A few examples of appraisal values for
BAUER

• M. Bauer (20th Century) Cast bronze
  M. Bauer (20th Century) Cast bronze with brown patina depicting a young man mid-swing with a bowling ball or bacci ball in his right hand stamped on the base "M. Bauer" mounted on a black marble base overall apprx. 9"H with the base.
• Bauer Germany head lamp.
  Bauer Germany head lamp.
• William Bauer (American b. 1888)
  William Bauer (American b. 1888) Winter Landscape oil on canvas signed Bauer (lower left) 30 x 40 inches.
• Willi Bauer (German, b.1923),
  Willi Bauer (German, b.1923), European lakeside scene with sailboats out at sea and mountains in the distance; oil on canvas; 23 1/2" x 35 1/2"; signed lower right, canvas stamped verso. Bauer studied in both Berlin and Frankfurt. His paintings can be found in many private collections in Europe and America.
• WILLI BAUER OIL ON CANVAS (German
  WILLI BAUER OIL ON CANVAS (German born 1923) Watermill in winter. Image measures 31'' x 39'' signed ''W. Bauer'' lower left unframed.
• WILLI BAUER OIL ON CANVAS (German
  WILLI BAUER OIL ON CANVAS (German born 1923) Alpine lake with figures in the foreground. Image measures 27'' x 31'' signed ''W. Bauer'' lower right unframed.
• BAUER, Willi, (German, 1923 -):
  BAUER, Willi, (German, 1923 -): River Landscape Painting with Figures, Oil/Canvas, 27'' x 39.125'', signed lower left and framed, 34'' x 47''.
• BAUER, Willi, (German, 1923 -):
  BAUER, Willi, (German, 1923 -): Winter Village Landscape with a Stream, Oil/Canvas, 28'' x 31.5'', signed lower left, frame by Thanhardt Burger, 37.25'' x 41''.
• WILLIAM C. BAUER (AMERICAN,
  WILLIAM C. BAUER (AMERICAN, 1862-1904), LANDSCAPE WITH FIGURE Oil on panel, signed at lower edge, presented in a period molded giltwood frame.
• WILLI BAUER - VALLEY LANDSCAPEWilli
  WILLI BAUER - VALLEY LANDSCAPEWilli Bauer (German, b. 1923) Oil on canvas from the early collection; pre-1987. Signed lower right. (HEAR1082)(EL) Dimensions: 23 x 27, unframed Condition: Very good
• GERMAN CATHOLIC PRAYER BOOK, BAUER,
  GERMAN CATHOLIC PRAYER BOOK, BAUER, 1844 German, mid-19th century. A German language mid-19th Century Catholic Prayer Book, A. C. Bauer, Wurzberg, 1844, with tooled leather binding, front and back covers having inset petit-point needlework panels, scattered engraved
• WILLI BAUER - VALLEY LAKEWilli
  WILLI BAUER - VALLEY LAKEWilli Bauer (German, b. 1923) Oil on canvas from the early collection; pre-1987. Signed lower right. (HEAR1081)(EL) Dimensions: 22 x 31 unframed Condition: Very good.
• BAUER, Willi, (German, 1923 -):
  BAUER, Willi, (German, 1923 -): Pastoral Landscape with Marsh, Village and Figures By A Fire, Oil/Canvas, 30'' x 39'', signed lower left, framed, 36.5'' x 45.5''.
• BAUER, Willi, (German, 1923 -): Two
  BAUER, Willi, (German, 1923 -): Two landscape paintings. (1) Lush green landscape with a group of figures walking a path toward a gazebo, Oil/Canvas, 27.5'' x 31'', signed lower right, framed, 35'' x 38.25''. (2) Autumnal forest with a stream and figures walking on a path, Oil/Canvas, 31.5'' x 27.5'', signed lower right and framed, 38.5'' x 34.5''.
• BAUER, Willi, (German, 1923 -):
  BAUER, Willi, (German, 1923 -): Pastoral Landscape with a Stream, Oil/Canvas, 23.5'' x 35'', signed lower right and framed, 31.25 x 43''.
• BAUER, Willi, (German, 1923 -): Two
  BAUER, Willi, (German, 1923 -): Two oils on canvas, (1) Lush green forest with a stream, 27'' x 31'', signed lower left and framed, 34.5'' x 38.75''. (2) Landscape with mill and workers, 27'' x 31'', signed lower right, framed, 33.5'' x 37.5''.
• WILLI BAUER, (GERMAN ARTIST, 1923),
  WILLI BAUER, (GERMAN ARTIST, 1923), OIL PAINTINGON CANVAS, LANDSCAPE WITH BRIDGE AND STREAM, SIGNED LOWER RIGHT. SIGHT SIZE 24" X 19 1/2". IN GILDED FRAME.
