A few examples of appraisal values for
AMITY

• US CONGRESS, ACTS PASSED AT THE 2ND
  US CONGRESS, ACTS PASSED AT THE 2ND CONGRESS 1795 Acts Passed at the Second Congress of the United States of America: Begun and Held at the City of Philadelphia, On Monday, the Twenty-fourth of October, One Thousand Seven Hundred and Ninety-one. And of the Independence of the United States. The Sixteenth. Published 1795 by Francis Childs, Philadelphia. Early edition of the Acts of both Sessions of the Second Congress, including the final ratification of the Bill of Rights, a foundational work in the history of American government. This edition includes the texts of several treaties that were not printed in the earlier 1793 edition by Childs and Swaine, such as the Definitive Treaty of Peace between the U.S. and Great Britain and Treaties of Alliance and of Amity and Commerce between the U.S. and France. the acts ultimately established Washington, D.C. and the United States Executive Mansion. Bound in full calf with the original gilt red morocco spine labels, index. 406pp. 8vo. Evans 29675
• EARL E. COLLINS O/C MARINE
  EARL E. COLLINS O/C MARINE PAINTING, LIGHTNING CLIPPER ...Earl Edward Collins (Connecticut/New York, 1925-1992) oil on canvas maritime painting depicting the clipper ship "Lightning" sailing across tumultuous waters, an American flag visible at the stern. Signed and dated "Earl Collins '82" lower right. Handwritten index card with history of the Lightning en verso of frame. Housed in a metallic silver wooden frame with off white linen liner and metallic silver wood fillet. Sight: 19 1/2" H x 23 1/2" W. Framed: 25 1/2" H x 29 1/2" W. Note: "Built by Donald McKay, the Lightning was the first clipper built in the United States for a British firm. In 1862, returning to Liverpool, it struck an uncharted rock in Rip. No water entered the vessel but, on arrival at Liverpool, a rock 6 feet long was found sticking through its timbers and beginning to work loose. Under Capt. 'Bully' Forbes, the Lightning made its first voyage to Australia in 77 days, and on its return voyage made it in a record 64 days. It had the distinction of carrying, free of charge, early consignments of introduced animals, including rabbits, sent to Thomas Austin of Barwon Park, Winchelsea. The Lightning's entire life was spent on the Australian run carrying immigrants and cargo. The wreck of the Lightning caused by the fire was the worst shipping calamity in Geelong's history. A fire that had broken out was discovered at about 1 am. Water was pumped into lower hold in an attempt to douse it but the efforts of local volunteer fire brigades were unsuccessful. The blazing ship was towed away from the Yarra Street Wharf by James Deane's tug Resolute. Attempts to scuttle the vessel by boring holes and cutting the outside planking also failed. The Volunteer Artillery had also been unsuccessful in attempts to sink the vessel to put out the fire. The wreck was finally removed with explosives. The Lightning finally sank at about 6 pm., her location about 200 yards from Wharf in 25 feet of water. Geelong's Centenary celebrations included a re-enactment of burning of Lightning." (adapted from Heritage Council Victoria, Victorian Heritage Database: https://vhd.heritagecouncil.vic.gov.au/shipwrecks/415). Condition: Overall very good condition.
