A few examples of appraisal values for
ALTER

• Painting after Balthazar Denner,
  Painting after Balthazar Denner, older man wearing fur-trimmed coat, after a work by Balthasar Denner, German, 1685-1749, titled "Alter Mann", oil on panel, held by the Wien Museum (Vienna), European, 19th century, 15-3/8 x 12-1/8 in.; fine 19th century gilt wood and composition frame. Crackle, cupping, craquelure, panel with two battens; frame with abrasions, loss to composition, repairs. Said to have been purchased in 1972 from the daughter of Mr. Cavanaugh, accountant in St. Cloud, Florida. Entries from his logbooks indicate the painting was purchased by his father at auction in New York City from the collection of the P.T. Barnum & Bailey Museum.
• FOLK ART MODEL OF A CATHOLIC ALTER:
  FOLK ART MODEL OF A CATHOLIC ALTER: Carved model of an alter with carved and applied decoration and inset marble. Small door on top opens larger panel on back opens to reveal hidden miniature bible stands candelabra and more. Alter measures 13 1/4'' h. x 12 1/4'' x 9''. Comes with custom made wood carrying case 14 1/4'' x 14 1/4'' x 10 1/2''.CONDITION: Signs of play and use with some minor repairs.
• Josef Albers (American/German
  Josef Albers (American/German 1888-1976) Formulation: Articulation portfolio 1972 (a group of four works) serigraph edition 873/1000 Largest 13 x 36 1/4 inches.
• Otmar Alt (German, b 1940)
  Otmar Alt (German, b 1940) serigraph "Feuerblumenilse", silkscreen on paper, unsigned, published 1969 by Edition Look-at, Galerie Thomas, Munich, 30-1/2" x 26-3/4", framed 32" x 28", very good condition, not inspected out of frame
• After Basilius Besler (German,
  After Basilius Besler (German, 1561-1629) "Aloe Vera", pair of offset chromolithographs, sight 14-1/2" x 12". Glazed, matted and presented in giltwood frames.
• Ink and watercolor fraktur
  Ink and watercolor fraktur four-part Metamorphosis ca. 1800 depicting the stages of man from Adam and Eve to Death 4" x 3". ?
• Vintage Church Alter front with
  Vintage Church Alter front with mantle, faux painted architectural grained columns. 33 1/2"H x 40 1/4"W x 14"D.
• ALOIS ARNEGGER (AUSTRIAN,
  ALOIS ARNEGGER (AUSTRIAN, 1879-1963), ALPINE LANDSCAPE AT DUSK Oil on canvas, signed "A. Arnegger" at lower left, framed.
• ALTERMANN, Horst, (German,
  ALTERMANN, Horst, (German, 1925-1978): Fox Hunt Scene, Oil/Canvas, 28'' x 40'', signed lower left, fine contemporary frame, 34'' x 46''.
• Altar stand in old blue paint. 33''
  Altar stand in old blue paint. 33'' Ht. Provenance Myron Goldfinger Collection. Provenance Myron Goldfinger Collection.
• GERMAN SCHOOL PORTRAIT(19th
  GERMAN SCHOOL PORTRAIT(19th century) Older Woman Wearing Paisley Shawl and Holding a cased portrait, unsigned, oil on canvas, 14-7/8 x 11-1/2 in.; gilt wood and composition frame, 23-1/4 x 20 in. Provenance: Private Collection, North Carolina [[europeanart]] Condition: lined and restretched on new stretcher, crackle, retouch, surface dirt; frame with some losses, resurfaced
• *Josef Albers (American/German
  *Josef Albers (American/German 1888-1976) Formulation: Articulation 1972 serigraph edition 873/1000 10 x 15 3/4 inches.
• Albert Ern
  Albert Ern
• S. ALVAR, "THE NATURE BEARERS"
  S. ALVAR, "THE NATURE BEARERS" EMBOSSED LITHOGRAPH Alvar Sunol Munoz-Ramos (Spanish b. 1935), "Les Portadores de Natures" (The Nature Bearers), depicting several women with baskets of fruit and flowers, embossed lithograph on paper, pencil signed lower right, editioned 229/250 lower left, framed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 29.625", w. 39" (frame), h. 24.25", w. 34" (paper).
