A few examples of appraisal values for
BLACKFOOT

• PAIR OF PLAINS INDIAN BEADED
  PAIR OF PLAINS INDIAN BEADED GAUNTLETSPair of Plains Indian beaded gauntlets, probably Blackfoot, early 20th c. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• JOSH ELLIOTT (1973- ), BLACKFOOT
  JOSH ELLIOTT (1973- ), BLACKFOOT RIVER VALLEY HAYSTACK Title: Josh Elliott (1973- ), Blackfoot River Valley Haystack Medium: oil on canvasboard Dimensions: 14 x 16 Framed dimensions: 18 5/8 x 20 1/2 x 1 7/8
• HARVEY JOHNSON (1921-2005), EARLY
  HARVEY JOHNSON (1921-2005), EARLY SNOW (BLACKFOOT INDIANS) Title: Harvey Johnson (1921-2005), Early Snow (Blackfoot Indians) Medium: oil on canvasboard Dimensions: 20 x 30 Framed dimension: 30 3/4 x 40 3/4 x 2 3/8
• EDWIN WILLARD DEMING (AMERICAN,
  EDWIN WILLARD DEMING (AMERICAN, 1860-1942) WINTER LANDSCAPE WITH NATIVE AMERICANS ON HORSEBACK Oil on academy board. Signed (artist's cipher) 'E.W. Deming' (lower right). Edwin Willard Deming (American, 1860-1942) Edwin Willard Deming was an American painter and sculptor. While in his teens, Deming traveled to Indian territory in Oklahoma and sketched extensively. Determined to become a painter of Indians, he enrolled at the Art Students League, then spend a year at the Academie Julian in Paris studying under Gustave Boulanger and Jules Lefebvre. His active career of painting and illustrating took him repeatedly to the lands of the Blackfoot, Crow, and Sioux, as well as to Arizona and New Mexico. After the turn of the century, Deming devoted more time to sculpture but also began work on a series of romantic murals of Indian life, which were subsequently installed in the American Museum of Natural History and the Museum of the American Indian in New York.
• A 20TH CENTURY BLACKFOOT NATIVE
  A 20TH CENTURY BLACKFOOT NATIVE AMERICAN BEADED DRESSThe Native tanned hide dress is embellished with wide swaths of beads in black and white along with overlays of red and blue wool Stroud cloth or broadcloth among fringe and strings.Measures 41 from edge of sleeve to edge of sleeve, from neck to bottom edge is 50 inches.Very good condition, noting that the aniline dyes of the red broadcloth have run in places as shown.
• PAIR OF BLACKFOOT INDIAN BEADED
  PAIR OF BLACKFOOT INDIAN BEADED HIDE MOCCASINSPair of Blackfoot Indian beaded hide moccasins, late 19th c., 9 3/4" l. Competitive in-house shipping is available for this lot. Condition: A few small holes, stiff, surface dirt.
• BLACKFOOT INDIAN KNIFE AND
  BLACKFOOT INDIAN KNIFE AND SHEATH, EARLY 20TH C.Blackfoot Indian knife and sheath, early 20th c., hide sheath with brass tack decoration, bone handled knife with 6 3/4" blade. Bought from Arnold Marcus Chernoff, Lyons, Illinois, in July 1978 (with copy of write-up on Chernoff stationary). Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• PLAINS BLACKFOOT KNIFE WITH STUDDED
  PLAINS BLACKFOOT KNIFE WITH STUDDED CASE. BRASSstuds. Studded leather. Tooled leather. Knife has star inlaid handle. The sheath is 14 1/2" long by 5" wide overall. The knife is 13" long.
