A few examples of appraisal values for
ATMOS

• A LE COULTRE & CIE FIFTEEN JEWEL
  A LE COULTRE & CIE FIFTEEN JEWEL ATMOS CLOCKA Le Coultre & Cie brass and glass fifteen jewel Atmos clocklate 20th century#173673height 9 1/4in (23.5cm); width 8 1/2in (22cm); depth 6 1/2in (16.5cm)
• A JAEGER LECOULTRE BRASS ATMOS
  A JAEGER LECOULTRE BRASS ATMOS CLOCKA Jaeger LeCoultre brass Atmos clock20th centuryheight 9 1/4in (23cm); width 8 1/4in (21cm); depth 6in (15cm) Provenance:Property from the Estate of George Maharis.
• JAEGER LE COULTRE ATMOS MANTEL
  JAEGER LE COULTRE ATMOS MANTEL CLOCKJaeger Le Coultre Atmos mantel clock, 8 3/4" h., 6 1/2" w. NO in-house shipping for this lot. Condition: Good condition. No apparent damages or repairs. Pook & Pook does not guarantee clocks to be complete or in working condition.
• Jaeger LeCoultre Atmos clock,
  Jaeger LeCoultre Atmos clock, running at time of inspection, approx 24cm H x 21cm W x 16cm D
• Jaeger LeCoultre Atmos clock,
  Jaeger LeCoultre Atmos clock, vintage Calibre 519 gold-tone brass and clear glass, circa 1950s, featuring rectangular case, flat, skeletonized dial with numeral markers and brand stamp at base, untested, approx 24cm H x 21cm W x 16cm D
• Jaeger-LeCoultre 'Atmos' Table
  Jaeger-LeCoultre 'Atmos' Table Clock, c.1993 caliber 540, serial no. 680878 9 x 7.75 x 6 in — 22.9 x 19.7 x 15.2 cm
• Jaeger-LeCoultre 'Atmos' Table
  Jaeger-LeCoultre 'Atmos' Table Clock, c.1995 calibre 540, serial no. 693734 9.1 x 7.75 x 6 in — 23 x 19.7 x 15.2 cm
• LECOULTRE ASIAN CHINOISERIE
  LECOULTRE ASIAN CHINOISERIE LUCITE ATMOS MANTLE CLOCKLeCoultre Asian Chinoiserie White Lucite Atmos Clock, rectangular brass and Lucite mantel clock glazed on 4 sides and on the top with Chinese theme panels. Model/Caliber 526-5, circa 1950-1959, Swiss
• JAEGER LECOULTRE ATMOS CLOCK, MODEL
  JAEGER LECOULTRE ATMOS CLOCK, MODEL V CHINOISEJaeger LeCoultre Atmos Clock, Chinese Style Panels. Model V Chinoise (Marina), black. Case made of gold-plated brass and Lucite. Scratches to Lucite. Running.
• LECOULTRE ATMOS CLOCKLeCoultre
  LECOULTRE ATMOS CLOCKLeCoultre Atmos perpetual motion clock. Brass and glass case, marked LeCoultre & Cie. Atmos on the works. 7"W x 5 1/4"D x 8 3/4"H. Untested. Plaque with inscription attached to front of case. Losses to LeCoultre lettering on front glass panel, tarnishing and losses to brass patina throughout case, large dent to base of case on one side, chip to glass panel at top of case.
• LECOULTRE ATMOS CLOCKLeCoultre
  LECOULTRE ATMOS CLOCKLeCoultre Atmos perpetual motion clock. Brass and glass case, marked LeCoultre & Cie. Atmos on the works. 8 1/4" x 6 1/4"D x 9 1/8"H. Clock running, timekeeping untested. Button to open front panel missing and glass chipped at opening, some rusting and losses to brass patina around screws on case.
• JAEGER LECOULTRE ATMOS
  JAEGER LECOULTRE ATMOS CLOCKJaeger-LeCoultre Atmos perpetual motion clock. Brass and glass case, LeCoultre Atmos paper label to front of case. 8 1/4"W x 6 1/4"D x 9 1/8"H. Clock running, timekeeping untested. Scratches to brass case, chip to glass on lower left corner of front panel.
• VINTAGE LECOULTRE ATMOS CLOCK 9 ¼"H
  VINTAGE LECOULTRE ATMOS CLOCK 9 ¼"H x 8 ¼" x 6 ½" Le Coultre Atmos mantel clock, brass with glass case enclosure, exposed Swiss movement, both movement and clock marked.
