A few examples of appraisal values for
BLAYLOCK

• BLAYLOCK Ted (American 1946-):
  BLAYLOCK Ted (American 1946-): Western Desert Landscape with Cactus and Mountains OIL/Masonite 8'' x 10'' signed dated '74 carved and gilded wood gesso frame 16'' x 18''. Maine Trail Galleries label affixed verso.
• WILLIAM BLAKESLEY (AMERICAN,
  WILLIAM BLAKESLEY (AMERICAN, 1921-2012), BLUEBERRY PICKERS Lithograph in colors, pencil signed, titled, and numbered 2/25 lower margin, matted and framed.
• BLASHFIELD, Edwin Blashfield,
  BLASHFIELD, Edwin Blashfield, (American, 1848-1936): Study Figure of College of the City of New York, Charcoal, 27'' x 26'', signed lower left, dedicated to Blanche Wilder Bellamy from Ned, carved gesso frame, 42.5'' x 31.25''. 23rd Annual Exhibition of the Architecture of New York label affixed verso. CONDITION: Tonal difference from the top to the bottom, frame has some separation. Not examined out of the frame, sold as is.
• BLASHFIELD, Edwin Blashfield,
  BLASHFIELD, Edwin Blashfield, (American, 1848-1936): College of the City of New York Study for Figure of the University of ?, Charcoal heightened with White, sight size 37'' x 27'', signed and tiled lower right, carved and gilded frame, 46.5'' x 36.'' CONDITION: Several spots of loss, several scattered abrasions in the middle, frame shows minor wear, not examined out of the frame.
• Thomas Todd Blaylock
  Thomas Todd Blaylock (1876-1928)/Moonlit Bay/gouache, 17.75cm x 30.5cm
• Blayney (Thomas Andrews, Maj.
  Blayney (Thomas Andrews, Maj. Gen. Lord) Narrative of a Forced Journey through Spain and France as a Prisoner of War, 2 vols., 8vo., cont. half black leather, Kerby 1814 and 8 others
• BLAY LORIC OIL ON CANVAS PORTRAIT
  BLAY LORIC OIL ON CANVAS PORTRAIT OF WOMANBlay Loric. Oil on canvas of a fashionably dressed woman. Signed lower right. Wear and loss to frame lower right, small losses to paint upper right. Sight: 23" x 19" Frame: 32 1/2" x 28"
• Ross Bleckner (American b. 1949)
  Ross Bleckner (American b. 1949) Untitled 1980 oil on paper signed Ross Bleckner and dated (verso) 40 x 30 inches.
• BLASHFIELD, Edwin Blashfield,
  BLASHFIELD, Edwin Blashfield, (American, 1848-1936): ''Study for A Girl of Mercy'', in the Courthouse of Oaks Barre, Charcoal, sight size 37.5'' x 24.5'', signed lower left, titled mid-margin, framed, 44'' x 29.75''. CONDITION: Scattered staining, several abrasions, some loss around the edges. Not examined out of the frame, sold as is.
• ROSS BLECKNER (b. 1949): UNTITLED
  ROSS BLECKNER (b. 1949): UNTITLED 1991 Lithograph signed lower left numbered 58/125 lower right unframed. Provenance: Property from the collection of Jan Cowles. 20 x 16 in.
• LUCAS BLALOCK (B. 1978): WOOD
  LUCAS BLALOCK (B. 1978): WOOD IMAGESprinted photoraph on board, mounted to frame; unsigned; 27 1/2 x 22 inches; 28 1/4 x 22 3/4 inches frame Provenance: Provenance: The Estate of Juliet McIver Condition:
• BLAKE JONES (AMERICAN/ILLINOIS,
  BLAKE JONES (AMERICAN/ILLINOIS, B. 1988)Blake Jones (American/Illinois, b. 1988), "Enjoy Your Worries", 2021, 8-color screenprint, signed and inscribed "AP" lower center, dia. 16 in., unframed. Condition: Overall good condition.
• Manner of Ralph Albert Blakelock
  Manner of Ralph Albert Blakelock (i) Native American Encampment (ii) Moonlit Landscape Estimate:$700-$900
• Ralph Albert Blakelock American,
  Ralph Albert Blakelock American, 1847-1919 Lone Figure in a Landscape Estimate:$6,000-$8,000
• GARFINCKEL'S BLACK AVANT GARDE
  GARFINCKEL'S BLACK AVANT GARDE BLOUSE. Mock turtleneck; darted and flared; zipper closure.