• EARL E. COLLINS O/C MARINE SHIP
  EARL E. COLLINS O/C MARINE SHIP PAINTING, LIGHTNINGEarl Edward Collins (Connecticut/New York, 1925-1992) oil on canvas maritime painting depicting the clipper ship "Lightning" sailing across tumultuous waters, an American flag flying from the stern, and figures standing on the sail. Signed and titled lower right. Housed in a grey wood frame with a linen mat. Sight: 19 3/4" H x 23 1/2" W. Framed: 26 1/4" H x 30 1/2" W. Note: Built by Donald McKay, the Lightning was the first clipper built in the United States for a British firm. In 1862, while returning to Liverpool, it struck an uncharted rock. No water entered the vessel but, on arrival at Liverpool, a rock 6 feet long was found sticking through its timbers and beginning to work loose. Under Capt. 'Bully' Forbes, the Lightning made its first voyage to Australia in 77 days, and on its return voyage made it in a record 64 days. It had the distinction of carrying, free of charge, early consignments of introduced animals, including rabbits, sent to Thomas Austin of Barwon Park, Winchelsea. The Lightning's entire life was spent on the Australian run carrying immigrants and cargo. The wreck of the Lightning caused by the fire was the worst shipping calamity in local history. A fire that had broken out was discovered at about 1 am. Water was pumped into lower hold in an attempt to douse it but the efforts of local volunteer fire brigades were unsuccessful. The blazing ship was towed away from the Yarra Street Wharf by James Deane's tug Resolute. Attempts to scuttle the vessel by boring holes and cutting the outside planking also failed. The Volunteer Artillery had also been unsuccessful in attempts to sink the vessel to put out the fire. The wreck was finally removed with explosives. The Lightning finally sank at about 6 pm., her location about 200 yards from Wharf in 25 feet of water in the town of Geelong, Australia. (adapted from Heritage Council Victoria, Victorian Heritage Database: https://vhd.heritagecouncil.vic.gov.au/shipwrecks/415). Condition: Overall very good condition.
• COLLECTION OF OVER 100 VINTAGE
  COLLECTION OF OVER 100 VINTAGE MEDALS, TOKENS, BRACELET...Collection of Over 100 Vintage Medals, Tokens, Bracelets, Charms, Pinbacks, and Small Items. American, many Minnesota-related, ranging from the early to mid-twentieth century (a few pre-1900). Including trade tokens, entertainment and radio premiums, souvenirs, fairs and political events, Masonic and fraternal, churches, veterans, and assorted club badges, awards, and ornaments, licenses, watch fobs, and more, many neatly organized in trays or individually bagged and labeled. Subjects or organizations including: Frank Buck, Calamity Jane, Rex Allen, Buster Brown, Coca-Cola, Texaco, United Airlines, Reddy Kilowatt, Seagram’s, Planters Peanuts, and a multitude of others. With two Masonic fez caps in original bags. Should be seen.
• CA. 1895 CROW AGENCY MONTANA
  CA. 1895 CROW AGENCY MONTANA PHOTO BY H.R. LOCKEThis is an original large format photograph, circa 1895 by H.R. Locke titled, “No. 26 Indian Camp and Parade. Crow Agency, Mont., on the B. & M. R. R. Copyrighted 1895 by H. R. Locke.” Henry Robinson Locke (1856 - 1927) was a noted American photographer who became notable photographing the Wild West in the 19th Century and early 20th Century. He ran a studio in Deadwood, South Dakota and photographed the Black Hills area, Deadwood, Crow Indians, as well as farmers, miners, railroads. He was noted for photographing Calamity Jane in 1885 and the Little Big Horn battlefield in 1894. This photograph is marked in the negative and shows a wonderful detailed image with several lodge / tipi’s surrounded by horses with a parade of Montana Crow on horseback in full regalia at the foreground, with a whole group with the traditional umbrella’s and beaded umbrella’s in the center and in the background rows of Crow lodges / tipi’s set in front of the Montana hills. Provenance: From the Jim Aplan Piedmont, South Dakota collection. Measures 10” by 8”. The image is clear and overall the image and card / boudoir card are in good condition. The top third of the image at one point had a slight fold. There is a mark in the image and a few spots.
