A few examples of appraisal values for
BLUE CHURCH

• GEORGE BROWN CHURCH BANK c. 1870's
  GEORGE BROWN CHURCH BANK c. 1870's hand painted in red white and blue stenciled sides coin slots appear in church roof lettered w/reference to Good Children's bank scarce example. 12 1/2'' h. Ingersoll Collection. Some wear fringe missing to one side of steeple otherwise (VG Cond.)
• American pictorial and verse sampler,
  American pictorial and verse sampler, central red brick church over "St. Johns Church built 1828/Consecrated October 1839", eight line religious verse, signed "Elizabeth Spencers Work Aged 17 years 1840", two pairs of angels with flowerpots, roses, large birds, other animals, strawberry vine border, silk on linen, 25 x 25-1/2 in. (sight); mahogany veneer frame, probably original. Losses to linen and silk, especially at border, fading, foxing, sampler has been conserved and mounted to muslin backing; veneer loss to one corner of frame.
• American School painting, church
  American School painting, church at the end of a path, label verso "Swedenborgian Church - Montclare [sic], N.J.", bears signature lower right "G. Inness 1892(?)", oil on canvas, 18 x 14 in.; 19th century gilt wood and composition cove molding frame. Restretched on old stretcher, lined, retouch lower left corner upper third at former tears and at bottom middle, light grime; frame with abrasions. The Estate of the Late Reverend O. Leland Gilmore, Maryville, Tennessee
• Blue transfer bowl, beaded border,
  Blue transfer bowl, beaded border, principal building of the Transylvania University, Lexington, Kentucky with cows in foreground, fruit and leaf borders, "13" under glaze, Enoch Wood & Sons, 2-3/4 x 11-1/2 in. (Larson No. 66), good condition with very slight scratches . Richard Marden, 1973
• CHURCH TOWERS STILL BANK Cast iron
  CHURCH TOWERS STILL BANK Cast iron intricate casting effects makes this incredibly visually appealing inserts are red and blue simulating stained glass effect bottom debossed with makers pat. pending. 6 3/4'' h. (Near Mint Cond.)
• VINTAGE ARCHITECTURAL WOOD CATHEDRAL
  VINTAGE ARCHITECTURAL WOOD CATHEDRAL CHURCH MODEL United States,20th CenturyArchitectural model of a Christian church in the shape of a cross with red and blue colored rose window over a set of three wooden doors, features a spire and simulated glass windows, finished in gray paint.
• A ROUND STAINED AND LEADED GLASS
  A ROUND STAINED AND LEADED GLASS CHURCH WINDOW, PUA ROUND STAINED AND LEADED GLASS CHURCH WINDOW, purportedly from the oldest United Methodist Church in Boise, Idaho, established 1874, now fully restored, 42"D.
• Ecclesiastical Mosaic set in Marble
  Ecclesiastical Mosaic set in Marble American early 20th century a stone and glass mosaic of the Christ Child against a cross surrounded by amber marble on a solid slate backing; 44.5 x 28.25 in. Founded in 1827 St. Paul's Episcopal Church was originally located in downtown Albany New York on Lancaster Street. ''Old St. Paul's'' and the ninety surrounding blocks were slated for demolition in the 1950s to make way for a new government project Albany's Empire State Plaza. This piece was removed from the building prior to demolition in the mid-1960s.
• COVERLET - Blue and White Summer/Winter
  COVERLET - Blue and White Summer/Winter Jacquard Coverlet in two panels with alternating church and eagle border rose blossom field dated 1833 marked 'Mary Oxtoby Benton NY' roughly 72'' x 84'' fine condition.
• (2) VINTAGE CAST METAL BUILDING
  (2) VINTAGE CAST METAL BUILDING STILL BANKS Including: "Little Brown Church in the Vale", brown painted surface, 4" high; and House with projecting front and painted hex signs, 3 1/2" high. Paint losses.
