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APPLETON'S ANNUAL CYCLOPEDIA NEW
APPLETON'S ANNUAL CYCLOPEDIA NEW SERIESAppleton's Annual Cyclopedia New Series (Vol. 1-3: 1876, 1877, 1878). Steel engravings. Publisher: New York: D. Appleton and Company. Year: 1880.
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Appleton's Cyclopedia of American
Appleton's Cyclopedia of American Biography edited by James Grant Wilson and John Fiske, D. Appleton and Co., New York, 1887-1889, six volumes, numerous in-text illustrations and steel-engraved plates, full calf, marbled endpapers and edges, 10-1/4 x 7-1/4 in. Professionally repaired at hinges and ends of spines, small exterior scuffs and stains. Collection of H. Donald Nelson, Williamsburg, Virginia.
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Lithograph Print: "Apple Gathering"
Lithograph Print: "Apple Gathering" from 19th century painting by Jerome Thompson. 18" x 27".
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APPLES OF NEW YORK, (61) ANTIQUE
APPLES OF NEW YORK, (61) ANTIQUE COLOR PRINTS Offset color halftones on glossy paper from "The Apples of New York" by S. A. Beach, published in 1905 by J. B. Lyon, 9"h x 6"w (sheets)
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VICTOR APPLETON, TOM SWIFT,
VICTOR APPLETON, TOM SWIFT, PUBLISHED BY GROSSET AND DUNLAP, C 1920, 5 VOLUMESVictor Appleton, Tom Swift, Published by Grosset and Dunlap, C 1920, 5 Volumes
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SET APPLETON'S JOURNALS, FIRST 15
SET APPLETON'S JOURNALS, FIRST 15 VOL. RUNDICKENS, Charles; HUGO, Victor; et al. Appleton's Journal of Literature, Science, and Art (Complete First 15 Volume Run). New York: D. Appleton and Company, 1869 - 1876. 8 1/4" H X 11 1/4" W (Imperial Octavo). Original First Edition set of the yearly compendium volumes of the monthly magazine. A highly popular lifestyle magazine in the late 19th Century, Appleton's Journal became Appleton's Booklovers Magazine in 1905. Each volume here bound in the period leather quarter binding and tips over marbled boards. Five raised hubs and title in gold to each volume. The first fifteen included represent the first series. The second series started with volume 16 and ran until the end of the publication in 1881. Thousands of illustrations and many fold-outs. Artists include Winslow Homer, John Filmer and many more. Provides a glimpse of fashion, art, science and city life in the late 19th century. Provenance: the estate of Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
Condition: varies. The volumes themselves are roughly very good with minor foxing, scuffing, and general wear. The plates and illustrations exhibit wear and chipping, tearing on occasion.
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STAMP ALBUM: 1886 APPLETON
STAMP ALBUM: 1886 APPLETON COLLECTIONEstate-fresh stamp album with 1886 copyright date. A few 1890s stamps mounted in blank areas -- the latest addition appears to have been the 1901 Traansportation set (mint, 1c to 10c).Go to this YouTube link to view page-by-page video of this album: https://youtu.be/q4yIf4W8Y1I shipping info This lot can be shipped in-house.
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AMERICAN BELLEEK APPLE BRANCHES
AMERICAN BELLEEK APPLE BRANCHES LEMONADE PITCHER United States,Dated 1906Decorated with aestheticized apples and flowers with gilt accents.
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C. 1940' s ''Apples For Sale'' sign
C. 1940' s ''Apples For Sale'' sign (signed ''M. Denlinger). 21'' x 14''.
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William J. McCloskey (1859-1941
William J. McCloskey (1859-1941 Orange CA) Apples on a Table
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Four American City Views, D.
Four American City Views, D. Appleton & Co., New York City, NY 1872/73 CITY OF CLEVELAND, CITY OF DETROIT, NEW ORLEANS & GOLDEN GATE (SAN FRANCISCO) each a hand-coloured steel engraving each framed 13.2 x 16.25 in — 33.5 x 41.3 cm
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American School (19th Century)
American School (19th Century) \"Apple and Plums\", chromolithograph, sight 5-1/4\" x 7-1/2\". Glazed, French matted and presented in a carved giltwood frame.
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German School (Fourth Quarter
German School (Fourth Quarter 19th Century) "Apples and Pears", suite of eight chromolithographs, sight 9" x 6", by Walter Muller, 1880. Glazed, matted and framed en suite.
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C. Steele American, 20th Century
C. Steele American, 20th Century Green Apples
Estimate:$1,000-$1,500
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THE ART JOURNAL FOR 1875, PUBLISHED
THE ART JOURNAL FOR 1875, PUBLISHED BY D. APPLETON AND CO., NEW YORKThe Art Journal for 1875, Published by D. Appleton and Co., New York,
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Pair of Sharp & Son Bookplate
Pair of Sharp & Son Bookplate Chromolithographs, depicting apples, 19th century, including \"The Early Harvest Apple\" and \"The Porter Apple\", sight 9-3/4\" x 6-1/2\". Glazed, French matted and presented in carved giltwood frames.