• VICTORIA HUNTLEY (1900 - 1971)
  VICTORIA HUNTLEY (1900 - 1971) "FLAME BIRD"Victoria Ebbels Hutson Huntley (American, 1900 - 1971) "Flame Bird" - Lithograph Pencil signed, titled, dated (1951) Provenance: Amity Art Foundation, Inc. collection. Image Size: 15.75 x 11.5 in. Sheet Size: 19.25 x 14.5 in. Unframed. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• VICTORIA HUNTLEY (1900 - 1971)
  VICTORIA HUNTLEY (1900 - 1971) "ONLY A PRAWN"Victoria Ebbels Hutson Huntley (American, 1900 - 1971) "Only a Prawn" - Lithograph Pencil signed, titled and dated (1953) lower margin. Provenance: Amity Art Foundation, Inc. collection. Image Size: 7.5 x 17.5 in. Sheet Size: 13 x 22 in. Unframed. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• 18TH C. BURMESE KAREN LEADED BRONZE
  18TH C. BURMESE KAREN LEADED BRONZE RAIN DRUM**Originally Listed At $1200** Southeast Asia, Myanmar and Thailand, Karen people, ca. 18th to 19th century CE. A stunning and quite impressive leaded bronze rain or frog drum, created by the Karen - a Sino-Tibetan ethnic group inhabiting the highlands between Myanmar and Thailand - elaborately adorned with dense relief decoration and rich iconography. The outstanding instrument features a circular tympanum engraved with an 8-pointed star surrounded by registers of stylized fish, birds, and geometric motifs, as well as 4 sets of 3 stacked frog figures, equally placed around the periphery. Additional registers of geometric designs encircle the concave drum body with a pair of handles protruding from each side and a procession of 3 snails - representing rain - and 3 elephants - symbolizing wealth - march down the vertical seam. Size: 24.4" Diameter x 18.1" H (62 cm x 46 cm) Drums like this example have been used in Southeast Asian cultural rituals for hundreds of years. Such bronze drum forms originated with the Bronze Age Dong Son culture of ancient northern Vietnam during the later period of the Hong Bang Dynasty. The Karen people have continued to use these drums into the present day and may have thus preserved the ancient cultural practices of the Dong Son. The drums serve many functions, not least in instilling fear in an enemy and during celebrations after a victory in war. Reverberating in the hills, the pleasing tones emanating from the drums were believed to placate Nat spirits residing in trees, streams, rocks and other objects in the natural environment, thus ensuring these spirits would look kindly on the Karen and help them in times of need. The drums were also beaten to invite ancestor spirits to partake in feasts as well as to witness crucial ceremonies such as weddings and funerals. It was important to conciliate ancestor spirits as they could intercede with Nat spirits on behalf of the Karen. The drums were additionally associated with rain as they were often played in accompaniment with a ritual dance to summon rain. It was thought that the low-frequency pitch from the drum induced frogs to croak and that croaking frogs are a harbinger of rain. Thus, the 3-dimensional frogs embedded on the tympanum are an indication of the instrument's usage. The Karen also believed that a spirit resided within the drum and at times it was thought beneficial to propitiate it with small bowls of liquor and rice. Failure to do so might result in the early death of the owner. Any changes to the surface of the drum were carefully noted and thought to be indications of the spirit's well-being and intentions. For example, condensation on the surface was not regarded as a good omen; it was interpreted as weeping and if nothing was done, sickness and death could result. To avert such a calamity, a ritual was performed with the blood of a chicken to appease the spirit of the drum. Cf. Metropolitan Museum of Art, 89.4.1234. Provenance: private Arlington, Texas, USA collection, acquired mid to late-1960s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178097 Condition: A few small perforations to walls of drum body with some stable hairline fissures and repairs. Expected nicks and abrasions to surface, all commensurate with age. Otherwise, excellent with nice remaining decoration. Rich patina throughout.
• (8) 1936-1937 MOVIE HALF-SHEET
  (8) 1936-1937 MOVIE HALF-SHEET POSTERS Half-sheet movie posters on stiff paper, for George A. Hirliman films, including 2 variations each for "Devil on Horseback", 1936; "The Gold Racket", 1937; and "We're in the Legion Now", 1936; (1) each for "Captain Calamity", 1936 and "Yellow Cargo", 1936; 22"h x 28"w
• HAND-COLORED LITHOGRAPH "WRECK OF
  HAND-COLORED LITHOGRAPH "WRECK OF THE U.S.M. STEAM SHIP 'ARCTIC'" 20" X 27.75" SIGHT. FRAMED 25" X 31.5".HAND-COLORED LITHOGRAPH "WRECK OF THE U.S.M. STEAM SHIP 'ARCTIC'", "Off Cape Race Wednesday September 27th, 1854. On her homeward voyage from Liverpool, during a dense fog, she came in collision with the French iron propeller 'Vesta,' and so badly injured that in about 5 hours she sunk stern foremost, by which terrible calamity nearly 300 persons are supposed to have perished.". After James E. Buttersworth (England/America, 1817-1894) and signed within the image. Marked in lower margin "After a Sketch by James Smith of Jackson, Miss. A Passenger on Board the Arctic". Drawn on stone by Charles Parsons. Published by N. Currier, New York, circa 1854. Dimensions: 20" x 27.75" sight. Framed 25" x 31.5". Provenance: Property of India House, New York.
