A few examples of appraisal values for
ALI

• ALI MASALEHDAN (IRANIAN/AMERICAN,
  ALI MASALEHDAN (IRANIAN/AMERICAN, CONTEMPORARY) 17 ½" 23 ½" image "Gnu. Opus XXI. Challenge for Humanity." Oil on canvas, signed and dated 1992 in the lower right corner, depicting African wildebeest corps in the distance on the eroding grassland, with a body of a gnu in the grass in the foreground, and a gnu standing alone with its back towards "humanity"; signed, titled on the back; framed in gilt finish frame, overall 23 ?" x 28 ?".
• Two Italian Maiolica albarelli,
  Two Italian Maiolica albarelli, 18th Century, the first Castelli or Naples, possibly from the workshop of Saverio Grue, painted in colours with a female saint holding a sword, the drug name below O.MIRTL.NI (oil of black bilberry), 19.4cm high, the second albarello Pesaro, workshop of Casali Callegari, painted with the daisy pattern, 19.7cm high/Provenance: from the Henry Sandon Study Collection
• Aliamet Sculpt 1700 colored
  Aliamet Sculpt 1700 colored engraving matted and framed under glass a/o 22 x 26 ss: 13 1/2'' h. x 17 1/2'' w.
• ALIGI SASSU (ITALIAN 1912-2000),
  ALIGI SASSU (ITALIAN 1912-2000), ABSTRACT, OIL ON CANVAS, FRAME: 33-1/2 IN X 40 INAligi Sassu (Italian 1912-2000), Abstract, Oil on Canvas, Frame: 33-1/2 in x 40 in
• DALI, Salvador, (Spanish/French,
  DALI, Salvador, (Spanish/French, 1904-1989): ''Aaliyah'', Offset Lithograph, sight size 23'' x 18'', signed lower right, numbered 113/300 lower left, framed, 31'' x 25''.
• An alabaster figure of a figure
  An alabaster figure of a figure holding a book possibly 18th. c. Italian. ht.16cm.
• ALI. FIGURES IN AN INTERIOR, OIL ON
  ALI. FIGURES IN AN INTERIOR, OIL ON PAPER Signed ll, 10 x 10 in., framed.
• SASSU ALIGI (ITALIAN 1912-2000),
  SASSU ALIGI (ITALIAN 1912-2000), OIL ON CANVAS, 33 X 40 INSassu Aligi (Italian 1912-2000), Oil on Canvas, 33 x 40 in
• * An Italian Carved Lava Relief
  * An Italian Carved Lava Relief Il Giuoco Dell'Altalena depicting a woman and children on a seesaw under a tree. Height 5 inches.
• SALVADOR DALI, ALIYAH SUITE
  SALVADOR DALI, ALIYAH SUITE LITHOGRAPHPrint from the Aliyah Suite by Salvador Dali (Spanish, 1904-1989) circa 1968. Pencil signed and limited in the lower margin. Overall framed size is 25" x 32". Excellent condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• ALI MASALEHDAN (IRANIAN/AMERICAN,
  ALI MASALEHDAN (IRANIAN/AMERICAN, CONTEMPORARY) 24" x 18" "Irises, Mellon Park", 1991. Oil on canvas, signed and dated lower right, in a wooden frame with linen liner, overall 29 ½" x 23".
• An Italian Maiolica Armorial
  An Italian Maiolica Armorial Albarello, Florence or Montelupo, circa 1520, painted with the Giraldi family arms of a lion and boldly painted 'famiglia gotica' scrollwork, 25cm high/Note: Josiah and Mary Trent Collection, purchased in Italy 1938-48; An albarello from the same set is in the Museo di Ceramica di Faenza/Provenance: from the Henry Sandon Study Collection
• ALIGI SASSU (ITALIAN 1912-2000),
  ALIGI SASSU (ITALIAN 1912-2000), ELISENDA, ETCHING PLATE, FRAME: 17-1/2 X 19-3/4 INAligi Sassu (Italian 1912-2000), Elisenda, Etching Plate, Frame: 17-1/2 x 19-3/4 in
• SALVADOR DALI, LITHOGRAPH FROM
  SALVADOR DALI, LITHOGRAPH FROM ALIYAH SUITESalvador Dali lithograph in colors, titled "Aliyah" from the Aliyah suite, published 1968 by Shorewood Press. Signed and limited (162/250) in pencil in the lower margin. Framed size is 32" x 25".
