A few examples of appraisal values for
ANTHONY EDEN

• Anthony Caro 1924–2013. Book of
  Anthony Caro 1924–2013. Book of Eden. 1999, lithographic multiple on two sheets of handmade Okawara mounted to two panels of four layer TGL plaster paper. 16 h × 19½ w × 6 d in. result: $2,250. estimate: $500–700. Signed, dated and numbered to lower left of one element ‘A Caro 1999 35/50’ with blindstamp. This work is number 35 from the edition of 50 fabricated and published by Tyler Graphics, Ltd., Mount Kisco, NY.
• THOMAS HALE, EDEN. 1 VOLUMEThomas
  THOMAS HALE, EDEN. 1 VOLUMEThomas Hale, Eden, 1 vol., folio, 1st edition, with frontispiece and 60 engraved plates, published T. Osborne, T. Tyre, S. Crowder & H. Woodgate, London, 1757.
• § ANTHONY BENJAMIN (BRITISH
  § ANTHONY BENJAMIN (BRITISH 1931-2002) UNTITLED (MOROCCO SERIES), 2002 12/20, numbered in pencil (lower left), etching on paper42.5cm x 42.5cm (16.75in x 16.75in)Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
• § ANTHONY BENJAMIN (BRITISH
  § ANTHONY BENJAMIN (BRITISH 1931-2002) UNTITLED, 1958 1/50, signed, dated and numbered in pen in the margin, etching on paper44cm x 32.5cm (17.25in x 12.75in)Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
• 1 vol. (Hill, John.) Eden: or A
  1 vol. (Hill, John.) Eden: or A Compleat Body of Gardening. London, 1757. First edition. Folio, contemp. full calf, red morocco spine label; scuffed, occasionally blistered, some ink staining to front cover. With hand-colored frontis. + 60 hand-colored plates. Scattered minor spotting, small stain in gutter of title-page/frontis. Dunthorne 129; Nissen 880; Hunt 559 ,000-
• Charles Evans 1907–1992. Eden;
  Charles Evans 1907–1992. Eden; Birth (two works). 1963, collage on cardboard. 8¼ h × 10 w in. result: $813. estimate: $800–1,200. Signed to lower right ‘Evans’ and titled to verso ‘Collage Eden’. Signed and dated to lower right ‘Evans 63’ and titled to verso ‘Collage Birth’.
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): DIONYSUS Acrylic on canvas 50 x 36 in. signed on verso ad dated '86.
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): "BRATTLEBORO THOUGHTS" Acrylic on canvas 60 x 60 in. signed in pencil and dated 1997.
• Anthony Eyton RA (British born
  Anthony Eyton RA (British born 1923)/Off Bosherston Bay/initialled and dated E '39; inscribed and dated verso August 21st 1939/oil on board, 16cm x 22cm/Provenance: purchased from Mason-Watts Fine Art, 1990
• Caroline Eden silhouette, scenes
  Caroline Eden silhouette, scenes with man on horse, dog, man with pickaxe, figures camping with children, donkeys, woman smoking pipe, teapot over fire, all black ink cutouts applied to the same sheet of cream wove paper, 3-5/8 x 6-5/8 in. (sight); original 19th century gilt wood frame. Toning; frame with abrasions. Label verso "Original by Caroline Eden in 1810 - Great Grandmother of Anthony Eden"; The Estate of the Late Grace Shorter, South Salem, New York.
• * (BOTANY ENGLISH) EDWARDS JOHN
  * (BOTANY ENGLISH) EDWARDS JOHN Anemones. Engraving with hand-coloring from The British Herbal. London 1769. 17 1/2 x 12 1/2 inches.
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): UNTITLED 1969 Acrylic on canvas unframed. Robert Elkon Gallery NYC label on verso. Provenance: Property from the collection of Jan Cowles. 67 x 102 in.
• EDWARD AVEDESIAN (1936-2007):
  EDWARD AVEDESIAN (1936-2007): UNTITLED Lithograph in colors 22 x 30 in. (sheet sight) signed dated 1969 and numbered 24/36 Albright-Knox Gallery label on verso stamp on verso.
• ANTHONY QUINN (American 1915-2001).
  ANTHONY QUINN (American 1915-2001). EVE signed in pencil lower margin. Color serigraph - Framed image: 29 in. x 23 in.
• Anthony Devis (British
  Anthony Devis (British 1729-1816)/Landscape Studies/a pair/signed with initials/pen and ink, grey and blue washes, 14.5cm x 21cm
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): BACCHUS Acrylic on canvas 57 x 46 in. signed and dated '86 on verso.
• E. A. OTHELLO 'GARDEN OF EDEN'
  E. A. OTHELLO 'GARDEN OF EDEN' HAITIAN ARTIST O/CE.A. Othello, Haiti (20th century). Colorful whimsical oil on canvas titled 'Garden of Eden', signed lower left and mounted in wood frame. Measures 31"H x 41"W framed; 29.75"H x 39.75"W unframed.