• POLYCHROME SCRIMSHAW WHALE'S
  POLYCHROME SCRIMSHAW WHALE'S TOOTH DEPICTING ENGLISH-AMERICAN AMITY FIRST HALF OF THE 19TH CENTURY LENGTH 5.75".POLYCHROME SCRIMSHAW WHALE'S TOOTH DEPICTING ENGLISH-AMERICAN AMITY, First Half of the 19th Century, Obverse depicts a British and an American man, both holding their nation's flag, shaking hands. The Brit, dressed in a red swallowtail coat, is also holding a laurel wreath above their heads. The American is wearing a long blue coat. The two men are surrounded by a dove, a lion and an eagle, as well as a unicorn in a rectangular cartouche. Reverse depicts an angel in flight over a female circus performer standing one-footed on the back of a running horse. The angel is holding papers or a book in one hand, and the circus performer is holding a scepter. Some elements on both obverse and reverse executed in pinpoint. Dimensions: Length 5.75". Provenance: Hyland Granby Antiques, Hyannis Port, Massachusetts.Heller Washam Antiques, Portland, Maine and Woodbury, Connecticut.The Collection of Sam and Donna McDowell.
• PAIR OF NEW YORK COIN SILVER MASTER
  PAIR OF NEW YORK COIN SILVER MASTER SALTS Mark of Francis W. Cooper, circa 1865, both marked "F.W. COOPER 131 AMITY St. N.Y.," the cellars in round urn form with floral decoration and gadrooned rim, raised on three foliate scrolled feet, both monogrammed "ellix" to cartouche. Also included in the lot are two Reed & Barton Francis I sterling silver salt spoons (3 5/8 in.), and a coin silver salt spoon with mark of M. W. Galt & Bro. of Washington D.C., all three spoons without monograms.
• FIFTEEN BOTTLES OF VINTAGE
  FIFTEEN BOTTLES OF VINTAGE WINEFIFTEEN BOTTLES OF VINTAGE OREGON (14) & CALIFORNIA (1) WINE: 2014 Coelho Winery Divertimento Pinot Noir Rose', WV, Oregon (1); 2008 Coelho Winery Marechal Foch, WV, Oregon (1); 2011 Coelho Winery Paciencia Estate Pinot Noir, WV, Oregon (1); 2010 Coelho Winery Paciencia Reserva Pinot Noir, WV, Oregon (1); 2012 Coelho Winery Tradicao Red, Alta Mesa, CA (1); 2017 Coelho Winery Zeitoun Vineyard Pinot Noir, Eola-Amity Hills, Amity, Oregon (1); 2014 Coelho Winery Zeitoun Vineyard Pinot Noir, Eola-Amity Hills, Amity, Oregon (1); 2009 Eola Hills Oregon White Riesling, Rickreall, Oregon (1); 2006 Gypsy Dancer Estates 'Thomas' Pinot Noir, Dukes Family Vineyards, WV, Oregon (1); 2000 Montinore Estate Late Harvest Pinot Noir, Forest Grove, Oregon (500 ml bottle) (1); 2005 Owen Roe DuBrul Vineyard Cabernet Sauvignon, Newberg, Oregon (1); 2004 Owen Roe 'Sharecropper's' Cabernet Sauvignon, Newberg, Oregon (1); 2004 Quercus Wines Hyperion Syrah, Amity, Oregon (1); 2005 Sineann Pinot Noir, Newberg, Oregon (1) and 2010 Sokol Blosser Pinot Noir, Dundee Hills, Dundee, Oregon (1).
