A few examples of appraisal values for
AMERICAN COUNTRY LIFE MAY MORNING

• 2 CURRIER & IVES "AM. COUNTRY
  2 CURRIER & IVES "AM. COUNTRY LIFE - MAY MORNING"Frances "Fanny" Flora Bond Palmer (American, 1812-1876) for Currier and Ives, United States. Group of two prints titled "American Country Life - May Morning," depicting a gentleman and a young man trotting past a lovely country estate, 1855. Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0134, page 20. Provenance: Distinguished Corporate Collection, Ohio. Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907. (Each) Sight; height: 18 3/4 in x width: 24 1/2 in. Framed; height: 26 1/2 in x width: 32 1/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• AMERICAN COUNTRY LIFE-OCTOBER
  AMERICAN COUNTRY LIFE-OCTOBER AFTERNOON BY N. CURRIER. Handcolored lithograph on paper. Large folio of a large homestead. C# 122. Imperfections. In a frame 25''h. 31 1/2''w. 20 3/8''h. 26 3/4''w. Stains 15'' tear from right. Margins t. 1 1/2'' b. 2 1/4'' s. 1 1/2''
• N. Currier print, "American Country
  N. Currier print, "American Country Life, October Afternoon", published by Nathaniel Currier, 1856, after Francis F. Palmer, American, 1812-1876, hand-colored lithograph with gum arabic, stone 16-3/4 x 23-7/8 in., page 21-3/4 x 28-1/2 in.; 20th century gilt wood frame. Colors strong, some acid leaching, loose, tape adhesive verso top edge at former hinges, light toning; frame with abrasions. The Old Print Shop, New York (partial label verso backing paper); Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• M.F. CARLL MORNING LANDSCAPE
  M.F. CARLL MORNING LANDSCAPE PAINTING United States19th CenturyImpressionist depiction of trees situated around a still pond in the middle of a large field lit by early morning sunlight.
• Charles Muench (1966-*
  Charles Muench (1966-* California) Spring Morning in Eaton Canyon
• CURRIER AND IVES LITHOGRAPH.
  CURRIER AND IVES LITHOGRAPH. American 1855 handcolored lithograph on paper. Large folio American Country Life May Morning C# 121. Stains. In a frame 27 1/2''h. 33''w. Vertical stains from previous wooden backing boards. Mat burn around edges. Taped to underside of mat not removed but paper is 21 3/4''h. 27 3/4''w.
• 4 AMERICAN PRIMITIVE STILL LIFE
  4 AMERICAN PRIMITIVE STILL LIFE MINIATURE PAINTING United States,Early 20th CenturyGroup includes three miniature portraits of youthful women and a still life of yellow and white flowers in a blue vase. Three of the works are signed "M.R.S.".
• Bruce Crane (American 1857-1937)
  Bruce Crane (American 1857-1937) ''May Morning'' 674. Bruce Crane (American 1857-1937) ''May Morning'' Sgn. lower right Bruce Crane. Oil/canvas laid on board. No inpaint. Replaced frame. Thomas Edward Hanley Collection Bradford Public Library.20'' x 30''E
• ANN MORSE, C-PRINT PHOTOGRAPH, 1990
  ANN MORSE, C-PRINT PHOTOGRAPH, 1990 Ann Lawrence Morse (American, b. 1937), "Country Morning", print #5, studio stamp verso, 6.75"squ (sight), 20.25"h x 16.25"w (frame)
• Wallace Bassford American,
  Wallace Bassford American, 1900-1998 Spring Morning Estimate:$600-$800
• George Demont Otis (1879-1962
  George Demont Otis (1879-1962 Kentfield CA) Morning on the Meadow
• August Morning photograph by E.W.