• LOT OF THREE LITTLE BROWN CHURCH
  LOT OF THREE LITTLE BROWN CHURCH EXAMPLE STILL BAN All done in die-cast and depict the famed Iowa church each painted in brown and sold in varying size with post card containing ''the Little Brown Church '' one plays the song two are penny banks. 5 1/4'' x 6 1/4''. (Exc. Cond.)
• BIRD HOUSE - Maine Folk Art Church
  BIRD HOUSE - Maine Folk Art Church Form Birdhouse in black and white painted pine with a two-column front and steeple six holes on sides 32'' tall at steeple 25'' x 28'' at eaves weathered.
• Upchurch, a two-handled blue/green
  Upchurch, a two-handled blue/green vase, 25.5cm high and three other vases (2 images)
• STEPHEN WHITE (NC), WOMAN BEFORE
  STEPHEN WHITE (NC), WOMAN BEFORE A BAROQUE CHURCH Oil and gold leaf on birch panel, signed and dated 2002 at upper right.
• JOHN P. WHEAT (AMERICAN, CONNECTICUT,
  JOHN P. WHEAT (AMERICAN, CONNECTICUT, 1920-1980), OIL AND TEMPERA ON BOARD, "CHURCH BY THE SEA", WHITE NEW ENGLAND-STYLE CHURCH WITH...John P. Wheat (American, Connecticut, 1920-1980), oil and tempera on board, "Church by the Sea", white New England-style church with green shutters and brick chimney, sits at the end of dirt road on top of a slight hill covered in browned grasses, sea and shoreline in distance, unsigned, attributing inscription verso, not examined out of frame, wear consistent with age, ss: 7 3/4" h. x 9 3/4" w.
• BIRD HOUSE - Maine Folk Art Church
  BIRD HOUSE - Maine Folk Art Church Form Birdhouse in black and white painted pine with a two-column front and steeple six holes on sides 32'' tall at steeple 25'' x 28'' at eaves weathered.
• * American School (20th century)
  * American School (20th century) Impressionistic View of a Church oil on canvas signed illegibly lower right 11 1/2 x 15 1/2 inches.
• IMPORTANT EARLY CHURCHES ISLAND
  IMPORTANT EARLY CHURCHES ISLAND CANVASBACK Churches Island, North Carolina, circa 1900, carved and painted wood, very early iron ballast.
• SHELL ART CHURCH. American 20th
  SHELL ART CHURCH. American 20th century. Large church with steeple and porch covered in shells. Replaced cross. 18''h. 19''w.
• RILEY BEASLEY (NC, 1883-1951),
  RILEY BEASLEY (NC, 1883-1951), BLUEBILL Churches Island, North Carolina, circa 1920, carved and painted wood.
• Herbert Hanush (American/New Orleans,
  Herbert Hanush (American/New Orleans, 20th Century) "The White Church, Convent, LA", watercolor on paper, sight 15" x 10", signed lower right "Herbert Hanush". Glazed, matted and presented in a stained oak frame.
• NEW ENGLAND CHURCH FORM STILL BANK
  NEW ENGLAND CHURCH FORM STILL BANK Early 20th c. Cast Iron Architectural Bank, in the form of a 19th c. country church, white painted surface with gilt trim, with metal alloy steeple, 7 1/2" high, 7 1/4" x 4 1/4". Base plate dented, paint losses.
• SET THREE STAINED GLASS CHURCH
  SET THREE STAINED GLASS CHURCH WINDOWS 20th century. Comprising two vertical arched panels surmounted by roundel flanked by two smaller shaped windows. Within arched painted wood frame - 87 in. x 60 in.
• MONUMENTAL GOTHIC PAINTED CHURCH
  MONUMENTAL GOTHIC PAINTED CHURCH SHUTTER probably late 19th century with serpentine Gothic arch over sloped slats painted light gray - h:92 w:36.50 d:6 in.
• British School (18th Century)
  British School (18th Century) "Ancient European Abbeys, Churches and Nunneries", suite of eight hand-colored copper engravings, by Nathaniel Buck, sight 8" x 15". Glazed, handsomely matted and framed en suite.
