A few examples of appraisal values for
ARCH OF TITUS

• Reverse painting on glass after
  Reverse painting on glass after Pieter Mortier's ''Arcus Imperatoris Titi in Regione Amphitheatri'' (The Arch of Titus in the region of the Amphitheatre) architectural engraving. Painted in colors of black gray gold and white. Framed in black and metallic finish frame. Condition: very minor paint loss to corners see images. Measures 22.5'' tall x 27'' wide (glass pane) add 2.5'' to each dimension for frame. Shipping weight 8.4 lbs.
• 1 piece. Original Photograph.
  1 piece. Original Photograph. (Anderson, James, attributed.) "Coliseum as Seen Through the Arch of Titus." Ca. 1870s-1880s. Albumen print, 21 x 15 1/2 inches (533 x 393 mm), original paper mount. Photo clean, mount a little browned.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (1720-1778, ITALY)framed and glazed black and white etching, titled "Veduta dell' Arco di Tito". Depicts the Arch of Titus in Rome. Sighed lower left Cavalier Piranesi del e inc. Numbered 775 23 in the upper right. Possibly 18th century, has not been removed from frame. Plate size 28" x 18 1/2". Sight size 30 3/4" x 21 3/4", overall 32 1/2" x 23 1/2". Foxing, some water stains at bottom. Holman's Print Shop, Boston label on verso.
• Theophylact, Archbp. Institutio
  Theophylact, Archbp. Institutio Regia, Paris 1651. 4to., modern blue morocco gilt bound by S. Ridge, Grantham. Syston Park bookplate . Text in Greek and Latin. Engraved vignette on title and headpieces
• SIX-PIECE TERRA COTTA ARCHED FRIEZE
  SIX-PIECE TERRA COTTA ARCHED FRIEZE The arched circular ground molded with a ribbon-tied central vacant shield with flowering and leafy swags hung at both sides from Beth Israel Congregation h:21 w:68 in. Other Notes: DHS
• Small Italian Micro-Mosaic Panel
  Small Italian Micro-Mosaic Panel Depicting the Forum Temples of Vespasian and Titus, Saturn and the Arch of Septimius Severus, Rome, c.1880 the oval scene banded with malachite 3.25 x 5.1 in — 8.3 x 13 cm
• GIOVANNI B. PIRANESI "VEDUTA DELL
  GIOVANNI B. PIRANESI "VEDUTA DELL ARCO DI TITO"Giovanni Battista Piranesi (Italian, 1720-1778) "Veduta Dell Arco Di Tito" etching. Framed, not examined out of frame. Sight size: 17" high, 25 1/4" wide. Frame size: 26 3/4" high, 35 1/2" wide.
• Italian school (18th/19th
  Italian school (18th/19th century) ARCHITECTURAL CAPRICCIO WITH CHERUBS oil on canvas framed unsigned H51 1/2'' W62'' Provenance: Tennessee collection.
• Collection of Seven French
  Collection of Seven French Architectural Engravings, of ancient Roman subjects such as the temples of Antonius, Faustinus, Septimus, Severus and Vesta, the Pantheon and the Coliseum. Presented in a black-edged antiqued ivory mats within narrow matte ebonized reeded wood frames and glazed (seven pieces).
• TERRACOTTA BUST OF A ROMAN
  TERRACOTTA BUST OF A ROMAN PATRICIAN The head turned toward the right the shoulders draped. Provenance: Property from the Collection of Gerald Kornblau. 10 in.
• GRAND TOUR PATINATED BRONZE MODEL
  GRAND TOUR PATINATED BRONZE MODEL OF TRIUMPHAL ARCHCirca 1900. The top with a lid opening to a well, atop a circular base. Height 4.75 in. Width 5.25 in.
• Four Carrara Marble Profile Busts
  Four Carrara Marble Profile Busts of Roman Emperors including Augustus Tiberius and Titus; each figure mounted to brêche d'Alep plaques set within wood frames 22 1/2 in. x 19 in.
• GOTHIC STYLE LARGE ARCHITECTURAL
  GOTHIC STYLE LARGE ARCHITECTURAL SPIRE Circa 1900 or earlier, architectural terra cotta, three part form, stylized pomegranate finial, tapered diamond form with acanthus leaf bands, impressed model number and faint lettering to upper surface of lower section.
• Four Carrara Marble Profile Busts
  Four Carrara Marble Profile Busts of Roman Emperors including Augustus Tiberius and Titus; each figure mounted to brêche d'Alep plaques set within wood frames 22 1/2 in. x 19 in.
