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BENNINGTON SPITTOONBennington
BENNINGTON SPITTOONBennington Spittoon
Condition:
Please Email for a detailed condition report.
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Bennington type washboard 19th c.
Bennington type washboard 19th c. 25 1/2" h. together with a Bennington type bowl Rebecca at the well teapot and a hound handled... ?
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Bennington Snuff JarCondition:
Bennington Snuff JarCondition: Excellent.Dimensions: Ht. 4 1/2''Provenance: Private Rochester NY CollectionE
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NATHAN BENNETT, PASSING THE VILLAGE
NATHAN BENNETT, PASSING THE VILLAGE IN AUTUMNNathan Bennett, (20th/21st Century) Passing the Village in Autumn, 2005, patina on bronze signed lower right: Nathan Bennett inscribed verso: "Passing the Village in Autumn" / Nathan Bennett © 2005 12 x 24 patina on bronze Dimensions: 12 x 24 in. (30.5 x 61 cm.), Frame: 21 1/4 x 33 x 3 3/4 in. (54 x 83.8 x 9.5 cm.) Provenance: Private Collection, New Mexico
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JOHN PRENTISS BENSON (AMERICAN,
JOHN PRENTISS BENSON (AMERICAN, 1865-1947)John Prentiss Benson (American, 1865-1947) , "In Penobscot Bay", 1925, oil on canvas, signed lower left, signed, titled and dated en verso, titled and inscribed on stretcher, partial label with artist and title on reverse of frame, 30 in. x 36 in., Newcomb-Macklin frame.
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Bennett Bean (American, b. 1941)
Bennett Bean
(American, b. 1941)
Three Vessels
glazed stoneware
each signed with artists insignia
Property from a Private Collection, Highland Park, Illinois
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BENJAMIN BRITT (american b. 1923)
BENJAMIN BRITT (american b. 1923) WINTER IN THE CITY Signed bottom left, oil on canvas 18 x 24 in. provenance: Private Collection, Pennsylvania. Good original condition.
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19th c. ''Father Westwind''
19th c. ''Father Westwind'' Bennington pitcher. 9'' Ht.
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Ethel Moore (American 20th Century)
Ethel Moore (American 20th Century) "Bennington Vermont". Watercolor on board signed at the lower right signed and titled in pencil verso framed overall apprx. 15" x 16-1/2".
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Ben Benson (American, 1927-2002)
Ben Benson
(American, 1927-2002)
5th June 74, 1974
watercolor and collage on paper
signed Ben Benson, titled and dated (verso)
7 1/2 x 5 inches.
Property from a Private Collection
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BENNETT Tom (American 20th C.):
BENNETT Tom (American 20th C.): Female Nude Bronze 14 1/2''h. signed ands numbered 111/250 dated '84. affixed to polished marble patina.
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BENNETT GOING FISHING Watercolor on
BENNETT GOING FISHING Watercolor on paper: 5 1/2 x 8 3/4 in. (sight) Framed lower left signed and dated: Bennett 1861
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BENJAMIN F. COLLINS (1895-1981)
BENJAMIN F. COLLINS (1895-1981) PAINTINGBenjamin F. Collins (American, 1895-1981) "1804 House, Manchester Vermont," oil painting on canvas, signed. Framed. Size: 24'' x 36'', 61 x 91 cm (stretcher); 32'' x 44'', 81 x 112 cm (frame).
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Ben Benson (American, 1927-2002)
Ben Benson
(American, 1927-2002)
Notes for a Summer Landscape, 1971
mixed media
4 1/4 x 5 1/2 inches.
Property from a Private Collection
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BENNETT Fred (American 20th C):
BENNETT Fred (American 20th C): Abstract Composition Mixed Media sight size 23 x 18 1/4'' signed framed without glass 32'' 1/2 x 26 1/2''.
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BENJAMIN F. NUTTING
BENJAMIN F. NUTTING (MASSACHUSETTS/NEW HAMPSHIRE, 1813-1887), FOREST STREAM., WATERCOLOR ON PAPER, 9" X 13" SIGHT. FRAMED 14" X 17".BENJAMIN F. NUTTING, Massachusetts/New Hampshire, 1813-1887, Forest stream. Signed lower left "B.F. Nutting". Dimensions: Watercolor on paper, 9" x 13" sight. Framed 14" x 17".