• FARRELL COCKRUM (NEW MEXICO) NAPI
  FARRELL COCKRUM (NEW MEXICO) NAPI DELEGATIONFramed acrylic on canvas painting, Napi Delegation, signed lower left Farrell Cockrum (Blackfoot, New Mexico, 20th/ 21st c.), dated 1994, sight: approx 48"h, 48"w, overall: approx 49.25"h, 49.25"w, 8.5lbs **Note: This composition was inspired by the 1905 photograph taken at the Miller brothers’ 101 Ranch of Geronimo in a Locomobile Model C**
• NATIVE AMERICAN VELVET DRESS,
  NATIVE AMERICAN VELVET DRESS, POSSIBLY BLACKFOOTNorthern Plains velvet dress, possibly Blackfoot, c. 1930-1960, yoke with cowrie shells, payette sequins, and beading, floral patterned upper lining, bust: approx 24.5"w, overall: approx 44.5"l (all measurements taken flat)
• NATIVE AMERICAN ELK HIDE STORY
  NATIVE AMERICAN ELK HIDE STORY ROBE, HUNTERS & ELKStory robe, a painting on elk hide, Indians Hunting Elk, Indian Village, applied embroidered beaded accents, signed illegibly begininng with an E, believed to be Blackfoot Indian, approx 80"h, 70"w, 10lbs
• BLACKFOOT INDIAN BEADED BELT &
  BLACKFOOT INDIAN BEADED BELT & KNIFE SHEATHS Two Blackfoot / Blackfeet Indian knife sheaths and a beaded belt with provenance. On a business card "John W. Harding Foreign editor of the New York Recorder". Handwritten on reverse "Beadwork belt made & used by the Blackfeet Indian, N.W.T. Canada Obtained on the reserve, Gleichen, Alberta, Canada, during my "tour around the world afoot" in '94. Presented by me to Mr. J. W. Harding, June 29, 96 H. G. Yorker (?)". All beadwork is fragile, there are many loose beads. Sheath with fold pocket, 8" x 4.5". Sheath 7 5/8"x 2 3/8". Belt, 2.25" x 37". It is likely that more of these tiny beads will shed/be lost during preview and shipping. Condition: Fragile. Needs stabilization / conservation.
• THREE PLAINS BEADED HIDE
  THREE PLAINS BEADED HIDE BAGSThree Plains beaded hide bags, Early 20th century; Great Plains Comprising a Blackfoot polychrome beaded front drawstring pouch with two columns of stacked stepped diamond motifs and bead trim to edges (7.75" H x 4.625" W), a Sioux small round white beaded pouch with blue cross motifs and red ticking, with beaded edging (4" Dia.), and a round beaded pouch worked in clear yellow and polychrome beads on a fabric ground with a central medallion motif and long beaded fringing, and hide backing, likely Apache (5" Dia.; fringing: 2" L), 3 pieces
• MICHAEL COLEMAN (1946- ), BLACKFOOT
  MICHAEL COLEMAN (1946- ), BLACKFOOT STANDING BONNET Title: Michael Coleman (1946- ), Blackfoot Standing Bonnet Dimensions: 8 x 6 1/2 Frame dimensions: 24 3/4 x 20 1/4 x 1 1/4
• HARVEY JOHNSON (1921-2005), THE
  HARVEY JOHNSON (1921-2005), THE WOLF HIDE (THE WOLF SKIN- BLACKFOOT) Title: Harvey Johnson (1921-2005), The Wolf Hide (The Wolf Skin- Blackfoot)Dimensions: 12 x 16 inches Frame dimensions: 21 1/2 x 25 1/2 x 2 1/4 inchesThis lot is being offered without reserve.
• KEN LAAGER (1953-), BLACKFOOT
  KEN LAAGER (1953-), BLACKFOOT ADOPTION Title: Ken Laager (1953-), Blackfoot Adoption Dimensions: 24 x 36 Frame dimensions: 33 3/4 x 45 3/4 x 2 1/2
• HARVEY JOHNSON (1921-2005)
  HARVEY JOHNSON (1921-2005) BLACKFOOT BRAVE Title: Harvey Johnson (1921-2005), Blackfoot Brave Dimensions: 17 1/2 x 21 1/2 Frame dimensions: 23 7/8 x 28 x 2 7/8
• EDWARD CURTIS OROTONE, THREE
  EDWARD CURTIS OROTONE, THREE CHIEFSEdward S. Curtis (American, 1868-1952) orotone, "The Three Chiefs." Image depicts three Native American Blackfoot chiefs on horseback, on a Montana prairie under a clouded sky. Curtis signature in the negative lower right with copyright lower left. Orotone is framed in its original Curtis-designed "batwing" frame, and backed in the frame by an advertising broadside promoting a movie based on Curtis's North American Indian project. It reads: "Curtis, Author of the North American Indian tells the intimate story of Indian life with Motion Pictures of esoteric rites / Incomparable Art Slides and thrilling musical scenic effects by Mr. Curtis' Full Orchestra rendering Special Indian Music, arranged by Henry E. Gilbert". Sight - 10 1/4" H x 13 1/4" W. Framed - 15 3/4" H x 18 3/4" W. Circa 1910. Note: "The Three Chiefs" is widely regarded as one of Curtis's most important photographs. He captured the image during a two week stay on a Blackfoot Reservation in Montana during the summer of 1900, and it was published as a photogravure in his documentary venture "The North American Indian". There, Curtis described this particular image as "Three proud old leaders of their people. A picture of the primal upland prairies with their waving grass and limpid streams. A glimpse of the life and conditions which are on the verge of extinction." Provenance: Private East Tennessee collection. (Higher-resolution photos are available at www.caseantiques.com) Condition: Orotone and broadside are in excellent condition. Very minor abrasions to frame, primarily to the corners.
