lithograph & Acrylic Artwork pencil signed & numbered 1 fo 1.
• PRINT, RICHARD SHAW Richard Shaw
  PRINT, RICHARD SHAW Richard Shaw (American, 20th century), Untitled (Tattoo Parlor Scene with Figures), 2011, etching with hand coloring, pencil signed and dated lower right, edition E.V 5/17, sheet (unframed): 13.5"h x 29.5"w
• Two prints including: line
  Two prints including: line engraving by Alfred Charles Stanley Anderson (British 1884-1966) ''Hedge-Laying '' December 1945 showing man chopping shrubbery branches with farm and field in background #250 artist monograph and signature ''Stanley Anderson'' LR ss: 4 1/2'' h. x 3 1/2'' w.; along with an original etching by Ronau William Woiciske (American 1887-1953) ''Magic Mantle '' August 1944 showing river in winter landscape #200 pencil signed ''R.W. Woiciske'' LR some foxing ss: 4 1/2'' h. x 3 1/4'' w.; both matted and framed under glass not examined out of frame.
• Richard Stone Reeves Lithograph
  Richard Stone Reeves Lithograph ''Alysheba'' horse of the year 1988 #332 of 850 image area 21'' x 25'' pencil signed.
• Robert Ritchie (American 1959-2011)
  Robert Ritchie (American 1959-2011) "For The Lust of Lorraine". Mixed media 1990 signed and titled verso.
• Pablo Picasso etching ''Pour Roby''
  Pablo Picasso etching ''Pour Roby'' image area 8'' x 10'' with certificate.
• AFTER RICHARD ANSDELL
  AFTER RICHARD ANSDELL ENGRAVINGafter Richard Ansdell (British 1815-1885)- ''The Combat''- engraving, engraved by H. T. Ryall, published by James Sheldon, some age toning. 23 1/2 x 36 1/4''
• (2) RICHARD ASH (TX, 1943-2019)
  (2) RICHARD ASH (TX, 1943-2019) FRAMED SERIGRAPHS(lot of 2) Framed serigraphs on paper, pencil signed lower right R.M. Ash (Richard Martin Ash III, Texas, 1943-2019), dated 1984, titled lower left, including: (1) "La Correspondencia Doce," numbered 14/ 20, (1) "Imprinta Pagina Once," numbered 3/ 20, sight: approx 22"h, 16"w, overall: 34.5"h, 27.5"w, 25.5lbs total
• Alexander Lawrie (American,
  Alexander Lawrie (American, 1828-1917) Forest waterfall. Oil on board, possibly on a thin paper affixed to an oak panel, signed in the lower left corner and dated 1870, the board size measuring 12" x 8-3/4", and with the framing overall approx. 23-1/2" x 20-1/2". The panel has a label from a London panel-maker and there is a fragment of a hand written label pertaining to earlier ownership.
• William Scott, RA (British,
  William Scott, RA (British, 1913-1989) Minimalist composition from "A Poem for Alexander" Screenprint Pencil signed, numbered 32/72, and dated 1972 23" x 30 1/4"