• ALI AND THE FLYING CARPET AND SPACE
  ALI AND THE FLYING CARPET AND SPACE TOYS Lot includes; Terra Mars Saucer 10-2 Saucer United States Gemini Capsule and Ali with original rubber lantern. Approx. 6'' - 6 1/2'' diam. Overall; (VG Cond.) Inv# 0187 0187 0187
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) Antichita d'Albano e di Castel Gandalfo... bound together with Descrizione e Disegno dell'Emissario del Lago Albano... c. 1800 large folio first Paris edition with 51 plates (includes frontispieces) many folding or double-page no text birdcage watermark full calf with gilt tooling by Tessier Paris the first pastedown with manuscript list of plates in old hand. Reference: Wilton-Ely pgs. 668-727 watermark pg. 1178.
• An Italian Maiolica armorial
  An Italian Maiolica armorial albarello, probably Rome, early 18th Century, of dumbbell shape, painted in blue with the arms of the Barberini family surmounted by a cardinal's hat, the ground with scrolling leaves, inscribed drug name 'SIROPPO. DI.BISCO', 18.5cm high/Note: The arms may relate to Cardinal Francesco Barberini (1662-1738)/Provenance: from the Henry Sandon Study Collection
• ALI MASALEHDAN (IRANIAN/AMERICAN,
  ALI MASALEHDAN (IRANIAN/AMERICAN, CONTEMPORARY) 22" x 30" "Landscape with Figures Flying a Kite", 1991. Oil on canvas, signed and dated lower right, unframed.
• EISENSTAEDT, ALFRED (1898-1995)
  EISENSTAEDT, ALFRED (1898-1995) Group of seven images of Aleppo, Syria, Estimate:$500-$750
• Two Sicilian Maiolica albarelli,
  Two Sicilian Maiolica albarelli, Caltagirone, 17th-18th Century, of cylindrical shape, one decorated with circular panels of simulated marble in yellow and blue, 17cm high, the other painted with the head of a King, 18.7cm/Note: the first ex Leonard Cunliffe Collection, bought from the Copeland Collection, Trelissick Manor/Provenance: from the Henry Sandon Study Collection
• ALI CHITSAZ (IRANIAN B. 1979),
  ALI CHITSAZ (IRANIAN B. 1979), VILLAGE SCENE, OIL ON CANVAS, 22 X 31-3/4 INAli Chitsaz (Iranian b. 1979), Village Scene, Oil on Canvas,
• Italian Blue-and-White Majolica
  Italian Blue-and-White Majolica Covered Albarello, fourth quarter 18th century, the title frieze glazed in dark umber \"E. II Lenitiro ro maua\", the cover probably a later replacement, h. 7\", dia. 5\".
• Set of four Italian carved
  Set of four Italian carved alabaster plaques ca. 1800 depicting the Angel Gabriel St. Francis Christ lifted from the tomb ... ?
• Italian blue and white maiolica
  Italian blue and white maiolica albarello 17th century Painted with Ceres attended by putti and a lion at her feet. H: 9 1/2 in. ,000-1,500 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• SALVADOR DALI (SPANISH, 1904-1989),
  SALVADOR DALI (SPANISH, 1904-1989), "ALIYAH", SIGNED DALI IN PENCIL AND NUMBERED 100/250, COLOR LITHOGRAPH ON ARCHES, FROM THE REBIRTH OF ISRAEL SUITE, PUBLISHED 1968, SHOREWOOD PRESS, NEW YORK, IMAGE-20 1/16" X 15 11...SALVADOR DALI (Spanish, 1904-1989), "Aliyah", Signed Dali in pencil and numbered 100/250, Color Lithograph on Arches, From The Rebirth of Israel Suite, published 1968, Shorewood Press, New York, Image-20 1/16" x 15 11/16", Sheet-25" x 19 5/8". Some toning to image. Matted and framed behind glass. Reference: Albert Field, Official Catalog of the Graphic Works of Salvador Dali, 1996
• Fratelli Alinari (Italian b.
