A few examples of appraisal values for
BUILDINGS

• EUGENIA FRANCIS BAKER MCCOMAS,
  EUGENIA FRANCIS BAKER MCCOMAS, BUILDINGSEugenia Francis Baker McComas(American, 1886 - 1982)Buildings in a Southwest landscapecharcoal and graphite on papersigned lower right: Gene Francis30 x 40in (76.2 x 101.6cm)
• ROBERT MORSON HUGHES, FARM
  ROBERT MORSON HUGHES, FARM BUILDINGS IN CORNWALLRobert Morson Hughes (English, 1873-1953)Farm Buildings in Cornwalloil on panel8 x 10in (20.5 x 25.5cm) Provenance:Property from the Estate of Walter Nelson, ASID, San Diego, California.
• FLEMISH SCHOOL, CAPRICCIO
  FLEMISH SCHOOL, CAPRICCIO LANDSCAPEFlemish School18th centuryCapriccio landscape of figures in boat and on riverbank before buildingsoil on canvas16 x 22 1/2in (40.5 x 57cm) Provenance:Sold Bonhams, San Francisco, The Ant
• THIRTEEN CAST IRON STILL BANK
  THIRTEEN CAST IRON STILL BANK BUILDINGSThirteen cast iron still bank buildings, tallest - 5 1/2". Condition: Tallest cupola- overpainted. Smallest cupola - halves detached. Others - sporadic wear.
• FOUR CAST IRON STILL BANK
  FOUR CAST IRON STILL BANK BUILDINGSFour cast iron still bank buildings, to include a Hall's Excelsior, 5 1/4" h.; one story house; domed; and a cupola. Competitive in-house shipping is available for this lot. Condition: Hall's - lacking figure. Others - wear throughout.
• LARGE ANGLO COLONIAL SCRIMSHAW
  LARGE ANGLO COLONIAL SCRIMSHAW POWDER HORN, 19TH CLarge Anglo Colonial scrimshaw powder horn, 19th c., with buildings, train, etc., 20" l. Competitive in-house shipping is available for this lot. Condition: Losses at ends.
• OIL ON BOARD PAINTING CA. 1900;
  OIL ON BOARD PAINTING CA. 1900; FARMSTEAD IN THEevening with horse/rider, creek and outbuildings in a mahogany veneered frame, 13 1/2"x 9 1/2" sight, 17 1/4"x 13 1/4" overall; Condition: small flakes, dirty, some damage to veneer on frame
• OIL ON CANVAS CA. 1900; HOMESTEAD
  OIL ON CANVAS CA. 1900; HOMESTEAD WITH STONEwall, outbuildings, etc. along a country road in a gold frame, signed indistinctly lower right, 17 1/2"x 11 3/4" sight, 21 3/4"x 15 3/4" overall; Condition: small abrasion to lower left corner
• 3 CAST IRON MOSQUE BANKSca.
  3 CAST IRON MOSQUE BANKSca. 1890-1920s; Williams Co., two story tower and dome buildings: one red painted, Condition: 70-75% original surface; two in bronze radiator paint, Condition: one with 90% original surface; one with 60-70% original surface and rust
• 2 CAST IRON BUILDINGS BANKSca.
  2 CAST IRON BUILDINGS BANKSca. 1876-1900; J&E Stevens patented 1876 magic bank mechanical operated cashier door bank with iron mansard roof with large arched rose windows on side and back, bronze radiator painted surface, operating with hinged door, 5"x 4 1/4"x 5", Condition: good, catch spring missing, crack noted near slot and 1 window arch; unattributed New England Church steeple and steeple roof churchhouse shaped bank with white and green paints, 7 1/2"x 4 1/4"x 7 3/4", Condition: extensive paint wear, 40-50% original paint remains
• CHARLES FRITZ (1955- ), BUILDINGS
  CHARLES FRITZ (1955- ), BUILDINGS IN WINTER Title: Charles Fritz (1955- ), Buildings in Winter Medium: oil on board Dimensions: 7 x 14 Framed dimension: 13 1/2 x 20 1/2 x 1 3/4
• Quantity of Mostly Britain's Ltd.
