A few examples of appraisal values for
ASSUMPTION

• RELIGIOUS PAINTING ASSUMPTION OF
  RELIGIOUS PAINTING ASSUMPTION OF MARY INTO HEAVENUnframed oil on canvas painting, Assumption of Mary into Heaven, unsigned, relined, overall: approx 13.5"h, 11"w, 1.5lbs
• Italian School 16th Century
  Italian School 16th Century Assumption of the Virgin Estimate:$1,000-$1,500
• MADONNA OF THE ASSUMPTION,
  MADONNA OF THE ASSUMPTION, PORTUGUESE, TERRACOTTA Madonna of the Assumption, a terracotta figure, 20th C, Portuguese, depicting the Virgin with her arms crossed over her chest, her figure balanced upon the crescent moon supported by clouds and angels, the interior siged "Fac. Portugal" 18.75" H (overall).
• SCHOOL OF GUIDO RENI, ITALIAN
  SCHOOL OF GUIDO RENI, ITALIAN 1575-1642, THE ASSUMPTION OF THE VIRGIN, PEN AND BROWN INK WITH GREY WASH ON LAID PAPER WITH A PARTIAL WATERMARK, SHEET: 7 X 6 IN. (17.8 X 15.2 CM.), FRAME: 10 3/4 X 9 1/4 IN. (27.3 X 23.5 CSCHOOL OF GUIDO RENI, ITALIAN, 1575-1642 THE ASSUMPTION OF THE VIRGIN, Pen and brown ink with grey wash on laid paper with a partial watermark Upper right inscribed in Hebrew: Yhwh; inscribed on mount: upper right: Teresa!; lower left: Assumption; lower right: Guido Reni 1575-1642 Ec. Ital.; This study relates to the upper section of Reni's Assumption of Mary in the church of Saint Ambrose (Chiesa del Gesu) in Genoa. Pen and brown ink with grey wash on laid paper with a partial watermark Dimensions: Sheet: 7 x 6 in. (17.8 x 15.2 cm.), Frame: 10 3/4 x 9 1/4 in. (27.3 x 23.5 cm.) Provenance: Drouot 13 June, 2013; Pennsylvania Collection
• SCHOOL OF MAARTEN DE VOS: THE
  SCHOOL OF MAARTEN DE VOS: THE ASSUMPTION OF THE VIRGIN Ink on paper signed and dated 1599 lower right. Provenance: Herbert E. Feist NY 1973; Ex Collection N. Lainier Earl of Arundel Van Frankenstein. 15 1/2 x 9 3/8 in. (sight sheet) 25 x 18 3/4 x 1 3/4 in. (frame).
• 17th Century Bolognese School/The
  17th Century Bolognese School/The Assumption of the Virgin/oil on canvas, 168cm x 120cm
• After Titian 19th century
  After Titian 19th century Assumption of the Virgin oil on canvas 25 x 14 in. Estimate $ 300-500 Cracquelure paint loss. Paintings have not been examined by blacklight.
• FLORENTINE SCHOOL , 17TH/18TH
  FLORENTINE SCHOOL , 17TH/18TH CENTURY, THE ASSUMPTION OF THE VIRGIN, PEN AND INK ON LAID PAPER WITH FLEUR-DE-LIS WATERMARK, SHEET: 9 1/8 X 6.3 IN. (23.2 X 16.1 CM.), FRAME: 14 5/8 X 11 1/2 IN. (37.1 X 29.2 CM.)FLORENTINE SCHOOL, 17TH/18TH CENTURY THE ASSUMPTION OF THE VIRGIN, Pen and ink on laid paper with fleur-de-lis watermark Verso: Head of Christ in black chalk; inscribed on mat: Antonio Gabbiani Pen and ink on laid paper with fleur-de-lis watermark Dimensions: Sheet: 9 1/8 x 6.3 in. (23.2 x 16.1 cm.), Frame: 14 5/8 x 11 1/2 in. (37.1 x 29.2 cm.) Provenance: Aguttes, October 13, 2009; Pennsylvania Collection
• PAUL AWASSUME (AFRICAN 20TH
  PAUL AWASSUME (AFRICAN 20TH CENTURY), TWO WOMEN CARRYING BUNDLES OF STICKS AND FEMALE NUDE: TWO WORKS, EACH OIL ON CANVAS FRAME OF LARGER: 29 X 21 IN. (73.7 X 53.3 CM.)Paul Awassume (African 20th Century), Two Women Carrying Bundles of Sticks and Female Nude: Two Works, each oil on canvas, Dimensions: Frame of larger: 29 x 21 in. (73.7 x 53.3 cm.)
