A few examples of appraisal values for
BARTELS

• AFTER HANS VON BARTELS
  AFTER HANS VON BARTELS (1856-1913) OIL ON CANVASDESCRIPTION: After Hans Von Bartels (1856-1913) Oil on canvas painting featuring an impressionist scene depicting a woman and child sitting in a sand dune landscape. Signed lower left: "Hans Bartels" and mounted in a brown carved wood frame. CIRCA: 19th Cent. ORIGIN: Continental DIMENSIONS: (Framed) H: 31.5" x L: 38.5" (Image) H: 21.5" x L: 28.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• BASILIUS BESLER, HORTUS
  BASILIUS BESLER, HORTUS EYSTETTENSIS (4)Basilius Besler (German, 1561-1629)Four Besler Botanicals from the Hortus Eystettensis, circa 1613 (4)hand colored engravings on laid paper Later hand colored engravings from the first edition publish
• Basilius Besler (German, 1561-1629)
  Basilius Besler (German, 1561-1629) two hand-colored engravings: Testiculus Vulpinus, central printing crease, small tears top margin center; Epipactis Latifolia…, from Hortus Eystettensis, 1613-1640, first edition with later coloring, Latin texts verso, each 21-7/8 x 17 in., matching modern gilt wood frames with French mats,
• BART, Barrie, (American/French,
  BART, Barrie, (American/French, 20th Century): Early Evening, Oil/Canvasboard, 12'' x 16'', signed lower left, titled verso, framed, 14'' x 18''.
• Bart Walter (American, b. 1958)
  Bart Walter (American, b. 1958) Polar Bear, edition 4/10 bronze signed B. Walter and numbered (hind left leg) height 6 1/2 x width 16 1/2 x depth 7 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Francesco Bartolozzi after
  Francesco Bartolozzi after William Hamilton/The Months of the Year/eleven colour engravings
• Basilius Besler (German, 1561-1629)
  Basilius Besler (German, 1561-1629) "Paliurus", plate 353, from Hortus Eystettensis, copper engraving with hand coloring, first edition, 1613, Nuremberg, sight 19-1/4" x 15-1/2". Glazed, matted and handsomely framed.
• Studer, Peterson, Bartram reprints:
  Studer, Peterson, Bartram reprints: detailed listing available.
• A Bartsch after Paulus
  A Bartsch after Paulus Potter/Recumbent Cow/black and white etching, 10cm x 14.5cm
• Corneille (Guillaume Cornelis Van
  Corneille (Guillaume Cornelis Van Beverloo, Dutch, born 1922), Le Tapis Noir, 1980; L
• VAN LAAR Bartol Wilhelm (Dutch
  VAN LAAR Bartol Wilhelm (Dutch 1818-1901): European City Scene on the Canal with Figures Oil/Canvas 15 3/4'' x 11 3/4'' signed lower left carved and gilded frame 21'' x 17 1/2''.
• BARTLETT Charles William (British
  BARTLETT Charles William (British 1860-1940): ''The Golden Temple Amritsar'' Colored Woodblock sight size 10 1/4'' x 15 1/4'' pencil signed lower left also monogrammed in the plate carved frame 15 1/2'' x 20 1/2''.CONDITION: Hinge mounted approximately 1/4 to 1/2'' margins small tears in upper corners with paper still affixed some toning and browning.
• HEINRICH CAMPENDONK, DUTCH/GERMAN
  HEINRICH CAMPENDONK, DUTCH/GERMAN (1889-1957), DIE BETTLER (AFTER BRUEGHEL), 1922, WOODCUTHeinrich Campendonk, Dutch/German, (1889-1957) Die Bettler (after Brueghel), 1922, woodcut loose, unframed. Provenance: From a private collector, Indianapolis. From the archives of AskArt: After his studies under Dutch artist Johan Thorn Prikker at the Krefeld "Kunstgewerbeschule", Heinrich Campendonk followed Franz Marc's invitation to the Bavarian village of Sindelsdorf and moved there in 1911. At that time Heinrich Campendonk already found the basic subject of his works: the depiction of harmony between man and beast, Creation, the infinite circle of life and death. He produced paintings, watercolors, gouaches and his first woodcuts. In Sindelsdorf the artist met other members of the "Blauer Reiter" group and participated in one of the group's exhibitions that very same year. Two years later, Heinrich Campendonk also showed his work together with the "Blauer Reiter" at the "Erster Deutscher Herbstsalon" at Herwarth Walden's gallery "Der Sturm" in Berlin. During these years Campendonk's artwork was influenced by Marc, Macke and Kandinsky. A stiff geometrical form language was combined with color in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Heinrich Campendonk moved to Seeshaupt at the Starnberger See, from where he went on extensive travels. At that point Campendonk's painting was marked by softly flowing forms, large calm areas of intensive light and lyrical, often fairytale-like mood. He also produced works in glass painting. In 1926 Campendonk was appointed professor at the Düsseldorf Art Academy. Campendonk gained acclaim as an artist since the mid-1920s particularly through numerous glass windows he made for churches and public buildings (such as the Düsseldorf parliament building and the Paulskirche and the Essen Münster etc.). When he was dismissed from his teaching profession in 1933, he emigrated to the Netherlands, where he accepted a teaching position for "monumental and decorative art" at the "Rijksakademie van beeldende Kunsten" in Amsterdam. After the end of the war, Campendonk did not return to Germany. He continued to work as a teacher and received numerous orders for glass windows in the Netherlands and Germany. In 1956 Campendonk was awarded the Quellinus Prize by the city of Amsterdam and made knight of the order "De Nederlandse Leeuw". woodcut
• BARTLETT (W) THE BEAUTIES OF THE
  BARTLETT (W) THE BEAUTIES OF THE BOSPHORUS eight vols gilt red cloth CLARK (H) THE HISTORY OF THE WAR three vols 1816; BEATTIE (W) SWITZERLAND vol II only 1836; and other plate books (a.f not subject to return) Estimate ?100-150 Bosphorus : All vols with light wear to boards slightly heavier to ends of spines some have flaking / chipping at ends and Vol 8 with a 1 inch tear at fold of spine at bottom. All with minimal foxing odd blemish and light browning to a few plates but generlaly internally good. Not collated other books are: Archibald Bower - The History of the Popes 3 vols 1748 Modern Geography - no title c.1840 M. Rollin The Ancient History of The Egyptians ... Vol II only 1830 The Fashion of London and Paris During the Years 1801 1802 and 1803 hand coloured plates William Guthrie A New Geographical Historial and Commercial Grammar Dublin 1794 John Evans The Juvenille Tourist 2nd edition 1805 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?440
• Johann
  Johann
• BARTLETT Charles (American
  BARTLETT Charles (American 1860-1940): ''Loch Gates'' Color Etching in Aquatint Sight size 22 3/4'' x 18'' pencil signed lower right titled in lower margin #'d 36/60 Gorner & Mallard Blind Stamp lower left period gilded frame with minor wear 24'' x 19 1/4''.CONDITION: Minor toning in the margins and several scattered pinpoint spots of foxing.
