A few examples of appraisal values for
AYNSLEY PEMBROKE

• AYNSLEY "PEMBROKE" BONE CHINA
  AYNSLEY "PEMBROKE" BONE CHINA SETDESCRIPTION: Aynsley bone china set. Hand Painted with floral and bird illustrations. Finished will rolling edges and gold trimmed rim. Marked:"Aynsley Est. 1775 Made in England, Fine English Bone China, Pembroke, Reproduction of an eighteenth century Aynsley Design. Composed of: 1. Large Creamer :H:3.5" L:5" 2. Small Creamer: H: 3" L: 4" 3. Salt Cellar H:2" D:3" 4. Sugar Holder H:4" L:7" CIRCA: 20th ORIGIN:England DIMENSIONS: See above CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Pair of Aynsley China
  Pair of Aynsley China ''Pembroke''Plates 10 5/8'' excellent.
• Collection Of Pottery to include
  Collection Of Pottery to include Aynsley Pembroke Shell Shaped Trays And 2 Vases 2 Trays And 3 Lidded pots all decorated in the Cottage Garden Design Little Sweetheart Vase And Aynsley Posy Candle Stand Various Royal Worcester Palissy petite Vases Etc Masons Mandalay Bell And 2 Royal Doulton Posys (25)
• British School Late 18th Century
  British School Late 18th Century Portrait of a Young Man, said to be Wilson Aylesburg of Packwood Estimate:$1,500-$2,000
• English school 18th/19th century
  English school 18th/19th century miniature portrait of annabella pye Unsigned, case engraved "Annabella Pye wife of William Southwell (uncle to Lord de Clifford) and mother of Harriett Bisshopp) oil on ivory, locket frame. I 5/8 x 1 3/8 in. PROVENANCE: The collection of James and Candace McIlhenny, Alexandria, Virginia
• After Sir Peter Lely, 18th/19th
  After Sir Peter Lely, 18th/19th Century Lady Mary Pembroke oil on canvas 46 3/4 x 38 1/2 inches. Property from the Estate of John D. Fornengo, Chicago, Illinois
• Aynsley Orchard Gold and Shelley
  Aynsley Orchard Gold and Shelley oddments (approx pieces 33)
• Percy Enderbie - ''Cambria
  Percy Enderbie - ''Cambria Triumphans'' originally printed for Andrew Crooke London 1661 and reprinted by Samuel Bagster London 1810 (one full gilt tooled green leather bound folio sized volume)
• Pair of male and female portraits
  Pair of male and female portraits in Continental Empire attire, gouache and ink on paper, 3" x 2 1/4"; verso of frame labeled 'Asbury Family, Ambassadors-Nova Scotia'.
• Aynsley The Tawny Owl and Country
  Aynsley The Tawny Owl and Country Artists Robin on a Tree (2)
• AYNSLEY PORCELAIN LE "THE WEDDING
  AYNSLEY PORCELAIN LE "THE WEDDING CHALICE"Aynsley - Magnificent and Impressive - Large Twin Handle Lidded Bowl of Ltd and Numbered Edition Issue. To Commemorate the Marriage of the Prince of Wales and Lady Diana Spencer, At St. Pauls Cathedral 29th April 1981. The Bowl Features a Hand Painted Panoramic View of Caernarvon Castle to Front Panel, by R.Band. This Bowl Is No 130 of 150 Produced. Measures approx. 14" height x 12 1/2" width (35.6cm x 32cm) overall including base. Condition: All lots are sold as is and where is. Elite Auctioneers, LLC provides condition reports upon request to aide in your bidding decision. No statement regarding age, condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalog or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. All sales are final, Elite Auctioneers, LLC does not give refunds based on condition. Elite Auctioneers, LLC does not perform any shipping or packing services. We do have a list of suggested shippers who gladly provide quotes prior to your bidding. Please visit our webpage for a list of recommended shippers.