• WILHELM GOTTFRIED BAUER FAMILY
  WILHELM GOTTFRIED BAUER FAMILY PORTRAITWilhelm Gottfried Bauer (German 1779-1853) , oil on canvas family portrait, signed verso and dated 1814 , 19 3/4" x 25 1/4". Condition: Stretcher marks. Flaking along edges. Some water damage seen on verso. Signs of touch-up to man's jacket, nose, and mouth. A few touch-ups along bottom, mostly to boy's jacket and to the background. A few spots of missing paint.
• BAUER, Willi, (German, 1923 -): Two
  BAUER, Willi, (German, 1923 -): Two landscape paintings. (1) Nocturnal landscape with stream and figures, Oil/Canvas, 23.5'' x 19.5'', signed lower left and framed, 31.5'' x 27.5''. (2) Pastoral valley landscape, Oil/Canvas, 19.5'' x 23.5'', signed lower right and framed, 27.5'' x 31.5''.
• BAUER Willi (German 1923 -): Serene
  BAUER Willi (German 1923 -): Serene Birch Forest Scene Oil/Canvas 24'' x 48'' signed lower right encased in carved gilded frame 34'' x 58''.
• BAUER, Willi, (German, 1923-):
  BAUER, Willi, (German, 1923-): Lakeside Landscape with Pines, Oil/Canvas, 38'' x 31'', signed lower right, framed, 45.5'' x 38.25''.
• WILLI BAUER - LANDSCAPE WITH
  WILLI BAUER - LANDSCAPE WITH PONDWilli Bauer (German, b. 1923) Landscape with pond, small village in distance. Oil on canvas from the early collection; pre-1987. Signed lower right. (HEAR1071)(EL) Dimensions: 27 x 39" unframed Condition: Very good. Areas of heavy impasto, no flaking or damages.
• WILLI BAUER (GERMAN B.1923) LAKE
  WILLI BAUER (GERMAN B.1923) LAKE VIEW. Oil on canvas signed lower left; Frame: 30.50'' x 26.50'' 24'' x 20'' Condition: No Specific Condition Recorded - Sold As Is
• WILLI BAUER - LANDSCAPE WITH
  WILLI BAUER - LANDSCAPE WITH MARSHWilli Bauer (German, b. 1923) Landscape with marsh. Oil on canvas from the early collection; pre-1987. (HEAR1072)(EL) Dimensions: 27 x 39, unframed Condition: Very good.
• WILLI BAUER (GERMANY, 1923-),
  WILLI BAUER (GERMANY, 1923-), GARDEN WEDDING., OIL ON CANVAS, 24" X 36". FRAMED 33" X 44".WILLI BAUER, Germany, 1923-, Garden wedding. Signed lower left "W. Bauer". Dimensions: Oil on canvas, 24" x 36". Framed 33" x 44".
• WILLI BAUER (GERMAN B.1923) FIGURES
  WILLI BAUER (GERMAN B.1923) FIGURES ALONG A WOODLAND STREAM. Oil on canvas signed lower right; Frame: 31'' x 26.75'' 24'' x 20'' Condition: No Specific Condition Recorded - Sold As Is
• HEINRICH REISENBAUER (AUSTRIAN,
  HEINRICH REISENBAUER (AUSTRIAN, B. 1938)Heinrich Reisenbauer (Austrian, b. 1938) "Skis", 1991, Crayon and pencil drawing on paper, signed and dated. Framed. Size: 8'' x 11.5'', 20 x 29 cm (sight); 15.5'' x 18.5'', 39 x 47 cm (frame).
• A Bauer Glazed Pottery Vase of
  A Bauer Glazed Pottery Vase of ovoid form having a gilt rim with green glaze marked Bauer together with a Ringware green glazed carafe having a copper lid and handle marked Bauer Los Angeles. Height of first 7 1/2 inches.
• Bauer vase in pink with gray swirl.
  Bauer vase in pink with gray swirl. Marked Bauer. Mint. 5 3/4" tall by 7 3/4" wide.
• Nicolaus Baur (Bauer) (German
  Nicolaus Baur (Bauer) (German 1816-1879) Racing Amazons (Jagende Amazonen). Oil on cradled wood panel signed in red to the left of center along the lower edge framed in a massive gilt frame overall 37" x 47-1/2". Interesting narrative with women and dogs hunting a stag; to the left of the composition one of the dogs has brought two male figures to earth. They appear to be satyrs who are often described as accompanying the hunters in myths.
• PAINTING, AFTER FRANZ VON DEFREGGER
  PAINTING, AFTER FRANZ VON DEFREGGER After Franz von Defregger (German, 1835-1921), "Bauer (Farmer)," acrylic on canvas, unsigned, overall (with frame): 17.25"h x 15.25"w
• BAYER, Herbert, (German,
  BAYER, Herbert, (German, 1900-1985): Aspen Interski, Poster, 28'' x 22'', signed and dated '68 in the plate, pencil signed, unframed.CONDITION: Minor creases.
