A few examples of appraisal values for
ANNIBALE CARRACCI

• Circle of Annibale Carracci 16th
  Circle of Annibale Carracci 16th century Study of a Man Covering his Head black and sepia chalk on paper 21 x 16 1/2 in. framed Estimate $ 1 000-1 500 Mounted on canvas holes tears age appropriate wear. Paintings have not been examined by blacklight.
• MANER OF ANNIBALE CARRACCI,
  MANER OF ANNIBALE CARRACCI, (ITALIAN, 1560-1609), MARY, JESUS, AND ST. JOHN, OIL ON COPPER, 11 1/4 X 9 IN.; FRAME: 18 1/2 X 12 IN.Maner of ANNIBALE CARRACCI, (Italian, 1560-1609) Mary, Jesus, and St. John, oil on copper 11 1/4 x 9 in.; frame: 18 1/2 x 12 in. Provenance: A Brookline, Massachusetts Lady. Condition:
• AFTER ANNIBALE CARRACCI TWO
  AFTER ANNIBALE CARRACCI TWO PUTTI, FRAMED OIL After Annibale Carracci (Italian 1560-1609), portion from "Diana and Endymion", 19th century, oil on canvas, Italian School painting depicting two putti in a landscape, apparently unsigned with Rich's Atlanta, GA department store label en verso, in period gesso and giltwood frame. Note: This composition is after the original fresco "The Loves of the Gods" located at the Palazzo Farnese, Rome. Canvas approx. h. 20.5", w. 25.25"; Overall h. 33.5", w. 28.5", d. 1.75".
• PIETRO AQUILA AFTER CARLO
  PIETRO AQUILA AFTER CARLO MARATTA, ENGRAVING 17th c., "Iacentem Picturam Annibal Carraccius..." [Annibale Carracci leads the art of painting out of the darkness and into the light], engraving on laid paper, approx. 20"h x 30"w
• ATTRIBUTED TO ANNIBALE CARRACCI
  ATTRIBUTED TO ANNIBALE CARRACCI (BOLOGNA (1560-1609 ROME): RECTO: EXTENSIVE LANDSCAPE WITH A CLUMP OF TREES; VERSO: STUDIES OF A SEATED MALE NUDE AND OF A SHOULDER AND UPPER ARM Pen and brown ink (recto); pen and brown ink black chalk on paper (verso); 5 1/2 x 13 in. PROVENANCE: Sir Peter Lely (L.2092); Jonathan Richardson Sr. (L.2184); Sir Joshua Reynolds (L.2364); William Esdaile (L.2617); Hamilton Easter Field (L.872a); Mr. and Mrs. Lester Francis Avnet; By whom sold Sotheby's New York January 18 1984 lot 183 (as Attributed to Agostino Carracci); Pietro Scarpa Venice; Acquired from the above 1988. EXHIBITED: Morgan 2001 no. 6 (as Attributed to Agostino). The landscape drawing of the Carracci have continued to present problems of attribution to scholars and connoisseurs. This lovely expansive view has been attributed to Agostino but the description of the distant mountains and the open and free composition and handling are quite close to works generally given to Annibale such as the extraordinary Landscape with a Smiling Sunrise in the Louvre. The studies on the verso can be connected with the frescoes in the principal salone of Palazzo Magnani Bologna a commission planned and executed by the three Carracci together and completed around 1592. The seated male nude with his arms above his head and his legs crossed is most closely related to a Telamon generally attributed to Lodovico. The drawing has affinities with Lodovico's early style in the delicacy of the penwork but there are also similarities with Annibale's slightly later study for Hercules in the Camerino Farnese.
• MANNER OF ANNIBALE CARRACCI
  MANNER OF ANNIBALE CARRACCI (1560-1609) CHRIST AND THE SAMARITAN WOMAN oil on canvas, 72cm x 62cm, in a 17th style century stripped frame, the reverse with a red seal on the stretcher
• CARRACCI CABINET DU ROY LOUVRE
  CARRACCI CABINET DU ROY LOUVRE ETCHING Annibale Carracci, etching on paper from the "Cabinet du Roy" series with blindstamp: "Musee du Louvre Chalcographie" in lower margin, housed in a giltwood frame. Image: 13.5" H x 19.5" W; frame: 23" H x 29" W.
• Italian School painting, Accarisi
  Italian School painting, Accarisi (Lodovico Accarisi, Italian, 19th century), one boy, a man and an elderly man possibly representing the stages of life, manner of Carravaggio, inscribed verso canvas "Accarisi", oil on canvas, 25-1/4 x 30-3/4 in.; gilt wood Florentine style frame. Original stretcher and tacking edge, some retouch primarily in background, some in hair, patch lower right, accretion; frame resurfaced, loss to carving.