• COLLECTION OF TOUR-ISSUE DRUMSTICKS
  COLLECTION OF TOUR-ISSUE DRUMSTICKS OF VARIOUS ROCK GRO...Collection of Tour-Issue Drumsticks of Various Rock Groups, Some Signed. Circa 1990s - 2000s. From the collection of KGGO (Des Moines) radio host Steve Pilchen, approximately 50 sticks, some unpaired, with both used and new examples, including Jason Bonham (Zildijan Artists Series, signed by Bonham with a hand-drawn three-circle Led Zeppelin logo); Cinderella (signed by Fred Coury); Eric Singer/KISS (Zildijan Artists Series; two different sets); Van Halen; Bill Gibson/Huey Lewis; Trans-Siberian Orchestra (signed); Simon Kirke; Nickelback; Rikki Rockett's; Velvet Revolver; Government Mule (signed by Matt Abts); L.A. Guns/ Steve Riley; Sammy Hagar Band (signed by David Lauser); Blackfoot (signed by Michael Sollars); REO Speedwagon (signed by Bryan Hitt); Warrant; Rod Stewart; Intruder; Carter Beauford; Michael Foster/Firehouse; and others.
• CHARLES M. RUSSELL (AMERICAN
  CHARLES M. RUSSELL (AMERICAN 1864-1926) A BRONZE BUST, ...CHARLES M. RUSSELL (American 1864-1926) A BRONZE BUST, "A Native American Piegan Woman," CIRCA 1902, with dark brown patination and wearing elaborate earrings above a broad waved shawl clasped at the center with a large button over a domed circular base, verso signed "CM Russell / © 1902," incised bull's skull, raised on a Rouge Royale marble block base. Height: 6 1/4" Width: 4" Depth: 3 1/4" Note: The Piegan/Piikani people compose the largest group of the three that make the Blackfoot Confederacy.They speak Algonquian and were traditionally a nomadic people of the Northern Plains from Montana to Alberta Canada. They can be found in neighboring areas such as Idaho, British Columbia and Saskatchewan but today most live on the Piikani First Nation in Alberta and the Blackfeet Nation in Montana. Condition: Good condition with some surface buildup in areas from handling otherwise good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• KARL BODMER "ENCAMPMENT OF THE
  KARL BODMER "ENCAMPMENT OF THE PIEKANN" AQUATINTJohann Carl "Karl" Bodmer (Swiss/French, 1809-1893). Aquatint on paper titled "Encampment of the Piekann Indians," depicting the Piegan Blackfoot camp near Fort McKenzie. Further titled in German and French. Engraving by Beyer and Hurlimann. Published in Paris by Arthus Bertrand, in Coblenz by J. Hoelscher, and in London by Ackerman & Co. Provenance: from the collection of an important Minneapolis institution. Sight; height: 15 1/4 in x width: 19 3/4 in. Framed; height: 27 in x width: 30 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• MORT GRAHAM - A NATIVE HERITAGE
  MORT GRAHAM - A NATIVE HERITAGE PRINT SERIESFeatured in this lot is this print series by Mort Graham, titled "A Native Heritage", and printed by Zenith Graphics of Alberta, Canada. The series includes the portraits of multiple prominent Native American Indian figures, in the likes of a paper bound booklet, and ten individual loose prints. The figures included in the project consists of Pakan a Cree Chief, Big Plume A Sarcee, Big Bear Cree Chief, Medicine Calf or Button Chief War Chief of the Southern Bloods, Poundmaker A Cree Chief, Eagle Tail Head Chief of the Northern Piegans, Bull Head Head Chief of the Sarcee, Red Crow Head Chief of the Southern Bloods, Old Sun Head Chief of the Northern Blackfoot, Crowfoot Head Chief of the Northern Blackfoot. Each portrait is based off of a photograph of the chiefs, and is accompanied by a short biography. The series was used as a guest list for the 25th anniversary of Helena, Montana "Frontier Town" creators and owners, John and Sue Quigley. Frontier Town was the first of its kind, it is stated on a historical website "Constructed primarily of native logs and stone, Frontier Town was built almost singlehandedly by one determined and talented man -- John R. Quigley (1915-1979). With the help of his wife Sue Quigley, his children Jack, Peter and Kitty Ann, John operated and continually upgraded Frontier Town for over three decades.". The condition of this collection of portraits shows well preserved condition with a small tear in the spine of the folder but otherwise shows no obvious signs of damage to the portraits. The measurements of each of these portraits is 18 x 13 7/8".