• E. A. OTHELLO (HAITIAN, 20TH
  E. A. OTHELLO (HAITIAN, 20TH CENTURY), THE GARDEN OF EDEN Oil on board, signed at lower right, presented in a gilt frame.
• EDWARD ALLINGTON(British, born
  EDWARD ALLINGTON(British, born 1951) Two works from the Artemis of Ephesus series, 1985-1986: green patinated bronze, signed on the bottom "Edward Arlington/86", 5 x 10 x 6-3/4 in.; ink and emulsion drawing on ledger paper, signed lower right "Edward Allington/85", 13-1/2 x 19-1/4 in.; wood frame, 18-3/4 x 24-1/4 in. Provenance: Property from the Estate of John Hughes, Chicago Condition: both on good condition, drawings floated, not examined out of frame
• ANTHONY BENTON GUDE (B.1963) OIL ON
  ANTHONY BENTON GUDE (B.1963) OIL ON MASONITE STILL LIFEAnthony Benton Gude (B.1963) (2004)The oil on Masonite is signed and dated lower right.While Anthony Benton Gude never formally studied painting under Thomas Hart Benton, the summers he spent around his grandfather's studio on Martha's Vineyard undoubtedly contributed to his artistic development. Gude's formal training came from studies elsewhere in Massachusetts at the School of the Museum of Fine Arts in Boston and later the Art Students League in New York City. His style, choices of subject matter and penchant for mural commissions are all examples of the apple not falling far from the tree.Board measures 36 x 27 with a framed size of 42.5 x 33.5 inches.Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.Provenance: Acquired directly from the artist by Ann Constable, The Constable Family Collection.
• ANTHONY, Elaine, (American,
  ANTHONY, Elaine, (American, 1943-1996): ''Temple Silenced II'', Oil/Canvas Collage, 40'' x 30.25'', signed lower right, titled verso, Stephen Haller Fine Art label affixed verso, unframed.
• Edward Fraughton (American, b.
  Edward Fraughton (American, b. 1939) Anasazi (The Ancient Ones), edition 30/30, 1977 bronze signed Ed Fraughton and numbered (base) height 47 x width 18 x depth 10 inches Property from a Private Collection, Wilson, Wyoming
• ANTHONY BENTON GUDE (B.1963) OIL ON
  ANTHONY BENTON GUDE (B.1963) OIL ON MASONITE AND STUDYAnthony Benton Gude (Kansas, Missouri, Born 1963)Forest Floor with Iris (1991)The oil on Masonite is signed and dated by the artist lower right and accompanied by an ink wash study of the final composition. Board measures 27 x 23 with a framed size of 33.25 x 29 inches.While Anthony Benton Gude never formally studied painting under Thomas Hart Benton, the summers he spent around his grandfather's studio on Martha's Vineyard undoubtedly contributed to his artistic development. Gude's formal training came from studies elsewhere in Massachusetts at the School of the Museum of Fine Arts in Boston and later the Art Students League in New York City. His style, subject matter and penchant for mural commissions are all examples of the apple not falling far from the tree. Signed and dated lower right. Sight size measures 10.25 x 7.25 with a framed size of 17.25 x 14.5 inches.Please see description for measurements.Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.Provenance: Acquired directly from the artist by Barbara Constable, The Constable Family Collection.
• EDWARD AVEDISIAN
  EDWARD AVEDISIAN (AMERICAN/MASSACHUSETTS, 1936)Edward Avedisian (American/Massachusetts, 1936-2007), "Untitled (Blue and Red Spheres)", watercolor on paper, unsigned, inscription and "Kulicke Frames, New York, NY" label both with artist on backing board, 12 in. x 12 in., framed Provenance: Estate of American Abstract Expressionist Cora Kelley Ward (1920-1989); thence by descent
• AFTER SYDENHAM TEAST EDWARDS
  AFTER SYDENHAM TEAST EDWARDS (BRITISH 1768-1819) BOTANICAS, SET OF THREE COLOR ENGRAVINGS, FRAMED: 20 1/8 X 16 1/4 IN. (51.12 X 41.28 CM.)After Sydenham Teast Edwards (British 1768-1819) Botanicas, Set of Three Color Engravings,, Dimensions: Framed: 20 1/8 x 16 1/4 in. (51.12 x 41.28 cm.)
• STEPHEN GREENE (AMERICAN,
  STEPHEN GREENE (AMERICAN, 1917-1999) GARDEN OF EDEN #9 1958, oil on paper. signed 'Greene' (lower right).
