A few examples of appraisal values for
AZALEA

• ATHOS MENABONI AZALEA PRINT,
  ATHOS MENABONI AZALEA PRINT, NUMBERED 166/500 Athos Menaboni (American/Georgia, 1895-1990). "Azaleas", print on paper. Signed in plate and pencil numbered 166 of 500. Unframed. Approx. 15.5" x 12"
• PAUL BLACK (US, 20TH C.) Asticou
  PAUL BLACK (US, 20TH C.) Asticou Azalea Gardens, Northeast Harbor (ME), oil on canvas, signed and dated '86 lower right, in a gilded wooden frame with linen liner, OS: 23" x 32", SS: 18 1/2" x 27 1/2". Good condition.
• 5PC C.1920 DEDHAM POTTERY AZALEA
  5PC C.1920 DEDHAM POTTERY AZALEA PLATES Massachusetts,Early 20th CenturyGroup includes four 8 1/2" plates and one 10" plate.
• AZALEA GREEN BADGLEY (AMERICAN
  AZALEA GREEN BADGLEY (AMERICAN 1880-1971), ROAD THROUGH THE FOREST, PASTEL ON PAPER, FRAMED: 24 X 27 INAzalea Green Badgley (American 1880-1971), Road Through the Forest, Pastel on Paper, Framed: 24 x 27 in
• Horto Van Houtteano (Belgian,
  Horto Van Houtteano (Belgian, 19th Century) "Azaleas", suite of six hand-colored lithographs, 1856, sight 12" x 9". Glazed, matted and presented in giltwood frames.
• A Group of Eight Antique
  A Group of Eight Antique Botanical Prints of Azaleas after Horto Van Hou Heano (Belgian 19th c.) 1856 lithographs each 9 5/8 in. x 6 1/2 in. attractively matted and framed.
• FAUX FLORAL ARRANGEMENT IN YELLOW &
  FAUX FLORAL ARRANGEMENT IN YELLOW & WHITE Silk and other materials, including calla lilies, roses, gladiolas, and other varieties, with glitter edged eucalyptus, in a Satsuma style jardiniere, approximately 47 in. H x 40 in. W.
• AMALIA ELENA VERALLI (20TH C.)
  AMALIA ELENA VERALLI (20TH C.) GICLEE CALLA LILIESFramed giclee print on paper, "Orange Calla Lilies," signed lower right Amalia Elena Veralli (American, 20th c.), numbered 79/ 250, artist label verso dated 2006, sight: approx 31.25"h, 20.25"w, overall: 38.5"h, 27.5"w, 7.75lbs
• FAUX FLORAL ARRANGEMENT IN
  FAUX FLORAL ARRANGEMENT IN YELLOWS Silk and other materials, including roses, lilies and other trailing flowers and foliage, in a Satsuma style ceramic jardiniere, approximately 43 in. H. x 35 in. W.
• ROSEVILLE, BLUE ZEPHYR LILY
  ROSEVILLE, BLUE ZEPHYR LILY JARDINIERE AND PEDESTAL 671-8, incised swirling ground in blue glaze with relief decorated flowers in light pink and green glazes, double handled form jardiniere on conforming pedestal, marked.
• ZELDA SAYRE
  ZELDA SAYRE FITZGERALD(American/Alabama, 1900-1948) Camellias, unsigned, gouache on paper, 13-3/4 x 10-3/4 in; modern frame, 20 x 16-3/4 in. An Introduction by the consignor: Zelda’s paintings “Bourgoise” and The Camellias, hung in my grandparent’s home, then my parent’s and now hang in mine. Thanks to the stories my grandmother told and retold to me, Zelda was as large a figure in my imagination as she was in real life. My grandmother, Birdie Frank Gassenheimer, was a friend of Zelda’s in Montgomery, Alabama in the early 1900’s. Born in Montgomery just a few years earlier, they both attended Sidney Lanier High School. The last child of 11, Birdie wasn’t even given a name until 6 years old; she was called “Baby” until one day hanging from a window she pointed and called “Birdie” and so named herself. Like Zelda and another contemporary, Tallulah Bankhead, born two years after Zelda, all three were extroverted and independent. Spoiled in childhood and doted on in adolescence they lived a carefree life lacking for little. Birdie’s stories were about outings, dating, and parties. The one I loved the most was about Zelda, Birdie and friends late night skinny dipping in the Dexter Avenue fountain in downtown Montgomery. They were free, uninhibited and determined to enjoy their youth. Having visited the fountain myself countless times, I could never get enough of this story, picturing their hats, dresses and under things hanging on the wrought iron fencing around the fountain. Imagining them shrieking and splashing under the stars was captivating. They went with boys on hunting and fishing trips- not to hunt and fish but to drink, smoke, and gossip. Nights were filled with fancy dress dinners and dancing and of course their dance cards were always full. They definitely exemplified “living in the moment.” But as you know from the fame of Zelda and Tallulah, there was also a dark side with episodes of manic depression, substance abuse and attention seeking behavior. Birdie did