A few examples of appraisal values for
BRIDGET RILEY

• Bridget Riley (British b. 1931)
  Bridget Riley (British b. 1931) "Elapse". Color silkscreen on paper edition of 260 from The Print Club of Cleveland Publication No. 60 ca. 1982 signed Bridget Riley '82 in pencil in the lower right margin titled in pencil in the lower left margin blind stamped in the lower right margin. Printed by Graham Henderson London. Approx. 40" x 25" image size 47-3/4" x 31-1/2" paper size framed under glass overall approx. 48-1/2" x 32-1/4". Print Club information taped to the back of the framing.
• Bridget Riley, by Maurice de
  Bridget Riley, by Maurice de Sausmarez, Studio Vista, London 1970 and four other books on Riley and Op Art (5)
• Bridget Riley COMPOSITION WITH
  Bridget Riley COMPOSITION WITH CIRCLES I Screenprint Estimate:$3,000-$5,000
• BRIDGET RILEY (BRITISH, B. 1931)
  BRIDGET RILEY (BRITISH, B. 1931) PRINT FOR CHICAGO 8 (FROM THE PORTFOLIO CONSPIRACY: THE ARTIST AS WITNESS) Colored serigraph. Signed, numbered, and dated 'Bridget Riley 83/150 '71' (lower left).Bridget Riley (British, b. 1931) Bridget Riley is an English painter known for her op art paintings. In 1959, Riley met painter and art educator Maurice de Sausmarez at a residential summer school that he ran with Harry and Diane Thubron. Sausmarez became her friend and mentor, inspiring her to look closer at Futurism and Divisionism and artists such as Klee and Seurat. Riley began to develop her signature Op Art style consisting of black and white geometric patterns that explore the dynamism of sight and produce a disorienting effect on the eye and produces movement and color.
• Bridget Riley (British b. 1931)
  Bridget Riley (British b. 1931) "Elapse". Color silkscreen on paper edition of 260 from The Print Club of Cleveland Publication No. 60 ca. 1982 signed Bridget Riley '82 in pencil in the lower right margin titled in pencil in the lower left margin blind stamped in the lower right margin. Printed by Graham Henderson London 40" x 25" image size not framed.
• Bridget Riley (British b. 1931)
  Bridget Riley (British b. 1931) "Nineteen Grays" 1968 silkscreen on board from an edition of 75 this being numbered 5 in pencil lower left signed and dated lower right. Unframed. Paper size apprx. 29-7/8" x 29-7/8". Printing 19 Greys was a challenge...involving three printers at Kelpra working on the project for a whole year. This was due to the incredible number of proofings involved approximately 500 had to be printed in order to obtain a perfect edition of 75 artist's proofs...Up to nineteen shades of grey were used in the prints with the powdery bloom of the inks producing just the right formulation of 'grey' needed to produce the contrasting effects of cold and warm and light and dark. Print articles about the artist accompany the lot.
• Bridget Riley (born
  Bridget Riley (born 1931)/Firebird (Schubert 9)/signed, numbered 53/75 and dated '71/screenprint in colours, 76.5cm x 101.7cm/in plexiglass case
• BRIDGET RILEY (BRITISH, B. 1931)
  BRIDGET RILEY (BRITISH, B. 1931) PRINT FOR CHICAGO 8 (FROM THE PORTFOLIO CONSPIRACY: THE ARTIST AS WITNESS) Colored serigraph. Signed, numbered and dated 'Bridget Riley 34/150 '71' (lower left).
• BRIDGET RILEY (B. 1931) "UNTITLED
  BRIDGET RILEY (B. 1931) "UNTITLED [FRAGMENT 4/6]" 1965. Screenprint on plexiglass. Signed and dated 'Riley '65' (lower left). Edition 67/75.
• After Bridget Riley/Hayward Gallery
  After Bridget Riley/Hayward Gallery 21 July to September 1971/framed exhibition poster, 75cm x 102cm
• BRIDGET RILEY, COLOR SERIGRAPH +
  BRIDGET RILEY, COLOR SERIGRAPH + LETTER, 1971 Bridget Riley (American, b. 1931), Print for Chicago 8 (from the portfolio CONSPIRACY: The Artist as Witness), published by David Godine and the Center for Constitutional Rights, pencil signed, dated and editioned "Artist Proof" lower margins, accompanied with letter by artist, slat framed under glass, 24"h x 18"w (frame)
• BRIDGET RILEY HAYWARD GALLERY
  BRIDGET RILEY HAYWARD GALLERY SERIGRAPH POSTERBridget Riley (British b. 1931). Hayward Gallery exhibition serigraph poster, 1971. Printed by PKM studio lower right. 30" x 40". Waviness to the paper.