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BENJAMIN CHAMPNEY (MA/NH,
BENJAMIN CHAMPNEY (MA/NH, 1817-1907) Cathedral Ledge from North Conway, NH. Oil on canvas, signed lower right, housed in what appears to be the original gilt deep cove matched corner frame, OS: 25 1/2" x 19 1/2", SS: 17 1/2" x 11 1/2", relined.
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Benjamin Blyth (American 1746-1786)
Benjamin Blyth (American 1746-1786) pair of pastel on paper portraits of a gentleman and his wife 22 1/2" x 16 3/4". Provenance: The... ?
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BARTON BENES (AMERICAN b. 1942):
BARTON BENES (AMERICAN b. 1942): UNTITLED (BUTTERFLIES) Mixed media collage signed and dated 1986. 34 x 26 1/2 x 4 in. (frame).
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FRANK WESTON BENSON (MASSACHUSETTS,
FRANK WESTON BENSON (MASSACHUSETTS, 1862-1951), “CANOEMAN”, 1919., ETCHING ON CREAM LAID PAPER, 7.75" X 6". MATTED 20" X 16".FRANK WESTON BENSON, Massachusetts, 1862-1951, "Canoeman", 1919. Edition of 150. Signed and numbered "47" in pencil lower margin. Paff 161. Dimensions: Etching on cream laid paper, 7.75" x 6". Matted 20" x 16".
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BENSON: FIVE MEN WITH RIFLES
BENSON: FIVE MEN WITH RIFLES Toned print. Provenance: Property from the Collection of Gerald Kornblau. 4 1/2 x 6 1/2 in. 11 x 12 in. (frame).
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BENJAMIN F. NUTTINGAmerican
BENJAMIN F. NUTTINGAmerican 1813-1887Sunset over the river. Signed lower right B.F. Nutting''.Watercolor on paper 9'' x 13'' sight. Framed.''
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Benjamin Baker (act. circa
Benjamin Baker (act. circa 1880-1900)/Macclesfield, Stafford, Bridgeworth (sic), Birmingham/coloured engraved map in forty-eight linen backed sections/published by Lieut. Col. Colby, 9th January 1834, two leather panels in a gilt tooled slip engraved Ordnance Survey and the Counties on the spine, 114cm x 157.5cm
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BENJAMIN CHAMPNEY (MA/NH,
BENJAMIN CHAMPNEY (MA/NH, 1817-1907) Nature Study, oil on mahogany panel, signed lower right, depicting birch trees emerging from a huge boulder, in a Victorian gold gesso cove frame, OS: 20 1/2" x 17 1/2", SS: 13 1/2" x 9 1/2".
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Bennett Bean. Untitled. c. 1996,
Bennett Bean. Untitled. c. 1996, painted and gilded earthenware, lacquered wood base. 12¼ h × 15 w × 8½ d in. result: $3,250. estimate: $1,000–1,500. Glazed signature to underside of each element ‘1376’. Provenance: Private Collection, Chicago
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BENNY CARTER (NC, 1943-2014), TWO
BENNY CARTER (NC, 1943-2014), TWO NEW YORK CITY PAINTINGS Including a rectangular painted wood panel; together with a hexagonal framed work both including the banner "Vote Obama," signed.
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Barton Benes (American,
Barton Benes
(American, 1942-2012)
Nest Egg, 1995
mixed media
pencil signed, titled and dated
11 x 10 inches
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BESSER Leonard. Modernist Oil on
BESSER Leonard. Modernist Oil on Masonite.Unsigned. From the estate of Leonard Besser. Leonard Besser American-Connecticut 1919 -1968. Besser a self-taught artist who served as an artist-correspondent during WWII has sketches in the National Archives and has exhibited at the Museum of Fine Arts Boston and the Pennsylvania Academy of Fine Arts as well as in one-man shows in New York Washington Massachusetts and Connecticut. He was an active member of the Silvermine Guild and the American Watercolor Society. Dimensions: 31.75'' high x 48'' wide. Condition: Unframed slightly dirty.
