A few examples of appraisal values for
BROWN WESTHEAD MOORE

• M. Weston, American, 20th c, 2
  M. Weston, American, 20th c, 2 black and white prints from Batstow NJ and Moorestown NJ, 8 1/4" x 11 1/4" Estimate $50-100
• Westley after Neale Weston Hall
  Westley after Neale Weston Hall black and white engraving and sundry other prints
• JAY MOORE (1964- ), BOULDER CREEK
  JAY MOORE (1964- ), BOULDER CREEK Fine Art
• ROBERT BRACKMAN (AMERICAN,
  ROBERT BRACKMAN (AMERICAN, 1898-1980), PORTRAIT OF ROY WORSHAM MOORE SR. Oil on canvas, signed at upper left, inscribed and dated 1951 to verso, presented in a very fine period frame.
• Malcolm Woodward (b.1943),
  Malcolm Woodward (b.1943), surrealist bronze sculpture. Signed on the base. 15"H x 12"W (at base). Woodward is the Conservator of the Henry Moore Foundation.
• 1 vol. (Montgomery, Field
  1 vol. (Montgomery, Field Marshal B.L.) Moorehead, Alan. Montgomery: A Biography. London: Hamish Hamilton, (1946). 8vo, orig. russet cloth; light edge wear, d/j (some chipping to edges, price clipped). Plates. Scattered light foxing. With mounted silver print photo postcard - group photo of Montgomery et al. in uniform - mounted to dedication & signed by B.L. Montgomery. Also with presentation slip signed by Moorehead.
• JAY MOORE (1964- ), EARLY SNOW,
  JAY MOORE (1964- ), EARLY SNOW, MAROON BELLS Fine Art
• MOORE, Benson Bond, (American,):
  MOORE, Benson Bond, (American,): Ducks, Oil/Board, 16'' x 20'', framed 19'' x 23''
• C. Bennette Moore (American/New
  C. Bennette Moore (American/New Orleans, 1879-1939) \"Little Theater Courtyard New Orleans\", black-and-white photograph, pencil titled lower margin, signed lower right \"C. Bennette Moore\". Glazed, matted and presented in an ebonized frame.
• Parian bust of a gentleman
  Parian bust of a gentleman copeland, late 19th century Inscribed on verso James .S Westmacott. sculpt/ Published Aug 18th, 1850. H: 10 1/2 in. PROVENANCE: Property from the Estate of Dr. and Mrs. Meyer Naide, Philadelphia, PA. NOTE: James Sherwood Westmacott (1823-1900) was an English sculptor. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• BROWN-WESTHEAD & MOORE ENGLISH FLOW
  BROWN-WESTHEAD & MOORE ENGLISH FLOW BLUE CHINA ''PATAGONIA'' CA. 1878: 14 pieces to include the tureen (14'') ladle and underplate large open serving bowl 5 plates (9 1/4'') 5 soup bowls (9 1/4'') CONDITION: Two of the soup bowls do have hairlines.
• BLAIR BUSWELL (AMERICAN, B.
  BLAIR BUSWELL (AMERICAN, B. 1956)Blair Buswell American, b. 1956 Panned Out Bronze Signed, editioned 23/32. Half-length portrait of a miner in a hat holding a gold mining pan. Mounted to wooden base. Acquired August 26th, 2005 from Wilcox Gallery of Jackson, Wyoming and accompanied by bill of sale and Certificate of Authenticity. Bronze 19 x 10 x 12 in. (48.26 x 25.40 x 30.48 cm.), overall: 20 1/2 in. (52.07 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• FRANK WESTON BENSON (AMERICAN,
  FRANK WESTON BENSON (AMERICAN, 1862-1951) "BROADBILLS" Print.
• SCULPTURE, JAMES MOORE James
  SCULPTURE, JAMES MOORE James Moore (American, b. 1959), Abstract Figure, 2002, welded metal sculpture, signed and dated to base, overall: 58"h x 24"w x 18"d. Provenance: Property of a prominent Hillsborough, CA estate
• ROBERT ERIC MOORE, (AMERICAN,
  ROBERT ERIC MOORE, (AMERICAN, 1927 - 2006) "EARLY WINTER SQUALL", OIL ON CANVAS, MODERN WINTER LANDSCAPE WITH BIRCH TREES, SIGNED LO...Robert Eric Moore, (American, 1927 - 2006) "Early Winter Squall", oil on canvas, modern winter landscape with birch trees, signed lower right, framed, 3" tear in canvas in section of green between sets of trees, sold as is, label verso; ss: 32" h. x 60" w.
