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ARTHUR CLIFTON GOODWIN
ARTHUR CLIFTON GOODWIN ILLUMINATED BOSTON PAINTING Massachusetts, New York, New Hampshire,1864-1929Impressionist depiction of a Boston street speckled with people walking at dusk. Goodwin was a plein air urban scene painter and self taught following the Ashcan School led by Robert Henri and gained recognition from other famous artists including John Singer Sargent, Mrs. Jack Gardner, and John T. Spaulding.
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A. C. GOODWIN PLEIN AIR LANDSCAPE
A. C. GOODWIN PLEIN AIR LANDSCAPE PASTEL DRAWING Massachusetts, New York,1864-1929Depicts open fields framed by tall green trees and farm houses in the distance. Goodwin was a member of the Guild of Boston Artists with exhibitions and showings at the St. Botolph and Union Clubs, Doll and Richards, Vose Galleries, Copley Gallery, National Academy of Design, Milch Galleries in New York, Brooklyn Museum, the Art Institute of Chicago, and many others.
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Arthur Clifton Goodwin
Arthur Clifton Goodwin (American/New Hampshire, 1864-1929) "Boston From M.I.T.", oil on canvas, 14" x 18", signed lower left, retains gallery label en verso "Arvest Galleries, Inc., Boston, Mass.", signed in pencil on stretcher verso. Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Arvest Galleries, Boston, Massachusetts, dated October 23, 1985.
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ATTRIB. A. GOODWIN IMPRESSIONIST
ATTRIB. A. GOODWIN IMPRESSIONIST BOSTON PAINTING Arthur Clifton GoodwinMassachusetts, New York, New Hampshire,1864-1929Attributed to Arthur Clifton Goodwin depicting a Boston waterfront with traditional brick architecture.Oil on boardBoard 24" x 20",Frame 29" x 25"From the collection of a Providence, Rhode Island gentleman.
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ARTHUR CLIFTON GOODWIN
ARTHUR CLIFTON GOODWIN (1864-1929, MA, NY, NH),ESPECIALLY KNOWN FOR HIS SCENES OF BOSTON. OIL PAINTINGS ON CANVAS DEPICTING A BOSTON SCENE IN WINTER TITLED "T WHARF", MFA EXHIBITION LABEL ON VERSO. SIGHT SIZE 29" X 36". OVERALL 37" X 43 3/4". LATER CARVED WOODEN FRAME. SHOWS VERY MINOR INPAINTING ON EDGES.
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ARTHUR CLIFTON GOODWIN, AMERICAN
ARTHUR CLIFTON GOODWIN, AMERICAN (1866-1929), "PUBLIC GARDEN", BOSTON, 1923, OIL ON CANVAS, 20 X 26 INCHESARTHUR CLIFTON GOODWIN, American, (1866-1929) "Public Garden", Boston, 1923, oil on canvas signed lower left "A.C. Goodwin", signed, titled and dated on the reverse oil on canvas Dimensions: 20 x 26 inches Provenance: The artist; to his friend, Private Collection, Massachusetts; by descent in the family to Private Collection, Connecticut Framed dimensions: 27 1/2 x 33 x 2 inches Tags: oil painting, listed artist, 20th century, Boston commons, downtown Boston, Public Gardens Condition: overall very good to excellent condition; unlined canvas; slight stretcher bar mark visible along the top; a few very minor dots of restoration apparent under UV We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
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ARTHUR GOODWIN PASTEL LANDSCAPE
ARTHUR GOODWIN PASTEL LANDSCAPE DRAWING Massachusetts, New York,1864-1929Depicts open pastures with full trees and distant houses on a bright clear day. Goodwin was largely self taught, taking inspiration from the Ashcan School. Goodwin was a member of the Guild of Boston Artists with exhibitions and showings at the St. Botolph and Union Clubs, Doll and Richards, Vose Galleries, Copley Gallery, National Academy of Design, Milch Galleries in New York, Brooklyn Museum, the Art Institute of Chicago, and many others.
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Arthur Clifton Goodwin
Arthur Clifton Goodwin (American/Massachusetts, 1864-1929) "Boating", pastel on board, sight 12-1/4" x 18", signed lower right "A. C. Goodwin", retains gallery label en verso "Galleries Maurice Sternberg, 612 North Michigan Avenue, Chicago, Illinois". Glazed and presented in a contemporary giltwood frame bearing brass artist plaque. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Galleries Maurice Sternberg, Chicago, Illinois, dated January 30, 1986.
