A few examples of appraisal values for
ANSLEY FOX

• Nathan Sheafor for Glass Forge
  Nathan Sheafor for Glass Forge Studios yellow footed vase, 1999. Applied black handles and orange bosses. Signed. Cover photo for the Ansley exhibition at the Mulvane Art Museum, Topeka, KS. 19"H.
• ANN THORNYCROFT (B. 1944): "ASHLAND
  ANN THORNYCROFT (B. 1944): "ASHLAND 24"1991; watercolor on paper; signed and dated lower right; Provenance: Chuck Fries, Godfather of the Television Movie, and Ava Fries Estate, Beverly Hills 22 x 15 inches; 27 x 20 inches frame Condition:
• Alice Stanley Acheson (American
  Alice Stanley Acheson (American 1895-1996) Plowed fields. Ink on paper signed in the lower left apprx. sight size 17-1/4" x 23-1/2" matted and framed under glass overall apprx. 23-3/4" x 29-1/4". Prov: from the collection of Frederick Hale McDuff.
• Eileen Fox Vaughan (American 20th
  Eileen Fox Vaughan (American 20th Century) Courtly scene signed "E. Fox" in the lower right corner of the image ink and gouache on illustration board apprx. 15" x 10-1/4". Not framed.
• 19TH CENTURY PORTRAIT MINIATURE
  19TH CENTURY PORTRAIT MINIATURE OF A LADY(British of American, 19th century) Young woman wearing a lace veil, and holding a letter, possible signature from former backing "E Ansley.1835", watercolor on paper, sight 9 x 6-5/8 in.; oval gilt wood and composition frame, 11 x 8-3/4 in. Condition: paper with some light toning, not examined out of frame; frame with resurfacing
• PRINT, SUSAN COLEMAN ANSON Susan
  PRINT, SUSAN COLEMAN ANSON Susan Coleman Anson (American, 20th century), "Nostalgia (My Old Friends)," 1971, embossed print, pencil signed and dated lower right, titled lower center, edition 2/30, sheet (unframed): 40"h x 26"w
• ELYSE ASHE LORD (AMERICAN 1900-
  ELYSE ASHE LORD (AMERICAN 1900- 1971) : SPRING color etching signed in pencil ''Elyse Lord'' and numbered 13/75 in original Ackerman lacquer frame with Ackerman label to reverse -- plate size approx. 9 1/4 x 8 3/4 in.
• * Christine Fox (British b. 1922)
  * Christine Fox (British b. 1922) Rocking Blade 1974 aluminum edition 2/5 inscribed Fox and dated Height 11 1/2 inches.
• Elyse Ashe Lord (British 20th
  Elyse Ashe Lord (British 20th century) From a Painting by... etching edition 20/75 signed Elyse Ashe Lord (lower right) 8 3/8 x 11 3/4 inches.
• ALICE ANDREWS (AMERICAN/ARKANSAS,
  ALICE ANDREWS (AMERICAN/ARKANSAS, B. 1946)Alice Andrews (American/Arkansas, b. 1946), "Cow Series #52", 1987, pastel on paper, signed and dated lower right, inscribed with artist, title and date on backing board, 12 1/4 in. x 14 1/4 in., framed, overall 21 in. x 23 in. x 1 1/8 in. Condition: Overall good condition.
• Alyssa Putnam (21st century,
  Alyssa Putnam (21st century, Washington) 'I was lonely and unstable in Los Angeles' Painting, 2017. Oil on paper. Professionally framed with measurements of 11.5x11.5''
• (2) FOX HUNTING ENGRAVINGS AFTER
  (2) FOX HUNTING ENGRAVINGS AFTER E.A.S. DOUGLAS(lot of 2) Framed aquatint engravings on paper, after Edward Algernon Stuart Douglas (British, 1848-1918), engraved by Edward Gilbert Hester (British, 1843-1903), published by Arthur Ackermann, London, including: (1) "Morning: Going to Cover," (1) "Evening: Returning to the Kennels," sight: 27.75"h, 22.75"w, overall: 31"h, 26"w; 18lbs total
• PRINT, ELYSE ASHE LORD Elyse Ashe
  PRINT, ELYSE ASHE LORD Elyse Ashe Lord (American, 1900-1971), "Alice in Wonderland," etching with hand coloring, pencil signed lower right, titled lower center, edition 86/100, overall (with frame): 10.5"h x 8.5"w
• ALBERS, Anni, (German,
  ALBERS, Anni, (German, 1899-1994): ''Fox I'', Lithograph, 24'' x 19.75'', pencil lower right dated 1972, titled Fox I lower let, numbered 100/150, unframed. CONDITION: Very pale staining in lower corners, slightly darker stain in upper right margin corner, crease in upper left corner.