• 19TH CENTURY PORTRAIT MINIATURE
  19TH CENTURY PORTRAIT MINIATURE OF A LADY(British of American, 19th century) Young woman wearing a lace veil, and holding a letter, possible signature from former backing "E Ansley.1835", watercolor on paper, sight 9 x 6-5/8 in.; oval gilt wood and composition frame, 11 x 8-3/4 in. Condition: paper with some light toning, not examined out of frame; frame with resurfacing
• A photographic reproduction of a
  A photographic reproduction of a pencil sketch by E. Burne Jones a handwritten dedication on the back of the mount '' Madeleine Wyndham age 16 by E. Burne Jones from Gangan Pamela a' Deane May 14 1915 '' 20 x 29 cm back stamp of Frederick Hollyer.
• Alyssa Putnam (21st century,
  Alyssa Putnam (21st century, Washington) 'I was lonely and unstable in Los Angeles' Painting, 2017. Oil on paper. Professionally framed with measurements of 11.5x11.5''
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) PORTRAIT OF ANNIE L. STEELE (Art department custodian at GSCW now Georgia College Milledgeville GA) circa 1950 pastel framed monogrammed: lower right sight size: H23'' W16'' Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• Constance Lepley Poulterer
  Constance Lepley Poulterer (American, 1920-2000) PA artist, "Elfreth's Alley", oil on canvas, signed "Constance Lepley Poulterer", 20" x 30", framed 26-1/4" x 36-1/4", very good condition
• A collection of Pendelfin figures
  A collection of Pendelfin figures comprising Tennyson Tammy Casanova Wordsworth Jim Lad Scrumpy Rambler Charlotte Picnic Midge Oliver Robert Snuggles Awake Barrow Boy Angelo Blossom Rosa Pooch Wakey Birdie Duffy Newboy Crocker Wakey and Boswell (25)
• British School (18th Century)
  British School (18th Century) "Wilton in Wilshire, The Seat of the Honourable The Earl of Pembroke and Montgomery Knight of the Most Noble Order of the Garter", hand-colored engraving, by Colen Campbell, sight 17-1/4" x 41-1/4". Glazed, matted and handsomely framed.
• A collection of pottery to
  A collection of pottery to include Wedgwood Cabbagewear Bowl and two handled dish. Aynsley Picture Frame Wedgwood Russell Hobbs porcelain kettle and four Royal Crown Derby Posies miniature Dishes (9)
• Aynsley Gilded Fruit Plates Pair of
  Aynsley Gilded Fruit Plates Pair of Vases and a Trinket Box (7)
• A collection of pottery to
  A collection of pottery to include Wedgwood Cabbageware Bowl and Two Handled Dish. Aynsley Picture Frame Wedgwood Russell Hobbs porcelain kettle and Four Crown Derby Posies Miniature Dishes (9)
• ELSIE PALMER PAYNE (1884-1971):
  ELSIE PALMER PAYNE (1884-1971): BRITTANY FISHERMANcirca 1923; oil on board; signed lower right and with estate certification signed by Evelyn Payne Hatcher verso; Provenance: Property from the estate of Dewitt C. McCall III; 16 x 12 inches; 23 1/2 x 19 1/2 inches frame Condition:
• Michael Lyne (1912-1989 United
  Michael Lyne (1912-1989 United States/United Kingdom) Meet of the Pytchley at Ashby Manor Home of Lord Wimborne
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) SPRING PLOW (George Hollinshead Farm Milledgeville GA) watercolor matted unframed unsigned sight size: H15'' W22'' Provenance: Milledgeville Georgia private collection. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) SON OF NEWCOMB PORTER oil on panel framed monogrammed: lower left H15 1/2'' W11 1/2'' Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: Verso bearing title and inscription: Painted from life at Newcomb College in 1923. May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. Good original condition.
• ELBRIDGE AYER BURBANK GOUACHE ON
  ELBRIDGE AYER BURBANK GOUACHE ON BOARDELBRIDGE AYER BURBANK (United States, 1858-1949) gouache on board, peach still-life. Signed lower right and dated 1936, label attached verso which reads: "A peach. For a peach of a little girl Diane - My little sweet sweetest little sweet heart. Diane. E.A. Burbank." Image measures 6" x 7". In a wood frame; 9.5" x 10.5" overall.