• B.L. KELLEY 1987 LARGE BOWIE
  B.L. KELLEY 1987 LARGE BOWIE KNIFE & BEADED SHEATHThe lot features a large, custom made B.L. Kelley bowie knife from circa 1987 in a very clear, Rudy Ruana Bowie Knife pattern. The knife is nearly identical to the 1960’s R.H. Ruana Bonner, Montana 41D M bowie knife. This knife shows a broad drop point blade, commonly referred to as a bowie knife or Texas toothpick, with a fantastic crosspiece made from solid brass with polished acorn like bawl guard ends. The handle is a robust large one piece, hidden tang example with large Elk antler having dark rosewood / walnut spacers and brass pommel end cap. The blade is marked, “B. L. KELLEY 1987”. The knife is paired with a leather hide matched sheath with thick harness leather wrapped hide hide with leather fringes and covered on the front with Northern Plains style glass beadwork with a geometric pattern, Blackfoot / Blackfeet style pattern. The knife is truly a large, heavy and very well made, handmade example with fine sharp edge and nearly identical Rudy Ruana pattern. From a Utah collection. The knife by itself measures 14.5”L overall with a 9”L blade. The guard is 4 5/8”W. The sheath is approx.. 13”L by 6.5”W with an additional 49.5”L belt (from end in sheath around back into the sheath). Total weight together of 2 lbs. 6 oz.
• T.J. HILEMAN (1882-1945) LAKE
  T.J. HILEMAN (1882-1945) LAKE MCDONALD LODGE PHOTOFeatured in this lot is this Lake McDonald Lodge photograph from Pennsylvania photographer T.J. Hileman. The hand tinted photograph shows a wonderfully and professionally crafted construction that shows the Lake McDonald with a resort on the left side of the lake and shows a forest at the base of a hill on the right with the dam in the center of the lake. The artist signature is shown in the bottom right hand corner of the photograph. T. J. (Tomar Jacob) Hileman (1882–1945) was an American photographer born in Manor Township, Armstrong County Pennsylvania, who is renowned for his photos of Glacier Park in Montana, and Blackfoot people. After working a while in Chicago and graduating from Effingham School of Photography there, he moved to Colorado and began to take photographs. In 1911, Hileman moved to Kalispell, Montana to open his own portrait studio. He and Alice Georgeson were the first couple to marry in Glacier National Park in 1913. Appointed the official photographer for the Great Northern Railway in 1924, Hileman took photos of Glacier National Park and Waterton Lakes National Park in Alberta, Canada, moving bulky camera equipment by packhorse, even at times perching on a narrow ledge to get just the right image on film. He also photographed the Prince of Wales Hotel in Waterton, Alberta, which was built by the railway. In 1926, Hileman opened photo-finishing labs in both Glacier Park Lodge and Many Glacier Hotel, which were convenient for tourists who could drop off their film in the evenings and pick up their prints the next morning. The condition of this this framed hand painted shows no obvious signs of damage to the photograph and shows some wear to the frame due to age. The measurements of this framed photograph is 14 1/4" x 20 1/2" and the visible photograph measures 12 3/4" x 19".
• MONTANA BLACKFEET BEADED HIDE
  MONTANA BLACKFEET BEADED HIDE HIGH TOP MOCCASINSThe lot features a set of beaded tanned hide high top moccasins from the Blackfeet / Blackfoot Indians of Montana from the 20th Century. The set shows glass trade seed beads in a geometric banded classic Northern Plains design with fancy beaded edge on the top. The tops and bottoms are sewn together. The base foot has a nice foot wear pattern. The set displays beautifully and shows little to no bead loss with soft hide. Dan Paynich Great Falls, Montana collection. Each measures about 9 3/8"L sole by 3 5/8"W and 13.5"H. Total weight of 10 oz.