• ITALIAN MODERN DINING TABLE WITH
  ITALIAN MODERN DINING TABLE WITH TWO LEAVESITALIAN MODERN DINING TABLE WITH TWO LEAVES, imported from Italy by Excelsior Designs, Amityville, NY, late 20th century, flame grain mahogany veneer, 30.5"H x 43.25"W x 78"L + two 16.5" end leaves = 111" extended length.
• THIRTY-NINE BOTTLES OF TEMPEST
  THIRTY-NINE BOTTLES OF TEMPEST VINEYARDS PINOT NOITHIRTY-NINE BOTTLES OF TEMPEST VINEYARDS PINOT NOIR, Winemaker's Reserve, Amity, Oregon, vintages: 1999 (28) and 2000 (11).
• OREGON VINTAGE WHITE WINE
  OREGON VINTAGE WHITE WINE COLLECTION, 61 BOTTLES:OREGON VINTAGE WHITE WINE COLLECTION, 61 bottles: 5 bottles Amity Vineyards Dry Riesling, 1997. 1 bottle Argyle Vintage Select White Riesling, 1991. 1 bottle Elk Cove Vineyardes Estate Ultima Riesling, 1989. 9 bottles Lange Estate Winery Pinot Gris Reserve, 2013. 6 bottles Lange Winery Chardonnay Reserve, 2003. 12 bottles Lange Winery Yamhill Vineyards Pinot Gris Reserve, 1998. 1 bottle Lavelle Vineyards Estate Riesling, 2003. 2 bottles Solena Cellars Pinot Gris, 2003. 1 bottle Tempest Vineyards Chardonnay, 1995. 2 bottles Tempest Vineyards Early Muscat, 1991. 14 bottles Tempest Vineyards Eola Springs Vineyard Chardonnay, 2003. 7 bottles Tempest Vineyards Winemaker's Reserve Pinot Gris, 1999.
• NINETY-FOUR BOTTLES OF TEMPEST
  NINETY-FOUR BOTTLES OF TEMPEST VINEYARDS PINOT NOININETY-FOUR BOTTLES OF TEMPEST VINEYARDS PINOT NOIR, Amity, Oregon: 2002 Eola Springs Vineyard (24), 2003 Teapot Vineyard (54), 1988 Evesham Wood Vineyard (5), 1989 (4), 1990 (4), 1992, 1993, 1994.
• ONE HUNDRED EIGHT BOTTLES TEMPEST
  ONE HUNDRED EIGHT BOTTLES TEMPEST PINOT NOIR, WINEONE HUNDRED EIGHT BOTTLES TEMPEST PINOT NOIR, Winemaker's Reserve, Amity, Oregon: 1995 (3), 1996 (8), 1998 (12), 1999 (73) and 2000 (12).
• SEVENTY-TWO BOTTLES OF TEMPEST
  SEVENTY-TWO BOTTLES OF TEMPEST VINEYARDS RED WINE,SEVENTY-TWO BOTTLES OF TEMPEST VINEYARDS RED WINE, Amity, Willamette Valley, Oregon: 2002 Zinfandel (24), 2002 Cabernet Sauvignon (24) and 1998 Cabernet Sauvignon (24).
• OREGON DESSERT WINE COLLECTION, 156
  OREGON DESSERT WINE COLLECTION, 156 HALF-SIZE (375OREGON DESSERT WINE COLLECTION, 156 half-size (375 ml) bottles from such wineries as Amity, Tempest, Madrona View, Chateau Benoit, Eola Hills, Elk Cove, Hill Crest, and others.
