- Charleston, South Carolina needlework,
Charleston, South Carolina needlework, kneeling hunter with dog before a cross, stitched at bottom "Worked by Elizabeth Malone at the Academy of the Sisters of Our Lady of Mercy. Charleston S. Carolina", wool on canvas, circa 1860-1870, unframed, 17-1/2 x 20-3/4 in. Several horizontal splits in canvas, losses to wool, fading, grime. Private Collection, Charlotte, North Carolina.
- 18th century Charleston engraving,
18th century Charleston engraving, South Carolina, "A View of Charles Town, the Capital of South Carolina, in North America", published by Carrington Bowles, London, circa 1772, after Thomas Mellis, hand colored, on laid paper, 7-3/4 x 11-1/8 in. (page); modern wood frame. Trimmed including plate mark at right margin, hinged with archival tape, cloth tape remnants, adhesive residue in top margin, toning, creases and folds, stains in margins, pencil inscriptions; frame with abrasions. John Bivins, Jr. Collection
- Rare Charleston lithograph, bird's-eye
Rare Charleston lithograph, bird's-eye view of Charleston, South Carolina, from the harbor looking toward the ocean, circa 1860, drawn by J. W. Hill, engraved by Weltwood & Peter, hand colored lithograph, 19-7/8 x 38 in. (sight); modern gilt and painted wood frame. Trimmed at margins, faded, stains, abraded surface, extensive repairs to tears and losses, restoration by W. Graham Arader III (with copy of receipt).
- Charleston Renaissance School (20th
Charleston Renaissance School (20th century) "Calhoun St. 2nd Presbyterian Church", inscribed verso "This is for Charlie Bracket/Norman[?]", pastel on paper, 11-7/8 x 15-1/2 in.; original wood cushion molding frame,
- 19th century map of Charleston,
19th century map of Charleston, "Birds Eye View of the City of Charleston, South Carolina, 1872, Drawn and Published by C. Drie" (Camille Drie, dates unknown), streets and buildings with reference key at bottom, color lithograph, 23-1/2 x 35-1/2 in. (sight); modern frame. Poor condition with extensive foxing, losses, tears and moisture stains, cellophane tape and tape residue, fading, toning, not examined out of frame; frame with abrasions.
- BIRD'S EYE VIEW OF CHARLESTON,
BIRD'S EYE VIEW OF CHARLESTON, SOUTH CAROLINA Hand-colored lithograph after John William Hill, published by Smith & Brothers of New York and Boston in 1851 as part of their series depicting famous American cities, in later 20th century frame.
- Charleston painting, Charleston
Charleston painting, Charleston rooftops, signed lower right "Paolo", acrylic on canvas, 20th century, 36 x 36 in.; modern gilt wood frame. Good condition; frame with abrasions and retouch. The Estate of the Late Shirley Freeman, Greenville, South Carolina
- FOUR LARGE ARTIFACT DISPLAYS OF
FOUR LARGE ARTIFACT DISPLAYS OF PORCELAIN SHARDS FROM CHARLESTON Discovered during a renovation of "The Dale- Brewton - Pinckney House," 73 Church Street, Charleston, South Carolina, circa 1716, frames include transfer-ware/shell edge/import china, hand-decorated ceramics, 19th century bowls , and dish handles; each with a framed description of the contents, presented under old seeded glass.
- Charleston, South Carolina painting,
Charleston, South Carolina painting, view of St. Philip's church, signed lower right "Bryant", oil on canvas, American, late 20th/early 21st century, 36-1/8 x 24 in.; painted wood frame. Good condition; frame with abrasions.
- 18th century Charleston engraving,
18th century Charleston engraving, South Carolina, "An Exact Prospect of Charlestown, the Metropolis of the Province of South Carolina", panoramic view by William Toms, after Bishop Roberts, second edition (1779), originally published in The London Magazine , June 1762, uncolored, on laid paper, 8 x 20-1/4 in. (sight); modern wood frame. Folds and creases, minor smudges, toning, areas of foxing, possible restorations, not examined out of frame; frame with abrasions. David Stockwell Antiques, Willmington, Delaware, 1972
- LENHARDT M. John (American 20th
LENHARDT M. John (American 20th Century): Street Scene Charleston South Carolina OIL/Canvasboard 16'' x 20'' signed gilded frame with overpaint 20'' x 24''.
- RARE 18TH CENTURY CHARLESTON ENGRAVINGSouth
RARE 18TH CENTURY CHARLESTON ENGRAVINGSouth Carolina, "A View of Charles Town, the Capital of South Carolina, in North America", published by Carrington Bowles, London, circa 1772, after Thomas Mellis, on laid paper, 13-1/8 x 20-1/4 in. (image); modern wood frame.
Condition:
trimmed, hinged with archival tape, cloth tape remnants, adhesive residue in top margin, toning, some restoration at corners, stains in margins, pencil inscriptions verso; frame with abrasions.