• RARE BLACKFEET QUILLED & BEADED
  RARE BLACKFEET QUILLED & BEADED BUFFALO HEADDRESSThis is an incredible, large buffalo horn headdress with polychrome painted buffalo trailer along with beadwork and quillwork from the Blackfeet Indians of Montana. This is truly a large, heavy head dress / headdress that features a long polychrome painted and decorated buffalo / bison hide trailer that hangs off the back of the headdress. The headdress is comprised of an Indian tanned buffalo hide cap that hangs down the back around 18-inches along with two full, polished buffalo horns affixed to the cap with thick buffalo hide lacing. There is a beautiful beadwork blue brow band showing a wonderful hour-glass or snake pattern done with early glass trade seed beads in cobalt and sky padre light blue. There are several drops of old trade clothe, beads, trade ribbons and two drops of what appears to be human hair, but could be horse tail hair tied onto the side temple areas along with older brass sewing thimbles. The inside of the cap bonnet is lined with old trade clothe. The buffalo hide trailer is attached to the cap with thick hide lacing and measures 58 inches in length by about 12 inches in width. It is artfully decorated with painted designs and symbols, strips of hide lacing and twenty-four large tarnished metal trade sleigh bells / large hawk bells. The painted symbols are in a wonderful Blackfeet / Blackfoot fashion, said to represent the owner’s war exploits and life experiences. There is a pictorial scene with a Blackfoot warrior holding a tomahawk and what appears to be a gunstock war club and a horse. The horse scene has a unique object painted in front of the horse that is noted by such scholars such as John Ewers wrote about it being some kind of “thing” or mystery object. Some theorize that it could be a medicine bundle, but mainly nicknamed the “thing”. It appears in other documented Blackfeet rock art pictographs and paintings with horses, similar to how it appears here in the scene with the horse. There are other painted symbols and designs which are documented as Blackfoot in colors of yellow, green, red and blue. The artwork is extensive and masterfully done. Above the beaded brown band shows large solid brass concho button spots in a long row on trade clothe muslin. The tip of each polished buffalo horn shows four Indian tanned hide fringes wrapped in porcupine quill, quillwork with natural ocher / ochre mineral pigment dyes having small rolled tin jingle dangle cones and brass covered metal hawk trade bells. The headdress was noted by the Ted Levy collection as being from the Indian Wars era of the 19th Century, circa 1880, please examine the pictures and preview the piece in order to deduce your own representation of age and origin. The headdress or war bonnet shows a combination of early 19th Century materials and manufacture with some later repairs or additions, but overall a historic, large and impressive war bonnet headdress. Some stiffening to the back hide, the top is soft, little to no hair loss to the hide, only slight bead and quill loss, some fading to the paint, but overall the piece displays beautifully. Taylor and Levy noted the piece was likely used later on, on the Indian Reservations for ceremonial purposes. Measures overall 68”L from the tip of the horn to the bottom of the trailer and about 18 inches wide. Total weight of 4 lbs. 10 oz.
• CA. 1900- BLACKFEET BEADED PIPE
  CA. 1900- BLACKFEET BEADED PIPE TOBACCO BAGThe lot features a fantastic circa 1900-1930's Blackfeet / Blackfoot Indian tanned hide beaded pipe bag / tobacco bag. The bag exhibits a traditional pipe bag pattern with logn stove pipe like upper bag and beaded lower section with thin Indian hide fringes below. The top of the bag shows four rounded tabs, mostly seen on Cheyenne examples and typical referred to by collectors as Four-Tab bags. The bag was likely made by a Blackfeet / Blackfoot woman who spent some time with the Cheyenne. The bag shows a Maltese cross like stepped pattern on one side and repetative geometric pattern on the other, all done in early 1900's glass trade seed beads. The beadwork includes colors of greasy yellow, Cheyenne pink, greasy blue, rose, chalk white in petit seed, greasy green, , greasy light sky or padre blue and a bright blue. The outside edge and top four-tabs are all bordered with a chalk white fancy beaded design. The bag was found to be an authentic Blackfeet early 1900 / second quarter 1900 example by the experts at Cowan's Hindman. The bag shows cotton trade thread sewing. Little bead loss, mostly shown with supple hide with the top being partially stiff. Measures overall 23.5"H by 5.5"W with an additional 10"L belt tie. Has a cardboard lining on the inside of the bag for display. Total weight of 8 oz.