• Elyse Ashe Lord (British,
  Elyse Ashe Lord (British, 1900-1971) lot of two exotic musicians etchings with hand coloring both pencil signed and numbered 22 and 25/75. 7 3/4" x 6 1/2".
• ELYSE ASHE LORD (ENGLAND,
  ELYSE ASHE LORD (ENGLAND, 1900-1971), COLORED ETCHING, ASIAN MAN AND WOMAN IN COLORFUL CLOTHING, MAN SITS ON GROUND EXAMINING PINK A...Elyse Ashe Lord (England, 1900-1971), colored etching, Asian man and woman in colorful clothing, man sits on ground examining pink and red cloth while woman stands next to him holding it up, signed in pencil lower right, frame with hand painted details throughout, not examined out of frame, wear consistent with age, including some foxing to borders, etc., plate size: 14 1/2" h. x 19 1/4" w.
• Ellen Gavin, 20th-21 C American
  Ellen Gavin, 20th-21 C American NJ artist, "Radnor Fox Hunt" depicting a joint meeting of the Radnor Hunt Club with the Andrews Bridge foxhounds, held in Oxford, PA, oil on canvas panel, signed "Gavin, 12" x 16", framed 16" x 20", excellent condition
• ELYSE ASHE LORD (ENGLAND,
  ELYSE ASHE LORD (ENGLAND, 1900-1971), COLORED ETCHING, THREE FIGURES SEATED ON GROUND AGAINST DARK BACKGROUND, ONE IN YELLOW AND GRE...Elyse Ashe Lord (England, 1900-1971), colored etching, three figures seated on ground against dark background, one in yellow and green, the next in slate blue, and possible third lays beside them under merlot-colored blanket, signed in pencil lower right, editioned 84 of 100 lower left, not examined out of frame, wear consistent with age, plate size: 9" h. x 13 3/4" w.
• ELYSE ASHE LORD
  ELYSE ASHE LORD ENGRAVING(British, 1900-1971) Four Figures, signed in pencil lower right "Elyse Lord", edition lower left "22/108", hand colored engraving, plate 15-1/4 x 12-1/4 in.; frame 21 x 17 in. Provenance: Private Collection, Asheville, North Carolina Condition: toning, foxing, minor scratching to frame
• Elyse Ashe Lord (1900-1971)
  Elyse Ashe Lord (1900-1971) CHRYSANTHEMUMS PARAKEETS VANITY Etchings with stencil and hand-coloring (3) Estimate:$700-$900
• ELYSE ASHE LORD (ENGLAND,
  ELYSE ASHE LORD (ENGLAND, 1900-1971), COLORED ETCHING, FIVE WOMEN IN COLORFUL DRESS GATHER OUTSIDE, THEY ALL CONGREGATE AROUND A SMA...Elyse Ashe Lord (England, 1900-1971), colored etching, five women in colorful dress gather outside, they all congregate around a small white poodle on its hind legs, belonging to one of the women, signed in pencil lower right, editioned 56 of 100 lower left, not examined out of frame, wear consistent with age, including some spot stains to right edge, minor plate burn, frame with gilt loss, etc., plate size: 8" h. x 10" w.