• VINTAGE LECOULTRE ATMOS CLOCK 9"H x
  VINTAGE LECOULTRE ATMOS CLOCK 9"H x 8"W x 6 ?"D Le Coultre Atmos mantel clock, brass with glass case enclosure, exposed Swiss movement, both movement and clock marked.
• VINTAGE LE COULTRE ATMOS CLOCK
  VINTAGE LE COULTRE ATMOS CLOCK 9¼" x 8?" x 6?" Le Coultre Atmos mantel clock, brass with glass case enclosure, exposed Swiss movement, both movement and clock marked.
• Jaeger LeCoultre 'Trianon' Atmos
  Jaeger LeCoultre 'Trianon' Atmos Clock, c.1970 calibre no. 528-6/8, serial no. 305994, case numbered 125, bottom 10.25 x 8 x 4.75 in — 26 x 20.3 x 12.1 cm
• Tribal art. An unusual and
  Tribal art. An unusual and distinctive suite of carved, dug-out hardwood garden furniture, second half 20th c, bucket shaped chairs with grotesque beast arms and supports, comprising six chairs, round table 56cm h; 60cm diam and six stands (13) More Information Shrinkage cracks and atmospheric pollutants from long term weathering in the grounds of the local country house
• JAEGER-LECOULTRE BRASS ATMOS
  JAEGER-LECOULTRE BRASS ATMOS CLOCK 20TH CENTURY HEIGHT 9". WIDTH 7.75". DEPTH 6".JAEGER-LECOULTRE BRASS ATMOS CLOCK, 20th Century, Serial number 658808. Includes a mahogany and brass bracket shelf. Dimensions: Height 9". Width 7.75". Depth 6".
• ARTHUR TURNBULL HILL (AMERICAN,
  ARTHUR TURNBULL HILL (AMERICAN, 1868-1929) "SUNSET EAST HAMPTON" Oil on canvas. Signed 'Arthur Turnbull Hill' (lower center left). Signed and titled on stretcher. Catalogue Note: American painters in the final decades of the 19th century moved steadily into the transition heralded by George Inness from the heroic, nationalistic landscape into a phase more personally visionary. Their painting focused less on the exact replication of nature than on scenery, as a spiritual manifestation and it tended toward impressions and depictions of personal experience. Landscape painting tends to reflect changes of social and industrial growth, and was in one way escapist but the combination laid the foundation for a new realism. By the end of the 19th century landscape painting had come full circle and was burgeoning with new perspectives. The great 19th century artist, George Inness, was profoundly responsible for influencing the painters who where to follow him upon his contact with the Barbizon school. Originally, the work of Cole and Durand and Old Masters prints were his true models and taking hikes in the wild where he chose pastoral scenes close to home. A change took hold after a trip that Inness took to Europe, particularly France, where he came under the influence of the Barbizon School. Theodore Rousseau, Charles Daubigny and Camille Corot became his new idols and he decided to abandon the meticulous naturalism of the Hudson River School in favor of his own subjective expression of nature. He no longer portrayed what he saw literally, but tried to project his own vision into his paintings. Inness was seeking to capture the mood of the landscape through a lyrical and painterly style, his own personal Impressionism, for which he became famous. Inness also filled his canvases with the poetic atmosphere in the manner of Turner, whose work had impressed him and he combined this luminist approach with a pastoral quality derived from the Barbizon painters of France. Artist Collections: Brooklyn Museum, New York National Gallery of Art, Washington D.C. National Arts Club, New York Artist Memberships and Exhibitions: Artist Fund Society, New York Brooklyn Art Club, New York National Arts Club, New York Salmagundi Club, New York
• CHRISTIAN BENJAMIN OLSEN (DANISH,
  CHRISTIAN BENJAMIN OLSEN (DANISH, 1873-1935) "RETURNING HOME, 1918" Oil on canvas. Signed 'Chr. Benjamin Olson 1918' (lower right). Catalogue Note: The Danish people have an intimate relationship with the sea dating back to the rapacious Vikings who settled on the peninsula situated between the North Sea and Kattegat in Northern Europe. Throughout the country's history ship building, fishing and trade have been the primary industries; with most natives having some sort of ties to the trades, including Danish artists. Christian Benjamin Olsen is one such artist who was fascinated with ships and the various temperaments of the sea. Spending much of his time in the fishing village of Skagen, located at the northern most point of Denmark, Olson would paint the many ships coming and going in the harbor. Judging from the detail in Returning Home, Olsen must have been familiar with shipbuilding. He also shows sensitivity to the effects of atmosphere and light. He meticulously paints the rosy reflections of the setting sun on the evening clouds and calm harbor waters and portrays the shadows caste from the tall ships onto the water. His skills as a Marine painter are undoubtedly equal to his contemporaries Frederick Sorenson, Fritz Melby, and Vilhelm.