not escape this. A semi-pro golfer with a bright future she gave it up when she married. It seems as if even women as self sufficient as these were often cowed and overshadowed by the men in their lives, in constant rebellion to what was expected of women at the time. Very close to Birdie and like lots of kids, I spent more time at her house than my own. She was always so much fun. I loved watching her entertain grown-ups with fancy cocktails and lavish multi-course meals. She was the life of the party. Kids were expected to”be seen and not heard” so we sat on the floor playing with cards and poker chips, underneath where “The Zelda’s” were prominently hung. Listening to the conversations we’d wonder what was always so riotously funny. Often we would take our Shirley Temples outside on the terrace of their Bankhead Avenue home and play at being grown up, a little drunk on the happy time, food,and heady aromas of camellias and magnolias surrounding the home in abundance. I would often spend Friday night with Birdie after the parties and we’d lie awake talking until falling asleep when she’d tell me the stories again. They seemed like the very best memories for her too. Saturday afternoons would find us listening to opera in the living room, she on the sofa and me on the floor beneath “The Zeldas” given to Birdie from Zelda with love. Provenance: By descent in the Gassenheimer family; Property from a Private Collector Condition: paper toned, possible moisture stain upper left; frame with light wear
• Five Eleanore R. Price sketches:
  Five Eleanore R. Price sketches: botanicals of azaleas, honeysuckle, violets and jonquils, unsigned, dated 1889-1891, attributed to Eleanore Richards Price (daughter of William Trost Richards, Rhode Island, late 19th/early 20th century), labels verso with discussion of sketchbook and artist, four pencil, one watercolor, smallest 4-1/8 x 3-1/2 in. (sight), largest 7-1/2 x 6 in. (sight); differing gilt wood and composition painted or carved frames. Toning at edges, minor foxing on two, some handling grime, not examined out of frames; frames with abrasions.
• Mary Iniss Holbson Watercolor
  Mary Iniss Holbson Watercolor ''Azaleas &Milkwort'' image area 9'' x 7-3/4'' listed artist Schwarz gallery label
• Ralph Avery (American/Georgia,
  Ralph Avery (American/Georgia, 1906-1976) "Figures Strolling by the Azaleas", watercolor, 7-1/4" x 6-3/4", signed lower left. Glazed and handsomely framed.
• A ROYAL COPENHAGEN FLORA DANICA
  A ROYAL COPENHAGEN FLORA DANICA MUSTARD POT 3589The small covered jar with handle and applied porcelain blossoms is signed on both lid and jar base, along with the species title of Azalea procumbens L.Measures 3.25 x 3.25 x 2.25 inches.Very good condition. There are no chips, cracks, repairs, scratches, utensil marks, areas of gold wear or signs of use to any degree.
• Clarice Cliff:- a crocus pattern
  Clarice Cliff:- a crocus pattern toastrack crocus beaker crocus orange marmalade pot and a Fantasque bowl.
• An Alaia Fuchsia Pink Silk Crepe
  An Alaia Fuchsia Pink Silk Crepe Evening Gown bias cut with a train. Labeled: Alaia. Size XS.
• PR ENGLISH AESTHETIC MAJOLICA DAISY
  PR ENGLISH AESTHETIC MAJOLICA DAISY VASES England,Early 20th CenturyPinch neck vases with applied white daisies and butterflies over a striking cobalt blue ground.
• Lot misc. including velvet rosebuds
  Lot misc. including velvet rosebuds composition blueberries cotton pears and apple.
• GUILLAUME AZOULAY. "RUN FOR THE
  GUILLAUME AZOULAY. "RUN FOR THE ROSES," THREE ETCHINGS Three etchings, each pencil signed, sheet sizes: 22 1/4 x 30 in., unframed.
• STEUBEN ACID-ETCHED AMETHYST OVER
  STEUBEN ACID-ETCHED AMETHYST OVER ALABASTER AZALEA VASE...DESCRIPTION: A Steuben acid etched amethyst over alabaster glass footed vase with birds decorations among branches. Shape #6034. Etching Pattern: Azalea. CIRCA: Early 1900s. ORIGIN: USA. DIMENSIONS: H: 12" and 6" in diameter. Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• THREE BOTANICAL TAZZAETHREE
  THREE BOTANICAL TAZZAETHREE BOTANICAL TAZZAE, each painted to the center with a flowering rose spray and enclosed within a bright green gilt-edged border; together with a pair of Bloor Derby navette-form dishes, both with red stamped label under base, and painted with a bright green border edged with gilt highlights, raised gilt-highlighted gadrooned borders, w: 11 in. (5) w:9in.