  August Morning photograph by E.W. Merrill Elbridge Warren Merrill (American 1868-1929) early 20th century.  Hand-tinted photograph signed in white paint l.l. titled on verso; framed 15.75  x  19.5 in. Merrill a newspaper photographer from Boston Massachusetts settled in Alaska after the 1897 Klondike gold rush.  In Alaska his photographs began to focus on the tribes of the Northwest Coast especially the Tlingit Indians and the natural beauty of the surrounding area. From 1919-1922 Merrill served as the official custodian what would become the Sitka National Park.  Today his photographs are valued not only for their historical importance but also for their artistry.  Condition: Not removed from frame.
• JACOB LAWRENCE, AMERICAN
  JACOB LAWRENCE, AMERICAN (1917-2000), MORNING STILL LIFE, 1976, SCREENPRINT, 25 1/2"H X 18 3/4"W (IMAGE) 33 1/2" X 27"W (FRAME)Jacob Lawrence, American, (1917-2000) Morning Still Life, 1976, screenprint Signed lower right, numbered 59/200 lower left From AskArt: Born in Atlantic City, New Jersey, Jacob Lawrence became known for his narrative series of tempera paintings expressive of his own life and that of his black peers who migrated from the South to the North. His vivid collage-appearing canvases typically had bold planes of color and symbolic elements of African-American heritage of struggles, aspirations, and accomplishments. screenprint Dimensions: 25 1/2"H x 18 3/4"W (image) 33 1/2" x 27"W (frame)
• Currier & Ives, publishers THE
  Currier & Ives, publishers THE DRIVE THROUGH THE HIGHLANDS LIFE IN THE COUNTRY, MORNING Two hand-colored lithographs Estimate:$600-$800
• Jane Randolph Whipple (American/New
  Jane Randolph Whipple (American/New Orleans, Newcomb Art School, 1927-1931) "Still Life with Morning Glories", watercolor on paper, sight 10" x 11", signed lower right "Whipple". Glazed, double matted and presented in a carved giltwood frame.
• GEORGE A. RENOUARD (AMERICAN,
  GEORGE A. RENOUARD (AMERICAN, 1884-1954) "MORNING" Oil on artist board. October 30, 1922. Signed and titled (on reverse).
• N. Currier colored lithograph
  N. Currier colored lithograph titled Sunday Morning In The Olden Time after the work of William Collins. ?
• ROBERT HIGHSMITH (AMERICAN, B.
  ROBERT HIGHSMITH (AMERICAN, B. 1920), "EARLY MORNING" WATERCOLOR ON PAPER, A WINTER MORNING LANDSCAPE WITH BARE TREES CASTING LONG S...Robert Highsmith (American, B. 1920), "Early Morning" watercolor on paper, a winter morning landscape with bare trees casting long shadows, signed lower right, framed and matted behind glass, wear consistent with age, not examined out of frame, ss: 14 1/4" h. x 20 1/4" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• American school (late 19th century)
  American school (late 19th century) MORNING GLORY VINE oil on canvas framed unsigned H14'' W20'' Small puncture to upper right quadrant; minor loss of paint to upper left quadrant; frame with losses and wear.
• Currier & Ives small folio
  Currier & Ives small folio lithograph titled Winter Morning in the Country pub. 1873 8 1/2" x 12 1/4". ?
• Kaye Pool (American, 1912-2006)
  Kaye Pool (American, 1912-2006) "May Morning" impressionistic spring landscape; oil on canvas; 16" x 20"; signed lower right.
• Frank Joseph Girardin (American,
  Frank Joseph Girardin (American, 1856-1945), "Misty Morning", oil on board; 8 3/4" x 11 3/4"; signed and titled verso. It was during Girardin's time in Indiana that he received the most recognition for his work. In 1910, he moved to California where he continued to paint the local landscape.