• GUTZMER Alfred. 1960 Modernist
  GUTZMER Alfred. 1960 Modernist O/C of Birds.Inscribed and titled ''Interplay'' on stretcher verso. Alfred Gutzmer American 1903-1999. Gutzmer taught at the Brooklyn Museum Art School in the 1950's and exhibited at the Metropolitan Museum of Art in New York. From an East 94th St NYC estate. Dimensions: 30'' high x 24'' wide. Condition: Overall surface grime areas of craquelure some buckling of canvas.
• Paul Geissler [CHURCH VIEWS] Five
  Paul Geissler [CHURCH VIEWS] Five hand-colored etchings Estimate:$100-$200
• ALI MASALEHDAN (IRANIAN/AMERICAN,
  ALI MASALEHDAN (IRANIAN/AMERICAN, CONTEMPORARY) 17 ½" 23 ½" image "Gnu. Opus XXI. Challenge for Humanity." Oil on canvas, signed and dated 1992 in the lower right corner, depicting African wildebeest corps in the distance on the eroding grassland, with a body of a gnu in the grass in the foreground, and a gnu standing alone with its back towards "humanity"; signed, titled on the back; framed in gilt finish frame, overall 23 ?" x 28 ?".
• *Josef Albers (American/German
  *Josef Albers (American/German 1888-1976) Formulation: Articulation portfolio 1972 (a group of five works) serigraph edition 873/1000 Largest 13 x 36 1/4 inches.
• GEORG T. HARTMANN, GERMAN LATE
  GEORG T. HARTMANN, GERMAN LATE 19TH-EARLY 20TH CENTURY, PORTRAIT OF A GENTLEMAN ('DER ALTER'), SIGNED, DATED 1922 AND LOCATED MUNICH ON VERSO, OIL ON BOARD FRAMED: 37 X 29 1/2 IN. (94 X 74.9 CM.)Georg T. Hartmann, German Late 19th-Early 20th Century, Portrait of a Gentleman ('Der Alter'), Signed, Dated 1922 and Located Munich on Verso, Oil on Board, Provenance: Collection of the Emeritus Director, The Phillips Collection, Washington, DC Dimensions: Framed: 37 x 29 1/2 in. (94 x 74.9 cm.)
• BEN AHLVERS (KANSAS, 20/21ST
  BEN AHLVERS (KANSAS, 20/21ST CENTURY) GLAZED TERRABEN AHLVERS (Kansas, 20/21st century) glazed terra cotta sculpture, "10,000 Words," head of a man with spiked hair. Initialed by the artist, 11" x 9" x 9". Provenance: purchased from the Beet Gallery, Portland, Oregon.
• Alois Arnegger (Austrian,
  Alois Arnegger (Austrian, 1879-1967) Spring Landscape, farmhouse and apple trees, signed lower left "A. Arnegger", oil on plywood, 38 x 56 in.; gilt wood and composition frame,
• Josef Albers (American 1888-1976)
  Josef Albers (American 1888-1976) silkscreen titled Variant III initialed lower right and dated '66 numbered 82/200 10" x 14... ?
• GERMAN ALLEGORICAL OIL PAINTING
  GERMAN ALLEGORICAL OIL PAINTING Elderly Man Studying Manuscript, Stork, Butterfly and Eggs on table to right; oil on canvas, illegibly signed lower right corner, in gold and black molded cove frame, OS: 23 1/2" x 29 1/2", SS: 17 1/2" x 23 1/2".