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British School (19th Century)
British School (19th Century) "Apples", pair of hand-colored engravings, sight 8-1/2" x 5-1/2", by Lindley, London, 1837. Glazed, matted and presented in carved giltwood frames.
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Nicholas Richard Brewer portrait,
Nicholas Richard Brewer portrait, (Minnesota, 1857-1949), "Dr. Joseph Charles Appleton" (Virginia), signed verso canvas "N.R. Brewer-1880", oil on canvas, 30 x 25-1/8 in.; modern gilt wood frame. Original stretcher with Shattauck keys and tacking edge, craquelure, flaking, retouch at flaking in background and at bottom edge; frame with abrasions. The Collection of Gene and Linda Kopf.
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Lot six misc. cotton fruit
Lot six misc. cotton fruit ornaments including lemon pear apples.
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(17) D. APPLETON & CO. AUTHOR'S
(17) D. APPLETON & CO. AUTHOR'S EDITIONS, HUXLEY(lot of 17) Author's Editions published by D. (Daniel) Appleton and Company, New York, all numbered 271/ 1000, with quarter leather binding, gilt lettering and accents, marbleized exterior and interior covers, several with detached cover, including: (7) by Thomas H. Huxley, "Discourses: Biological and Geological," "Method and Results," "Darwiniana," "Man’s Place in Nature," "Science and Hebrew Tradition," "Science and Christian Tradition," "Science and Education," (5) by Charles Darwin, "The Life and Letters of Charles Darwin," vols I and II, "Journal of Researches Into the Natural History and Geology," "The Different Forms of Flowers," "The Formation of Vegetable Mould," (1) "The Doctrine of Descent and Darwinism," by Oscar Schmidt, (1) "The Female Offender," by Cesare Lombroso and Guglielmo Ferrero, (1) "The Principles of Psychology," by Herbert Spencer, (1) "Evolution," by Joseph Le Conte, (1) "Money and the Mechanism of Exchange," by W. Stanley Jevons, largest: approx 8.75"h, 5.75"w, 1.5"d, 38lbs total **Note: Additional lot of 23 Daniel Appleton and Company Author's Editions offered in this auction** **Provenance: A prominent Houstonian's River Oaks Estate**
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AMERICAN BELLEEK PORCELAIN APPLE
AMERICAN BELLEEK PORCELAIN APPLE DECORATED PITCHER United States,1889-1906Green splotched red apples hang off leafy branches against a green background.
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An early 20th Century book trough
An early 20th Century book trough by Johnson & Appleyards Ltd., 75cm wide
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LEVI WELLS PRENTICE, AMERICAN
LEVI WELLS PRENTICE, AMERICAN (1851-1935), BASKET OF APPLES, 1891, OIL ON CANVAS, 20 X 16 INCHESLEVI WELLS PRENTICE, American, (1851-1935) Basket of Apples, 1891, oil on canvas signed and dated in the center "L.W. Prentice / 1891" oil on canvas Dimensions: 20 x 16 inches Provenance: Private Collection Framed Dimensions: 31 1/2 x 27 1/2 x 3 inches Levi Wells Prentice was raised on a farm in Lewis County, New York. He moved to Syracuse in 1870 and later spent four years in Buffalo. Prentice was self-taught, first painting the Adirondack Mountain landscape around him. From the start, he painted in a distinctive delineated style withvibrant colors. Art historians now refer to this as "hard-edged realism."[1] In 1883, Prentice moved to Brooklyn where there was already a community of still-life artists. His meticulous style was well suited to still-lifes, and his depictions of apples, plums, peaches and raspberries are among his best-known works. Prentice combined the influence of contemporary painting trends, the attention to detail of the American Pre-Raphaelites and the playful deceit of the trompe l'oeil artists. The outcome was distinctive and still-lifes by Prentice can be readily identified by their characteristic color and clarity. Art historian William Gerdts says of Prentice's still lifes, "A characteristic peculiar to Prentice is a rustic unpretentiousness. His fruit is brilliantly colored but often pitted with spots or holes… Even his most elaborate container, the tin pail, is a mundane kitchen object…Indeed, Prentice's work is the most photographic of all the late nineteenth century fruit painters."[2] In the present lot, Basket of Apples, the apples are extremely realistic. Their abundance on the ground and the full basket indicating the season for picking. Prentice depicts every blade of grass and all of the woodgrain in the basket and fence in extreme detail. Still life paintings by Prentice are included in numerous public and private collections including the New York State Museum, the Museum of Fine Arts, Boston, the Montclair Art Museum, the Philbrook Museum of Art, and Yale University Art Gallery. [1] Barbara L. Jones, Nature Staged: The Landscapes and Still Life Paintings of Levi Wells Prentice, (Blue Mountain Lake, New York: Adirondack Museum, 1993), p. 52. [2] William H. Gerdts and Russell Burke, American Still-Life Painting, (New York: Washington: London: Praeger Publishers, 1971), p. 162. Tags: oil painting, 19th century, Albany artist, listed artist, still-life Condition: in excellent overall condition; unlined canvas; no restoration apparent under UV; in an exceptional period frame We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
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Dated 1904
Dated 1904
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German School (Fourth Quarter
German School (Fourth Quarter 18th Century) "Apples and Pears", suite of eight hand-colored copper engravings, sight 7" x 4", by Sickler, 1779, Germany. Glazed, handsomely matted and framed en suite.