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ATTRIBUTED TO BENJAMIN BLYTH
ATTRIBUTED TO BENJAMIN BLYTH (MASSACHUSETTS, 1746-1786), PORTRAIT OF A MAN WEARING A GRAY COAT AND VEST., PASTEL ON PAPER MOUNTED ON CANVAS, 22.5" X 17" SIGHT. FRAMED 27" X 21.5".ATTRIBUTED TO BENJAMIN BLYTH, Massachusetts, 1746-1786, Portrait of a man wearing a gray coat and vest. Unsigned. Inscribed on upper stretcher bar "Purchased by W. Eliot Fette, May 14th 1881 at auction of the effects of Wm. Makapeace, acsiduary legit will of Miss Betsy Hill". Label upper right marked "Museum of Fine Art Lent by Mrs. Atherton Noyes T.L. 3563". Dimensions: Pastel on paper mounted on canvas, 22.5" x 17" sight. Framed 27" x 21.5". Provenance: Child's Gallery, Boston.Nina Fletcher and Bertram K. Little.Northeast Auctions, Portsmouth, New Hampshire.
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BEN FENSKE "JOHANNA FIXING HER
BEN FENSKE "JOHANNA FIXING HER SKIRT" OIL Ben Fenske (American, b. 1978) "Johanna Fixing Her Skirt" oil on canvas painting depicting a woman in room with large window rendered impressionistically in pastel palette, monogrammed on stretchers: "BF." Image: 31" H x 23" W; frame: 36.5" H x 28.75" W x 2.25" D.
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THOMAS A. BENNETT (NC), HOUSE
THOMAS A. BENNETT (NC), HOUSE WREN ON BLUE & WHITE PITCHER Watercolor on paper, signed lower left, 2001, attractively matted and framed under glass.
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BENNESON DEJANES
BENNESON DEJANES (AMERICAN/GEORGIA)Benneson deJanes (American/Georgia, b. 1935), "Pont Aven, France", 1976, pastel on paper, signed and dated lower right, signed and titled en verso, 11 1/4 in. x 15 in., framed . Provenance: Schwitz Collection, Franklin, LA
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§ ANTHONY BENJAMIN (BRITISH
§ ANTHONY BENJAMIN (BRITISH 1931-2002)
UNTITLED, 1958 1/50, signed, dated and numbered in pen in the margin, etching on paper44cm x 32.5cm (17.25in x 12.75in)Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
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BENJAMIN CHAMPNEY
BENJAMIN CHAMPNEY (MASSACHUSETTS/NEW HAMPSHIRE, 1817-1907), MOUNTAIN WATERFALL., OIL ON CANVAS LAID DOWN ON BOARD, 10” X 8”. FRAMED 14” X 12”.BENJAMIN CHAMPNEY, Massachusetts/New Hampshire, 1817-1907, Mountain waterfall. Signed and dated lower right "B. Champney 61". Dimensions: Oil on canvas laid down on board, 10" x 8". Framed 14" x 12".
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BESSER Leonard. 1965 Modernist
BESSER Leonard. 1965 Modernist Bronze RecliningFigure. Signed and dated. From the estate of Leonard Besser. Leonard Besser American-Connecticut 1919 -1968. Besser a self-taught artist who served as an artist-correspondent during WWII has sketches in the National Archives and has exhibited at the Museum of Fine Arts Boston and the Pennsylvania Academy of Fine Arts as well as in one-man shows in New York Washington Massachusetts and Connecticut. He was an active member of the Silvermine Guild and the American Watercolor Society. Dimensions: 15'' wide x 6.75'' high (not incl. base). Condition: Good.
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BENJAMIN CHAMPNEY COASTAL SEA
BENJAMIN CHAMPNEY COASTAL SEA LANDSCAPE PAINTING Massachusetts, New Hampshire1817-1907Depicts ships off a cliff lined shore with waves crashing against the large boulders. Champney was associated with White Mountain New Hampshire painters, renowned for his landscape and floral paintings. Artist Washington Allston encouraged Champney to go to Europe, taking numerous trips to France and Italy which sparked his interest in landscapes. Later in life, Champney became a founder of the Boston Art Club, exhibiting his works widely throughout Boston and New York.