• OREGON RED WINE COLLECTION, 114
  OREGON RED WINE COLLECTION, 114 BOTTLES: 4 BOTTLEOREGON RED WINE COLLECTION, 114 bottles: 4 bottles Abacela Cabernet Franc, 1997. 4 bottles Abacela Syrah, 1997. 2 bottles Abacela Tempranillo, 1997. 9 bottles Amity Vineyards Winemakers Reserve Pinot Noir, 1998. 2 bottles Amity Vineyards Winemakers Reserve Pinot Noir, 1994. 12 bottles Chateau Benoit Pinot Noir Futures Reserve, 1998. 30 bottles Eyrie Vineyards 'La Luz' Pinot Noir, NV. 6 bottles Lange Winery Freedom Hill Vineyard Pinot Noir, 2002. 5 bottles Lange Winery Perry Bower Vineyard Pinot Noir, 1998. 1 bottle Madrona View Vineyard Winterfest Lemberger, NV. 12 bottles Seven Hills Merlot, 1994. 3 bottles Sineann Winery Baby Poux Vineyard CS, 1998. 2 bottles Sineann Winery Haake's Hillside Vineyard Merlot, 1998. 6 bottles Sineann Winery McDuffee Vineyard CS, 2001. 1 bottle Sineann Winery Old Vine Zinfandel, 1994. 15 bottles Stone Wolf Vineyards Pinot Noir, 1998.
• FORTY-EIGHT BOTTLES OF VINTAGE
  FORTY-EIGHT BOTTLES OF VINTAGE OREGON RED WINE: AFORTY-EIGHT BOTTLES OF VINTAGE OREGON RED WINE: Amity Vineyards Estate Pinot Noir 1999 (12); Amity Vineyards Winemakers Reserve Pinot Noir 1998 (12); Hood River Vineyards Johnson Vineyards Cabernet Sauvignon 1995 (12); Cronos Yamhill County Pinot Noir 2000 (12). In four non-original wood cases.
• BENJAMIN TANNER (AMERICAN,
  BENJAMIN TANNER (AMERICAN, 1775-1848) THE BURNING OF THE THEATRE IN RICHMOND, VIRGINIA, ON THE NIGHT OF THE 26TH DECEMBER 1811 AQUAT...BENJAMIN TANNER, (AMERICAN, 1775-1848) THE BURNING OF THE THEATRE IN RICHMOND, VIRGINIA, ON THE NIGHT OF THE 26TH DECEMBER 1811, Aquatint: 13 3/4 x 17 in. (sight) Framed; lower inscribed: The Burning Of The Theatre In Richmond, Virginia, On The Night Of The 26th December 1811/ by which awful calamity upwards of ONE HUNDRED of its most valuable Citizens suddenly lost their lives and many others were much injured/ published Feby 25th 1812 by B. Tanner No 74 South 8th St. Philadelphia Provenance: Estate Collection of Albert E. Mitchler, Washington, D.C.
• REPLICA ROBERT T. "BOBBY" JONES
  REPLICA ROBERT T. "BOBBY" JONES JR.: CALAMITY JANE PUTTERreplica with plaque: from 1930 Grand Slam Year 14 3/4 x 10 3/4 inches framed Condition:
• GROUP OF CAST IRON BANKSGroup of
  GROUP OF CAST IRON BANKSGroup of cast iron banks, to include Coin Deposit safe bank, a dome top, a cottage, two painted tin examples, a mechanical trick dog, reproduction mechanical Calamity football bank, and a reproduction Santa, etc., tallest - 7 1/2". Condition: As found.
• J. B. HOLMES, (5) ANTIQUE MANHATTAN
  J. B. HOLMES, (5) ANTIQUE MANHATTAN MAPS,1865-1877 John Bute Holmes (Irish-American, 1822-1887), color lithographs on paper mounted on linen, includes: 1) "Map of the Strikers Bay Farm Estate of Mrs. Ann Rogers Decd. Part of the Estate of John Glendining and Part of the Herman Leroy Farm", 1865, the Upper West Side, from 96th St. to 109th St., and 8th Ave. (Central Park West) to the Hudson River, 24"h x 35.5"w; 2) "Map of Property in Harlem known as the Waldron Tract, Also the properties lying West & South of said Tract and the Third Avenue Tract and Benson & Vredenburgh Farm", September 1877, 112th St. to 122nd St, from 1st Ave. to 3rd Ave., 34"h x 28"w; 3) "Map of the Murray Hill Farm, Ogden Place Farm, Lawrence & Astor, Wiswall & Price, Corporation, Wm. Wright, John Taylor and other property", January 1867, 30th St. to 44th St, from Lexington Ave to Bloomingdale Road, 27.5"h x 25.5"w; 4) "Map of the West Bayard Farm, The Property of Nicholas & Stephen Bayard and the John Dykman Dcd Property", May 1868, Great Georges St. now Broadway to 8th St then Brook now Hancock St., from Amity Lane to Chestnut now Howard St., 24.5"h x 35.5"w; 5) "Map showing the Perimeters of Farms in Bloomingdale and the Old Roads and Lanes as they existed One Hundred Years Ago", 6th Ave. to the Hudson River, from 43rd St. to 57th St., 28.5"h x 46.5"w
• BATTY "PEACE" POWDER FLASK AND A
  BATTY "PEACE" POWDER FLASK AND A 19TH CENTURY PLAIN POWDER HORN The 10 in. flask's brass measuring spout is dated 1853 and marked BATTY while both sides of the copper body are stamped with two clasped hands expressing amity between the states, a shield emblazoned "US" and an American eagle (all surfaces cleaned, 10 in.)...plus, a plain powder horn with carved spout and wooden (normal wear, good estate condition).