• School of Annibale Carracci The
  School of Annibale Carracci The Mystic Marriage of Saint Catherine Estimate:$10,000-$15,000
• Carlo Antonini (Italian, 18th
  Carlo Antonini (Italian, 18th Century) Rosone Nell' Arco Di Settimio Severo four colored engravings 7 x 5 inches (plate size)
• ANTONIO VISENTINI (ITALIAN,
  ANTONIO VISENTINI (ITALIAN, 1688-1782), AFTER CANALETTO (ITALIAN, 1679-1768)ANTONIO VISENTINI (Italian, 1688-1782), after CANALETTO, (Italian, 1679-1768) Prospectus ab aedibus bemborum usque ad grimanos calergios nunc vendramenos, engraving plate: 10 12/ x 16 1/2 in., frame: 20 x 25 1/2 in. Provenance: Provenance: Collection of a Massachusetts Professor. Condition:
• After Carlo Maratta (Italian,
  After Carlo Maratta (Italian, 1625-1713) The Annunciation engraving later impression 8 3/8 x 5 3/4 inches.
• Carlo Antonini (Italian, 18th
  Carlo Antonini (Italian, 18th Century) Rosone Nell' Arco Di Settimio Severo colored engravings 7 x 5 inches (plate size).
• FOLLOWER OF ANNIBALE CARRACCI "THE
  FOLLOWER OF ANNIBALE CARRACCI "THE LAUGH" oil on canvas. unsigned. Giltwood frame.
• Manner of Michelangelo Merisi da
  Manner of Michelangelo Merisi da Caravaggio (Italian, 1573-1610) "Job and His Wife", oil on canvas, fourth quarter 19th century, 26-1/2" x 37-1/2", unsigned. Presented in a fine period carved giltwood and plaster frame in the neoclassical taste.
• Workshop of Agostino Karacci
  Workshop of Agostino Karacci (1557-1602)/Portrait of an Old Lady/circa 1580/1600/oil on canvas, 49cm x 39.5cm
• Attributed to Giovanni Ghisolfi
  Attributed to Giovanni Ghisolfi Italian (1623-1683) Architectural Capriccio with Figures oil on canvas 34 1/2 x 44 1/2 inches.
• Viviano Codazzi (1603-1672)/An
  Viviano Codazzi (1603-1672)/An Architectural Capriccio/a Mediterranean coastal view beyond/oil on canvas, 60cm x 71.5cm/Note: Viviano Codazzi was the pre-eminent architectural painter of 17th Century Naples. The school of capricci he initiated was continued by his son Nicolò. The works are characterised by moody landscapes and sparkling vistas of the sea viewed through colonnades. Codazzi worked with various figure painters, including Michelangelo Cerquozzi, to whom the figures in this composit
• ALESSANDRO D'ANNA (1746-1810)
  ALESSANDRO D'ANNA (1746-1810) GOUACHE "DI ZACCARIA"Alessandro d'Anna (attributed) (Italian, 1746-1810) (Donna) di Zaccaria , circa 1790s Gouache on laid paper 9 1/2" x 7 1/4" A small work on paper featuring Italian costume of the late 18th century, the subject a woman ofZaccaria, a localityin Naples, and two children. Unsigned but attributed, as it is typical of the artist's style, bears physical characteristics of the period, and appears strikingly similar to another signed work of the same title. Presented behind glass in a frame that measures 13 1/4" x 11 1/2". Condition The frame has a number of losses to the gesso coat, showing through to the carved wood. The work appears to be good and stable; it has not been removed from the frame.
• Eighteenth century Italian
  Eighteenth century Italian textile and paper collage depicting the Annunciation, the background painted to display the interior with a view of the city seen through the window. 13 3/4" x 11 1/2"
• BARTOLOMEO PINELLI (ITALIAN
  BARTOLOMEO PINELLI (ITALIAN 1781-1835), 'LI PIFERARI IN ROMA PER LA NOVENA DEL ANTE NATALE' INK AND WATERCOLOR ON PAPER, FRAME: 18 X 21 IN. (45.72 X 53.34 CM.)Bartolomeo Pinelli (Italian 1781-1835), 'Li Piferari in Roma per La Novena del ante Natale' Ink and Watercolor on Paper,, Dimensions: Frame: 18 x 21 in. (45.72 x 53.34 cm.)
• Annibale Gatti (Italian
  Annibale Gatti (Italian 1828-1909) Dance. Oval gouache on paper signed on the fence post matted and framed under glass overall apprx. 18" x 15".
• Natale Attanasio (1846-1924
  Natale Attanasio (1846-1924 Italy) 'Visit with Cardinal' Oil on Canvas. Signed lower right. Depicts the reception with the Cardinal and the Borghese Family. Canvas 24x39.5'', framed 32x47''. Excellent condition.