• BRIDGET RILEY, BRITISH 1931-,
  BRIDGET RILEY, BRITISH 1931-, ELAPSE, 1982, COLOR SCREENPRINT, SHEET: 47 1/2 X 31 1/2 IN. (120.65 X 80.01 CM.), FRAME: 50 1/4 X 34 1/4 IN. (127.64 X 87 CM.)BRIDGET RILEY, BRITISH, 1931- ELAPSE, 1982, Color screenprint Lower left titled: Elapse; lower right signed and dated: Bridget Riley '82; lower right blind stamp: The Print Club of Cleveland Color screenprint Dimensions: Sheet: 47 1/2 x 31 1/2 in. (120.65 x 80.01 cm.), Frame: 50 1/4 x 34 1/4 in. (127.64 x 87 cm.) Provenance: The Estate of Nina W. Josephs Please note this is not part of the estate of Ruth Bader Ginsburg.
• Bridget Olerenshaw
  Bridget Olerenshaw (?-1989)/Beauty of Richville/portrait of a Scottie/gouache, 26.5cm x 23cm/William Monk (1863-1937)/Bodiam Castle and Bridge/signed/watercolour, 33.5cm x 51cm/and two other watercolours
• Attributed to Thomas Hudson
  Attributed to Thomas Hudson (British 1701-1779) Portrait of a Lady Bridget Bouverie oil on canvas 38 x 29 inches.
• RILEY, Harold Francis, (English, b.
  RILEY, Harold Francis, (English, b. 1934): Portrait of a Female, Pastel, sight size 15.5'' x 13'', signed lower right and dated '79, framed, 26.5'' x 23.75''.
• THOMAS RILEY (ATTR.) (BRITISH,
  THOMAS RILEY (ATTR.) (BRITISH, FL.1878-1892). Girl Offering Bread to a Man.1884. Oil on canvas. Signed and dated at the lower left. From a Rockland County, NY collection. Dimensions: 42" h x 30" w. Condition: Good.
• GRETA MATSON (KHOURI)
  GRETA MATSON (KHOURI) (1915-2004): "TRILBY" (THE WAR BRIDE) Oil on canvas 20 x 16 in. signed. Exhibition label on verso dated 1943. Provenance: Chrysler Museum of Art Norfolk Virginia proceeds to benefit the Acquisitions Fund.
• BRIDGET HN2070 - ROYAL DOULTON
  BRIDGET HN2070 - ROYAL DOULTON FIGURINESweet Bridget with her tan shawl and yellow handbag goes out for a stroll through the park. Series: Harradine Classics. Royal Doulton backstamp. Artist: Leslie Harradine Issued: 1951 - 1973 Dimensions: 7.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• R. D. Whitworth (American, 20th
  R. D. Whitworth (American, 20th century), four theatrical women, oil on board; 16" x 20"; signed and dated lower right.
• RILEY, Harold Francis, (English, b.
  RILEY, Harold Francis, (English, b. 1934): Woman Scrubbing the Floor, Charcoal, sight size 10.25'' x 9'', signed lower right, framed, 23.75'' x 21.25''.
• Remo Brindisi (Italian, 1918-1996),
  Remo Brindisi (Italian, 1918-1996), "Women with Children", oil/canvas, 27.5" x 19.5", signed and framed.