• PAUL AWASSUME. WOMEN WITH
  PAUL AWASSUME. WOMEN WITH BASKETS, TEMPERA (The Republic of Chad, 20th century). Tempera on canvas, signed lower right, sight size: 27 x 34 1/2 in., framed.
• Large Spanish Colonial Oil
  Large Spanish Colonial Oil Painting, first quarter 19th century, depicting "The Assumption of the Virgin of The Sacred Heart" surmounting a vignette of the infant "Christ, Salvator Mundi", flanked by a seraph and St. Joseph, presented in a period carved, bright blue-painted and parcel-gilt wooden frame in the rococo taste, h. 27-1/4", w. 24".
• PAUL AWASSUME (CAMEROON, B 1970),
  PAUL AWASSUME (CAMEROON, B 1970), FEMALE NUDE, OIL ON CANVAS FRAMED: 33 1/2 X 27 1/2 IN. (85.09 X 69.85 CM.)Paul Awassume (Cameroon, b 1970), Female Nude, Oil on Canvas, Dimensions: Framed: 33 1/2 x 27 1/2 in. (85.09 x 69.85 cm.)
• MANNER OF PAOLO DE MATTEIS
  MANNER OF PAOLO DE MATTEIS (ITALIAN, 1662)Manner of Paolo De Matteis (Italian, 1662-1728) , "The Assumption" and "The Annunciation", 2 oils on canvas, both unsigned, "Haynes Fine Art, Worcestershire" label with artist en verso, each 53 in. x 29 in., framed alike. (2 pcs.)
• RAFAL OLBINSKI (POLAND.
  RAFAL OLBINSKI (POLAND. 1943-PRESENT) LITHOGRAPHDESCRIPTION: A lithograph by Polish artist Rafal Olbinski titled "Predictable Assumption" features a 24 color plate, depicts a ballet and opera, a jazz concert and a Shakespearean play surrounding a couples bizzare dinner. Signed on the lower right and numbered "203/350". CIRCA: Late 20th Ct. ORIGIN: Poland DIMENSIONS: H: 43 1/2" L: 31 3/4" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• PAUL AWASSUME (AFRICAN 20TH
  PAUL AWASSUME (AFRICAN 20TH CENTURY), AFRICAN WOMEN WITH BASKETS, OIL ON CANVAS, SIGNED, FRAME: 27 X 32 IN. (68.6 X 81.3 CM.)Paul Awassume (African 20th Century), African Women with Baskets, oil on canvas, signed,, Dimensions: Frame: 27 x 32 in. (68.6 x 81.3 cm.)
• PAUL AWASSUME. WALKING AWAY, OIL
  PAUL AWASSUME. WALKING AWAY, OIL (African, 20th century). Oil on canvas, signed lr, sight size 26 x 31 in., framed.
• EDWIN HOWLAND BLASHFIELD (NEW
  EDWIN HOWLAND BLASHFIELD (NEW YORK/MASSACHUSETTS, 1848-1936), "CARNEGIE HALL", POSSIBLY AN IMAGE OF THE ASSUMPTION., OIL ON BOARD, 20" X 10". FRAMED 24.5" X 14.5".EDWIN HOWLAND BLASHFIELD, New York/Massachusetts, 1848-1936, "Carnegie Hall", possibly an image of the Assumption. Unsigned. Inscribed verso "E H Blashfield Carnegie Hall". Dimensions: Oil on board, 20" x 10". Framed 24.5" x 14.5".
