A few examples of appraisal values for
BROWN WESTHEAD AND MOORE

• M. Weston, American, 20th c, 2
  M. Weston, American, 20th c, 2 black and white prints from Batstow NJ and Moorestown NJ, 8 1/4" x 11 1/4" Estimate $50-100
• JAY MOORE (1964- ), BOULDER CREEK
  JAY MOORE (1964- ), BOULDER CREEK Fine Art
• ROBERT BRACKMAN (AMERICAN,
  ROBERT BRACKMAN (AMERICAN, 1898-1980), PORTRAIT OF ROY WORSHAM MOORE SR. Oil on canvas, signed at upper left, inscribed and dated 1951 to verso, presented in a very fine period frame.
• C. Bennette Moore (American/New
  C. Bennette Moore (American/New Orleans 1879-1939) pair of hand-colored photographs including "Shadows of Old New Orleans" and "Two Sisters Court" both signed lower right both pencil titled on mat lower right both sight 9 1/8 in. x 7 3/8 in. in matching mats and frames.
• Westley after Neale Weston Hall
  Westley after Neale Weston Hall black and white engraving and sundry other prints
• TWO WEDGWOOD BLACK BASALT
  TWO WEDGWOOD BLACK BASALT PORTRAIT MEDALLIONS, DR. JOHN WOODWARD (1665-1728) AND DR. RICHARD MEAD (1673-1754)TWO WEDGWOOD BLACK BASALT PORTRAIT MEDALLIONS, DR. JOHN WOODWARD (1665-1728) AND DR. RICHARD MEAD (1673-1754), late 18th Century, impressed Wedgwood & Bentley or Wedgwood marks, identified below, each based on an ivory carving by Silvanus Bevan (1691-1765), modeled by William Hackwood or by John Flaxman, respectively, both in full wig, cravat and waistcoat and jacket, Woodward in profile, to sinister, Mead, a quarter to dexter, h: 3 1/2 in., both (2) Provenance: Fairfield Auction, Monroe, CT, 10 November 2017, both. Jeffrey Milkins Collection, nos. 907 and 908. Catalogue
• MOORE, Benson Bond, (American,):
  MOORE, Benson Bond, (American,): Ducks, Oil/Board, 16'' x 20'', framed 19'' x 23''
• Malcolm Woodward (b.1943),
  Malcolm Woodward (b.1943), surrealist bronze sculpture. Signed on the base. 15"H x 12"W (at base). Woodward is the Conservator of the Henry Moore Foundation.
• C. Bennette Moore (American/New
  C. Bennette Moore (American/New Orleans, 1879-1939) \"Little Theater Courtyard New Orleans\", black-and-white photograph, pencil titled lower margin, signed lower right \"C. Bennette Moore\". Glazed, matted and presented in an ebonized frame.
• JAY MOORE (1964- ), EARLY SNOW,
  JAY MOORE (1964- ), EARLY SNOW, MAROON BELLS Fine Art
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 8'' x 10'', signed, titled and numbered 790 verso, fine contemporary gilt frame, 13.5'' x 15.5''.
• BROWN-WESTHEAD & MOORE ENGLISH FLOW
  BROWN-WESTHEAD & MOORE ENGLISH FLOW BLUE CHINA ''PATAGONIA'' CA. 1878: 14 pieces to include the tureen (14'') ladle and underplate large open serving bowl 5 plates (9 1/4'') 5 soup bowls (9 1/4'') CONDITION: Two of the soup bowls do have hairlines.
• HENRY MOORE, (1898-1986,
  HENRY MOORE, (1898-1986, BRITISH), BLACK ON RED IMAGE, 1963, COLOR LITHOGRAPH ON JAPON NACRé UNDER GLASS, IMAGE: 20.5" H X 19" W; SIGHTHenry Moore, (1898-1986, British) Black on Red Image, 1963 Color lithograph on Japon nacré under glass Edition XXXIV/XXXV; signed, dated and numbered in pencil in the lower margin; Curwen Prints Ltd, London, prtr.; Galerie Wolfgang Ketterer, Stuttgart & Felix H Man, London, pub. Image: 20.5" H x 19" W; Sight: 23.875" H x 20.125" W Literature: Cramer, Grant, Mitchinson 42 Notes: There were also 65 impressions on Arches paper numbered in Arabic numerals. Color lithograph on Japon nacré under glass Dimensions: Image: 20.5" H x 19" W; Sight: 23.875" H x 20.125" W
• JOHN WALKER (B. 1939) AND ROXANNE
  JOHN WALKER (B. 1939) AND ROXANNE MOORE (20TH CENTURY), BLUE WINDOW SHUTTERS, 1990, CASEIN ON ILLUSTRATION BOARD, 24" H X 18" WJohn Walker (b. 1939) and Roxanne Moore (20th century), Blue window shutters, 1990 Casein on illustration board Signed with both artist's last names lower right: Walker Moore; titled and dated in pen, verso 24" H x 18" W
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 7'' x 9'', signed, titled and numbered 892 verso, fine contemporary gilt frame, 12.25'' x 13.25''.
