A few examples of appraisal values for
AMERICAN HORSE TAKES HIS NAME

• F.C. Clifton (Anglo-American,
  F.C. Clifton (Anglo-American, 19th Century) oil on canvas equine portrait titled, "Taking the Lead," of a pony training on the lunge in side reins, signed and dated lower right, "F.C. Clifton / 95," in its original frame, sight 16"h x 20"w
• LATE 19TH C. AMERICAN EQUINE
  LATE 19TH C. AMERICAN EQUINE PORTRAIT Profile Portrait of a Standing Sorrel Thoroughbred, the name of which is illegibly inscribed on the rock lower center, otherwise unmarked, set in a pastoral landscape, oil on canvas on home-made stretcher, ca. 1870's-80's, unframed, 17 3/4" x 28", fine crazing.
• American, 20th c, Portrait of a
  American, 20th c, Portrait of a Horse, 20" x 26" o/c,inscribed "1961, Reds Silas" in pencil verso Estimate $100-200
• American carved wooden horse figure
  American carved wooden horse figure early 20th c. with a horse hair mane and tail mounted on an oval base 9 1/2" h. 9 1/2" l. ?
• Currier & Ives "The Celebrated
  Currier & Ives "The Celebrated Trotting Stallions 'Ethan Allen and George M. Patchen'" 1858. 19.5"x27.5"
• William Hays painting (William
  William Hays painting (William Jacob Hays, New York, 1830-1875), portrait of an Arabian horse under a tree in a field, signed lower right "W.J. Hays 1859", oil on canvas, 25-1/8 x 35-1/4 in.; modern painted and gilt wood frame. Restretched on old stretcher, lined, scattered areas of retouch, crackle; frame with abrasions. Private Collection, Winston-Salem, North Carolina
• Eugene Higgins American,
  Eugene Higgins American, 1874-1958 Man on a Horse Estimate:$700-$900
• American School (21st Century)
  American School (21st Century) "Portrait of a Draft Horse", oil on panel, 12" x 16". Presented in a carved giltwood exhibition frame.
• HOBBY HORSE. American 20th
  HOBBY HORSE. American 20th century. Primitive wooden horse with buck teeth and fiber mane and tail. On rockers with wheels. Splits. 22 1/2''h. 33''l.
• American School (21st Century)
  American School (21st Century) \"The Horseman\", oil on canvas, 10\" x 8\", signed lower right \"W. Hackert\". Presented in an ornate giltwood frame.
• (3) Native American sculptures, c/o
  (3) Native American sculptures, c/o 1991 Legends mixed media "American Horse Takes His Name" by Christopher Pardell 390/950 with COA (8" h), Premier Edition Legends mixed media "Defiant Comanche" by CA Pardell artists proof AP/950 with COA (14" h), 1992 Chilmark "To the Great Spirit" Collection "Shooting Star The Warrior's Offering" by T Sullivan 558/950 (12-1/4" h)
• A dapple grey rocking horse on
  A dapple grey rocking horse on American rockers, 102cm long
• 19C AMERICAN FOLK ART PRIZED
  19C AMERICAN FOLK ART PRIZED HORSE WC PAINTING United States,1886Depicts a black stallion with white back legs and nose standing in a fenced in field.
• FOLKSY HORSE. American late
  FOLKSY HORSE. American late 19th-early 20th century softwood. Stylized running horse with layers of paint. Stamped script initials ''D_''. 9 1/2''h. 17 1/2''w.
• GOOD AMERICAN FOLK CARVED WOOD
  GOOD AMERICAN FOLK CARVED WOOD HORSE 19th/20th c., in the manner of Everett Morgan (Pownal, Vermont, 1898-1976?), nicely carved model with painted finish, loosely mounted on later display stand, 7"h x 9.5"l x 2"w (horse), 7.5"h x 10.5"l x 2.75"w (incl. stand)
• A dapple-grey rocking horse on an
  A dapple-grey rocking horse on an American rocker, 110cm long
• WILLIAM BURLINGAME (AMERICAN,
  WILLIAM BURLINGAME (AMERICAN, B.1942). Native American with Horse and Rifle. Oil on board. Signed lower left. Gallery label affixed verso: Husberg Fine Art, Scottsdale, AZ. From a Madison Ave, NYC estate. Dimensions: 9" h x 12" w. Condition: Good.
• Attractive American Carved and
  Attractive American Carved and Polychromed Wooden Hobby Horse, in the early 19th-century style, fitted with a leather saddle, cast-iron stirrups and a horsehair tail, mounted on trestle rockers, h. 23", w. 11", l. 33".
• Horses and wagon at full gallop ink
  Horses and wagon at full gallop ink gouache and wash on paper mounted to board under glass. image size: 8.75'' H x 12.5'' W.
• FOLK ART HORSE. American 19th
  FOLK ART HORSE. American 19th century wood. Stylized horse retaining its original paint and horsehair tail. Repaired breaks at the legs. On a modern base 5 1/2''h. 7''l. Ex Patricia Staubel (Maine).
• American carving of Abraham Lincoln
  American carving of Abraham Lincoln in a horse drawn carriage late 19th/early 20th c. with a black livery man with leather reigns ... ?
