A few examples of appraisal values for
BONINGTON

• JONATHAN BUDINGTON, PORTRAIT OF A
  JONATHAN BUDINGTON, PORTRAIT OF A LITTLE GIRL IN A PINK...Jonathan Budington, portrait of a little girl in a pink dress with landscape background, oil on canvas mounted on baord, 19th century, (relined). 16 1/2" x 13 1/2". Literature: Having letters of opinion from several experts with it. Provenance: From the Lance & Irma Keller Collection, Bloomfield, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• A Bourne Denby cream and black
  A Bourne Denby cream and black glazed stoneware ''Danesby Ware'' figure of a seated puppy in the manner of ''Bonzo'' 7ins high (worn and scratched throughout - black printed mark to base)
• Beswick St Bernard 2221 Matte and a
  Beswick St Bernard 2221 Matte and a Comical Dog Praying 2130 (2)
• JOAN BLAEU BEDFORDSHIRE AND
  JOAN BLAEU BEDFORDSHIRE AND BUCKINGHAM MAPS. Bedfordiensis Comitatus Anglis Bedford Shire and Buckinghamensis Comitatus Anglis Buckingham Shire: Colored engravings from Atlas Novus; Frame: 25.50'' x 30'' 16.50'' x 20.9'' Condition: No Specific Condition Recorded - Sold As Is
• Painting, manner of Bonington,
  Painting, manner of Bonington, "Wayside Cottage", signed lower left "Bonington 18…", manner of Richard Parkes Bonington (British, 1801-1828), oil on canvas, 14 x 12 in.; gilt wood and composition frame. Areas of overcleaning, restretched on old stretcher, lined, retouch primarily in sky, crackle, cupping; frame resurfaced, abrasions, loss to composition. Tennessee, Private Collection
• R. BONINGTON MANNER OIL ON CANVAS
  R. BONINGTON MANNER OIL ON CANVAS Richard Parkes Bonington (British / French, 1802-1828) manner oil sketch on canvas, depicting seaside landscape with house, figures, and sailboat, plaque affixed to bottom of frame inscribed: "Bonington." Image: 10.75" H x 16.75" W; frame: 18.75" H x 25.25" W x 2.25" D. Areas of craquelure, some staining / discoloration in upper right quadrant, small abrasion / gouge to canvas in lower right quadrant.
• AFTER RICHARD PARKES BONINGTON
  AFTER RICHARD PARKES BONINGTON (UNITED KINGDOM, 19TH CENTURY), COASTAL SCENE WITH FIGURES ON SHORE AND IN DORIES., OIL ON CANVAS, 11" X 16". FRAMED 17.5" X 22.5".AFTER RICHARD PARKES BONINGTON, United Kingdom, 19th Century, Coastal scene with figures on shore and in dories. Signed lower right "R.P. Bonington". Dimensions: Oil on canvas, 11" x 16". Framed 17.5" x 22.5".
• (VIEW) MASSACHUSETTS - COVERING
  (VIEW) MASSACHUSETTS - COVERING BLANDFORD THROUGH BRIGHTON: 75 POSTCARDS EARLY 20TH CENTURY(VIEW) MASSACHUSETTS - COVERING BLANDFORD THROUGH BRIGHTON: 75 POSTCARDS, Early 20th Century, E.K. Lincoln estate (photo) and five other early Blandford views, Bolton Public Library (photo), store and Town Hall (Boxford), five Boylston photo cards including flag-draped Odd Fellows Hall, four Braintree photos (Hampton House, Town Hall, Thayerlands and street scene), Daily's farm produce, East Bridgewater "Waiting Room", "Monatiquot River East From Old Hobart Mill". Brant Rock: early views include: Peach Haven Hotel, business section and esplanade, Ocean House and post office and Brant Rock House. Bridgewater real photos (35 cards): railroad station, mounted and foot soldiers unloading from a train, Central St., two cards of canoeing on the river, street views, haying, "The Shacks, Millette Memorial Hospital" and more. Early: Tinkham's Corner, Millet Sanitorium, Hunting's and Central Squares, Carver Cotton Gin Works, several factory cards, Old Blacksmith Shop and more. Provenance: The Estate of Hilary Bamford.