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 8'' x 10'', signed, titled and numbered 790 verso, fine contemporary gilt frame, 13.5'' x 15.5''.
• KIM WESTON (AMERICAN, BORN 1953),
  KIM WESTON (AMERICAN, BORN 1953), TWO NUDE PORTRAITS Each a gelatin silver print (mounted), 2008, to include Nude with Veil and Figure on Bed, both pencil signed to mount, presented in uniform matting and floater frames.
• BENSON B. MOORE (AMERICAN,
  BENSON B. MOORE (AMERICAN, 1882-1974), "UPPER ROCK CREEK", 1955, OIL ON BOARD, BARE AUTUMN TREES WITH WIREY BRANCHES FLANK A CALM ST...Benson B. Moore (American, 1882-1974), "Upper Rock Creek", 1955, oil on board, bare autumn trees with wirey branches flank a calm stream, signed and dated lower left, inscription verso, not examined out of frame, wear consistent with age, ss: 13 1/2" h. x 9 1/2" w.
• * (PHOTOGRAPHY) WESTON BRETT
  * (PHOTOGRAPHY) WESTON BRETT Brett Weston: Photographs. New York: E. Weyhe 1956. Folio publisher's black cloth spine lettered in silver dust jacket. First edition. Jacket worn with 1 1/2-inch repaired tear to upper right corner 11-inch closed tear to front cover 3-inch portion cut from upper flap; light soiling; interior clean and tight.
• Westmoore North Carolina
  Westmoore North Carolina PotteryBellarmine Jug Moravian style 11'' tall excellent
• JOHN WALKER (B. 1939) AND ROXANNE
  JOHN WALKER (B. 1939) AND ROXANNE MOORE (20TH CENTURY), BLUE WINDOW SHUTTERS, 1990, CASEIN ON ILLUSTRATION BOARD, 24" H X 18" WJohn Walker (b. 1939) and Roxanne Moore (20th century), Blue window shutters, 1990 Casein on illustration board Signed with both artist's last names lower right: Walker Moore; titled and dated in pen, verso 24" H x 18" W
• HENRY MOORE, (1898-1986,
  HENRY MOORE, (1898-1986, BRITISH), BLACK ON RED IMAGE, 1963, COLOR LITHOGRAPH ON JAPON NACRé UNDER GLASS, IMAGE: 20.5" H X 19" W; SIGHTHenry Moore, (1898-1986, British) Black on Red Image, 1963 Color lithograph on Japon nacré under glass Edition XXXIV/XXXV; signed, dated and numbered in pencil in the lower margin; Curwen Prints Ltd, London, prtr.; Galerie Wolfgang Ketterer, Stuttgart & Felix H Man, London, pub. Image: 20.5" H x 19" W; Sight: 23.875" H x 20.125" W Literature: Cramer, Grant, Mitchinson 42 Notes: There were also 65 impressions on Arches paper numbered in Arabic numerals. Color lithograph on Japon nacré under glass Dimensions: Image: 20.5" H x 19" W; Sight: 23.875" H x 20.125" W
• STANLEY WINGATE WOODWARD
  STANLEY WINGATE WOODWARD (1890-1970) "When the Wind Blows West", oil on canvasboard, signed lower left, depicting whitecaps on a rocky shore, also signed and titled by the artist verso, with an inscription note: "To Dudley Bostwick, with very best wishes, Stanley Woodward". In a dark blue frame with white and gold mat liner, OS: 20 1/2" x 24 1/2", SS: 11 1/2" x 15 1/2". Good condition.
• AFTER WILLIAM EDWARD WEST
  AFTER WILLIAM EDWARD WEST (AMERICAN)After William Edward West (American/Kentucky, 1788-1857) , "Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815", 1817, engraving, engraved by Joseph Yeager (American/Pennsylvania, 1792-1859), published by McCarty and Davis, Philadelphia, 13 in. x 19 in., framed
• C. BENNETT MOORE (AMERICAN/NEW
  C. BENNETT MOORE (AMERICAN/NEW ORLEANS 1879-1939)C. Bennett Moore (American/New Orleans 1879-1939), "Shadow of New Orleans", hand-colored photograph, signed lower right, label with title on backing board, 14 in. x 10 7/8 in., framed. Condition: Overall fair condition. Ext. Frame: 19 in. x 16 1/8 in. x 2 in.