• Ceramic blackamoor, in two
  Ceramic blackamoor, in two sections, wearing turban and holding pillow, mid 20th century, 43 in. Repairs to pillow mounts, some abrasions, retouch, tape residue. The Estate of the Late John R. Jones, Hickory, North Carolina.
• MOORE Benson Bond (American
  MOORE Benson Bond (American 1882-1974): 4 ETCHING LOT TO INCLUDE: 1)''Blue Winged Teal'' Colored Etching size with margins 3 7/8'' x 5'' signed marked 40 lower right also marked in lower margin finished with key plate original label affixed verso indicating title and edition size of 50 unframed; 2) Green Heron Colored Etching 5 1/2'' x 4 3/8'' with margins pencil signed lower left also in the plate lower right tipped into a folder including original label; 3) California Woodpecker Colored Etching 9 1/2'' x 7 7/8'' pencil signed lower left also signed in the plate titled lower left margin numbered 40 lower right to include the original label; 4) Red Junglefowl 11 1/2'' x 8 7/8'' with margins signed with pen lower left and in plate numbered 50 lower right titled in margin lower left to include the original label edition of 50.
• Two Benson Moore etchings (Benson
  Two Benson Moore etchings (Benson Bond Moore, American, 1882-1974), hand-colored etchings with original labels verso, both signed in pencil lower left "Benson B. Moore…": "Mockingbird", Ed. 50, page 9-7/8 x 8-7/8 in.; titled in pencil bottom left "The Lone Goose", Ed. 75, page 7-3/4 x 8-1/8 in.; 20th century gilt wood frames. Both with toning and fading, tape stains from masking tape at points verso; frames with abrasions.
• Football interest: a mixed lot
  Football interest: a mixed lot comprising a pair of West Brom cuff links a gollywog badge commemorating England's 1966 World Cup win and a Bayern Munich silver medal.
• 1869 BLACK AMERICAN & BURLESQUE
  1869 BLACK AMERICAN & BURLESQUE TROOP BROADSIDE: Broadside advertisement for a Testimonial to WM. M. Flood by Wood's Burlesque Troop and also featuring The Friendship Cornet Band Devers and Flood Frank Carroll T. Chambers. All at the Friendship Hall Philadelphia. Sight size 22 3/4'' x 8 3/4'' framed 24 1/4'' x 10 1/4''.CONDITION: Not examined out of frame note tears water stains and restoration to one section.
• Malcolm Moran, American, 20th c,
  Malcolm Moran, American, 20th c, (2) bronze figures, children playing cowboys and Indians, girl watering flowers, both signed on base and measure approximately 5 1/4" tall Estimate $200-300
• C. Bennette Moore (American, New
  C. Bennette Moore (American, New Orleans, 20th Century) \"Two Sister\'s Courtyard\" and \"Spanish Court\", pair of hand-tinted black-and-white photographs, 9-1/2\" x 7-1/2\", each signed and located lower right: \"C. Bennette Moore/New Orleans\". Presented in the original parcel-gilt frames.
• Westmoore North Carolina
  Westmoore North Carolina PotteryBellarmine Jug Moravian style 11'' tall excellent
• BENSON B. MOORE (AMERICAN,
  BENSON B. MOORE (AMERICAN, 1882-1974), "UPPER ROCK CREEK", 1955, OIL ON BOARD, BARE AUTUMN TREES WITH WIREY BRANCHES FLANK A CALM ST...Benson B. Moore (American, 1882-1974), "Upper Rock Creek", 1955, oil on board, bare autumn trees with wirey branches flank a calm stream, signed and dated lower left, inscription verso, not examined out of frame, wear consistent with age, ss: 13 1/2" h. x 9 1/2" w.