• ALDO VITALEH (20TH CENTURY):
  ALDO VITALEH (20TH CENTURY): FAIRYpatinated bronze, mounted to marble plinth; signed "Aldo Vitaleh"; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; 11 inches high; 12 1/2 inches high overall Condition:
• PRINT, ALADAR ALMASY Aladar
  PRINT, ALADAR ALMASY Aladar Almasy (Hungarian, b. 1946), Untitled, etching in colors, pencil signed lower center, edition E.A., plate: 9.5"h x 5.75"w, overall (with frame): 19"h x 13.5"w
• Harold Altman (American
  Harold Altman (American 1924-2003) "Figures and Awnings II". Aquatint on paper signed in pencil lower right titled lower center margin and "Edition 65" lower left. Altman who was born in New York in 1924 is best known for his etchings and lithographs. His subjects are figures in landscapes focusing on soft and serene scenes connecting people to nature. This early and rare etching is rather dark depicting four figures walking away from awnings. The image itself measures apprx 23" x 18-1/4" overall with glass and frame apprx. 36" x 29-1/2".
• HAUBNER BRONZE ALPINE BOY & DOG
  HAUBNER BRONZE ALPINE BOY & DOG FIGURAL LAMP ,20th CenturyYoung boy in nineteenth century attire standing with hands in pockets and a dog at his feet, iridescent art glass shades, mounted on a gray marble plinth.
• ALDO VITALEH (20TH CENTURY):
  ALDO VITALEH (20TH CENTURY): FAIRYbronze, mounted to stone plinth; signed in casting; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; 10 3/4 inches high; 11 3/4 inches high overall Condition:
• POLTER, Kurt, (American/German,
  POLTER, Kurt, (American/German, b. 1914): Nude Female Relaxing, Oil/Canvas, 36'' x 24'', signed lower left, framed, 43.5'' x 32''.
• (20th century) double-sided
  (20th century) double-sided portrait of an elderly Middle Eastern gentleman, a woman verso oil on board partial signature or subject title visible left lower center, 'T. or J. St.---maier' 19 3/4" x 14 3/4"
• ALVAR, WOMAN PLAYING A VIOLIN,
  ALVAR, WOMAN PLAYING A VIOLIN, ETCHING AND AQUATINT, FRAMED, 34 X 27 INCHESAlvar, Woman Playing a Violin, Etching and Aquatint, Framed, 34 x 27 inches
• AFTER ALBRECHT DüRER (GERMAN,
  AFTER ALBRECHT DüRER (GERMAN, 1471-1528) 11 ¾" x 9" plate Portrait of Dürer. Etching, after the self-portrait painting in the Prado. c.1498, depicting Dürer at half-length slightly turned to left, wearing striped cap and loose doublet with striped sleeves; mountainous landscape seen through open window in the background on left, Durer insignia in print at right edge (as seen in painting), in a carved decorative frame, overall 20 ½" x 16 ¾".
• Alabaster Venus de Milo, after
  Alabaster Venus de Milo, after the antique, probably 20th century, 37 in. Slight discoloration, surface with minor scratches and chips, otherwise excellent condition.
• Group of Continental Majolica,
  Group of Continental Majolica, 19th/20th century comprising: albarello jar, salt cellar, tile, covered vase, and small oil lamp, together with a Turkish Canakkale animal figure condition noted albarello height 8.7 in — 22 cm
• Plinius, published in Frankfurt
  Plinius, published in Frankfurt by Johann Saurn, 1600, "Des Weitberümbten Hochgelehrten alten Philosophi und Naturkündigers, Bücher und Schrifften, von Natur, Art und Eygenschafft aller Creaturen oder Geschöpfe Gottes.........Jetzundt widerumb mit sonderm Fleiß durchsehen, mit vielen fürtrefflichen Historien gebessert und gemehrt.Allen Apothekern, Haußvättern und Haußmüttern.sehr nothwendig, nützlich und dienstlich." (Übersetzt von Johannes Heyden). Estimate $1,000-1,500
• AFTER JOSEF ALBERS
  AFTER JOSEF ALBERS (GERMAN/AMERICAN, 1888 - 1976), "VARIANT V", FROM "TEN VARIANTS" PORTFOLIO, C. 1966-67, UNSIGNED, PRINTED IN COLO...After Josef Albers (German/American, 1888 - 1976), "Variant V", from "Ten Variants" portfolio, c. 1966-67, unsigned, printed in colors on sturdy white wove paper with complete margins, framed, wear consistent with age, image: 10" h. x 14" w. [PROVENANCE: Davis Collection.]