• DOMENICHINO (ATTRIB), SANGUINE
  DOMENICHINO (ATTRIB), SANGUINE DRAWING, EX DHIKEOS Attributed to Domenico Zampieri aka Domenichino (Italian, 1581-1641), "Assumption of the Virgin", red chalk on paper, depicting Mary surrounded by cherubs and angels, no signature observed, collector's mark lower left of Nicos Dhikeos (Greek-French 1896-1987), owner of the Saint-Francois Gallery, matted and framed under plexiglass, 19"h x 16"w (sight), 26.5"h x 23.5"w (frame)
• Five Gilt and Painted Wood
  Five Gilt and Painted Wood Triptychs 19th/20th Century comprising one hand-painted example depicting the Assumption with an inscription on verso referencing Archbishop John Purcell, a printed example after Hans Memling, and three other printed triptychs. Height of tallest 17 3/8 x width 9 3/8 x depth 3 3/8 inches (closed). Property from the Collection of the Sisters of Charity, Mount Saint Joseph, Ohio
• Melvin Miller American 1937-2007
  Melvin Miller American 1937-2007 Basilica of the Assumption Baltimore oil on canvas signed and dated ''M. Miller 1976'' ll 9 x 12 in. framed Estimate $ 400-600 Paintings have not been examined by blacklight.
• Georges Braque LA FEMME ASSISE
  Georges Braque LA FEMME ASSISE Etching Estimate:$3,000-$4,000
• PAIR OF INK AND WATERCOLOR FABLES
  PAIR OF INK AND WATERCOLOR FABLES AND DRAWINGSPair of Massachusetts ink and watercolor fables and drawings , inscribed Ephraim Warren, Chelmsford County, Middlesex, State, Massachusetts , dated March 6th. 1810 , one titled The old Man & his Ass , with verse telling the story of a father, son and his ass taking apples to market, the other with the story of a hermit and his protection from a violent storm and earthquake, having images of sail ships, fisherman, sheep, horse drawn wagon. and townsfolk, 13 1/4" x 20". Provenance: David Wheatcroft. Competitive in-house shipping is available for this lot. Condition: Light toning, center creases, minor small edge tears and creases. Not examined out of frame
• American School theorem, pears,
  American School theorem, pears, appl
• GROUP OF FOUR EARLY AMERICAN FRAMED
  GROUP OF FOUR EARLY AMERICAN FRAMED WORKS19th century, comprising: theorem style flower, watercolor on paper, sight, 9-1/2 x 7-3/8 in., period painted Pennsylvania German frame with text, starbursts, and floral design and dated 1850, inscription verso suggesting a Mahantango origin, poplar and white pine in old dry paint surface, 13-1/2 x 11-1/2 in.; calligraphic design reading "Anstina M. Piper", with swirl and floral pattern, watercolor and ink on paper, sight, 5 x 7-1/4 in., wood frame, 6-7/8 x 9-1/4 in.; small silhouette bust of woman, ink on paper, sight, 4-1/4 x 3-1/8 in., gilt wood frame, 5-5/8 x 4-5/8 in.; silhouette of man riding horse, reading "Captain Jonathan Cass/1st Reg. New Hampshire", signed "J.T." in bottom right corner, ink on paper, sight, 7-1/2 x 9-1/2 in., gilt wood frame, 10-3/8 x 12-3/8 in. Note: Theorem example with taped backing inscribed "Mahantango Valley painting by a man who painted around the 1840s-1850s, bought in Churchtown at a beautiful antique shop no longer in existence...". Provenance: Collection of C.L. Prickett Condition: toning, staining, and foxing to paper, loss to gilt, scattered damage and separation to frames; calligraphy example with tear and taped repair to paper
• THEOREM. Attributed to New England
  THEOREM. Attributed to New England mid 19th century watercolor on moire. Group of fruit in shades of green. Crease and stain. In a frame with applied half turnings 10 3/4''h. 12 3/4''w.
• THEOREM. American 1st half-20th
  THEOREM. American 1st half-20th century watercolor on velvet. Basket of fruit. In a frame 19 1/2''h. 23 1/2''w.