• Ralph Albert Blakelock American,
  Ralph Albert Blakelock American, 1847-1919 River Landscape Estimate:$7,000-$9,000
• BLAKELOCK Ralph Albert. O/B
  BLAKELOCK Ralph Albert. O/B Sunset Landscape.Not apparently signed. Old label verso. Ralph Albert Blakelock American 1847-1919. From the now defunct Boris Mirski Gallery Boston. Dimensions: 5.5'' high x 8'' wide. Condition: Craquelure scattered inpainting throughout with larger areas of inpainting through center and lower right corner. Cradling to board verso.
• ELLSWORTH KELLY (b. 1923): BLEU
  ELLSWORTH KELLY (b. 1923): BLEU CLAIR SUR VERT CLAIR Serigraph in colors 32 7/8 x 22 3/8 in. (sight) 33 1/2 x 23 in. (sheet) signed and numbered 69/75. Provenance: Albright-Knox Gallery NY.
• RONALD LANGLEY BLOORE (CANADIAN
  RONALD LANGLEY BLOORE (CANADIAN 1925-2009) PAINTING # 15 Gesso on masonite: 24 x 24 in. Framed; verso signed and inscribed: Bloore/ painting 1965 / # 15 Provenance: From the artist and by descent to the present owner
• BILL BLASS BLUE AND BLACK IKAT
  BILL BLASS BLUE AND BLACK IKAT JACKET Size 12. - New with tags.
• BETTY ANGLIN SMITH "BLAIRS BLUFF
  BETTY ANGLIN SMITH "BLAIRS BLUFF II" O/C 2001 Betty Anglin Smith (South Carolina b.1946), 2001, "Briars Bluff II", oil on canvas depicting a colorful landscape scene of marshland, signed at lower left, signed, dated, and titled en verso, unframed. Canvas approx h.40.375", w. 36".
• RALPH A. BLAKELOCK: "DARKNESS
  RALPH A. BLAKELOCK: "DARKNESS COMING"oil on wood panel 13 x 19 1/4 inches Condition:
• SALLY GALL (b. 1956): "BLENHEIM"
  SALLY GALL (b. 1956): "BLENHEIM" Black and white photogravure 16 x 20 in. (sight) titled signed and dated 1980.
• Alexander Blaikley (British
  Alexander Blaikley (British 1816-1903)/Portrait of Mrs Jones of Pantglas/half-length/oval/pastel, 52cm x 41cm/Note: Margaret Charlotte Campbell, daughter of Sir George Campbell of Edenwood, Fife, married David Jones MP of Pantglas in 1845
• Carle J. Blenner (1862-1952 New
  Carle J. Blenner (1862-1952 New Haven CT) Phlox and Harbor
• Alexander Blaikley (Scottish
  Alexander Blaikley (Scottish 1816-1903)/Portrait of Mary Eleanor Geraldine Jones/Portrait of Louise Madeleine Maria Jones/Portrait of Alfred Campbell Hallyburton Jones/all of Pantglas Hall, Carmarthen/signed and dated/oval/pastel, the son 70cm x 51.5cm, the daughters 54.5cm x 44.5cm
• CHANEL CREAM SILK BLOUSE 1980s;
  CHANEL CREAM SILK BLOUSE 1980s; retailed Bergdorf Goodman.
• BLAKE BOYD (AMERICAN), AUTOPSY II
  BLAKE BOYD (AMERICAN), AUTOPSY II Mixed media on board, signed and inscribed to verso, 1991, framed.
• Sallie Lee BloutMahood
  Sallie Lee BloutMahood (American) oil on canvas on board signed LR depicts the Blue Ridge Mountains and small town framed slight toning wear to frame ss: 14 1/8'' h. x 21 1/2'' w.
• BLAKE JONES (AMERICAN/TEXAS, B.
  BLAKE JONES (AMERICAN/TEXAS, B. 1988)Blake Jones (American/Texas, b. 1988), "Squad Goals (Green Variant)", 6-color screenprint, pencil-signed lower right, pencil-numbered "23/35" lower left, 23 5/8 in. x 17 3/4 in., unframed. Condition: Overall good condition.