• EDWARD SHERIFF CURTIS, (AMERICAN,
  EDWARD SHERIFF CURTIS, (AMERICAN, 1868-1952), BOW RIVER-BLACKFOOT, PHOTOGRAVURE, SHEET: 17 7/16 X 21 3/4 IN., IMAGE: 11 1/2 X 15 1/2 IN., SIGHT: 12 1/2 X 16 1/4 IN., FRAME: 20 X 24 IN.EDWARD SHERIFF CURTIS (American, 1868-1952) Bow River-Blackfoot photogravure sheet: 17 7/16 x 21 3/4 in., image: 11 1/2 x 15 1/2 in., sight: 12 1/2 x 16 1/4 in., frame: 20 x 24 in. photogravure Dimensions: sheet: 17 7/16 x 21 3/4 in., image: 11 1/2 x 15 1/2 in., sight: 12 1/2 x 16 1/4 in., frame: 20 x 24 in. Provenance: The Collection of a Rhode Island Family. Condition: Full sheet. Paper somewhat toned, though not as reddish as it appears in these images. Left, right, and upper edges with deckled edges. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• (2) PAIRS OF BLACKFOOT BEADED
  (2) PAIRS OF BLACKFOOT BEADED MENS LEGGINGS,early 20th c. leather with beaded appliques. Cloth appliques show moth damage, some loss to beading. Fringed trim. One pair has painted tadpole motifs.
• "BLACKFOOT CHIEF" FRANKLIN MINT
  "BLACKFOOT CHIEF" FRANKLIN MINT PEWTER JIM PONTEROfficial issue of the Western Heritage Museum pewter statue by Jim Ponter called "BLACKFOOT CHIEF" Limited edition #733/4500. Measures about 12" tall and is marked on the bottom. Very good condition with no flaws to note. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• JIM PONTER PAINTED PEWTER
  JIM PONTER PAINTED PEWTER "BLACKFOOT CHIEF" STATUEOfficial issue of the Western Heritage Museum pewter statue by Jim Ponter called "BLACKFOOT CHIEF" This version is painted and definitely interesting because most of these pewter statues by Jim Ponter were not painted. Limited edition #2703/4500. Measures about 12" tall and is marked on the bottom. Very good condition with no flaws to note. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• ROBERT LEE TAYLOR, IN SEARCH OF
  ROBERT LEE TAYLOR, IN SEARCH OF THAT SECRET PLACE, 2018Robert Lee Taylor, (Cherokee/Blackfoot, b. 1951) In Search of that Secret Place, 2018, oil on canvas signed lower right: TAYLOR inscribed verso: In Search of / That Secret Place / 2018 / TAYLOR oil on canvas Dimensions: 16 x 12 in. (40.6 x 30.5 cm.) Provenance: Private Collection, Texas
• ROBERT LEE TAYLOR, WHERE DREAMS
  ROBERT LEE TAYLOR, WHERE DREAMS LIVE, 2018Robert Lee Taylor, (Cherokee/Blackfoot, b. 1951) Where Dreams Live, 2018, oil on canvas signed lower right: TAYLOR inscribed verso: When Buffalo Dance / 2018 / TAYLOR oil on canvas Dimensions: 20 x 10 in. (50.8 x 25.4 cm.) Provenance: Private Collection, Texas
• ROBERT LEE TAYLOR, STARS AND
  ROBERT LEE TAYLOR, STARS AND STRIPES, 2018Robert Lee Taylor, (Cherokee/Blackfoot, b. 1951) Stars and Stripes, 2018, oil on canvas signed lower left: TAYLOR inscribed verso: Stars and Stripes / 2018 / TAYLOR oil on canvas Dimensions: 20 x 10 in. (50.8 x 25.4 cm.) Provenance: Private Collection, Texas
• AUTOGRAPHED BLACKFOOT PROMOTIONAL
  AUTOGRAPHED BLACKFOOT PROMOTIONAL PHOTOGRAPH United States,2007Signed by original members Greg T. Walker and Charlie Hargrett, with signatures of 2007 band members Michael Sollars and Bobby Barth.
• ERNEST BERKE (1921-2010)
  ERNEST BERKE (1921-2010) BLACKFOOT TRACKER BRONZEBronze sculpture, "The Blackfoot Tracker," signed in the cast Ernest Berke (Arizona, 1921-2010), dated 1955, numbered 34, deaccessioned from the Pearl Fincher Museum of Fine Arts, gift of The Contemporary Austin, Blanton Museum of Art, bronze: approx 15"h, 17"w, 7.5"d, mounted on a wood base, approx 1.5"h, 19"w, 9.75"d; 41.25lbs total