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ARTHUR CLIFTON GOODWIN,
ARTHUR CLIFTON GOODWIN, (AMERICAN, 1864-1929), QUINCY MARKET, BOSTON, OIL ON CANVAS, 30 X 36 IN., FRAME: 35 1/4 X 41 1/2 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) Quincy Market, Boston, oil on canvas signed A.C. Goodwin lower right oil on canvas Dimensions: 30 x 36 in., frame: 35 1/4 x 41 1/2 in. Provenance: The Collection of a Boston Institution. Condition: Repaired tear upper right corner, otherwise in fine condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
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ARTHUR CLIFTON GOODWIN
ARTHUR CLIFTON GOODWIN (MASSACHUSETTS/NEW YORK, 1864-1929), HARBOR SCENE WITH BOATS AT DOCK AND FISHERMEN IN THE FOREGROUND., OIL ON CANVAS, 35” X 41”. FRAMED 42.5” X 48.5”.ARTHUR CLIFTON GOODWIN, Massachusetts/New York, 1864-1929, Harbor scene with boats at dock and fishermen in the foreground. Probably Gloucester Harbor, Massachusetts. Signed lower left "A.C. Goodwin". Housed in a Newcomb-Macklin frame. Dimensions: Oil on canvas, 35" x 41". Framed 42.5" x 48.5". Provenance: Notes:While perhaps most famous for his works depicting Boston, Gloucester Harbor was also a popular subject for Arthur Clifton Goodwin. Another of his views of the harbor is in the permanent collection of the Minneapolis Institute of Art.
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A. C. GOODWIN 'ROLLING HILLS,
A. C. GOODWIN 'ROLLING HILLS, WESTON, VT.' O/C Arthur Clifton Goodwin (American 1864-1929), 'Rolling Hills, Weston, VT;' oil on canvas, depicting a tree on a hillside overlooking rolling hills with various scattered structures, signed to lower right, signed en verso, framed. Provenance: Skinner Auctions, American & European Paintings, November 18, 2005, Lot 265. Approximate dimensions: canvas h. 30", w. 40"; frame h. 35.75", w. 45.75", d. 2.25"
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ARTHUR CLIFTON GOODWIN,
ARTHUR CLIFTON GOODWIN, (AMERICAN, 1864-1929), NEW BRITAIN, OIL ON CANVASBOARD, 16 X 20 IN., FRAME: 21 1/2 X 25 1/2 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) New Britain, oil on canvasboard signed A.C. Goodwin, l.l.; titled verso 16 x 20 in., frame: 21 1/2 x 25 1/2 in. Provenance: The Collection of a Massachusetts Lady. Condition: Condition: Overall good condition.
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Large framed and matted engraved
Large framed and matted engraved print "Boston" engraved by C. Mottram (after). 29.5"x42.5"
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Two hand colored engravings after
Two hand colored engravings after J.W. Woodward. Includes ''City of Boston'' and ''City of Providence''. Both are engraved by E.P. Brandard after J.D. Woodward. Framed matted and under glass in gold and black tone frames. Condition: minor discoloration to paper white spots to lower margins on first engraving and upper margins on second minor wear to frames see images. Each measures 7'' tall x 10'' wide (sight) and 12.25'' tall x 15.5'' wide (frame). Total weight 4.1 lbs.
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OOB - 'Boston Bay' by George Curtis
OOB - 'Boston Bay' by George Curtis (MA 1829-1881) signed lr and dated 1879 titled verso in his hand a nocturnal scene with two sailing boats and a steam/sail ship underway in period gilded frame SS:10'' x 14'' OS: 13 3/4'' x 17 3/4'' cleaned very li
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ARTHUR CLIFTON GOODWIN,
ARTHUR CLIFTON GOODWIN, (AMERICAN, 1864-1929), T WHARF, BOSTON, OIL ON CANVAS, 38 X 43 3/4 IN.; FRAME: 44 X 49 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) T Wharf, Boston, oil on canvas Signed A.C. Goodwin l.r.; signed, titled, and numbered, verso 38 x 43 3/4 in.; frame: 44 x 49 in. Provenance: Estate of the artist; Wildenstein & Co., New York; Dr. Arthur and Mrs. Hope S. Miller, ca. 1966. Exhibitions: New York, Wildenstein & Co., Arthur C. Goodwin, December 1946-January 1947, no. 13, p. 12 (illustrated). Condition: Scattered restoration throughout; small horizontal tear (approx 5/8 in.) along upper edge.