• CADWALLADER LINCOLN WASHBURN
  CADWALLADER LINCOLN WASHBURN (1866-1965), FRED DAVIS'S GARDEN IN CUERNAVACA, OIL ON CANVAS, 25.5" H X 26" WCadwallader Lincoln Washburn, (1866-1965) Fred Davis's garden in Cuernavaca, Oil on canvas Signed lower right: Cadwallader Lincoln Washburn Oil on canvas Dimensions: 25.5" H x 26" W Provenance: The Collection of Frederick W. Davis Private Collection, Southern California, by descent from the above Other notes: Cadwallader Lincoln Washburn was known as "the silent artist" and was quoted as saying "deafness may sometimes be an inconvenience but never a handicap". Primarily known for his mastery of "capturing the spirit of the subject" in his more than 900 drypoint etchings and numerous paintings, he had an incredibly varied life and career as not only an artist but a journalist and enthusiastic naturalist. Washburn lost his hearing at age five and attended Gallaudet College in Washington, DC, an institution for the hearing impaired, where he earned a Bachelor of Arts degree in 1890. While he originally planned to study natural science and entomology, enlivening his essays with illustrations of spiders, bees, and caterpillars, he discovered a love for drawing at Gallaudet. He went on to study architecture at MIT, and even though he considered this choice a compromise, he won a First Award in Design. Still favoring a more artistic path, Washburn later studied art with William Merritt Chase in New York and traveled to Europe along with Chase and other students, studying with Albert Besnard in Paris and with Joaquín Sorolla in Madrid. During this trip, Washburn became interested in etchings, likely inspired by some of Whistler's etchings seen in Venice, and through trial and error, taught himself and created his first drypoint etching in Paris in 1903. He exhibited regularly at the start of the twentieth century in both Europe and the USA. As he mastered the art of etching, he also became a war correspondent, along with his brother, for the "Chicago Daily News," covering the Russian Japanese War of 1904-05. Washburn later traveled to Mexico in 1910 to study architecture and Mexican culture, and while there, covered the Madera Revolution in Mexico from 1910-12. After spending his winters in Mexico, Washburn moved to California, where he exhibited 50 prints at the Panama Pacific International Exposition in San Francisco in 1915, and won a gold medal. By 1937, failing eyesight forced Washburn to give up etching. Undaunted, he returned to oils and produced some beautiful paintings, marked by a fluid, brushy technique and with an emphasis on light and atmosphere. Washburn married in 1943 and settled in Maine. He returned to studying insects, arguing for the intelligence and communication skills of spiders, bees, and caterpillars. His essay entitled "The Mind of a Spider" became required reading in the 1940s in the Washington D.C. public schools! The last part of his life was spent in Maine, where he died on December 21, 1965 at age 99. "His incredibly varied experiences gave his work an authenticity and universality seldom matched by any modern artist. However great he was as an artist, and he was truly great, he remains most fascinating as a man." References: The Annex Galleries, Santa Rosa, CA Frank G Bowe, Jr. "The Incredible Story of Cadwallader Washburn," "The Deaf American," 23, no. 3 (1970): 3-5.
• SWISS GILT-BRASS 'ATMOS' CLOCK BY
  SWISS GILT-BRASS 'ATMOS' CLOCK BY JAEGER LECOULTRE, GENEVA LATE 20TH CENTURY the circular dial with applied gilt chapters and gilt hands, the movement of typical form signed' ATMOS / JAEGER LE COULTRE' and numbered '546510', with original silver card box23cm high, 18cm wide, 14cm deep
• VAN DER STRAETEN MODERN "PATMOS"
  VAN DER STRAETEN MODERN "PATMOS" LAMPS, PAIR Herve Van der Straeten (French b.1965) Modern pair of 'Patmos' table lamps, late 20th century, in gilt bronze with black marble bases, each with impressed marks "AB" and "HV" near base. 31.5" H x 6.75" W x 5.5" D.