• Eleanor Copeland, American, 20th c,
  Eleanor Copeland, American, 20th c, Still life with Morning Glories and Figurines, 21" x 15" w/c, PAFA artist, b. 1875 in England Estimate $400-600
• * (POETRY) A group of five
  * (POETRY) A group of five titles. The Morning Road. By Thomas Wood Stevens and Alden Charles Noble. Chicago: The Blue Sky Press 1902. Number 122 of 200 copies. Fumes of Formation. By Amanda M. Ross. Belfast: R. Carswell 1933. Revolution. A Poem. By Ebon Dooley. Chicago: Third World Press (1968). The Circus and Other Essays. By Joyce Kilmer. New York: Laurence J. Gome 1916. [Housed in slipcase with:] Trees and Other Poems. By Joyce Kilmer. New York: George H. Doran (1914).
• SHIRLEY MUNGALL (AMERICAN 20TH
  SHIRLEY MUNGALL (AMERICAN 20TH CENTURY), MORNING IN MAY, PASTEL, FRAME SIZE: 24 X 28 INShirley Mungall (American 20th Century), Morning in May, Pastel, Frame size: 24 x 28 in,
• ''Hazy Los Angeles Morning'' oil on
  ''Hazy Los Angeles Morning'' oil on masonite. 18'' H x 24'' W.
• Ernest Albert Land American b. 1918
  Ernest Albert Land American b. 1918 ''Morning in Vermont'' oil on masonite signed titled and dated ''September 1976'' on label on verso 14 x 17 1/4 in. framed Estimate $ 300-500 Paintings have not been examined by blacklight.
• William Ritschel (1864-1949
  William Ritschel (1864-1949 Carmel CA) A Morning on California Coast
• ALEXANDER JOHN DRYSDALE
  ALEXANDER JOHN DRYSDALE (AMERICAN/LOUISIANA)Alexander John Drysdale (American/Louisiana, 1870-1934), "Morning Sunlight in the Lafourche Country", 1916, oil wash on board, signed and dated lower left, signed, titled and inscribed en verso, 6 3/4 in. x 20 1/8 in., framed, overall 10 1/4 in. x 23 3/4 in. x 1 in.
• Henry John Yeend King British,
  Henry John Yeend King British, 1855-1924 Countryside in the Morning Estimate:$800-$1,200
• Henry Ward Ranger American,
  Henry Ward Ranger American, 1858-1916 Morning at Berthier Estimate:$5,000-$7,000
• CORWIN KNAPP LINSON(American,
  CORWIN KNAPP LINSON(American, 1864-1959) Morning Light, 7am August 1946, signed and inscribed lower right "Corwin Knapp Linson/7am Aug. 1946", oil on canvas, 20 x 24 in.; period silver finished carved wood frame, 25 x 29 in. Provenance: Obtained directly from the artist; by descent in family Condition: stretcher mark, uneven varnish; frame with wear
• Dennis James Logsdon (American,
  Dennis James Logsdon (American, 20th Century) Early Morning Stretch, 1998 engraving on clay signed Dennis James Logsdon (lower left) 16 x 36 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Thomas Singleton (American, 20th
  Thomas Singleton (American, 20th century), "Spring Morning, 1940", signed lower left "Thomas Singleton 40" and signed and titled verso, oil on canvas board, 10-1/2 x 11-1/4 in., original painted and gilt wood and composition frame,
• Jane Fisher (American b. 1961)
  Jane Fisher (American b. 1961) One Yellow Morning oil on canvas signed titled and dated 1988 (verso) 78 x 64 1/2 inches.
• AKSAMIT LYNON (AMERICA, 20TH
  AKSAMIT LYNON (AMERICA, 20TH CENTURY), “MORNING ON CHERRYVALE RD. 2007 AUTUMN”, A, OIL ON PANEL, 6.75” X 13.75”. FRAMED 10.375” X 17.375”.AKSAMIT LYNON, America, 20th Century, "Morning on Cherryvale Rd. 2007 Autumn", a Western U.S. landscape with mountains. Signed lower right "Lynon". Dimensions: Oil on panel, 6.75" x 13.75". Framed 10.375" x 17.375".