A few examples of appraisal values for
ATOCHA

• MóNICA SOSAYA HALFORD, EL NINO DE
  MóNICA SOSAYA HALFORD, EL NINO DE ATOCHA RETABLO, 2000Mónica Sosaya Halford, (20th Century) El Nino de Atocha Retablo, 2000, wood, gesso, pigment signed lower right: Mónica 2000 inscribed verso: El Nino de Atocha wood, gesso, pigment Dimensions: 11 5/8 x 5 1/2 x 3/4 in. (29.53 x 13.97 x 1.91 cm.) Provenance: The Georgia and Charles Loloma Collection
• Atocha shipwreck coins 16th/17th
  Atocha shipwreck coins 16th/17th century Spanish .999 silver coins special issue limited edition set 42/375 commemorating the 375th Anniversary of the 1622 Spanish Fleet in fitted case. (cased set) Provenance: Columbia South Carolina private collection. Other Notes: Nuestra Senora de Atocha was the most famous of a fleet of Spanish ships that sank in 1622 off the Florida Keys while carrying copper silver gold tobacco gems jewels jewelry and indigo from Spanish ports at Cartagena Colombia Porto Bello in New Granada and Havana bound for Spain. The ship was named for the parish of Atocha in Madrid. An unfortunate series of complications kept the Atocha in Veracruz before she could rendezvous in Havana with the vessels of the Terra Firme (Mainland) Fleet. After still more delays in Havana what was ultimately a 28-ship convoy did not manage to depart for Spain until September 4 1622 six weeks behind schedule. On September 6 the Atocha was driven by a severe hurricane onto the coral reefs near the Dry Tortugas about 35 miles (56 kilometers) west of Key West. With her hull badly damaged the vessel quickly sank drowning everyone on board except for three sailors and two slaves. The Atocha wreck and its motherload of treasure were finally discovered on July 20 1985 by Mel Fisher and his dive crew. The salvaged coins both gold and silver were minted primarily between 1598 and 1621 although numerous earlier dates were represented too some of the dates extending well back into the 16th century. Many of the dates and coin types of the period had been either rare or unknown prior to the salvage of the wreck.
• (2) Atocha Shipwreck
  (2) Atocha Shipwreck CoinsPossible silver each with various designs 1.25''D circa 17th century 42 grams total weight.
• SPANISH COLONIAL STYLE PAINTING
  SPANISH COLONIAL STYLE PAINTING HOLY INFANT ATOCHASpanish Colonial style painting on canvas, Mexico, 20th c., Santo Nino de Atocha (Holy Infant of Atocha), centered in paint decorated frame, sight: approx 17.5"h, 12"w, overall: approx 29.25"h, 17.5"w, 7.5lbs **Provenance: a Santa Fe, New Mexico estate**
• RETABLO, SANTO NINO DE ATOCHA, 19TH
  RETABLO, SANTO NINO DE ATOCHA, 19TH C. Latin American, Holy Infant of Atocha, oil on tin, 9.5"h x 7"w
• SPANISH COLONIAL SCHOOL: RETABLO
  SPANISH COLONIAL SCHOOL: RETABLO "EL NINO DE ATOCHA"oil on metal; unsigned Dimensions: 13 1/2 x 9 3/4 in. (34.3 x 24.8 cm.), Frame: 16 1/2 x 12 3/4 in. (41.9 x 32.4 cm.) Condition:
• Jos Beulas Recasens (Spanish b.
  Jos Beulas Recasens (Spanish b. 1921) ''Vista de Toledo'' [trans: View of Toledo] oil on canvas depicting ruddy sky grey and white medieval battlements and yellow trees framed oil on canvas signed ''Beulas'' LR painted gilt and speckled frame surface loss at frame corners fragment of sales slip reading in part ''Original de Jos Beulas...'' also label from ''The Frame Shop 804 3rd Avenue New York'' on frame not examined out of frame 17 1/2'' h. x 25 1/2'' w.
• FRANCISCO DE GOYA, LA TAUROMAQUIA
  FRANCISCO DE GOYA, LA TAUROMAQUIA ETCHING Francisco Jose de Goya Lucientes (Spanish, 1746-1828), "El Mismo Vuelca un Toro en la Plaza de Madrid", Plate 16, on wove paper, auction label verso, 8"h x 12.125"w (image), 16"h x 20"w (frame)
• JOSE VIVES-ATSARA (1919-2004)
  JOSE VIVES-ATSARA (1919-2004) CATALONIA, 16" X 20"Framed oil on canvas painting, "Calle de Pueblo," Catalonia, Spain, signed lower right Vives-Atsara (Jose Vives-Atsara, Texas, Spanish, 1919-2004), dated 1987 and titled verso, J.R. Mooney Galleries of Fine Art label, sight: 15.5"h, 19.5"w, overall: 26.75"h, 30.75"w, 9.75lbs
• 20TH C. PAINTING OF TOLEDO, SPAIN
  20TH C. PAINTING OF TOLEDO, SPAIN Tourist Grade View of an Old Town Center with figures in 19th c. ethnic costume, signed lower left "E. Alvarez, Toledo", inscribed verso as having been purchased in Madrid in 1948, housed in a black lacquered ripple frame, OS: 17 1/2" x 13 3/4", SS: 11" x 7 1/4. Good condition.