• JAEGER LE COULTRE ATMOS PERPETUAL
  JAEGER LE COULTRE ATMOS PERPETUAL MOTION CLOCK Jaeger Le Coultre vintage Atmos perpetual motion brass and glass clock, number 504793, marked on front: "Fifteen 15 Jewels Unadjusted Jaeger Le Coultre Atmos Swiss Made," marked underside: Le Coultre & Cie Metal Caliber 528-8 Swiss." 9.25" H x 7.25" W x 5.25" D.
• SWIFT BRASS DESK BAROMETERS
  SWIFT BRASS DESK BAROMETERS NAUTICAL INTEREST, 3 Three Swift barometers of Nautical interest, modeled as a ship's wheels, the inscribed dial with markers showing temperature and atmospheric pressure gauges, each with various engraved presentation inscriptions 5.25? H x 9.25? W x 2? D
• WITTNAUER NAUTICAL SHIP WHEEL
  WITTNAUER NAUTICAL SHIP WHEEL BAROMETER Wittnauer barometer of Nautical interest, modeled as a ship's wheel, the inscribed dial with markers showing varying millibars of atmospheric pressures, the top with engraved plaque "2nd 110 Districts G.L.Y.C. 1958" probably for Carlingford Lough Yacht Club in England. 5.5? H x 8? W x 4? D
• CHELSEA SHIP BELL BAROMETER ON
  CHELSEA SHIP BELL BAROMETER ON MAHOGANY STAND Chelsea brass barometer on mahogany stand, of Nautical interest modeled as a ship's porthole, the inscribed dial with markers showing temperature and varying millibars of atmospheric pressures. 7.25? H x 9.5? W x 3.75? D
• LECOULTRE ATMOS CLOCK SERIAL #
  LECOULTRE ATMOS CLOCK SERIAL # 216525 From a Harrison NY estate. Dimensions: 9.25" h x 8.5" x 6.25" Condition: Clean and was working in estate prior to removal. However all clocks sold as / is whether working or not.
• LECOULTRE ATMOS CLOCK SERIAL #
  LECOULTRE ATMOS CLOCK SERIAL # 61359. From a 35 Sutton Place NYC estate. Dimensions: 9.25" h x 8.5" x 6.25" Condition: Is working as I write this on 1 / 19 / 2021 however all clocks sold as / is whether working or not.
• LE COULTRE ATMOS CLOCK, NO. 18501
  LE COULTRE ATMOS CLOCK, NO. 18501 8. From a Larchmont, NY estate. Dimensions: 8.25" w x 6.25" d x 9.25" h. Condition: Good, with light surface scratches and minor dings/dents; some rust. All clocks sold as is.
• LECOULTRE ATMOS CLOCK SERIAL #
  LECOULTRE ATMOS CLOCK SERIAL # 66428 Comes with booklet. From a Hartsdale NY estate. Dimensions: 9" x 5.25" x 7" Condition: Was working in estate at removal, however all clocks sold as / is whether working or not.
• LECOULTRE ATMOS CLOCK SERIAL #
  LECOULTRE ATMOS CLOCK SERIAL # 75443 From a Brooklyn NY estate. Dimensions: 9" x 7" x 5.5" Condition: Was working in estate at removal however all clocks sold as / is whether working or not.
• LECOULTRE ATMOS CLOCK SERIAL #
  LECOULTRE ATMOS CLOCK SERIAL # 204704 From a Westchester NY estate. Dimensions: 9" x 7" x 5.5" Condition: Was working in estate prior to removal, not tested since. All clocks sold as / is whether working or not.
• LECOULTRE ATMOS CLOCK SERIAL #
  LECOULTRE ATMOS CLOCK SERIAL # 103917 Nice original clock comes with original case and documents. From a Westchester County, NY collection. Dimensions: clock 9" x 8" x 6.5" Condition: Clock looks clean and good, case and documents with water damage. Clock was not in case whilst watrer damage occured.
• JEAN ROULET BRASS ATMOSPHERIC
  JEAN ROULET BRASS ATMOSPHERIC CLOCKThe dial signed. 8 x 7 in. diam. Condition Minor wear. In good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JAEGER LECOULTRE ATMOS CLOCK SERIAL
  JAEGER LECOULTRE ATMOS CLOCK SERIAL # 363504 From a Mount Vernon NY estate. Dimensions: 6.5" x 8" x 9" Condition: Looks clean and good however all clocks sold as / is whether working or not.