A few examples of appraisal values for
BOURBON STREET

• After William Woodward
  After William Woodward (American/New Orleans 1859-1939) "Rue Toulouse in 1904 from French Opera House Toward the Old Basin"; "Madame John's Legacy"; "The Bourdette Family Grocery"; "Poydras Market"; "Ursuline Convent" and "French Quarter Street Scene"; seven photogravures sight 6 1/4 in. x 8 in. all matted and framed alike.
• Sydney Kittinger (American/New
  Sydney Kittinger (American/New Orleans 1921-1997) "Dancing on Bourbon Street French Quarter" 1954 watercolor and graphite on paper signed and dated lower center sight 10 3/4 in. x 13 3/4in. framed.
• Colette Pope Heldner
  Colette Pope Heldner (American/New Orleans, 1902-1990) "Mardi Gras, Bourbon Street", oil on canvas, signed and inscribed lower left "Colette New Orleans", titled, signed and inscribed "French Quarter, Old New Orleans" on canvas verso, 24" x 30". Unframed.
• Eugene Daymude (American/New
  Eugene Daymude (American/New Orleans 1925-1995) "Second Line at the Maison Bourbon Bourbon and St. Louis Streets French Quarter" c. 1972 oil on canvas signed lower right 50 1/2 in. x 138 in. unframed. Provenance: Ex-Collection Maison Bourbon Bourbon Street French Quarter New Orleans. Commissioned by the owner of the Maison Bourbon in the 1970s the mural hung above the bar for over thirty years. Note: During the 1970s numerous clubs featuring traditional New Orleans and Dixieland Jazz thrived on Bourbon Street in the heart of the French Quarter. On the corner of Bourbon and St. Peter Street sits the historic two-storied brick building once a private residence then a grocery and ultimately converted into the nightclub The Maison Bourbon with the motto "Dedicated to the Preservation of Jazz." Many of the leading jazz musicians of the day including Lucien Barbarin and Les Muscutt played at the club but perhaps the most famous of all was the young Harry Connick Jr. As a child from ages five to fourteen Harry regularly visited The Maison Bourbon with his parents: Harry Connick Sr. New Orleans District Attorney and musican and Anita Livingston Connick a judge and accomplished flutist. Recognized as a child prodigy Harry would be invited to join the band as piano player. According to Connick a call from the stage would come "Hey Harry Jr.! We're going to have Harry Jr. come up and play a tune with us! I would go up and play a couple of numbers and then sit back down. It was the greatest feeling in the world." Above the bar of the club hung the lively and memorable mural of a nighttime second line parade meandering down Bourbon Street. Local artist Eugene Daymude well known for his French Quarter courtyard scenes was commissioned by the club owner to paint a mural of a brass band flanked by two flambeau carriers and led by a Grand Marshal spectators lining the sidewalk. The street lamp on the left reveals the location as the corner of Bourbon and St. Peter Street in front of The Maison Bourbon. Decorating the walls of the Maison Bourbon were portraits of nationally renowned jazz musicians painted by local artists. Representing the early generation of legendary musicians were paintings of New Orleans born trumpeters Louis Armstrong and Bunk Johnson as well as renowned saxophonist Charlie Parker and trumpeter Thomas Jefferson. Portraits of musicians with ties to New Orleans such as drummer Paul Barbarin and trumpeter Al Hirt were also included. Banjo players Gus Cannon and Emanuel Sayles as well as trumpet player Roy Liberto represented the generation of musicians who played at the club. Reference: "Harry Jr. New Orleans Crooner and Actor " American Way Magazine www.americanwaymag.com
• Franz Weiss (American/Louisiana
  Franz Weiss (American/Louisiana 20th c.) a pair of paintings of "Bourbon Street Vieux Carré New Orleans" and "Pirate's Alley Vieux Carré New Orleans" both oil on canvas both signed and dated "1968"lower left 16 in. x 12 in. in matching period frames.
• E. Steves (American/Mid-20th
  E. Steves (American/Mid-20th Century) "The French Quarter, New Orleans, Across the Street from the Upper Pontalba Building", ink and watercolor on paper, sight 9-1/2" x 8", signed lower left "E. Steves". Glazed, matted and presented in a giltwood frame.
• Southern School (20th Century)
  Southern School (20th Century) "Madison Street, French Quarter", 1941, pen and ink drawing, signed and dated lower right "M. Boyd '41", sight 8-1/2" x 6". Glazed, matted and framed. Provenance: Collection of Dr. James W. Nelson, Gonzales, Louisiana.
• Plan of New Orleans the Capital
  Plan of New Orleans the Capital of Louisiana, hand-colored engraving showing the layout of city blocks, ship anchorages, and street names listed in French, such as "Rue de Bourbon", by Robert Benning, published by The London Magazine in 1761, sheet size 8-1/4" x 10-7/8". Unframed.