• PAIR OF LANDSCAPES, JAMES MOORE,
  PAIR OF LANDSCAPES, JAMES MOORE, FRAMED 1985 James Moore (American/California, born 1946). "Purple and Red Stratas" and "Red Clay Mountain" -1985, oils on linen. Both signed lower right; with Heath Gallery labels verso.
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): 2 raccoon etchings, ''Prowling Raccoon'', 5 1/2'' x 7'' sight size, pencil signed, label verso, edition size 75, framed, 10 1/4'' x 11 1/2''; ''Raccoons'', 6 1/2'' x 7 1/4'' sight size, pencil signed, label verso, edition size of 30, framed, 12'' x 12 1/2''.
• C. BENNETT MOORE (AMERICAN/NEW
  C. BENNETT MOORE (AMERICAN/NEW ORLEANS 1879-1939)C. Bennett Moore (American/New Orleans 1879-1939), "Shadow of New Orleans", hand-colored photograph, signed lower right, label with title on backing board, 14 in. x 10 7/8 in., framed. Condition: Overall fair condition. Ext. Frame: 19 in. x 16 1/8 in. x 2 in.
• Benson B. Moore Etching Blue Jay
  Benson B. Moore Etching Blue Jay image area 5 1/2'' x 7 1/2'' edition of 40 pencil signed.
• BLAIR BUSWELL (AMERICAN, B.
  BLAIR BUSWELL (AMERICAN, B. 1956)Blair Buswell American, b. 1956 Panned Out Bronze Signed, editioned 23/32. Half-length portrait of a miner in a hat holding a gold mining pan. Mounted to wooden base. Acquired August 26th, 2005 from Wilcox Gallery of Jackson, Wyoming and accompanied by bill of sale and Certificate of Authenticity. Bronze 19 x 10 x 12 in. (48.26 x 25.40 x 30.48 cm.), overall: 20 1/2 in. (52.07 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• C.B. EASLEY (AMERICAN 19TH CENTURY)
  C.B. EASLEY (AMERICAN 19TH CENTURY) A PAIR OF PORTRAITS OF WILLIAM AND NANCY MOORE Pastel on paper: 21 x 17 in. Framed; both signed C. B. Easley
• Two painted concrete crouched
  Two painted concrete crouched blackmoor figures. Some chips & losses. 16" H Estimate $800-1,200
• C.B. EASLEY (AMERICAN 19TH CENTURY)
  C.B. EASLEY (AMERICAN 19TH CENTURY) A PAIR OF PORTRAITS OF WILLIAM AND NANCY MOORE Pastel on paper: 21 x 17 in. Framed; both signed C. B. Easley
• C. Bennette Moore (American, New
  C. Bennette Moore (American, New Orleans, 20th Century) \"Shadows of Old New Orleans\" and \"St. Louis Cathedral\", pair of hand-tinted black and white photographs, 6-3/4\" x 4-1/2\" each, signed and located lower right and lower left, respectively: \"C. Bennette Moore/New Orleans\". Presented in the original parcel-gilt frames.
• Henry Moore color lithograph
  Henry Moore color lithograph (British, 1898-1986), titled verso in pencil [Personnages sur fond vert] and "42", signed lower right in pencil "Moore" and inscribed lower left "[Epreuve d'Artiste]" (artist's proof), color lithograph on Arches paper, page 25-3/4 x 18-3/4 in.; 20th century painted wood frame. Foxing, toning, handling grime in margin. Private Collection, South Carolina.
• JOHN MACK MOORE
  JOHN MACK MOORE (AMERICAN/MISSISSIPPI, 1869-1954)John Mack Moore (American/Mississippi, 1869-1954), "Henry Frank 9,226 Bales" and "Hallette", 2 gelatin silver prints, each with artist blind stamp lower left, one with copyright information on negative, both 8 in. x 10 in., framed alike. (2 pcs.) Condition: Each in overall fair condition. Ext. Frames: 13 3/4 in. x 15 3/4 in. x 1 in.
• Andrew Moore (American, born 1957),
  Andrew Moore (American, born 1957), "Nothing Between", signed indistinctly and titled verso, acrylic on panel, 48 x 48 in.; black lattice frame,