• BASILIUS BESLER (GERMAN,
  BASILIUS BESLER (GERMAN, 1561-1629), THREE BOTANICAL ILLUSTRATIONS FROM HORTUS EYSTETTENSIS Hand-colored engravings on laid paper, appear to be 17th century, to include Solanum Pomiferum, Canna Indica Rubra, and Piper Indicum Filiquis Flavis, presented in uniform gilt frames.
• Barthelemy (Jean Jacques, Abbe.)
  Barthelemy (Jean Jacques, Abbe.) Travels of Anacharsis the Younger in Greece, 4 vols., 8vo., cont. half calf, 1796. Engraved maps and plates
• A '' Bartmann '' saltglazed
  A '' Bartmann '' saltglazed stoneware flagon 24 cm diameter x 30 cm high.
• Charl
  Charl
• BASILIUS BESLER (GERMAN,
  BASILIUS BESLER (GERMAN, 1561-1629), TWO BOTANICAL ILLUSTRATIONS FROM HORTUS EYSTETTENSIS Hand-colored engravings, appear to be 17th century, to include "Narcissus Maior Flore Multiplice; Narcissus Sylvestris Stellatus" and "...Tulipa Serotina Polyanthos...," one retains gallery label to verso, in uniform matting and framing.
• Five classical figure engravings:
  Five classical figure engravings: after sculptural friezes from a work by Bartolo, Germany, 1664, engravings on two-page wove paper, 7-3/4 x 17-7/8 in., plates 5-1/4 x 13-1/2 in.; matching painted wood frames. Light staining at seam, light grime, taped at edges, not examined out of frames.
• HANS BARTENBACH (GERMANY, BORN
  HANS BARTENBACH (GERMANY, BORN 1908) TWO OILS ON BHANS BARTENBACH (Germany, born 1908) two oils on board, portraits of men with pipes. Both signed. Images measure 7" x 5.5". In matching wood frames; 13.25" x 11.75" overall.
• A quantity of Bartholomew's and
  A quantity of Bartholomew's and other touring maps sundry postcards and two Baxter prints
• Charl
  Charl
• H.A. Van Valkenburgh (American,
  H.A. Van Valkenburgh (American, 20th century), Charl
• Collection of printed works to
  Collection of printed works to include Bartlet Philadelphia scenes. ?
• BARTHOZ, J. French Bronze of
  BARTHOZ, J. French Bronze of Young Woman with Upswept Hairdo. From a Norwalk home. Dimensions: 13" high.
• Homer's Iliad a Baedecker guide
  Homer's Iliad a Baedecker guide to Belgium and Holland and eight various travel and other books.
• BARTON BENES (AMERICAN b. 1942):
  BARTON BENES (AMERICAN b. 1942): UNTITLED (BUTTERFLIES) Mixed media collage signed and dated 1986. 34 x 26 1/2 x 4 in. (frame).
• Jul
  Jul
• Hans Barttenbach (1908-?)/The
  Hans Barttenbach (1908-?)/The Letter/oil on board, 16cm x 12cm/Provenance: The Estate of Anthony J Beeson
• BASILIUS BESLER, (2) ENGRAVINGS
  BASILIUS BESLER, (2) ENGRAVINGS Basilius Besler (German, 1561-1629), Hortus Eystettensis, c. 1613, (2) hand-colored engravings, 20" h x 16" w, framed and glazed
• BARTHOLOMEW William N. W/C
  BARTHOLOMEW William N. W/C Landscape with Bridge.Signed lower right. William Newton Bartholomew American 1822 - 1898. From the now defunct Boris Mirski Gallery Boston. Dimensions: sight - 13'' high x 19.75'' wide. Condition: Good not examined out of frame.
• BO BARTLETT (american b. 1955)
  BO BARTLETT (american b. 1955) VIEW OF CONSHOHOCKEN Oil on panel 11 x 12 in. (28.9 x 30.5 cm) provenance: Private Collection, Georgia. ,500-4,000 May need a light cleaning as there are white spots on the surface (possibly splashed) generally very good to excellent original condition.
• Adriaen Jansz van Ostade (Dutch
  Adriaen Jansz van Ostade (Dutch 1610-1685) The Barn The Peasants' Quarrel Der Bauer der seine Zeche bezahlt and Der Raucher (a group of four works) etchings Largest: 6 1/4 x 7 1/2 inches.