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Reginald Marsh American,
Reginald Marsh American, 1898-1954 Apple Cider Tavern: A Double-Sided Work, 1946
Estimate:$12,000-$18,000
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J.G. APPLETON (AMERICA, 19TH
J.G. APPLETON (AMERICA, 19TH CENTURY), MINOTS LIGHT., OIL ON BOARD, 8" X 12". FRAMED 13.5" X 17.5".J.G. APPLETON, America, 19th Century, Minots Light. Unsigned. Inscribed in pencil verso "By J.G. Appleton Minots Light August 1870". Dimensions: Oil on board, 8" x 12". Framed 13.5" x 17.5". Provenance: The Estate of Sandra L. Moran of Yarmouth Port, Massachusetts.
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Dated 1908 1922 and 1924
Dated 1908 1922 and 1924
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Book dated 1821.
Book dated 1821.
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(46) TALES BY VICTOR APPLETON, (43)
(46) TALES BY VICTOR APPLETON, (43) WITH TOM SWIFT AND THREE WITH DON STURDY (New York: Gossett & Dunlap, various early 20th century dates), cloth boards, many with pictorial dust jackets, small octavo (7-1/2 in.).
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(23) D. APPLETON & CO. AUTHOR'S
(23) D. APPLETON & CO. AUTHOR'S EDITIONS, DARWIN(lot of 23) Author's Editions published by D. (Daniel) Appleton and Company, New York, all numbered 271/ 1000, with quarter leather binding, gilt lettering and accents, marbleized exterior and interior covers, several with detached cover, including: (10) by Charles Darwin, "Animals and Plants," vols I and II, "Origin of Species," vols I and II, "Descent of Man," "Expression of the Emotions," "Coral Reefs," "Insectivorous Plants," "Geological Observations," "Movement in Plants," (1) "History of the Conflict Between Religion and Science," by John William Draper, 271, (2) by Thomas H. Huxley, "Hume," "Evolution and Ethics," (2) "The Principles of Ethics," vols I and II, by Herbert Spencer, (4) by John Tyndall, "Fragments," vols I and II, "Forms of Water," "Hours in the Alps," (1) "Economic Changes," by David A. Wells, (2) "Warfare of Science," vols I and II, by Andrew Dickson White; together with, (1) "Journal of Researches into the Geology and Natural History of the various countries visited by H.M.S. Beagle," by Charles Darwin, Hafner Publishing Company, New York and London, 1952, facsimile reprint of the first edition, limited edition for the members of the Book Collectors Society, numbered 156/250, bound in top-grain cowhide, with gilt lettering; largest: approx 9.25"h, 6.25"w, 2"d, 52.25lbs total **Note: Additional lot of 17 Daniel Appleton and Company Author's Editions offered in this auction** **Provenance: A prominent Houstonian's River Oaks Estate**
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Attributed to Louis Alexander Fagen
Attributed to Louis Alexander Fagen Still Life with Apples and Grapes, 1869
Estimate:$400-$600
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AMERICAN BELLEEK PORCELAIN APPLE
AMERICAN BELLEEK PORCELAIN APPLE DECORATED PITCHER United States,1889-1906Decorated with apples against a soft gradient of yellow and blue with gilt rim.
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Early 20th c. folk art collage of
Early 20th c. folk art collage of fruits and vegetables. Found in Wisconsin.
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AMERICAN SCHOOL: STILL LIFES OF
AMERICAN SCHOOL: STILL LIFES OF APPLES AND PEARS Three watercolors on paper unsigned. Provenance: Property from the Collection of Gerald Kornblau. 7 3/4 x 5 1/2 in. (sight) 16 1/2 x 13 1/2 in. (frame).
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William M. Apple post Civil War
William M. Apple post Civil War historical memorabilia including two tintypes (Apple in civilian clothes and also his two sisters), five Indiana ribbons (4 G.A.R.), wedding rings, a pin, gingham fabric from his mother's cape, and an album of Washington, D.C. Tintype: 3 1/4" x 2 1/2".