• ATTRIBUTED TO RICHARD PARKES
  ATTRIBUTED TO RICHARD PARKES BONINGTON (1802 - 1828):oil on wood panel; unsigned; pencil inscription to panel verso "[illegible] Bonington [illegible] petit [illegible]"; paper label verso "Papeterie, Reliure / Encadrements / Mayet / Rue du Petit Musc 3
• ALEXANDER JAMIESON (BRITISH
  ALEXANDER JAMIESON (BRITISH 1873-1937), BODDINGTON HILL, WENDOVER, MIXED MEDIA ON LINEN, FRAME: 26 X 36 INAlexander Jamieson (British 1873-1937), Boddington Hill, Wendover, Mixed Media on Linen, Frame: 26 x 36 in
• (VIEW) MASSACHUSETTS - COVERING
  (VIEW) MASSACHUSETTS - COVERING BALDWINSVILLE THROUGH BLACKSTONE EARLY 20TH CENTURY(VIEW) MASSACHUSETTS - COVERING BALDWINSVILLE THROUGH BLACKSTONE, Early 20th Century, Real photo: Boxboro Old Home Day, Boston Duck Co. Mill (Bondsville), Washington Square Beachmont. Early: Burrage Railroad Station, Smith, Day & Co. Chair Factory, Old Wooden Bridge and Ware River Train (Baldwinsville), New England Box Co., "Francis Willey Co. S.Mill, South Barre", "The New England Stage-Coach" (Barre), classroom interior (Henry Woods High School), Bicknell Rd. (Bayview - photo), "Blondon" and railroad crossing (Bayview), Belmont Railroad Station, seven differing real photo Camp Becket cards including all campers and counselors holding college pennants. Also: Bernardston photos of South St. looking north, The Basket Mart and Pioneer Gift Shop and an unnamed street view. Early Bernardston railroad depot, summer home of President Taft (Beverly) and Billerica photos of "The Square", Boston Road and Town Hall. Provenance: The Estate of Hilary Bamford.
• Beswick Connoisseur Model of
  Beswick Connoisseur Model of Champion Welsh Mountain Pony ''Gredington Simwnt 3614
• H. J. BODDINGTON LANDSCAPE
  H. J. BODDINGTON LANDSCAPE PRINTColorful mountain scene with lake cattle and boat in foreground. Titled ''When Shadows Fall'' by H.J. Boddington English artist (1811-1865). 10'' H x 14'' L sight 17''H x 21'' W frame. Mid 20th century. Private collection Rochester MI.
• JEREMY KING (BRITISH 1933-)
  JEREMY KING (BRITISH 1933-) BOLTON LE SANDS (LANCASHIRE UK) Color lithograph: 19 x 25 1/2 in. (sight) Framed; lower left numbered 272/300; lower right signed Jeremy King
• Benneson de Janes (American, b.
  Benneson de Janes (American, b. 1935) "Cabins in a Hilly Landscape", 1916, pastel, signed and dated lower right "de Janes 1916", 17" x 20-1/2". Matted and framed.
• Bluck after Angelo/Views of Windsor
  Bluck after Angelo/Views of Windsor Castle and Eton/five coloured aquatints, 13cm x 19.5cm
• * A Staffordshire Bocage Group
  * A Staffordshire Bocage Group depicting a courting couple seated beneath a flowering arbor. Height 7 3/4 inches.
• Beswick Connoissuer Hereford Bull
  Beswick Connoissuer Hereford Bull 1363C Matt on wood plinth
• BEATRICE PARSONS (1870-1955):
  BEATRICE PARSONS (1870-1955): BORDERS AT BLICKLING HALL NORFOLK Watercolor on paper signed lower right. With label from Christopher Wood London. 14 x 17 3/4 in. (sight) 22 1/2 x 25 1/2 in. (frame). Notes: Beatrice Parsons painted Lady Lothian's parterre in the first years of the 20th Century. The painting shows foreground plants which are easily identified: a judicious mixture of hardy perennials and colourful annuals obviously chosen for late-summer effects. In 1872 W.A. Nesfield was called in by the Countess of Lothian to lay out a new parterre at the same time that Sir Digby Wyatt completed the walled terrace and steps to the east and the central fountain basin and statues were brought from the ruined Elizabethan mansion Oxnead Hall near by. Nesfield brother-in-law of the architect Anthony Salvin often collaborated with Sir James Barry in so-called Italianate garden style using elaborate patterns of low box hedging to enclose beds of coloured gravels or annuals. Literature: Country Life May 22 1986. Penelope Hobhouse & Christopher Wood Painted Gardens English Watercolours 1850-1914 1988 pp. 104 - 105 plate 64. Estate of Katherine W. Mellon Stonington CT.
• J. BURLINGTON SMITH, ANTIQUE
  J. BURLINGTON SMITH, ANTIQUE PHOTOGRAPH OF DARJEELING Warm-toned photograph on textured paper, with "J. Burlington Smith" and "Darjeeling" printed at lower left and right, framed.
• JAMES KING BONNAR (MASSACHUSETTS,
  JAMES KING BONNAR (MASSACHUSETTS, 1883/85-1961), “ROCKY NECK GLOUCESTER MA”., OIL ON CANVAS BOARD, 18” X 25”. FRAMED 23.5” X 30.75”.JAMES KING BONNAR, Massachusetts, 1883/85-1961, "Rocky Neck Gloucester MA". Signed lower right "James King Bonnar". Dimensions: Oil on canvas board, 18" x 25". Framed 23.5" x 30.75".