• KEITH BOND (20TH/21ST CENTURY)Keith
  KEITH BOND (20TH/21ST CENTURY)Keith Bond (20th/21st century), "Near Eden," 2005 Oil on panel Signed lower left: Keith Bond; signed again, titled, and dated with the ©, verso 8" H x 10" W "Late Autumn and Dock Flat," 2005 Oil on panel Signed lower right: Keith Bond; signed again, titled, and dated with the ©, verso 8" H x 10" W 2 pieces Provenance: The Estate of George David Sturges Notes: First inscribed: painted on location near Eden, UT, 9-28-06; Second inscribed: painted on location near Mantua, UT, 10-25-05 Provenance: The Estate of George David Sturges
• Sydenham Teast Edwards (British,
  Sydenham Teast Edwards (British, 1768-1819) "Botanicals", suite of eight hand-colored engravings, sight 16" x 11", London, 1822. Glazed, French matted and presented in carved giltwood frames.
• EDGAR TOLSON, THE
  EDGAR TOLSON, THE TEMPTATION(American, 1904-1984) carved white pine scene of Adam and Eve in the Garden of Eden, featuring tree and painted snake, signed on base "Nov 15 1977/Carved by Edgar-Tolson/Campton KY", 12-1/2 x 11 in. Provenance: Property sold to benefit the American Folk Art Museum Condition: snake with loss to tongue, some loss to branches
• ANTHONY THIEMEAmerican
  ANTHONY THIEMEAmerican 1888-1954Backyard in Amsterdam''. Signed lower right ''Thieme''. Titled faintly in pencil on reverse.Provenance: Private Collection Plymouth Massachusetts.Oil on canvas 29'' x 36''. Framed.''
• ANDRE NORMIL (HAITIAN, 1934-2014)
  ANDRE NORMIL (HAITIAN, 1934-2014) GARDEN OF EDENAndre Normil (Haitian/Port-au-Prince, 1934-2014) "Garden of Eden," 1966, painting on board, signed and dated. Framed. Size: 29.5'' x 35'', 75 x 89 cm (sight); 32.5'' x 38'', 83 x 97 cm (frame).
• HAROLD ACH BRONZE RUNNING NUDE
  HAROLD ACH BRONZE RUNNING NUDE COUPLE: ''Adam and Eve Running from The Garden Of Eden'', portraying a highly emotional, frightened Adam & Eve as they escape the Garden of Eden. Displayed on an amoeba shaped marble plinth. Sculpture measures 26'' h. x 20'' d. x 12'' w., plinth measures 25'' x 14'' x 1''. Resting on a black laminate pedestal, 36'' x 30'' x 16''. Signed ACH on the foot, copyright '98, numbered 2/30. Sold with black pedestal.
• EDWARD AVEDISIAN (AMERICAN,
  EDWARD AVEDISIAN (AMERICAN, 1936-2007), UNTITLED ABSTRA...Edward Avedisian (American, 1936-2007), Untitled Abstraction, acrylic on canvas, signed and dated u/r Avidisian 71', 46.5" x 37". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• EDWARD A. HERBES. "ROSE WITH
  EDWARD A. HERBES. "ROSE WITH LEMONS," OIL Edward Anthony Herbes. (American, 1916-1990). Oil on panel, 1968, signed "Herbes" lr, 10 x 8 in., framed.
• 3)JOSEFINA AGUILAR & OTHER
  3)JOSEFINA AGUILAR & OTHER GARDEN OF EDEN, MEXICO(lot of 3) Mexican Folk Art painted ceramics, comprising: (1) Garden of Eden, signed Josefina Aguilar (b.1945, Oaxaca, Mexico) verso, featuring seated Adam and Eve eating apples, approx 9.5"h, 8"w, 6"d; (1) Garden of Eden, centering Adam, Eve and the Serpent, approx 10.5"h, 5"w, 4"d; (1) Tree of Life, signed GAA, with various woodland animals, fruits, and flowers, approx 15.5"h, 12"w, 6"d; minor loss, 12lbs total **Provenance: From the estate of Dr. Jill Mutschler-Fontenot, PHD (1962-2017)** ***PLEASE NOTE: All of the Mexico folk art pottery pieces in this auction are inherently fragile. Most are likely to have repair, small breaks, chips, and imperfections. Please assume that they are not in perfect condition and bid accordingly. Per our terms, there will be no refunds based on condition. **
• WILLIAM A. EYDEN JR "INDIANA WOODED
  WILLIAM A. EYDEN JR "INDIANA WOODED LANDSCAPE" O/B William Arnold Eyden, Jr. (American 1893-1982), "Indiana Wooded Landscape", oil on canvas board depicting fall forest landscape scene, signed to lower left with a Knoke Fine Arts, Marietta, GA label en verso, framed. Approximate measurements: board h. 30", w. 40"; frame h. 34", w. 44", d. 2".