• FOUR VINTAGE GOLF CLUBS.
  FOUR VINTAGE GOLF CLUBS. American, ca. 1920s-30s. Wood shafts and leather grips. One brass head marked "T. Smith, Marietta, O." Others are "Braid Mills", "Spaulding" and "Custom Forged Calamity Jane". Minor wear. Average 35"l.
• THE AMITYVILLE HORROR (1979).
  THE AMITYVILLE HORROR (1979). American International. Original One Sheet (27" x 41") movie poster, folded. Minor loss at creases.
• DAVID SLONIM, INDIANA (BORN
  DAVID SLONIM, INDIANA (BORN 1966), RIVER SHACK, OIL ON BOARD, 8 1/4"H X 11 1/4"W (SIGHT), 14"H X 17"W (FRAME)David Slonim, Indiana, (Born 1966) River Shack, oil on board signed and titled verso. Biography from the Archives of askART: David Slonim earned a Bachelor of Fine Arts degree from Rhode Island School of Design* in 1988. His paintings have been featured in several invitational shows, magazines, and museum exhibitions nationally, including the Rising Stars exhibit at the Desert Caballeros Western Museum in Wickenburg, Arizona, and Great American Artists in Cincinnati, Ohio. As an illustrator, he has created images for clients including IBM, UPS, Disney Press, HarperCollins, Tony's Frozen Pizza, and T.G.I. Fridays. His work has won awards from the Society of Illustrators*, Communications Arts, and the Oppenheim Toy Portfolio. Moishe's Miracle, his most recent children's book, was named one of the top ten picture books of the year 2000 in The New York Times. Slonim has recently completed the first children's picture book, which he both wrote and illustrated. Oh, Ducky! A Chocolate Calamity, was released by Chronicle Books in the spring of 2003. In 1996, David began taking workshops in painting. He has studied with Dan Gerhartz, C.W. Mundy, Burt Silverman, Richard Schmid, and Wayne Wolfe. He has also been mentored for fourteen years by art educator, sculptor and fellow painter, Robert Farlow. Slonim turned to fine art full time in 1998, and lives in Indiana with his wife and four children. oil on board Dimensions: 8 1/4"H x 11 1/4"W (sight), 14"H x 17"W (frame)
• NANCY POWELL MCLAUGHLIN, MONTANA
  NANCY POWELL MCLAUGHLIN, MONTANA (1932-1985), UNTITLED NATIVE AMERICAN GIRL, OIL ON CANVAS, 19 1/4"H X 15 1/4"W (SIGHT), 26"H X 22"W (FRAME)Nancy Powell McLaughlin, Montana, (1932-1985) untitled Native American girl, oil on canvas Biography from the Archives of askART: The following information was submitted by Allison Gunderson, daughter of the artist. Born in Kalispell, Montana, Nancy McLaughlin became noted for her depictions of Indian faces from babies to men and in her later years, the portrayal of Indian legends. Her passion in her later years was portraying Indian legends. She worked mostly with pencil and pastels in the early days but moved on to watercolor, oil, and sculpture. During her career, McLaughlin lived in Washington, Arizona, and Texas. She drew mostly horses and animals during her early age. She graduated from Flathead High School, which has several works by her in their library. She attended the University of Montana to get a teaching degree and study art. There she met Ace Powell, twenty years older than she. They married and started a family in Hungry Horse, Montana. In 1964, the house and studio and art gallery in Hungry Horse burned to the ground. The cause was never determined for sure, but their personal and private art collection and Indian artifacts were all destroyed. The pressure of this calamity was too much and the couple divorced, leaving four children, David, Christa, Allison, and Ann, all who have remained in the northwest. McLaughlin had had a life-long struggle with asthma and respiratory illnesses, and this was the cause of her death, which occurred in Newport, Washington. oil on canvas Dimensions: 19 1/4"H x 15 1/4"W (sight), 26"H x 22"W (frame)