• BRIDGET - ROYAL WORCESTER
  BRIDGET - ROYAL WORCESTER FIGURINEVictorian series. Fine Bone China; white and blue coloration. Woman playing croquet. Royal Worcester backstamp. Issued: 20th c. Dimensions: 7.5"H Manufacturer: Royal Doulton Country of Origin: England
• BRIDGET HN2070 - ROYAL DOULTON
  BRIDGET HN2070 - ROYAL DOULTON FIGURINEHarradine Classics series. Bridget with her tan shawl and yellow handbag goes out for a stroll through the park. Royal Doulton backstamp. Artist: Leslie Harradine Issued: 1951 - 1973 Dimensions: 7.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good
• BRIDGET HN2070 - ROYAL DOULTON
  BRIDGET HN2070 - ROYAL DOULTON FIGURINEHarradine Classics. Green, brown and lavender. Doulton backstamp. Bridget with her shawl and handbag goes out for a stroll through the park. Artist: Leslie Harradine Issued: 1951-1973 Dimensions: 8"H Manufacturer: Royal Doulton Country of Origin: England
• BRIDGET HN2070 - ROYAL DOULTON
  BRIDGET HN2070 - ROYAL DOULTON FIGURINEArtist: Leslie Harradine Issued: 1951 - 1973 Dimensions: 7.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• Bridget Drakeford (born 1946), a
  Bridget Drakeford (born 1946), a porcelain bottle vase with slender neck, sang de boeuf glaze, 23cm high
• JAMES ABBOTT MCNEILL WHISTLER
  JAMES ABBOTT MCNEILL WHISTLER (1834-1903, MA,England) lithograph 1896, "Evening Little Waterloo Bridge", 1896, Levy 165, Spink 155, Way 119. Signed in plate lower right. Plate size 6" x 9". Housed in a custom made Guido (Boston) frame, 19 1/2" x 23 1/4". Good condition, has not been removed from the frame. Provenance: Swann Auction Galleries, 10/27/2010, hammer price $1, 100. This is a very scarce lithograph. Waterloo Bridge is one of 8 lithographs drawn by Whistler while he and his wife, Beatrix, resided at the Savoy Hotel in London in February and March of 1896. Beatrix had been diagnosed with cancer in 1894 and was ill through 1895. She died on the 10th of May, 1896. Whistler's years of Beatrix, who he nicknamed Trixie, were among the happiest of his life. The rooms at the Savoy Hotel were on the top floor overlooking the Thames. He spent his time at his beloved wife's bedside drawing from the balconies of their suite.
• P. Rouliere (late 19th/early 20th
  P. Rouliere (late 19th/early 20th Century Continental School) - Oil painting - Full length portrait of a lady standing by an open window in the pre-Raphaelite manner relined canvas 24ins x 20ins signed in gilt moulded frame
• MARGARET BRISBINE (1901-1991)
  MARGARET BRISBINE (1901-1991) BENTON FAMILY PORTRAITMargaret Brisbine (1901-1991)Portrait of Rita and T.P. Benton (1934)The oil on canvas portrait is signed by Margaret Brisbine lower left and dated 1934.This painting was acquired directly from the family trust through Jessie Benton. It had been commissioned by Thomas Hart Benton in the early 30s, a time when both Benton and Margaret Brisbane lived in New York. It was exhibited at the The Manor Club of Pelham in New York where a reviewer described it as, ''Mrs. Thomas Benton, wife of a noted artist, and ''T. P. '' a delightful little boy with unruly curls.''Margaret Brisbine (alternate spelling Margaret Brisbane) was an illustrator, muralist and easel painter born in North Dakota. She is mostly associated with New York and, though also to some degree, Texas. She studied at the Rice Institute, Pennsylvania Academy of the Fine Arts and possibly with Benton in New York which could explain the impetus for this commission. Her works have been widely exhibited.Measures 36 x 30 inches.Very good professionally restored condition, scattered touches of professional inpainting touch-up as shown in the images under UV light online.Provenance: Acquired directly from the artist's estate.
• RAYA SORKINE (FRENCH B. 1936),
  RAYA SORKINE (FRENCH B. 1936), BRIDE AND MUSICIAN IN LANDSCAPE, GLAZED TILE, FRAMED, 13 X 13 INCHESRaya Sorkine (French b. 1936), Bride and Musician in Landscape, Glazed Tile, Framed, 13 x 13 inches
• BRENDA MURPHY (1955- ), COMPADRES
  BRENDA MURPHY (1955- ), COMPADRES Fine Art
• Sir Oswald Birley (British,
  Sir Oswald Birley (British, 1880-1952) "Portrait of a Dark-Haired European Mistress Wearing a Black Dress", oil on canvas, 65" x 40", signed and dated "Oswald Birley 1912". Presented in an elaborate giltwood frame.
• JENNIFER BARTLETT (b. 1941): FROM
  JENNIFER BARTLETT (b. 1941): FROM RHAPSODY Aquatint over photographic etching published as a portfolio by Parasol Press edition of 100 dated 1987 each piece 12 x 12 in. (sight).
• RITA BRIANSKY (B. 1925)
  RITA BRIANSKY (B. 1925) CANADIANWaiting at the bus stop, oil on canvas, 36 x 40 inches, signed.
• MARGARET GILLIES (BRITISH
  MARGARET GILLIES (BRITISH 1803-1887), THE PARTING BENEDICTION, WATERCOLOR ON PAPER, FRAMED, 32 X 25-1/4 INCHESMargaret Gillies (British 1803-1887), The Parting Benediction, Watercolor on Paper, Framed, 32 x 25-1/4 inches