• A BOTANICAL WATERCOLOR, LATE
  A BOTANICAL WATERCOLOR, LATE 19TH-EARLY 20TH CENTURYA BOTANICAL WATERCOLOR, LATE 19TH-EARLY 20TH CENTURY Lycoris Aurea , watercolor on paper 28 x 22 cm (11 x 8 5/8 in.) framed dimensions: 50 x 43 cm (19 3/4 x 16 3/4 in.)
• Clementine Hunter (LA 1886-1988)
  Clementine Hunter (LA 1886-1988) Zinniasoil on board monogrammed at lower right still life with five brightly colored zinnias in a blue pot against a black ground presented in a painted frame.SS 15 7/8 x 13 in.; DOA 18 x 15 in.Estate of Edward J. Husemann Shreveport LA and Cody WYAcquired directly from the artist in the 1960s.
• CHARLES KAZIUN, FLORAL
  CHARLES KAZIUN, FLORAL PAPERWEIGHT Blue lamp worked flower on a mottled cranberry and white ground, K cane signature to center of flower.
• (7) Alice Aznavourian, 20th-21st
  (7) Alice Aznavourian, 20th-21st C American PA artist floral watercolors, still lifes and florals, watercolor on paper, each signed, largest framed size, 24" x 29", good condition
• Elyse Ashe Lord (1900-1971)
  Elyse Ashe Lord (1900-1971) CHRYSANTHEMUMS PARAKEETS VANITY Etchings with stencil and hand-coloring (3) Estimate:$700-$900
• ALEAH KOURY. FLORAL STILL LIFE,
  ALEAH KOURY. FLORAL STILL LIFE, PASTEL Aleah Koury (Contemporary) A Vase of Flowers, signed lr, labeled verso; pastel on paper, 50 x 43 in. frame size.
• A Ziegler design carpet, late
  A Ziegler design carpet, late 20th Century, the peach field with an all over design of flowerheads and leaves, framed by a soft lemon yellow border, 372cm x 298cm
• "AZIZA" CLAUDIA GIBSON-HUNTER.
  "AZIZA" CLAUDIA GIBSON-HUNTER. "BLUE ARCHES," MIXED MEDIA (American, 20th century). Mixed media, acrylic, colored pencil, collage, on 100% cotton paper, 2015, sheet size: 24 1/2 x 21 1/2 in., framed.
• Peachblow lily vase, gilded rim
  Peachblow lily vase, gilded rim above flowers and vines, base with gilt decoration, 10-1/4 in. Minor losses to gilt decoration.
• Clementine Hunter
  Clementine Hunter (American/Louisiana 1886-1988) "Pot of Blue Zinnias and a Girl in Red (with newspaper photograph of Clementine Hunter)" oil and collage on canvas board monogrammed lower right inscribed and handwritten note en verso 12 in. x 16 in. in a giltwood frame.
• Four Majolica pottery Begonia
  Four Majolica pottery Begonia leaves. Includes one medium sized in aqua and brown one medium in pink green and brown and one small sized in colors of turquoise brown and green and one large in colors of pink green and yellow. Condition: small aqua colored has a large hairline crack smallest has a hairline crack to the edge. All have minor small chips see images. Small measures 6.5'' long mediums are 7.5'' and large measures 9''. Shipping weight 2.2 lbs.
• A Blue & White "Aster" Dish A
  A Blue & White "Aster" Dish A porcelain blue and white aster dish of ribbed form with a barbed rim raised on a ring foot decorated in the cavetto with repeated panels enclosing a single blossoming aster flower painted in underglaze blue. In the well of the dish are four aster flowers on a ground of scrolling swirls. On the foot is a double line border and decorated on the exterior with two swirled clouds. Apprx. 1-5/8"T x 8-1/2"D. Ex-collection Countess Adelaide J. d' Eudeville Washington DC.
• PHILIP AZIZ (CANADIAN,
  PHILIP AZIZ (CANADIAN, 1923-2009), PEONIES Egg tempera on gesso panel, signed, 1970, inscribed to verso, framed.
• ZELLIQUE STUDIOS FLORAL ART GLASS
  ZELLIQUE STUDIOS FLORAL ART GLASS VASEDESCRIPTION: Zellique Studio hand blown Floral Tree Art Glass Vase in iridescent purple and blue and white fused glass flowers. Signed " CHRM 22 Zellique Studio 2003. CIRCA: 2003. ORIGIN: USA. DIMENSIONS: H: 8" W" 6" Neck Opening: 4 5/8" Base: 4" CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.