• NANCY POWELL MCLAUGLIN, MONTANA
  NANCY POWELL MCLAUGLIN, MONTANA (1932-1985), UNTITLED NATIVE AMERICAN IN HEADDRESS ON HORSE, OIL ON CANVAS, 15 3/4"H X 19 3/4"W (SIGHT), 21 1/2"H X 25 1/2"W (FRAME)Nancy Powell McLauglin, Montana, (1932-1985) untitled Native American in headdress on horse, oil on canvas Signed lower right The following information was submitted by Allison Gunderson, daughter of the artist. Born in Kalispell, Montana, Nancy McLaughlin became noted for her depictions of Indian faces from babies to men and in her later years, the portrayal of Indian legends. Her passion in her later years was portraying Indian legends. She worked mostly with pencil and pastels in the early days but moved on to watercolor, oil, and sculpture. During her career, McLaughlin lived in Washington, Arizona, and Texas. She drew mostly horses and animals during her early age. She graduated from Flathead High School, which has several works by her in their library. She attended the University of Montana to get a teaching degree and study art. There she met Ace Powell, twenty years older than she. They married and started a family in Hungry Horse, Montana. In 1964, the house and studio and art gallery in Hungry Horse burned to the ground. The cause was never determined for sure, but their personal and private art collection and Indian artifacts were all destroyed. The pressure of this calamity was too much and the couple divorced, leaving four children, David, Christa, Allison, and Ann, all who have remained in the northwest. McLaughlin had had a life-long struggle with asthma and respiratory illnesses, and this was the cause of her death, which occurred in Newport, Washington. oil on canvas Dimensions: 15 3/4"H x 19 3/4"W (sight), 21 1/2"H x 25 1/2"W (frame)
• SHADOW BOX W/ BOBBY JONES PUTTER
  SHADOW BOX W/ BOBBY JONES PUTTER & GOLF BALL Shadow display box having Robert T. "Bobby" Jones Jr "Calamity Jane Putter", "Golden Arrow" ball, and facsimile photos of Jones. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. h. 41.75", w. 10.75", d. 2.5".
• SAM KLINE, READING, PA SIGNED
  SAM KLINE, READING, PA SIGNED CHILD'S PAINTED ARMca. 1840-1860; brown painted child's arm rocker with firehouse or bent back upper and six spindle back, plank seat on rocker base, fruit and nut stencil decoration of back and gold leaf stencil on seat front, signed on underside of plank seat, 14"x 19"x 17 1/4"; [Note: Samuel Kline was a furniture maker in Amity Twp. (Biographical Annals of Berks Co.)]; Condition: good
• CALAMITY MECHANICAL BANK J & E
  CALAMITY MECHANICAL BANK J & E Stevens Co. designed by James H. Bowen patented 7/30/1904. Move the right and left tackles back to position place a coin in the slot in front of the Full Back and press lever. As the players come together the coin drops into the receptacle. Replaced figures some repaint to base.
• CALAMITY MECHANICAL BANK WITH
  CALAMITY MECHANICAL BANK WITH ORIGINAL BOX J & E Stevens Co. designed by James H. Bowen patented 7/30/1904. Move the right and left tackles back to position place a coin in the slot in front of the Full Back and press lever. As the players come together the coin drops into the receptacle. Box is missing lid ball carrier foot repaired Restored.