• Beswick St Bernard 2221 Matt and
  Beswick St Bernard 2221 Matt and Golden Retriever 2287
• THOMAS LUPTON. "THE MEET AT
  THOMAS LUPTON. "THE MEET AT BLANGDON," COLOR ENGRAVING Color engraving, sight size: 22 x 32 in., framed.
• Beswick Jersey Bull 1422 and
  Beswick Jersey Bull 1422 and Hereford Bull 1363B (2)
• BONNIE MARRIS (MICHIGAN, BORN 1951)
  BONNIE MARRIS (MICHIGAN, BORN 1951) TWO OFFSET LITHOGRAPHSBONNIE MARRIS (Michigan, born 1951) two offset lithographs: "New Beginnings," bison and a forest fire; elk and swans in winter. Both signed, edition 734/1000 and 268/1000, images measure 28.25" x 20" and 15" x 28", unframed. "New Beginnings" includes its original folio.
• BOSTON, MASSACHUSETTS PEWTER PINT
  BOSTON, MASSACHUSETTS PEWTER PINT MUGBoston, Massachusetts pewter pint mug , bearing the touch of Robert Bonning (Bonynge), the body engraved The Gift of Mr. William Johnson to the Church in Southborough 1747 , 4 3/4" h. Provenance: Northeast Auctions, Laughlin Collection, August 3 2008, lot 1323. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• Hunt after Fox coloured aquatint
  Hunt after Fox coloured aquatint The Battery Brighton IOB 1061 5.75 x 9.5in. and Baxter St Peter's Church Brighton IOB 749; Daniell Brighton IOB 33 and Grath Brighton from the Race Hill IOB 29 Estimate ?150-200 FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?150
• English School, 16th
  English School, 16th Century/Portrait of a Nobleman/possibly Sir Henry Bedingfeld of Oxburgh Hall, Norfolk/half-length, wearing a black doublet and fur trimmed coat, a jewelled black cap and ornate gold chains suspending a seal fob/inscribed upper left An Dn 1566 and upper right Aeta Sua 51/oil on panel, 45.5cm x 31cm, laid on a modern linen backed wood panel/Provenance: from the collection of Harry Wolton QC
• Beswick Jersey Bull 1422 and a
  Beswick Jersey Bull 1422 and a Hereford Cow 1360 (2)
• Henry John Boddington (British,
  Henry John Boddington (British, 1811-1865) "Landscape View with Farmer Seated on a Fence and Children Gathering Hay", oil on panel, 14" x 18", unsigned, panel verso retains old paper labels "No. 3 Autumn/H. J. Boddington/_____ Road/Pentonville, London" and "Mr. Elkington/No. 6 Bradshawgate". Presented in a late 19th-century giltwood frame.
• Bishop (JG) 'Brighton in the
  Bishop (JG) 'Brighton in the Olden Time', Brighton, 1892. With 9 others re Brighton and environs (10)/Provenance: The Estate of Anthony J Beeson
• JOHN BORNET, TRINITY CHURCH NY,
  JOHN BORNET, TRINITY CHURCH NY, EX DONALD HEALD 1850, lithograph in colors mounted on sheet with gold border design, from the "Views of New York" series, , published by Henry Hoff, framed under glass, 9"h x 11.5"w (sight), 19.25" x 21.25"w (frame)
• Henry Somerset, 8th Duke of
  Henry Somerset, 8th Duke of Beaufort (British, 1824-1899) (Editor) THE BADMINTON LIBRARY OF SPORTS AND PASTIMES THE BADMINTON LIBRARY OF SPORTS AND PASTIMES
• Brighton and its environs: A
  Brighton and its environs: A large quantity of mainly modern works on the area, books, guides and ephemera (quantity)/Provenance: The Estate of Anthony J Beeson
• UNSIGNED MONUMENTAL BOSTON STUDIO
  UNSIGNED MONUMENTAL BOSTON STUDIO PORTRAIT STUDY, CIRCA 1910 Gridded Study of a Young Girl with Her Cat in Her Lap, oil on canvas, unsigned, chiaroscuro on tan with some color to her face, she is dressed in a 'sailor's' outfit with a large bow in her hair, wearing 'sensible' shoes, turning to look at the viewer, in a modern black slat frame, OS: 48 1/2" x 42 1/2", SS: 48" x 42". One repaired puncture at her ear.
• After Francis Grant (Scottish,
  After Francis Grant (Scottish, 1803-1878) "Sir Richard Sutton and the Quorn Hounds", color mezzotint, engraved by Frederick Bromley (1832-1870), published by John O'Malley & Son, London, retains label en verso "Geo Biddle & Sons Ltd., North Street, Brighton", sight 26" x 41-1/4". Glazed and handsomely framed.