• RALPH ALBERT BLAKELOCK O/B
  RALPH ALBERT BLAKELOCK O/B MOONLIT LANDSCAPERalph Albert Blakelock (American, 1847-1919) oil on wood panel, moonlit landscape, with heavily forested foreground and moon rising against a cloudy sky; the moon is reflected in the ground or possibly a pool below. Signed R.A. Blakelock lower right in red. Rococo style whitewashed giltwood carved frame. Authenticated by Norman A. Geske of the Nebraska Blakelock Inventory in 1976. Label verso for University of Nebraska Blakelock Inventory No. 909 (full record number is NBI-909-II). Additional label with handwritten inscription "Tennessee Fine Arts Center Nashville Tenn." 5 3/8" x 7 3/4" sight, 12" x 15" framed. Biography (courtesy Askart and Michael Zellman, 300 Years of American Art): Ralph Albert Blakelock studied briefly at Cooper Union, and at the Free Academy of the City of New York. In 1867, he first exhibited at the National Academy of Design. Primarily self taught, he declined his wealthy father's offer to pay for more extensive art schooling, and in 1869, embarked on a horseback tour of the West that lasted several years. He lived with Plains Indians, painting pictures of their villages, and traveled and painted through the Rockies and the Sierra Nevadas and in San Francisco and Mexico. His western paintings were in the Hudson River style, although they were rough and more painterly. Returning to New York, he developed what became his signature expression: quiet, moody, nocturnal scenes accented with bright colors depicting light, and trees silhouetted against the sky. He had a labor-intensive technique, which was building up of multi layers of thick paint, scraping some away, and "adding more to build a complex tonality". (Zellman 420). In 1899, Blakelock had a mental breakdown. He spent the final two decades of his life in a mental institution in New York. It was only in the final few years before his death that collectors began paying substantial sums of money for his work. Provenance: The living estate of Dr. and Mrs. Benjamin H. Caldwell, Nashville, TN, ex-Tennessee Fine Arts Center at Cheekwood. (Higher-resolution photos are available at www.caseantiques.com) Condition: Painting: Drying cracks resulting in "alligatored" appearance to paint, 1/4" area of abrasion along perimeter of left edge. Frame: Losses to two corners, some small cracks, two 1/2" losses to inner edge molding, scattered small surface layer losses.
• MIXED MEDIA, NAYLAND BLAKE
  MIXED MEDIA, NAYLAND BLAKE Nayland Blake (American, b. 1960), Untitled, 1991, mixed media with chalkboard, aluminum, sintro, and paper, overall: 24"h x 18"w x 9"d. Provenance: Purchased from Mincher/Wilcox Gallery, San Francisco, CA.
• PAIR OF GOV. WILLIE BLOUNT LAND
  PAIR OF GOV. WILLIE BLOUNT LAND GRANTSPair of Willie Blount Land Grants. No. 2172 and No. 5209. 1st item: 1810 signed Tennessee Governor Willie Blount (1768-1835) and Secretary Robert Houston (1765-1834) land grant awarding 160 acres to John Davis in Rutherford County, TN. Willie Blount's half brother was William Blount. He was elected as one of the judges of the Superior Court of Law and Equity in 1796. Blount was elected to the 7th Tennessee General Assembly in 1807 and served until he was elected Governor in 1809. He was re-elected in 1811 and 1813. Blount ran for Governor later in 1827, but was defeated by Samuel Houston. Houston served as Knox county sheriff, tax assessor, county trustee, and justice of the peace before serving as Secretary of State. He later was appointed by President James Monroe to run survey lines of tracts of land reserved to the Cherokee Nation in Tennessee, North Carolina, and Alabama. 15 3/4" x 13". 2nd item: 1813 signed Tennessee Governor Willie Blount (1768-1835) and Secretary William Grainger Blount (1784-1827) land grant awarding 50 acres to John Davis in Davidson County, TN. William Grainger Blount was the eldest son of William Blount, nephew of Gov. Willie Blount, practiced law in Knoxville and became the owner of Blount Mansion after serving three terms in the TN House of Representatives. 15 1/2" x 12 3/4". Provenance: the estate of Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: 1st item: Fold lines and creases. 1 1/2" tear at center fold. 1/4" loss at center and edge. General toning. 2nd item: Fold lines and creases. 1/8" loss at center and 1/4" loss at left side center. Scattered stains, mainly upper left quadrant. General toning.
• Ceramic blackamoor, in two
  Ceramic blackamoor, in two sections, wearing turban and holding pillow, mid 20th century, 43 in. Repairs to pillow mounts, some abrasions, retouch, tape residue. The Estate of the Late John R. Jones, Hickory, North Carolina.
• JEAN-CHARLES BLAIS (b. 1956):
  JEAN-CHARLES BLAIS (b. 1956): "UNTITLED #3685 " FROM THE "SUITE NIPON POUR C.B." Linocut print on paper 30 x 19 3/4 in. (sheet) signed titled dated and numbered 5/25 in pencil.
• ROSS BLECKNER (AMERICAN B. 1949)
  ROSS BLECKNER (AMERICAN B. 1949) A PRINT, "BONFIRE," 20...ROSS BLECKNER (American b. 1949) A PRINT, "Bonfire," 2007, etching and aquatint printed in colors on wove paper, signed and dated in pencil L/R, numbered 9/35 L/L; 28 1/2'' x 27 1/2'', framed 32'' x 31''. Condition: The full sheet with no visible damage. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.”