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OOB - 'Boston Bay' by George Curtis
OOB - 'Boston Bay' by George Curtis (MA 1829-1881) signed lr and dated 1879 titled verso in his hand a nocturnal scene with two sailing boats and a steam/sail ship underway in period gilded frame SS:10'' x 14'' OS: 13 3/4'' x 17 3/4'' cleaned very li
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ARTHUR CLIFTON GOODWIN,
ARTHUR CLIFTON GOODWIN, (AMERICAN, 1864-1929), OLD DAYS - T WHARF, BOSTON, OIL ON CANVAS, 33 X 40 IN., FRAME: 43 X 50 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) Old Days - T Wharf, Boston, oil on canvas signed A.C. Goodwin lower right; titled and signed verso oil on canvas Dimensions: 33 x 40 in., frame: 43 x 50 in. Provenance: The Collection of a Massachusetts Gentleman. Condition: Overall good condition. Minor pulling of canvas in upper right corner; faint stretcher wear across top edge, most visible in raking light. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
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AFTER THOMAS POWNALL, VIEW OF
AFTER THOMAS POWNALL, VIEW OF BOSTON(British, 1722-1805)
A View of the City of Boston the Capitol of New England/Drawn on the spot by his Excellency, Governor Pownal 1757, engraving on wove paper, sheet 9-1/4 x 19-3/4 in.; painted wood frame, 17-1/2 x 28 in.
Note: This is a later version of Pownall's view, published in Drake's History and Antiquities of Boston.
Condition:
hinged in, with folds as issued, light toning and foxing
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VIEW OF BOSTON IN 1848 BY EDWIN
VIEW OF BOSTON IN 1848 BY EDWIN WHITEFIELD (ENGLAND/AMERICA 1816-1892). Boston: Whitefield and Smith 1848 lithograph on paper. Published as number 9 in Whitefield's Original Views of North American Cities. Imperfections. 23''h. 45''w. (sight) matted and framed 32 1/4''h. 52 1/4''w. Stains some toning large tear.
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John Carwitham/ Engraver "A
John Carwitham/ Engraver "A South-East View of the City of Boston in North America" hand-colored copper engraving published by Bowles and Carver London "J. Whatman/ Turkey Mill/ 1819" paper image including text 11 1/4 in. 17 1/4 in. sheet 12 3/4 in. x 18 1/4 in. Note: Based on the original drawing by William Burgis this fourth and final state of the scarce print has "Great Town" replaced by "City" in the title. Reference: Deak Picturing America pg. 86; Stokes and Haskall American Historical Prints pg. 14.
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ARTHUR CLIFTON GOODWIN, AMERICAN
ARTHUR CLIFTON GOODWIN, AMERICAN 1864-1929, SNOWY TREMONT STREET, LOOKING TOWARD PARK STREET CHURCH, OIL ON CANVAS, 30 X 40 IN., FRAME: 39 1/2 X 49 1/2 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) Snowy Tremont Street, Looking Toward Park Street Church, oil on canvas signed A.C. Goodwin lower right oil on canvas Dimensions: 30 x 40 in., frame: 39 1/2 x 49 1/2 in. Provenance: The Collection of a Beacon Hill, Boston Gentleman. Condition: Lined, with scattered areas of restoration throughout visible under UV; presents well to the eye. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
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Hand-colored map "Vue de Boston"
Hand-colored map "Vue de Boston" c.1775 Grave par Francis Xau Habemann. 13.25"x18.25"
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[New England] Collection of over 35
[New England] Collection of over 35 titles with emphasis on Massachusetts including: Coffin Old Times in the Colonies; Abbott Old Paths and Legends of New England; Thwing The Crooked and Narrow Streets of Boston Estimate $ 200-300
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Hand-colored map c.1775 "Vue de
Hand-colored map c.1775 "Vue de Boston" Grave par Francois Xau Habermann. 14.25"x19"
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RARE ENGRAVING A VIEW OF THE CITY
RARE ENGRAVING A VIEW OF THE CITY OF BOSTON''Together with a printed map Sketch of the Battle of Bunker Hill by a British Officer. Published by George Smith June 17 1843. 14 x 21. Unframed. Engraving marked The Capital of New England in North America and Drawn on the Spot by his Excellency Governor Pownal 1757. 12 x 21. Unframed.''