• Ashley Armitage (21st century
  Ashley Armitage (21st century Illinois) & Derek Erdman (21st century, Illinois) 'Don't Tell Us What To Do' Photograph, 2017. Image measures 16x20'' in 17x20'' frame.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) SPRING PLOW (George Hollinshead Farm Milledgeville GA) watercolor matted unframed unsigned sight size: H15'' W22'' Provenance: Milledgeville Georgia private collection. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) PORTRAIT OF ANNIE L. STEELE (Art department custodian at GSCW now Georgia College Milledgeville GA) circa 1950 pastel framed monogrammed: lower right sight size: H23'' W16'' Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• THE LATE GEORGE APLEY.The Late
  THE LATE GEORGE APLEY.The Late George Apley. 20th Century Fox, 1947. One sheet (27 x 41"). Comedy starring Ronald Colman and Peggy Cummins. Pinholes at corners and wear at fold lines. Folded. B-.
• Elyse Ashe Lord (British 1900-1971)
  Elyse Ashe Lord (British 1900-1971) Prayer. Drypoint with hand coloring signed in pencil at the lower right margin numbered 73/100 in the lower left margin matted and framed under glass overall 17-1/4" x 21-1/2".
• ALLYN COX (AMERICAN, 1896-1982),
  ALLYN COX (AMERICAN, 1896-1982), FIFTH AVENUE ON SUNDAY MORNING - 1900 Watercolor and gouache on paper mounted to sheet, inscribed and bearing artist's signature to mounting sheet, matted and framed under glass.
• FRANK NELSON ASHLEY (American b.
  FRANK NELSON ASHLEY (American b. 1920). CAROLYN ON COUCH signed dated 1962 lower left and titled on verso. Oil on board - Framed 18 in. x 24 in.
• ELYSE ASHE LORD (ENGLAND,
  ELYSE ASHE LORD (ENGLAND, 1900-1971), COLORED ETCHING, EPHEMERAL ASIAN WOMAN IN COLORFUL GARMENT WITH MANY FABRICS, COLORS OF LIGHT...Elyse Ashe Lord (England, 1900-1971), colored etching, ephemeral Asian woman in colorful garment with many fabrics, colors of light blue, pink, white, yellow, red and green, ribbons and sashes blow in the wind, signed in pencil lower right, editioned 25 of 45 lower left, frame with hand painted details throughout, not examined out of frame, wear consistent with age, including plate burn, some toning, wave to paper, etc., plate size: 13" h. x 11" w.
• Bailey Banks & Biddle boxed gold
  Bailey Banks & Biddle boxed gold fox head shirt studs and cufflinks with garnet eyes.
• Eileen Fox Vaughan (American 20th
  Eileen Fox Vaughan (American 20th Century) Study for a demilune mural depicting a group of mythological figures watercolor and conte crayon on illustration board apprx. 15-1/4" x 20".
• Carved alabaster figure of a seated
  Carved alabaster figure of a seated fox 19th c. 9"h.x5"w.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) THREE WORKS: FLORAL STILL LIFE STUDIES watercolors unframed one signed: lower right page size: H14'' W10'' (3pcs) Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: Executed at Newcomb College. May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. Tone and age discoloration to paper. One with light foxing and the other with tear to margin.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) FOUR WORKS: FLORAL STUDIES watercolors unframed 2 signed: lower right one signed: lower right in pencil and with monogram one unsigned page size: H14'' W10'' (4pcs) Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. Good overall condition paper with tone and age discoloration to paper. Small tear and foxing to leaf still life.
• ELYSE ASHE LORD (BRITISH,
  ELYSE ASHE LORD (BRITISH, 1900-1971) Image 8" x 10", framed overall 17 ¼ x 18" "In the Park". Drypoint etching with hand coloring, numbered 62/100, signed in pencil lower right, lifetime signature; in a hand painted frame with pond scenes, pagodas and foliage.
• FRANK NELSON ASHLEY (AMERICAN
  FRANK NELSON ASHLEY (AMERICAN 1920-2009) JAZZ SINGER 1970 Oil on board: 25 1/2 X 3 1/2 Framed; lower left signed: Frank N. Ashley Provenance: Commissioned in 1970 from the artist and by descent to the present owner