  Fratelli Alinari (Italian b. after 1854-died after 1920) A group of photographs depicting Italian architecture (11 works) albumen prints 7 1/2 x 10 1/4 inches (each).
• ALINARI, ITALIAN LANDSCAPES PHOTOS,
  ALINARI, ITALIAN LANDSCAPES PHOTOS, 1921 Vittorio Alinari PAESAGGI ITALICI NELLA "DIVINA COMMEDIA" (Florence: Alinari, 1921) folio, publishers pictorial boards with some restoration. Containing 77 reproductions of photographs tipped onto cardstock with letterpress.
• Aloisio Giovannoli (Italian c.
  Aloisio Giovannoli (Italian c. 1550-1618) Vedute Degli Antichi Vestigi di Roma c. 1750 oblong folio (10 1/2 in. x 16 1/2 in.) in fine tooled 3/4 leather 19th c. binding with 106 engravings including fold-out map (21 in. x 16 1/2 in.) with a file containing in Italian showing comparisons with these prints to their 17th c. counterparts. Provenance: Purchased at Muttonchop Manuscripts Horsham Sussex England 2003 for £1850.
• MANNER OF FRANCESCO ALBANI: CHERUBS
  MANNER OF FRANCESCO ALBANI: CHERUBS AT PLAY: A PAIR Oil on canvas laid down on panel 20 x 24 in. oval 24 3/4 x 28 3/4 in. (frame).
• SALVADOR DALI, HATIKVAH, FROM
  SALVADOR DALI, HATIKVAH, FROM ALIJAH SUITESalvador Dali (Spanish, 1904-1989)Hatikvah, from Alijah suite (M. & L. 1199; F.68-1. G), 1968lithograph in colors on wove papersigned in pencil, annotated ‘emprentre d’artiste’25 x 19in (64 x 48
• Ildebrando Bastiani (Italian,
  Ildebrando Bastiani (Italian, 1867-ca. 1936) "Flirtatious Algerian Girl", a carved Carrara marble figure of an enthroned flirting Algerian girl, fourth quarter 19th century, signed at the rear proper left upper surface of the base, in script "Bastiani/Firenze", h. 24-1/4", w. 15", d. 11-1/2".
• Italian polychrome maiolica
  Italian polychrome maiolica albarello 17th/18th century Painted with oval reserves of gentlemen on a foliate decorated ground. H: 8 in. ,200-1,800 - losses to glazed surface overall, mostly to shoulder and rim - no breaks to mouth or foot rims.
• MUHAMMAD ALI Prayer and Al-Islam.
  MUHAMMAD ALI Prayer and Al-Islam. Chicago: Muhammad Islamic Foundation 1982. 8vo publisher's gilt boards. First edition. Inscribed and dated by Muhammad Ali on the f.f.e.p. Fine.
• Italian alabaster figure group
  Italian alabaster figure group late 19th/ early 20th century Depicting a young Dutch girl leading her crying younger brother to school. H: 19 in. - rough edges particularily to girl''s bonnet and some loss to lace edges - scratches to surface with occasional nicks - surface dirty/ some staining
• Emilio Fiaschi (Italian
  Emilio Fiaschi (Italian 1858-1941) Sleeping girl on a bench. Alabaster and marble sculpture of a girl on a bench having fallen asleep reading an alphabet book. "PCE Fiaschi....Firenze...Made in Italy" incised on the back of the base.
• An Italian ivory relief, 19th
  An Italian ivory relief, 19th Century, after Algardi, with ebonised frame mounted in gilt-metal, later ebony giltwood frame (some damage), 24in high/see illustration