• 19th Century English School - Two
  19th Century English School - Two oval shoulder-length miniature portraits - Mrs Charles Webb (nee Ann Aston) of Park Hill House Clapham (painted about 1830) - Portrait of a middle aged woman wearing glasses oval on ivory 4.25ins x 3.25ins and the other - Portrait of a young woman wearing a low cut lace trimmed dress oval on ivory 4.5ins x 3.25ins (painted about 1838 - rest of label to reverse missing) both contained in Florentine fretted giltwood oval frames with bold leaf scroll ornament
• A collection of Pottery and
  A collection of Pottery and Glassware to include Paragon Sandringham Cups and Saucers Colclough Items Aynsley Plates Commemorative Spoons etc
• English School, early 17th
  English School, early 17th Century/Portrait of Anne Shirley, Widow of John Brooke/three-quarter length, wearing a black dress and holding a book in one hand, the other resting on a chair/inscribed 'ANO DNI 1603 AETATs 47' and with a coat-of-arms upper left/oil on panel, 111cm x 88cm/Note: Anne Shirley (1554-1608) was the daughter of Francis Shirley of Staunton Harold, Leicestershire (1515-1571) and Dorothy Gifford and wife of John Brooke (died 1598) of Madeley Court, Shropshire. John's father, S
• WILLIAM PIERCE STUBBS (ME/MA,
  WILLIAM PIERCE STUBBS (ME/MA, 1842-1909) Three-Mast Schooner "Annie C. Grace" passing the Boston Harbor's Castle William, oil on canvas, signed lower left and dated '61, in vintage red walnut frame with gilt liner, OS: 29" x 43", SS: 21 1/2" x 35 1/2". Cleaned and relined.
• Aynsley Rich Gold Accented Boxed
  Aynsley Rich Gold Accented Boxed Collector Plates 10'' (2)
• TWO SPORTING PRINTS - OGDEN
  TWO SPORTING PRINTS - OGDEN PLEISSNER AND AIDEN LASSELL RIPLEY Each a print in colors, to include Ogden Pleissner's Blue Boat on the St. Anne and Aiden Lassell Ripley's A Turkey Drive, each pencil signed, the first framed, the second unframed.
• I & P KNAPTON (PUBLISHER
  I & P KNAPTON (PUBLISHER 1740-1742): "EDWARD SACKVILLE... " "ANTHONY ASHLEY COOPER...'" "GEORGE SAVILLE... " AND "JOHN DUKE OF LAUDERDALE" Four engraved portraits by J. Houbraken after Lely and Van Dyck matted unframed; 14 1/2 x 9 in.
• Aynsley Orchard Gold Dinner Set
  Aynsley Orchard Gold Dinner Set (20)
• Four silhouettes: "Anna Maria
  Four silhouettes: "Anna Maria Pemberton Holmes-York 1846", "Edward Anderson Holmes", "Mrs. Maryanne Pemberton Holmes", unsigned, cut inked paper with watercolor highlights applied to cream paper, 4-1/4 x 3 in.; "…Mary Ann Holmes…4 Nov 1811…by The Machine", ink with hand applied ink highlights, 3-5/8 x 2-5/8 in. (sight), all inscribed verso, unsigned, American or British, 19th century; original gilt wood frames. All with light grime, light foxing and toning; frames with abrasions. By tradition, these silhouettes have a history in the Lewis family of Spotsylvania County, Virginia
• English School circa 1820 Miss
  English School circa 1820 Miss Annabella Campbell profile to the left wearing a white lace bonnet tied with a blue ribbon and a fur coat silhouette painted on card oval 7cm x 6cm (2.75" x 2.25") in a gilt mounted papier-m?ch? frame Label on reverse: Miss Annabella Campbell sister of the last Laird of Ashfield Aunt of Robert Campbell of Duntroon N.S.W.