• TWO CLASSIC ARCHAEOLOGICAL TITLES
  TWO CLASSIC ARCHAEOLOGICAL TITLES BY SCHLIEMANN Comprising: 1) TIRYNS: THE PREHISTORIC PALACE OF THE KINGS OF TIRYNS (NY: Scribner's, 1885) 4to, pictorial cloth; and 2) MYCENAE: A NARRATIVE OF RESEARCHES AND DISCOVERIES AT MYCENAE AND TIRYNS (NY: Scribner's, 1880) 4to, pictorial cloth, the binding with some wear and fading, a long inscription by former owner on a flyleaf.
• AFTER CANALETTO (ITALIAN,
  AFTER CANALETTO (ITALIAN, 1697-1768), ROME: THE ARCH OF CONSTANTINE Oil on canvas, signed "S. Lee" at lower right, presented in the likely original gilt composition frame with linen liner.
• Byzantine Style Mosaic Portrait
  Byzantine Style Mosaic Portrait 19th centuryarched mosaic in colors and gilt depicting God the Father with triangular halo. The Penn's referred to this mosaic as ''Moses.''24 x 45 in.Good condition.
• VON ARX (CHARLES NICOL). VON ARX.
  VON ARX (CHARLES NICOL). VON ARX. THE THRONE OF MYSTERY...St. Paul: Standard Litho., ca. 1919. The spectral form of a comely blonde assistant floats up from the seat of a elaborate throne decorated with skulls and crossbones, while two skeletal assistants look on from either side of the chair. Von Arx stands at the side of the scene, gesturing toward the woman while Mephistopheles and several demons observe the proceedings. 19 ½ x 27". Scattered restoration primarily in borders; B.
• U.S. CAPITOL LATROBE
  U.S. CAPITOL LATROBE ARCHITECTURAL SANDSTONE CORINTHIAN CAPITAL FRAGMENT FROM THE ORIGINAL EAST WING PORTICO Aquia Creek sandstone Corinthian capital fragment from the original columns of 1828 designed by Benjamin Latrobe and adapted and installed under Bulfinch's tenure with paint residue h:11 w:4.50 d:4 in.
• A Set of Five Ecclesiastical
  A Set of Five Ecclesiastical Terracotta Figures each one depicting one of the apostles with remnants of polychrome decoration throughout. Height of tallest 74 inches.
• VON ARX (CHARLES NICOL). VON ARX.
  VON ARX (CHARLES NICOL). VON ARX. SARCOPHAGUS.St. Paul: Standard Litho., ca. 1919. Clad in a red costume, Von Arx stands in an Egyptian sarcophagus hoisted in the air as an assistant looks on at one side. An imp views the scene from the other side of the poster. 19 ½ x 27". Large portions of margins restored, upper left corner restored, closed tears visible. B-.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778) "VEDUTA DELL'ARCO DI TITO" Etching, 1771.
• TULIP AND ARCH MOTIF THOMAS POTTS
  TULIP AND ARCH MOTIF THOMAS POTTS (WORKS) CAST IROca. 1758 dated, 20th century recasting; PA German form motif plate with two arches with ornate spiral columns with dominant tulip and heart pattern, lower portion with German statement and maker's name with blooming heart designs on either side, dated 1758, marked on reverse "The Country Furnace", 23"x 23"; Condition: recast from old plate, some rust and charring from use
• John Ruskin (British 1819-1900)
  John Ruskin (British 1819-1900) "The Roman Arch at Susa in Piedmont" c. 1830s/40s or later traces of graphite with black and white gouache on gray paper unsigned 6 1/4 in. x 6 1/2 in. on a decorated French mat hinged to a modern mount. Provenance: George Dicks; Durlacher New York 1956; James R. Lamantia Jr. New Orleans and New York. Note: The Arch at Susa (9-8 B. C.) in the Piedmontese foothills of the Mont-Cenis Pass was erected early in the sequence of Imperial arches to commemorate the alliance between Augustus and Julius Cottius for whom the surrounding Cottian Alps are named-and which press close on this tiny town in Ruskin's sketch. The structure's simple basic form is well represented in Ruskin's admirable (and very dramatic) drawing: the uncompromisingly plain arch with its undecorated vault is framed on each façade only by a pair of engaged Corinthian columns supporting a simple entablature with a continuous frieze below an attic that is perhaps disproportionately low (and which Ruskin tactfully allows to run off the top of his sheet thus implying its greater height). The arch's one embellishment is the celebrated frieze that memorably marks Augustus' early alliance: Ruskin beautifully catches its tribal warriors and sacrificial animals with strong highlights only on their lower anatomies thus minimizing the damage to the weathered modillions above. The young artist probably crossed the Mont-Cenis with his parents in 1835 en route to his first experience of Venice; several other Continental journeys followed in quick succession especially a Italian long sojourn in 1840-1841. This fine sheet may date at any time in those early decades or even later-concentrating as it does on his two principal passions those of monumental architecture and unusual topography. References: Guido A. Mansuelli et alia Studi sull'Arco Onorario Romano Rome 1979 pp. 90 120-122 139 pls. 7 12 and 13; Dinah Birch "Ruskin " Grove Dictionary of Art Jane Turner ed. London 1996 34 vols. vol. 27 pp. 350-356.