• NESTOR HIPPOLYTE FRUGé
  NESTOR HIPPOLYTE FRUGé (AMERICAN/LOUISIANA, 1914)Nestor Hippolyte Frugé (American/Louisiana, 1914-2011) , "Pirate's Alley" and "French Quarter Patio", 2 watercolors on paper, signed lower left or right, "The Bourbon Street Gallery, New Orleans" stamps en verso and on reverse of mats, 15 in. x 11 in. and 15 1/4 in. x 11 1/4 in., framed alike . (2 pcs.) Condition: Each in overall good condition. Ext. Frames: 21 1/2 in. x 17 1/2 in. x 1 in
• A Group of Five Vintage New Orleans
  A Group of Five Vintage New Orleans Photographs including two by Swinney (American/New Orleans 20th c.) "Patio Royale French Quarter" and "Brulatour Courtyard French Quarter" c. 1930s hand-colored photographs latter signed lower right both titled and inscribed en verso 7 in. x 5 in. and 5 in. x 7 in. respectively; M. L. Draper (American/New Orleans 20th c.) "Pirate's Alley New Orleans LA" hand-colored photograph signed lower right titled en verso 6 3/8 in. x 4 1/2 in.; attributed to D.T. MacRoberts (American/New Orleans 20th c.) "Rue Chartres New Orleans" c. 1930s-1940s bromoil print unsigned titled en verso image 7 1/2 in. x 5 in. sheet 10 in. x 8 in.; and Theodore "Fonville" Winans (American/ Louisiana 1911-1992) "Pirate's Alley New Orleans" c. 1930s silver gelatin print (printed from a duplicate negative) embossed signature lower right "Southern Photographic Images The Fonville Winans Collection Baton Rouge" stamped en verso 7 in. x 5 in. accompanied by an information sheet from Southern Photographic Images all framed (5 pcs.)
• BRUCE BORDELON (AMERICAN/LOUISIANA,
  BRUCE BORDELON (AMERICAN/LOUISIANA, B. 1940)Bruce Bordelon (American/Louisiana, b. 1940), "New Orleans French Quarter", 1993, oil on canvas, signed lower left, signed, dated and inscribed on stretcher, partial sketch en verso, 24 in. x 18 in., framed, overall 30 1/2 in. x 24 1/8 in. x 2 1/4 in. Condition: Overall good condition.
• New Orleans School (21st
  New Orleans School (21st Century) "Lively French Quarter Street Scene Looking Towards the Central Business District", oil on canvas, 22" x 27", signed and dated lower right "Wendell 2K0". Unframed.
• Le Faubourg Saint Germain,
  Le Faubourg Saint Germain, Editions Des Deux-Mondes.
• [NEW ORLEANS NIGHTLIFE][New Orleans
  [NEW ORLEANS NIGHTLIFE][New Orleans Nightlife] , Kinney, Robert, The Bachelor in New Orleans, A handbook for unattached gentlemen and ladies of spirit visiting or resident in the Paris of America, Bob Riley Studios, New Orleans, c. 1945, with hand-block prints by Eugenia and Bob Riley , 9 in. x 6 in. , 9 in. x 6 in.
• Louis Oscar Griffith (American,
  Louis Oscar Griffith (American, 1875-1956), New Orleans street scene depicting Madame Begue's famous restaurant on the corner; color aquatint; 9 3/4" x 11 3/4"; pencil signed and numbered 74 lower margin. Griffith studied at the St. Louis School of Fine Arts, the Art Institute of Chicago, and also in Paris and Brittany as well as the National Academy of Design.
• New Orleans School (20th
  New Orleans School (20th Century) pair of photogravures, consisting of a view of "St. Charles Street" and "The Milkman" who is stopped in front of the La Louisiane Hotel and Restaurant at 719 Iberville Street, both are sight 7-1/2" x 9-3/4", published by Frank Gordon & Son, New Orleans, Louisiana, extensive descriptive information on each locale found on labels en verso. Glazed, matted and framed en suite.
• Eugene E. Loving (American/New
  Eugene E. Loving (American/New Orleans 1908-1971) a pair of etchings including "Bourbon Street Patio Old New Orleans" and "Napoleon House Patio Old New Orleans" both pencil-signed titled and numbered each sight 7 3/4 in. x 5 1/2 in. matted and framed alike.
• New Orleans School (Mid-to-Late
  New Orleans School (Mid-to-Late 20th Century) "French Quarter Street Scene with Figure", pastel and charcoal on paper, sight 12" x 10", signed lower right "Frank John". Glazed, matted and presented in a giltwood frame.
• Louisiana School 20th c. "Pirates
  Louisiana School 20th c. "Pirates Alley" and "French Quarter View of St. Louis Cathedral" c. 1960 oils on canvas unsigned each 24 in. x 10 in. framed alike.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) "French Quarter Street Scene", charcoal and ink on paper, 21" x 19-1/2", signed lower right: "Villery/NewOrleans/'53". Glazed and presented in a carved and polychromed frame.