• SANTOS Fermin (Spanish
  SANTOS Fermin (Spanish 1909-1997): 2 piece oil/canvas lot; 1) ''Calle del Codo Madrid'' OIL/Canvas 16'' x 13'' signed titled verso framed 21 1/2'' x 18 1/2''. 2) ''Arco de Cuchilleros Madrid'' OIL/Canvas 16'' x 13'' signed titled verso framed 21 1/2'' x 18 1/2''.CONDITION: 1) Several flecks of paint loss. 2) Please note small tear in lower left corner
• MANUEL TOSAR GRANADOS: "PUEBLO
  MANUEL TOSAR GRANADOS: "PUEBLO ANDALUZ"oil on canvas signed lower left 20 x 24 inches sight Condition:
• OIL ON TIN RETABLO, HOLY CHILD
  OIL ON TIN RETABLO, HOLY CHILD ATOCHA, MEXICOFramed oil on tin retablo, Mexico, Santo Nino de Atocha (The Holy Child of Atocha), depicted seated, holding a basket and a pilgrim's staff with water gourd, sight: 9.5"h, 6.5"w, overall: 11.5"h, 8.5"w, 0.75lbs
• E. COBOS "ALCáZAR DE SEGOVIA" OIL
  E. COBOS "ALCáZAR DE SEGOVIA" OIL ON CANVASE. Cobos (Spanish, 1928-?) framed oil on canvas painting depicting a fortified castle in Segovia, Spain. Frame is open face and measures approximately 24-1/2" in height by 21" in width with the sight image measuring approximately 21" in height by 17-3/4" in width. E. Cobos (1928-?) was born in Seville, Spain and attended the Academy of Art in Barcelona. The Alcázar of Segovia (literally, "Segovia Fortress") is a castle, located in the old city of Segovia, Spain. Rising out on a rocky crag above the confluence of two rivers near the Guadarrama mountains, it is one of the most distinctive castle-palaces in Spain by virtue of its shape – like the bow of a ship. The Alcázar was originally built as a fortress but has served as a royal palace, a state prison, a Royal Artillery College and a military academy since then. It is currently used as a museum and a military archives building.
• FRANCISCO DE GOYA, LA TAUROMAQUIA
  FRANCISCO DE GOYA, LA TAUROMAQUIA ETCHING Francisco Jose de Goya Lucientes (Spanish, 1746-1828), Plate 12, "Desparrete de la canalla con lanzas, medias-lunas, sickles, banderillas y otras armas", on laid paper, hinged at top into mat, 8.25"h x 12.25"w (image), 12.75"h x 17.5"w (sheet), 24"h x 20"w (mat)
• OIL ON TIN RETABLO, HOLY INFANT
  OIL ON TIN RETABLO, HOLY INFANT ATOCHA, MEXICOUnframed oil on tin retablo, Mexico, Santo Nino de Atocha (Holy Infant of Atocha), depicting seated figure wearing feathered hat, holding basket and shepherd's crook hung with a water gourd, flanked by two flower vases, blue sky and cloud background, approx 13.75"h, 9.75"w, 1.25lbs
• PAINTING, MIGUEL BARBERO Miguel
  PAINTING, MIGUEL BARBERO Miguel Barbero (Spanish, b. 1953), "Toledo," 1987, oil on canvas, signed lower right, signed, titled, and dated verso, canvas: 20"h x 24"w, overall (with frame): 23.75"h x 28"w
• MEXICAN RETABLO OF SANTO NINO DE
  MEXICAN RETABLO OF SANTO NINO DE ATOCHAMexican retablo of Santo Nino de Atocha (Holy Child of Atocha). Oil on Tin. Seated child with staff and basket. Holes to borders, 4 scuffs to upper center. 13 1/2" x 9 1/2" ( with frame:17 1/4" x 13").
• CARVED SANTO ALTAR FIGURE SANTO
  CARVED SANTO ALTAR FIGURE SANTO NINO DE ATOCHASanto/ altar figure, Santo Nino de Atocha (The Holy Child of Atocha), late 19th/ early 20th c., gesso over wood with polychrome paint, carved stone face, hands, and toes, depicted seated in a chair, holding a basket in one hand, lacking staff in right hand, approx 9.25"h, 4.5"w, 3.5"d, 0.5lbs **Provenance: a private Alabama collection**
• Francisco de Goya EL ESFORZADO
  Francisco de Goya EL ESFORZADO RENDON PICANDO UN TORO, DE CUYA SUERTE MURIO EN LA PLAZA DE MADRID Etching and aquatint Estimate:$200-$300
• POTOSI 8 REALE FROM NUESTRA
  POTOSI 8 REALE FROM NUESTRA SENORA DE ATOCHA The Spanish ship Nuestra Senora De Atocha sank off the Florida Keys in 1622 when struck by a hurricane. It remained at the bottom of the ocean until July 1985 when the wreck was discovered by Mel Fisher and Treasure Salvors, Inc. This was one of the greatest and most valuable shipwrecks ever found. This coin comes with a plaque certifying it as part of the Nuestra Senora De Atocha and was signed by Mel Fisher. It is a Silver 8 Reale from the reign of Phillip III (1598-1621). This is a grade 3 coin from the largest silver mine ever discovered, Potosi in Peru, which operated for 300+ years
• Two Spanish Colonial retablos :
  Two Spanish Colonial retablos : El Ste Nino de Atocha , 14-1/8 x 9-5/8 in., and The Holy Trinity, 13-5/8 x 10 in., both oil on tin, unframed. Pitting, dents, corrosion, abrasions, grime. Collection of Gennaro Viola, Asheville, North Carolina.