• ATTRIBUTED TO AGOSTINO CARRACCI,
  ATTRIBUTED TO AGOSTINO CARRACCI, HEAD OF A YOUNG MAN IN...Attributed to Agostino Carracci, head of a young man in profile to right, pen and brown ink, diameter 2 1/2 inches. Provenance: Purchased from Sotheby's, New York, January 12, 1994, Lot 233, copy of receipt on back. Estate of Wallace Bradway, New Haven, CT. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• GIUSEPPE CARELLI (ITALIAN, 1858 -
  GIUSEPPE CARELLI (ITALIAN, 1858 - 1921) 19¾" x 30¼" Napoli. Oil on canvas, signed lower left, in gilt wood frame, 28½" x 38¾" overall.
• ACCARISI, Ludovico. 19th C. O/B
  ACCARISI, Ludovico. 19th C. O/B Madonna, Child and presumably St John the Baptist. Size: 8" diameter. Condition: Craquelure. Pencil inscribed verso withartist name spelled incorrectly. Ludovico Accarisi, Italian-Florence, 19th C., listed in Davenports and cited in the 1874 Italian volume of "The American Travellers' Guides" as "Lodovico Accarisi, Via del Prato, Stabile Barbetti, is a good artist in oil paintings."
• Antonio Falda (Italian, 19th
  Antonio Falda (Italian, 19th Century) After Raphael Madonna with Child and Young Saint John the Baptist, 1876 watercolor on canvas signed A. Falda and dated (lower left) 41 7/8 x 29 1/2 inches.
• Bartolomeo Pagani (Italian, 19th
  Bartolomeo Pagani (Italian, 19th Century) Madonna and Child, 1869 oil on canvas board signed Pagani painted from/ Rome Via della Croce 78B/ 1869 (lower right) 39 3/8 x 29 1/4 inches.
• After Antonio da Correggio (19th
  After Antonio da Correggio (19th Century) Putti Sharpening Arrows oil on canvas 24 x 28 inches.
• Italian School 18th Century An
  Italian School 18th Century An anonymous sanguine chalk drawing of the head of a cherub apprx. 7-3/4" x 6-1/4" sight size matted and framed with museum glass overall apprx. 15-1/2" x 13-5/8".
• AFTER CARLO CRIVELLI (ITALIAN, 15TH
  AFTER CARLO CRIVELLI (ITALIAN, 15TH CENTURY) OIL OAFTER CARLO CRIVELLI (ITALIAN, 15TH CENTURY) OIL ON CANVAS, devotional painting of Madonna and Child, the original c. 1480, unframed, 45.25 x 28 inches.
• FRANCESCO BRIZIO AFTER ANNIBALE
  FRANCESCO BRIZIO AFTER ANNIBALE CARRACCI (ITALIAN, 1560-1609) SAINT ROCH DISTRIBUTING ALMS TO THE POOR ENGRAVING: 11 1/2 X 17 3/4 IN...Unframed Engraving: 11 1/2 x 17 3/4 in. Provenance: Private Collection in Virginia
• ANTONIO VISENTINI, FOUR VENETIAN
  ANTONIO VISENTINI, FOUR VENETIAN VIEWSAntonio Visentini(Italian, 1688-1782)Four Venetian views (Visentini & Brustoloni) after Canalettoetchings with engraving on laid and wove paperslot includes two Visentini etching/engravings from the 1
• Francesco Bartolozzi (Italian
  Francesco Bartolozzi (Italian 1727-1815), after Guercino/The Assassination of Amnon/etching, 24cm x 32cm
• ANTONIO ALLEGRI DA CORREGGIO
  ANTONIO ALLEGRI DA CORREGGIO (ITALIAN, 1489-1534)Antonio Allegri Da Correggio Italian, 1489-1534 St. Magdalena Engraving, identified in the plate The penitent Mary Magdalene in a vanitas scene with crucifix, pot of oil, and skull, her weeping face illuminated by a soft halo. Matted behind glass and framed. Image: 9 1/4 x 7 3/4 in. (23.5 x 19.7 cm.), frame: 21 x 17 in. (53.3 x 43.2 cm.) Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• Cherubino
  Cherubino Alberti (1553–1615) after Polidoro da Caravaggio (c. 1499-1543) - Rape of the Sabines, a set of four, numbered 1-4 and titled within the plate, s.l. [Rome?], n.d. [1570-1615], engravings, mixed sizes, the largest 17.5 x 49cm, uniformly framed in Hogarth-type frames, (4) More Information The Old Master prints good, slightly toned portions. Otherwise apparently good condition; please note they have not been examined out of their frames. The frames themselves have some slightly worn losses.