• New Orleans School (20th
  New Orleans School (20th Century) "View of a French Quarter Street Through a Wrought-Iron Balcony", watercolor, 22" x 15-1/2", signed lower left "Mansfield". Glazed, handsomely matted and framed.
• ALVIN BATISTE
  ALVIN BATISTE (AMERICAN/LOUISIANA, B. 1962)Alvin Batiste (American/Louisiana, b. 1962), "Bourbon St., New Orleans, LA", 1999, acrylic on canvas, signed and dated lower right, signed, titled and dated on stretcher, 17 3/4 in. x 24 in., unframed; together with "Baptism", acrylic on paperboard, signed and dated lower right, sight 11 in. x 14 in., framed. (2 pcs.)
• Charles Hultberg (American/New
  Charles Hultberg (American/New Orleans, 1874-1948) "French Quarter Street Scene", watercolor and gouache on paper, sight 11" x 9", signed lower left "C. Hultberg". Glazed, double matted and presented in a stained wooden frame.
• Jim Blanchard
  Jim Blanchard (American/Louisiana, b. 1955) "View of a French Quarter House on Burgundy Street", 1991, watercolor, signed and dated "Jim Blanchard '91", sight 8" x 5-1/4". Glazed, handsomely matted and framed. Provenance: Private collection, Birmingham, Alabama.
• New Orleans School (20th
  New Orleans School (20th Century) "Street Scene, French Quarter, New Orleans", acrylic on canvas board, 11-1/2" x 15-1/2", indistinctly signed lower left. Presented in a giltwood frame.
• Xavier de Callatay (American, b.
  Xavier de Callatay (American, b. Belgium/New Orleans, 1932-1999) "French Quarter Street Scene", lithograph, sight 8-3/4" x 11-1/2", signed and dated lower right "Xavier de Callatay '56". Glazed, matted and presented in an ebonized frame.
• New Orleans School (21st
  New Orleans School (21st Century) "French Quarter Street Scene", oil on canvas, 20" x 24", signed and dated lower left "Wendell 2K2". Unframed.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) "Pirate's Alley", 12-1/2" x 10-1/2", signed lower right "W. Buchol". Presented in a polychromed and parcel-gilt frame.
• FRENCH QUARTER PRINTSFrench Quarter
  FRENCH QUARTER PRINTSFrench Quarter Prints , "Pirates Alley", "The Brulatour Courtyard" and "French Quarter Courtyard", 1936, 3 etchings on paper, each unsigned, one dated and inscribed on backing paper, sheets 7 in. x 5 in., framed alike. (3 pcs.)
• Charles Whitfield Richards
  Charles Whitfield Richards (American/New Orleans, 1906-1992) "French Quarter Street Scene", oil on canvas, 16" x 20", signed lower left "C. Richards". Presented in a carved giltwood frame.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) "French Quarter Street Scene with Figures and Horse-Drawn Cart", graphite and gouache on paper, signed indistinctly lower right. Glazed, double matted and presented in a parcel-gilt frame.
• New Orleans School (Mid-20th
  New Orleans School (Mid-20th Century) \"Pirate\'s Alley\", oil on board, 20\" x 16\", titled lower right. Presented in a giltwood frame.
• Henri Berne French, 20th Century On
  Henri Berne French, 20th Century On the Boulevard Estimate:$600-$900
• Ruth Andress Stone (American, b.
  Ruth Andress Stone (American, b. 1914) "Bourbon Street, New Orleans", 1944, black and white lithograph, signed and dated in pencil lower right "Ruth Andress Stone '44", titled lower left, sight 10-1/4" x 14-1/4", retains "Stone & Press Gallery, New Orleans" label on mat. Unframed. Provenance: Stone and Press Gallery, New Orleans, Louisiana. Ruth Andress Stone studied with famed New Orleans artist John McCrady.
• Colette Pope Heldner
  Colette Pope Heldner (American/New Orleans 1902-1990) "Old Brulatour Patio Royal Street French Quarter Old New Orleans" oil on board signed lower left titled and with a "Decker's Art Store Duluth Minnesota" label en verso 12 in. x 16 in. in a period frame.
• C. Bennette Moore (American/New
  C. Bennette Moore (American/New Orleans 20th c.) 5 vintage hand-colored photographs including "Spiral Stair" embossed signature lower right pencil-titled lower left image 6 1/2 in. x 4 1/2 in.; "View from Pontalba Balcony on to Jackson Square" signed lower right sight 6 1/2 in. x 4 1/2 in.; "Patio Royale" signed lower left title label en verso sight 5 in. x 4 1/4 in.; "Spanish Arms Courtyard New Orleans" unsigned titled inscribed and with a "The Gift & Art Shop French Quarter" label en verso sight 4 1/2 in. x 3 in.; and "Patio Royale" unsigned titled inscribed and with a "The Gift & Art Shop French Quarter" label en verso sight 4 1/2 in. x 3 in.