• ITALIAN SCHOOL NEOCLASSICAL: TWO
  ITALIAN SCHOOL NEOCLASSICAL: TWO ARCHITECTURAL STUDIES One for a chimney piece the other for a triumphal monument (with unidentified collectors marks Lugt 4866 20796) pen and black ink and gray wash; the second pen and brown ink; largest 11 x 15 3/4 in.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720–1778), VEDUTA DELL'ARCO DI CONSTANTINO (VIEW OF THE ARCH OF CONSTANTINE) Etching (not a strong impression), 19th or early 20th century, with center crease as issued, from Vedute di Roma (Views of Rome), matted and framed.
• Archangel Raphael and Tobias
  Archangel Raphael and Tobias Italian School, 19th century, "On the Road to Medra", gilt and polychromed carved wood, the angel with his left arm around the youth's shoulders, octagonal stepped and waisted base, 19-1/2 in.,
• CAST-LEAD MASSIVE ARCHITECTURAL
  CAST-LEAD MASSIVE ARCHITECTURAL RONDEL Modeled as an eagle clutching crossed arrows within ribbon-bound laurel wreath with bolted spread wings. 11 ft. 8 in. 5 ft. diam.
• A GOTHIC LIMESTONE ARCHITECTURAL
  A GOTHIC LIMESTONE ARCHITECTURAL FRAGMENT carved with the head and torso of the crucified Christ, before a tapered octagonal shaft with branching foliage, 79cm h, 14th/15th c
• (3) CORINTHIAN CARVED WOOD
  (3) CORINTHIAN CARVED WOOD ARCHITECTURAL COLUMNS 20th c., brown painted, with carved scrolled floral and foliate decoration, 72.5"h x 12"dia. (base)
• GRAPHITE DRAWING - Early 19th c
  GRAPHITE DRAWING - Early 19th c Graphite Drawing of an Italian Port Town viewed from stone quay with Roman triumphal arch in the middle ground ships moored at right fortress and domed cathedral on hilltop in background unsigned in lemon gold molded f
• ITALIAN-CRETIAN SCHOOL
  ITALIAN-CRETIAN SCHOOL (16th-17th century) "THE TRIUMPH OF TITUS AND VESPASIAN" Inscribed 'Invia te duce nulla est via', oil on canvas 31 11/16 x 43 11/16 in. provenance: Private Collection, Philadelphia, Pennsylvania. ,000-6,000 Condition Summary: This painting is generally in good condition both structurally and aesthetically. It has at least one campaign of previous restoration, is wax resin lined onto canvas and attached to a 20th century stretcher. The image is in good condition having been sensitively restored with small areas of very careful, fine inpainting throughout mostly to restore small losses image detail. There is a large area of retouching in the central cloud at the top of the painting.
• PIRANESI: ARCH, FIGURAL -
  PIRANESI: ARCH, FIGURAL - ETCHINGPiranesi etching "Venduta della Vasta Fontana di Trevi Anticamente Detta L'Acqua Vergine"- Architettura di Napoli Salu. [Art: 14 x 21 inches; Frame: 25 1/2 x 31 inches].
• Reverse painting on glass after
  Reverse painting on glass after Pieter Mortier's ''Arcus Lucii Septimii Severi Augustii'' (Lucius Septimius Severus Roman Forum Arch of August in the Country) architectural engraving. Painted in colors of black gray gold and white. Framed in black and metallic finish frame. Condition: very minor paint loss to upper left and right corners see images. Measures 22.5'' tall x 27'' wide (glass pane) add 2.5'' to each dimension for frame. Shipping weight 8.4 lbs.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALY, 1720-1778) ETCHGIOVANNI BATTISTA PIRANESI (Italy, 1720-1778) etching, "Tempio detto volgarm.te di Giano. A. Arco detto degl'Argentieri..." (The so-called Temple of Janus. A. Arch of the Argentari), from Vendute di Roma (Views of Rome). Image measures 18.5" x 27.75". In a wood frame; 30" x 38" overall.
• ECCLESIASTICAL STATUE -
  ECCLESIASTICAL STATUE - Polychrome Wood Figure of St. Michael the Archangel 19th c probably French with tin wings and glass eyes (one missing) his right arm raised to hold missing sword his left hand with the Rose (Rosicrucian?) shield mounted on oc