• RUDOLF BAUER, GERMAN / AMERICAN
  RUDOLF BAUER, GERMAN / AMERICAN (1989-1953), NON-OBJECTIVE DRAWING, 1938, PENCIL ON PAPER, 6 1/2"H X 7 1/2"W (SIGHT), 16"H X 17"W (FRAME)Rudolf Bauer, German / American, (1989-1953) Non-Objective Drawing, 1938, pencil on paper initialed lower right. Provenance: Executed while Bauer was in a German concentration camp in 1938 for being a degenerate artist. ES Thomas French Fine Art. Biography from the Archives of askART: Rudolf Bauer (1889-1953) was one of the originators of non-objective painting. This particular brand of abstraction emphasized total absence of forms relating to the objective world. Bauer was born in Lindenwald, Germany (now Poland) and took up art-making from an early age. He began supporting himself as a cartoonist and caricaturist, publishing works in the popular magazines of the day, which he would do off and on until the mid-1920s. Around 1915 he became involved in Der Sturm, a magazine and gallery run by Herwarth Walden. Walden promoted Bauer's work alongside the work of Vasily Kandinsky, Franz Marc, and Marc Chagall, among others. He also met Hilla Rebay, a baroness and fellow artist, through Der Sturm. Their lifelong relationship—at first romantic and then platonic and business-oriented—would be the defining partnership of their lives. In 1927 Rebay moved to New York, and a year later made the acquaintance of copper magnate Solomon R. Guggenheim. Rebay exposed Guggenheim to non-objective art. He decided to start a non-objective collection, which came to include over 200 works by Bauer alone. Bauer also became Guggenheim's main contact in Europe for purchasing works by other artists, such as Kandinsky, Chagall, Marc, Léger, and others. Bauer simultaneously in Berlin had founded a museum, Das Geistreich, or the "Realm of the Spirit," to house work by himself and other artists. However, as the political situation in Germany changed, the financial viability of this gallery lessened, and Bauer became increasingly dependent on Guggenheim. In 1936 Bauer traveled to the United States to attend the first museum exhibition of Guggenheim's collection. He also became convinced that Guggenheim was the right person to provide the one thing he had always wanted for his art: a permanent home where his body of work could be seen together. In 1938 Bauer, who had chosen to stay in Germany despite the deteriorating political situation, was arrested by the Gestapo and thrown into a Nazi prison. Eventually, through the financial and political influence of Guggenheim and Rebay, Bauer was released. He emigrated to the United States in 1939, just following the opening of the first permanent home of Guggenheim's collection: The Museum of Non-Objective Painting, on 54th Street in New York. At the end of that year, wanting to clear up his debts with Guggenheim, Bauer signed a contract for which he traded over 100 works he had not yet been paid for as well as all his future "output" for a house in Deal, New Jersey; a Duesenberg auto body; and a monthly stipend of $1500. This contract, which was not what he was told he was agreeing to, eventually broke Bauer as he saw that he furthermore would have no control in the running of the museum that housed all his work. He never painted again, and increasingly isolated himself from Rebay and Guggenheim. After Guggenheim died in 1949, Rebay was asked to step down as curator, and the new trustees abandoned Guggenheim's non-objective goals. When the now-iconic Solomon R. Guggenheim Museum opened in 1959, Bauer's work, along with other non-objective artists, was banished to the basement. Recently though Bauer's work and reputation has been resuscitated, beginning with solo shows in Europe in the 1970s and 1980s, and finally it is being shown again on the Guggenheim walls, in 2005 in the Art of Tomorrow exhibition and in 2007 in the Founding Collection. In 2007 a major retrospective took place at Weinstein Gallery, San Francisco. Written and submitted by Jasmine Moorhead, Art Researcher pencil on paper Dimensions: 6 1/2"H x 7 1/2"W (sight), 16"H x 17"W (frame)
• BAYER, Herbert, (German,
  BAYER, Herbert, (German, 1900-1985): Ski Broadmoor Poster, 31'' x 23'', signed in the plate and dated '69, pencil signed, unframed.CONDITION: Minor creases.
• BAUER, Willi, (German, 1932 -): Two
  BAUER, Willi, (German, 1932 -): Two oils on canvas, (1) Figures in a green forest crossing a stream, titled ''Picnic'', 19.5'' x 24'', signed lower right, framed, 27'' x 31''. (2) Village Harbor Scene, 27'' x 31'', signed lower left, framed, 32.25'' x 36.5''. CONDITION: Several scattered pinholes are barely noticeable unless held up to the light.
• Eugene Bauer (20th century) Same
  Eugene Bauer (20th century) Same Old Story Age Matters Not watercolor signed Eug. Bauer (lower right) 12 1/8 x 17 5/8