• After Pablo Picasso (1881-1973
  After Pablo Picasso (1881-1973 Spanish) Manolo Huguet - Musee D'Art Moderne - Ceret
• OIL ON TIN RETABLO, SANTO NINO DE
  OIL ON TIN RETABLO, SANTO NINO DE ATOCHA, MEXICOUnframed oil on tin retablo, Santo Nino de Atocha (The Holy Infant of Atocha), Mexico, depicted seated, holding a basket of flowers and pilgrim's staff, overall: approx 13.5"h, 9.5"w, 0.5lbs
• Francisco de Goya y Lucientes
  Francisco de Goya y Lucientes (Spanish 1746-1828) "Alla va eso". Etching and aquatint on wove paper pl. 66 from "Caprichios" paper size 12-1/2" x 8-3/8" matted and framed in a welded aluminum frame under glass with name plate. Overall 18" x 14". Information affixed to verso business card of Douglas Kenyon Inc. Posthumous edition.
• SANTIAGO DIAZ O/C ARCHED ALLEY
  SANTIAGO DIAZ O/C ARCHED ALLEY CITYSCAPE PAINTING Spain,20th CenturyModernist work depicting two large buildings with balconies and a street lamp as viewed through an archway.
• PAINTING, SPANISH SCHOOL (20TH
  PAINTING, SPANISH SCHOOL (20TH CENTURY) Spanish School (20th century), "La Calle," 1969, oil on canvas, titled, dated, and inscribed verso, overall (with frame): 39"h x 47"w. Inscribed verso: "Gijon (Cimadevilla) Marzo 1969 - Mongar c./ Alonso Cano 676c Madrid-3."
• FRANCISCO GOYA ETCHINGFrancisco
  FRANCISCO GOYA ETCHINGFrancisco Goya (Spanish 1746-1828) , etching, titled Temeridad De Martincho en la Plaza de Zaragosa , on fortune figure paper, plate - 9 5/8" x 14". Condition: Good condition. Not laid down.
• Eugenio Oliva y Rodrigo (Spanish c.
  Eugenio Oliva y Rodrigo (Spanish c. 1852-1925) "A Courtyard Entertainment Madrid" 1885 oil on wood panel signed and dated lower right 7 1/2 in. x 12 5/8 in. framed. Provenance: Collection of a Texas Gentleman.
• CUZCO SCHOOL, SPANISH COLONIAL OF
  CUZCO SCHOOL, SPANISH COLONIAL OF SAINT ANTHONY OF PADUA Oil on panel.
• SPANISH SCHOOL: CELEBRATION IN
  SPANISH SCHOOL: CELEBRATION IN THE PARK Oil on canvas 21 1/2 x 40 in. bearing signature Goya lower right. Provenance: Estate of Louis S. Auchincloss
• SPANISH SCHOOL (20TH CENTURY),
  SPANISH SCHOOL (20TH CENTURY), FLAMENCO DANCER Oil on canvas mounted to artist board, possibly monogrammed "CT" at lower left, house in a carved giltwood frame
• Francisco de Goya (Spanish
  Francisco de Goya (Spanish 1746-1828) Linda maestra! plate 68 (from Los Caprichos) etching 8 x 5 3/4 inches.
• Francisco de Goya y Lucientes
  Francisco de Goya y Lucientes (Spanish 1746-1828) "Los Ensacados". Pl.8 from "Los Proverbios" Etching and aquatint on paper matted and framed under glass with brass nameplate overall 18" x 22". Posthumous edition.
• Francisco Goya y Lucientes
  Francisco Goya y Lucientes (Spanish, 1746-1828) "Aguarda que te unten", number 67 from "Los Caprichos", etching and aquatint, titled lower margin, 9-1/2" x 7", verso with Certificate of Authenticity from Park West Galleries. Glazed, matted and handsomely framed.
• R. DE PEREA (SPANISH, 20TH CENTURY)
  R. DE PEREA (SPANISH, 20TH CENTURY) 29 ½" x 21 ¾" x "Plaza del Pan, Sevilla". Oil on masonite, signed and titled lower left corner, in wood frame, overall 35 ¼" x 27 ¼".