- Charleston painting, Marguerite
Charleston painting, Marguerite Miller (Charleston, South Carolina, born 1895), nannies with children, Charleston, South Carolina, late 1920s, possibly signed verso in pencil "Miller", oil on artist board, partial artist's label verso "M[ar]guer[ite] Miller Studio 3-Art Gallery [C]harleston, S.C.", 16 x 20 in.; original early 20th century gilt wood frame with label verso for Lanneau's Art Store, Charleston, South Carolina. Slight warp to panel, cupping and cleavage left middle, light grime; frame with abrasions.
- 3 PCS, COLLECTION OF CHARLESTON
3 PCS, COLLECTION OF CHARLESTON WORKS ON PAPER Three works comprising Minnie Mikell (American/South Carolina, 1891-1987). "Middleton Place Gardens", hand colored lithograph, John Bennet (American/South Carolina, 1865-1956). "Story Illustration", silhouette, Elizabeth White (American/South Carolina, 1893-1976). " Long Leaf Pine", etching. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Largest approx. 11.75" x 9.25" (framed)
- Otis Conklin (South Carolina 20th
Otis Conklin (South Carolina 20th century) PAIR WORKS: CHARLESTON FLOWER LADIES watercolor framed signed & titled: lower right left and verso sight size: H12'' W8'' (2pcs) Provenance: Charleston South Carolina private collection.
- 19th century Charleston silhouette,
19th century Charleston silhouette, profile of young man in detailed jacket, signed at bottom in ink "M. Beasley 1829 Charleston, S.C.", gouache on paper, 2-3/4 x 2-1/4 in.; painted gold frame. Toning, minor foxing; frame with abrasions. Label verso indicates silhouette was part of the Elizabeth L. Maurier Collection; The Estate of the Late Grace Shorter, South Salem, New York.
- Charleston Renaissance school (early
Charleston Renaissance school (early 20th century) A WALK IN THE GARDEN mixed media on paper framed unsigned. H10'' W8'' Provenance: Private South Carolina Collection Image is laid down having stable separation at lower body otherwise good overall condition.
- CHARLESTON WATERCOLOR, KATE BRUMLEY
CHARLESTON WATERCOLOR, KATE BRUMLEY Kate Brumley (South Carolina/Charleston, late 19th/20th c). "St. Philip's Church, Charleston, S.C.", watercolor. Signed lower right, titled lower left and signed and located on piece of original mat verso. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Approx. 20.25" x 13.25" (frame), 13.25" x.75" (sight)
- FOUR ARTIFACT DISPLAYS ILLUSTRATING
FOUR ARTIFACT DISPLAYS ILLUSTRATING TRADES IN COLONIAL CHARLESTON Discovered during a renovation of "The Dale- Brewton - Pinckney House," 73 Church Street, Charleston, South Carolina, circa 1716, included are shoemaker's leather, 1800s pipes, hardware and blacksmith items, all with corresponding descriptive framed sheets, presented in custom shadow box frames under antique style seeded glass.
- TEN TITLES OF SOUTHERN INTEREST
TEN TITLES OF SOUTHERN INTEREST Artists in the Life of Charleston (1949), card cover; Carolina Charter Tercentenary Exhibition - North Carolina Museum of Art - Raleigh (1963), card cover; Brookgreen Gardens Sculpture (1968), Vols. I & II; Art and Artists of the South (1984); Look Away: Reality and Sentiment in Southern Art (1989); Directory of Contemporary American Musical Instrument Makers (1981); A Southern Collection (1992), card cover; Early Art and Artists in West Virginia (2000); Black Mountain College: Experiment in Art (2002); The Arts at Black Mountain College (2002), card cover.
- CITY SCAPE OF CHARLESTON WEST
CITY SCAPE OF CHARLESTON WEST VIRGINIA BY LYLE HATCHER BENNETT (WEST VIRGINIA/CALIFORNIA 1903-1988). Oil on canvas signed lower right. Nighttime scene over a bridge. Small patched hole. 18''h. 24''w. in a frame 21 1/2''h. 27 1/4''w. It is as catalogued.
- William Halsey Charleston painting
William Halsey Charleston painting (Charleston, South Carolina, 1915-1999), "Afterglow, Charleston", title verso, signed lower left "Halsey", oil and sand on Masonite, 30 x 36-1/8 in.; original gilt and stained wood frame. Original condition, light grime and abrasion. Property Deaccessioned from a South Carolina Museum
- Virginia Fouche Bolton;lithograph
Virginia Fouche Bolton;lithograph Charleston S.C. artist church signed & numbered 235 of 2000 image area 12'' x 18''.