• LITHOGRAPH WITH COLOR, "THEOLOGICAL
  LITHOGRAPH WITH COLOR, "THEOLOGICAL SEMINARY AND PROTESTANT EPISCOPAL CHURCH" AFTER J. EVERS, 1841, LITHO BY C BARTLETT, NY, FRAMED...Lithograph with color, "Theological Seminary and Protestant Episcopal church" after J. Evers, 1841, litho by C Bartlett, NY, framed behind glass, wear consistent with age including waving of paper, overall toning, ss: 12 1/2" h. x 19 3/4" w.
• CHURCH AND HOUSE POTTERY STILL
  CHURCH AND HOUSE POTTERY STILL BANKS Dark brown glazed still banks nice detail to shingles wood and brick designed buildings. 3 3/8'' - 3 1/2'' h. Hole at bottom of church done for coin retrieval otherwise (VG to Exc. Cond.)
• (American, 20th century) Great
  (American, 20th century) Great Rose Window, Central Methodist Church in Richmond, Indiana stained glass design, watercolor "Stewart-Carey Glass Company, Inc., Indianapolis, Indiana" written in pencil verso 8"Diam.
• English Watercolor of a Church.
  English Watercolor of a Church. Signed lower right. From a Queens, NY estate. Dimensions: 19"h x 26"w
• BEN SHUTE "VILLAGE SCENE W/ CHURCH"
  BEN SHUTE "VILLAGE SCENE W/ CHURCH" W/C Benjamin E. Shute (American / Georgia 1905-1986), "Village Scene with Church" - Coyoacan Mexico, 1948," watercolor on paper depicting an architectural view of a church with figures in the foreground, pencil signed, titled, and dated to upper left, framed. Approximate measurements: sight h. 21. 5", w. 30. 5"; frame h. 30. 625", w. 39. 5", d. 2".
• FOLK ART CHURCH MODEL - Maine-Made
  FOLK ART CHURCH MODEL - Maine-Made 1920s Folk Art Church covered in seashells with sand painted trim and windows made by Walter P. Winchenbach of Waldoboro his initials are on the back 24 1/2'' tall at steeple 13'' x 18'' at base minor losses.
• FOLK ART CHURCH MODEL - Maine-Made
  FOLK ART CHURCH MODEL - Maine-Made 1920s Folk Art Church covered in seashells with sand painted trim and windows made by Walter P. Winchenbach of Waldoboro his initials are on the back 24 1/2'' tall at steeple 13'' x 18'' at base minor losses.
• Two Bayard Wootten Charleston photos
  Two Bayard Wootten Charleston photos (New Bern, North Carolina, 1875-1959): St. Michael's Church, signed on mat in pencil "Bayard Wootten", label "St. Micheal's [sic] Church" in ink by same hand, loose in frame; St. Philip's Church, signed on mat in pencil "Bayard Wootten", label affixed lower left "St. Philips Church" in ink by same hand, both silver gelatin prints, 13-1/2 x 10-1/2 in.; modern wood frames. Laid down on acidic card, areas of retouch, toning, minor foxing; frames with abrasions. Private South Carolina Collection
• Miniature on ivory, church interior
  Miniature on ivory, church interior with saint in purple chasuble being struck by a bolt of lightning, unsigned, watercolor on ivory, European, possibly 19th century, oval 2-1/2 x 2-1/8 in.; modern black-painted frame. Laid down on paper, light abrasion at edges. Property of a Charleston Lady
• COVERLET. Dark blue ground with
  COVERLET. Dark blue ground with birds urn and foliate decoration inside a building decorated border. 86'' x 80''.
• British School watercolor, bird's
  British School watercolor, bird's eye view of a British town with central church, unsigned, watercolor and ink on card, 19th century, 11-1/2 x 29-1/4 in.; original 19th century painted gilt and stained wood cove molding frame, églomisé mat. Varnish yellowed, fading, toning, some water staining; frame with abrasions, flaking to églomisé.