• After Murillo oil on canvas The
  After Murillo oil on canvas The Ascension 22.5 x 19.5in. Estimate ?600-800 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?700
• American School theorem, basket
  American School theorem, basket of roses with finely painted leaves on a stone ledge, circa 1830, unsigned, 19th century, 17-5/8 x 21-5/8 in.; original 19th century gilt wood cove-molding frame. Abrasions at left side, toning, fading, stain lower right, pest damage at top edge, stain lower right; frame with abrasions. Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund.
• AFTER ALBRECHT DURER, GERMAN 16TH
  AFTER ALBRECHT DURER, GERMAN 16TH CENTURY, ASSUMPTION OF THE VIRGIN MARY, OIL ON PANEL, 21 X 13 1/4 IN. (53.3 X 33.7 CM.), FRAME: 23 1/2 X 16 1/8 IN. (59.7 X 41 CM.)AFTER ALBRECHT DURER, GERMAN, 16TH CENTURY ASSUMPTION OF THE VIRGIN MARY, Oil on panel Oil on panel Dimensions: 21 x 13 1/4 in. (53.3 x 33.7 cm.), Frame: 23 1/2 x 16 1/8 in. (59.7 x 41 cm.) Provenance: Pennsylvania Collection
• HAND-LETTERED AXIOM ON FACTS,
  HAND-LETTERED AXIOM ON FACTS, FRAMED 1st half, 20th century; black paint on plywood, with mellowed old varnish, 13 1/2 x 25 1/4 in.
• Lot including theorem (with
  Lot including theorem (with original instructions) and small painting ''Peace''.
• 16th century French School
  16th century French School painting, allegory of Odor, seated and holding a vase of flowers in one hand and a stem of lilies in the other, dog at her right arm, inscribed at left Odoratus , oil on canvas, French School-Fontainebleau, 37-1/2 x 46-1/2 in.; early stained wood frame. Retacked to verso of frame after being shipped separately from frame, lacking stretcher, eleven holes or tears, recently cleaned, flaking, craquelure; verso frame with rosehead nails. Collection of a Gentleman, Memphis, Tennessee.
• American School Theorem 19th
  American School Theorem 19th centurywatercolor on velvet of a woven basket overly abundant with fruit presented in likely original molded and painted frame.SS 14.5 x 17.5 in.; DOA 17 x 20.25 in.Some fading and overall toning; some staining.The Estate of Georgia Carroll Kyser Chapel Hill NC
• EARLY 19TH C THEOREM AND WATERCOLOR
  EARLY 19TH C THEOREM AND WATERCOLOR DRAWINGENTITLED "DEVOTION" DONE BY CLARISSA BENNETT WHILE A STUDENT AT NEW BEDFORD ACADEMY. IN ORIGINAL GOLD FRAME, VINE AND FLORAL DESIGN. SHOWS SOME STAINING AND REPAIRS. SIGHT SIZE 21 1/2" HIGH, 16 1/2" WIDE. FRAMED. PROVENANCE: FAIRHAVEN COLONIAL CLUB.
• Arthur Gaskin (1862-1928)/Study
  Arthur Gaskin (1862-1928)/Study Drawing for the Annunciation/pencil, 40cm x 26cm/Provenance: Paul Liss Fine Art
• AMERICAN SCHOOL THEOREM FRUIT, BIRD
  AMERICAN SCHOOL THEOREM FRUIT, BIRD & BUTTERFLYFramed American School theorem picture, first half 19th c., watercolor and ink on paper, stylized fruit in basket on mat or tabletop, with parrot-like bird and butterfly, paper watermarked J. Whatman, Turkey Mill, reverse with inscription reading estate of Henry F. Bigelow (trustee MFA), Lancaster, Massachusetts, father of Barbara Dunn, Weston, Massachusetts, sight: 14"h, 18"w, overall: 16"h, 20"w, 3lbs **Provenance: O'Neill-Leonard Antiques, Westlake Hills, Texas**