• Attributed to William Moore
  Attributed to William Moore (1790-1851)/Portrait Miniature of a Young Man/half-length, in blue coat and white waistcoat/watercolour on ivory, 11cm x 8cm/and 19th Century School/Portrait Miniature of a Bewhiskered Gentleman/wearing a black coat/watercolour on paper, 12.5cm x 10.5cm
• JOHN MACK MOORE
  JOHN MACK MOORE (AMERICAN/MISSISSIPPI, 1869-1954)John Mack Moore (American/Mississippi, 1869-1954), "Henry Frank 9,226 Bales" and "Hallette", 2 gelatin silver prints, each with artist blind stamp lower left, one with copyright information on negative, both 8 in. x 10 in., framed alike. (2 pcs.) Condition: Each in overall fair condition. Ext. Frames: 13 3/4 in. x 15 3/4 in. x 1 in.
• HENRY MOORE, HEADS FIGURES AND
  HENRY MOORE, HEADS FIGURES AND IDEAS, 1958 Henry Moore. Heads Figures and Ideas. George Rainbird / New York Graphic Society, 1958, hardcover in jacket, with auto-lithograph on hand-made paper from a drawing by Moore, 19"h x 13.25"w
• FRANK WESTON BENSON, (AMERICAN,
  FRANK WESTON BENSON, (AMERICAN, 1862-1951), REDHEADS NO. 2, DRYPOINT, 8 X 10 IN.FRANK WESTON BENSON, (American, 1862-1951) Redheads No. 2, drypoint 8 x 10 in. Provenance: A Brookline, Massachusetts Lady. Condition:
• WESTON, BRETT (1911-1993) Dead Owl.
  WESTON, BRETT (1911-1993) Dead Owl. Estimate:$600-$900
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 7'' x 9'', signed, titled and numbered 892 verso, fine contemporary gilt frame, 12.25'' x 13.25''.
• 18TH C. FOLLOWER OF BENJAMIN
  18TH C. FOLLOWER OF BENJAMIN WEST, "STANDING WARRIORS POSING", BLACK INK ON CREAM LAID PAPER, FRAMED AND MATTED UNDER GLASS, CONDITI...18th C. follower of Benjamin West, "Standing warriors posing", black ink on cream laid paper, framed and matted under glass, condition is consistent with age with some toning and small scattered stains, not examined out of frame, ss: 6 3/4" h. x 8" w.
• AFTER WILLIAM EDWARD WEST
  AFTER WILLIAM EDWARD WEST (AMERICAN/KENTUCKY)After William Edward West (American/Kentucky, 1788-1857) , "Battle of New Orleans and Death of Major General Packenham", 1817, engraving on paper, engraved by Joseph Yeager (American/Pennsylvania, 1792-1859), published by McCarty and Davis, Philadelphia, sight 15 1/2 in. x 19 3/4 in., framed . Provenance: Collection of Brooke and Maria Fox, Metairie, LA
• William Whit
  William Whit
• HENRY MOORE(British, 1898-1986)
  HENRY MOORE(British, 1898-1986) Figures Sculptures, 1931, edition 29/50, circa 1966 impression, Fequet and Baudier, Paris, printer, G‚rald Cramer, Geneva, publisher, woodcut on Japon nacre paper, image 5 x 7-3/4 in., sheet 10 x 13-3/4 in.; black painted frame, 15 x 11 in. . Provenance: Barbara Lilinfeld, former CFO for Holly Solomon Gallery, New York Condition: loose, full margins, some very light toning; frame with abrasions
• 18th century British portrait,
  18th century British portrait, three-quarter length portrait of wigged gentleman in brown coat and vest holding a glove and seated at a desk with book, circa 1755, unsigned, circle of William Hoare, British, 1706-1799, oil on canvas, 50 x 40-3/4 in.; 18th century gilt wood and composition frame, leaf and tongue and bead and reel decoration. Restretched, lined, retouch throughout background, craquelure; frame resurfaced, loss to composition, abrasions. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.