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GIFFORD BEAL, (AMERICAN,
GIFFORD BEAL, (AMERICAN, 1879-1956), BOSTON VIEW, 1915, PASTEL, SIGHT: 11 1/2 X 15 1/4 IN., FRAME: 19 3/8 X 22 5/8 IN.GIFFORD BEAL, (American, 1879-1956) Boston View, 1915, pastel signed and dated G Beal '15, l.r. sight: 11 1/2 x 15 1/4 in., frame: 19 3/8 x 22 5/8 in. Provenance: Duncan and Marjorie Phillips (founders of the Phillips Collection, Washington, D.C.); by descent to Elizabeth Hood Phillips; the collection of a Washington, D.C. gentleman. Condition:
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ARTHUR CLIFTON GOODWIN,
ARTHUR CLIFTON GOODWIN, (AMERICAN, 1864-1929), FIFTH AVENUE, NEW YORK, NEAR ST. PATRICK'S, OIL ON CANVAS, 38 X 44 IN., FRAME: 44 X 50 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) Fifth Avenue, New York, Near St. Patrick's, oil on canvas signed A.C. Goodwin, l.r. 38 x 44 in., frame: 44 x 50 in. Provenance: The Collection of a Massachusetts Lady. Condition: Condition: Wax lined; stable craquelure, primarily in upper left quadrant.
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ARTHUR CLIFTON GOODWIN,
ARTHUR CLIFTON GOODWIN, (AMERICAN, 1864-1929), VILLAGE WITH HARBOR VIEW, OIL ON CANVAS, 44 X 52 IN., FRAME: 52 X 60 IN.ARTHUR CLIFTON GOODWIN, (American, 1864-1929) Village with Harbor View, oil on canvas signed A.C. Goodwin, l.l. 44 x 52 in., frame: 52 x 60 in. Provenance: The Collection of a Massachusetts Lady. Condition: Condition: Wax lined.
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Boston Massachusetts silk on
Boston Massachusetts silk on linen needlework memorial dated 1831 wrought by Louisa Nourse in memory of Jabes Frederick d. 1819 ... ?
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CANDACE LOVELY (1953-, SOUTH
CANDACE LOVELY (1953-, SOUTH CAROLINA,Massachusetts) The Green Wall 1999. Unframed oil painting on canvas panoramic view of Fenway Park during the 1999 All Star Game. Signed lower right. Signed and dated on the verso. 30" x 46". Excellent condition.
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AFTER J. HILL, ENGRAVED BY C.
AFTER J. HILL, ENGRAVED BY C. MOTTRAM, VIEW OF BOSTON, COLOR ENGRAVING, FRAMED, 39-1/2 X 51-3/4 INAfter J. Hill, Engraved by C. Mottram, View of Boston, Color Engraving, Framed, 39-1/2 x 51-3/4 in
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GOOD GROUP OF EPHEMERA. Includes a
GOOD GROUP OF EPHEMERA. Includes a copy of the March 17 1718 edition of The Boston News-Letter and English manuscript document dated 1680 and two bank notes: a $5 Louisiana note and a $50 Confederate note.
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2 MFA BOSTON BROAD COLLECTIONS
2 MFA BOSTON BROAD COLLECTIONS EXHIBITION POSTERS Boston, Massachusetts,2002Two street lamp posters for the Boston Museum of Fine Arts exhibition "Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections". Each decorated on verso, one with a Roy Lichtenstein the other with an Andy Warhol self portrait series.
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BOSTON, ENGRAVED BY C. MOTTRAM
BOSTON, ENGRAVED BY C. MOTTRAM AFTER THE WATERCOLOR BY J.W. HILLBoston, engraved by C. Mottram after the watercolor by J.W. Hill image: 24 x 38 in., plate: 28 x 41 1/2 in., frame: 37 1/2 x 50 1/2 in. Provenance: Provenance: Property of a New England Collector. Condition: Overall good condition; text in lower margin appears slightly rubbed or over-cleaned.
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ARTHUR CLIFTON GOODWIN(American,
ARTHUR CLIFTON GOODWIN(American, 1864-1929)
Spring Scene, signed lower right "A.C. Goodwin", pastel on board, 17-1/4 x 23-1/4 in.; gilt wood frame, 21-1/2 x 27-1/2 in.
Provenance: Shore Gallery, Boston, Massachusetts (label verso)
Condition:
minimal smudging, laid on another board, some wear at edges not visible under frame; frame with minimal wear