- Robert Warren District of Columbia
Robert Warren District of Columbia (mid 20th century) CALHOUN STREET CHARLESTON SOUTH CAROLINA watercolor unframed signed: lower left and titled & located on verso H11 1/8'' W14 1/2'' Condition: Right corner torn adhesive residue on verso otherwise in good original condition. Back   Inquiry    Previous Item  Next Item © Charlton Hall Auctions. Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678   © 2012 CHARLTON HALL GALLERIES INC.
- Elizabeth O'Neill Verner (South
Elizabeth O'Neill Verner (South Carolina 1883-1979) FOUR WORKS: VIEWS OF CHARLESTON and CHURCH RUINS lithographs framed signed: lower margin in pencil sight size: H10 1/4'' W7 1/2'' to H18'' W21 1/2'' (4pcs) Provenance: Beaufort South Carolina private collection. All appear to be in good condition with slight toning to paper; not examined out of frames.
- ST. PHILIPS, CHARLESTON, OIL ON
ST. PHILIPS, CHARLESTON, OIL ON CANVAS, ADGERS Neely Adgers (American/South Carolina, 20th c). "Church Street, Charleston" -1969, oil on canvas. Signed and dated lower right. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Approx. 31" x 43" (frame), 24" x 36" (canvas)
- Charleston Renaissance school (late
Charleston Renaissance school (late 19th/early 20th century) SOUTHERN OAK WITH MOSS IN CEMETERY oil on artist board framed unsigned H12'' W15 1/2'' Provenance: Glenville North Carolina collection. Estate of Edgar C. Jones Coral Gables Florida.
- ALICE SCOTT, CHARLESTON BASKET
ALICE SCOTT, CHARLESTON BASKET WEAVER, WATERCOLOR, Alice Scott Scanland (American/ South Carolina / Florida, 1924-2005). "Basket Weaver, Charleston, SC" -1986, watercolor on mat board. Signed lower right, inscribed and titled verso. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Approx. 20" x 16' (sheet)
- John Bivins and Brad Rauschenberg,
John Bivins and Brad Rauschenberg, The Furniture of Charleston 1680-1820, Museum of Early Southern Decorative Arts, 2003, three volume set in slip case,
- ANTIQUE WATERCOLOR, SILK, AND CHENILLE
ANTIQUE WATERCOLOR, SILK, AND CHENILLE PICTORIAL NEEDLEWORK, ATT. SOUTH CAROLINA Worked in silk, chenille, and possibly metallic threads on linen ground with watercolor detailing, scene depicting three figures among columns in a wooded landscape beneath blue skies, framed under glass in a molded frame.
- 2PC CHARLESTON ETCHINGS, ELIZABETH
2PC CHARLESTON ETCHINGS, ELIZABETH O'NEILL VERNER Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). Two etchings "In St. Michael's Alley" -1926, and "In old Charleston". Pencil signed and titled lower margin. Framed as a pair. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Approx. 8.5" x 7" (frame), 3" x 2.25" (sight) each.
- THREE ARTIFACT DISPLAYS ILLUSTRATING
THREE ARTIFACT DISPLAYS ILLUSTRATING CHARLESTON FOOD AND DRINK THROUGH TIME Discovered during a renovation of "The Dale- Brewton - Pinckney House," 73 Church Street, Charleston, South Carolina, circa 1716, includes tavern artifacts such as circa 1750-1900 bottles and kitchen artifacts, each in a custom wood shadow box under seeded antique style glass with corresponding framed description sheet.
- Chevis Delwin Clark painting (Charleston,
Chevis Delwin Clark painting (Charleston, South Carolina, born 1922), abstract composition titled verso "Golden Armor", signed upper right "Chevis-52", oil on Masonite, 26-1/8 x 13-1/2 in.; original pickled wood frame. Good condition; frame with abrasions.
- GEORGE HAND WRIGHT (AMERICAN 1872-1951),
GEORGE HAND WRIGHT (AMERICAN 1872-1951), CHURCH STREET, CHARLESTON, SC, WATERCOLOR FRAMED: 16 1/2 X 19 IN. (41.9 X 48.3 CM.)George Hand Wright (American 1872-1951), Church Street, Charleston, SC, Watercolor, Dimensions: Framed: 16 1/2 x 19 in. (41.9 x 48.3 cm.)
- 19th Century Map of Charleston,
19th Century Map of Charleston, South Carolina "Plan of the Siege of Charleston in S. Carolina", from John Marshall's Life of George Washington, published by C.P. Wayne, 1807, depicting the June 18, 1776, British attack on Charleston Harbor, engraving on wove paper, 10 x 15 in. (plate),
- William Aiken Walker painting (Charleston,
William Aiken Walker painting (Charleston, South Carolina, 1838-1921), landscape with house and split rail fence, signed lower left "WAWalker", partial colorman label verso, oil on artist board, 8-1/4 x 12-1/4 in.; modern gilt wood frame with fabric liner. Retouch in sky affecting approximately 20 percent of surface, crackle, flaking, signature partially rubbed; frame with abrasions. Private Collection, Charlotte, North Carolina