• THE HORSE THAT TOOK THE POLE,
  THE HORSE THAT TOOK THE POLE, HAND-COLOR ENGRAVING, FRAMED, 20-1/2 X 24 INCHES, PROVENANCE: THE JOCKEY CLUB, WASHINGTON, DCThe Horse That Took the Pole, Hand-Color Engraving, Framed, 20-1/2 x 24 inches, Provenance: The Jockey Club, Washington, DC
• George Catlin (American, 1796-1872)
  George Catlin (American, 1796-1872) "Wild Horses, at Play" No.3 and "Catching the Wild Horse" No.4, pair of hand-colored lithographs, sight 12" x 17-1/2", titled lower margin. Glazed, matted and presented in an ebonized and silver-gilt frames.
• * An American Bronze Figure of a
  * An American Bronze Figure of a Horse Reisber depicted in stride. Width 15 inches.
• Currier & Ives color print, "The
  Currier & Ives color print, "The Celebrated Trotting Stallion Ethan Allen..." 11" x 14 1/8".
• LARGE AMERICAN FOLK ART CLOTH MODEL
  LARGE AMERICAN FOLK ART CLOTH MODEL OF A HORSE c. 1875-1899, Vermont, bead decorated, remnant leather mane, nicely displayed on custom patinated metal stand, approx. 23.5"h x 29"l x 6"w (horse)
• American hooked rug dated 1902
  American hooked rug dated 1902 initialed SG with a galloping horse flanked by chickens 24" x 66". ?
• Frederic A. Bridgman (1847-1928 New
  Frederic A. Bridgman (1847-1928 New York NY) Arab Man on Horseback
• Everett Morgan folk art horse,
  Everett Morgan folk art horse, finely carved and painted with detailed mane, attributed to Everett Morgan (Pownal, Vermont, 1898-1976?), 9-3/4 in., with wooden mounting block, 14-1/2 in. Scattered paint chips and abrasions, scattered chips and surface abrasions, otherwise good condition. Everett Morgan, Pownal, Vermont; Hillary Underwood, Woodstock, Vermont; Edmond Fuller, New York City; Hirschl and Adler Gallery, New York City; Ricco Maresca Gallery, New York City; Private Collection of Steve Miller, New York City; A Distinguished Private Southern Collection; Austin T. Miller American Antiques; purchased from above by consignor.
• AMERICAN SCHOOL(20th century) The
  AMERICAN SCHOOL(20th century) The White Horse, unsigned, oil on canvas, 14 x 12 in.; wood frame, 18-1/4 x 16-1/4 in., Provenance: Estate of Brock Arms, Flat Rock, North Carolina Condition: crackle, areas of retouch, surface dirt layer, uneven varnish; frame with minimal wear
• AMERICAN OR EUROPEAN SCHOOL
  AMERICAN OR EUROPEAN SCHOOL EQUESTRIAN WATERCOLOR(early 20th century) Acrobat on an Arabian horse, signed lower right with conjoined "HS" or AS", 24 x 22 in.; early 20th century gilt and carved wood frame, 31-1/4 x 28-3/8 in. Provenance: Brunk Auctions, November 3, 2007, lot 436; Private Collection Condition: paper and glue on front margins of paper, taped in, toning, fading; frame repainted.
• The Equine Painter J.B. (English,
  The Equine Painter J.B. (English, fl. ca. 1875-1928) "Portrait of the Thoroughbred Hallowe'en" in his stall, dated 1912, oil on canvas, entitled and dated lower left and monogrammed, presented in a giltwood fillet within a period deep rosewood-grained wooden frame in the neoclassical taste, h. 14-1/4", w. 16-1/2". "Hallowe'en" was raced under the name "Glencoe II".
• Charlie Yazzie, Native American,
  Charlie Yazzie, Native American, 20th c, w/c & gouache, Man leading a horse with passenger, 13" x 17" Estimate $200-400
• Charles Beauregard horse painting
  Charles Beauregard horse painting (Charles Grant Beauregard, American, 1856-1919), four horses drinking at a trough (derived from a painting by John F. Herring, Sr.), signed lower left "C.G. Beauregard", oil on canvas, 24-1/4 x 32-1/2 in.; modern gilt and black-painted frame. Original stretcher with Shattauck keys with original tacking edge, crackle, cupping, grime, bloom, uneven varnish; frame with abrasions. Estate of John Shilleto, Cincinnati, Ohio; Private Collection.
• AMERICAN SCHOOL, STUDY OF HORSES
  AMERICAN SCHOOL, STUDY OF HORSES (2)American School19th centuryStudy of horses (2)watercolor on paperone inscribed in pencil Bussorah Arabian lower center8 1/2 x 7 1/2in (21.5 x 19cm) Provenance:Property from
• KAREL APPEL (DUTCH, 1921-2006)
  KAREL APPEL (DUTCH, 1921-2006) 22" x 28" "Wild Horse Rider", 1965. Color lithograph on Arches paper, signed in pencil lower right, numbered 42/200 in pencil lower left, Arches watermark, unframed.