  Quantity of Mostly Britain's Ltd. Painted Lead Farm Animals, Figures and Carts, c.1938 accompanied by a make-do farmhouse, outbuildings and accessoriesvarious sizes
• A CHINESE IMARI LARGE PLATE
  A CHINESE IMARI LARGE PLATE Qianlong Painted with buildings and trees on islands, 35.5cm diameter
• A CHINESE POTTERY SPILL VASE late
  A CHINESE POTTERY SPILL VASE late 19th Century, modelled with numerous tiered buildings and temple on a steep hillside, 50cm high x 32cm wide x 19cm deep
• EMMA LAMPERT COOPER (AMERICAN,
  EMMA LAMPERT COOPER (AMERICAN, 1855-1920) MOROCCAN COAST Oil artist board. Signed 'E. Lampert Cooper' (lower left). Emma Lampert Cooper (American, 1855-1920) Emma Lampert Cooper was born in 1860 near Rochester, New York. Upon leaving the area, she studied at the Cooper Union Art School and the Art Students League in New York, and at the Delecluse Academy in Paris. Later returning to Rochester, she taught at the Mechanics Institute from 1893-1897 and was active in the art life of the city until her marriage to the painter Colin Campbell Cooper from 1897. After traveling in Europe for a period of time, the couple settled in New York City. There, working in an impressionist style, she turned to her husband’s favorite theme, the architectural treasures of New York and other historic cities. The Coopers traveled constantly in search of subjects and in the spring of 1913, they visited Charleston, South Carolina. Though nothing is known about their stay, their visit is recorded in Colin’s paintings of some of the city’s most historic and cherished structures, including St. Philip’s Church, Charleston. During their trip, they also visited Beaufort, a small coastal town about seventy miles south of Charleston, noted for its picturesque buildings, alleyways, and streets. Emma’s Old Beaufort, South Carolina is of a subject that she and Colin both painted, probably side-by-side and on the same day. Fluent brushwork and radiant color are typical of her vivacious style.
• CHARLES BURCHFIELD (AMERICAN,
  CHARLES BURCHFIELD (AMERICAN, 1893-1967) DRAWING Pencil on paper.Artist BioCharles Burchfield (American, 1893-1967) Charles Burchfield was an American painter and visionary artist, known for his passionate watercolors of nature scenes and townscapes. He had a deep affinity with his natural surroundings, and used water color to depict scenes of the natural world and neighborhood buildings that he brought to life through an innate sense for shifting weather patterns, light, and sound.
• ALBERT CARRIER-BELLEUSE (FRENCH,
  ALBERT CARRIER-BELLEUSE (FRENCH, 1824-1887) NYMPH IN THE REEDS Two-toned patinaed bronze. Signed 'A. Carrier' at base. Albert Carrier-Belleuse (French, 1824-1887) Albert Carrier-Belleuse was a French sculptor. He was one of the most important and innovative sculptors of 19th century France. Dr. Anita Brookner called him a ‘manipulator of styles’, an epithet addressing Carrier-Belleuse's versatility and fearless experimentation in the fine and decorative arts. Carrier-Belleuse is the name used by this sculptor - born Carrier de Belleuse - on his mature pieces, after initially signing works "A. Carrier." Carrier-Belleuse was an established internationally as a high-art sculptor. He produced abundantly for a variety of international patrons in most categories of three-dimensional work - public monuments, for example, Masséna (1867, Nice), allegorical reliefs for Parisian buildings (Palais des Tuileries and Banque de France, 1865-1866), tombs for foreign heroes (San Martín Cathedral, Buenos Aires, Argentina), and classicizing figure subjects such as Sleeping Hebe for the Salon (1869, marble; Musée d'Orsay, Paris) - while simultaneously maintaining high visibility in the applied arts. Carrier-Belleuse made many terra cotta pieces, the most famous of which may be The Abduction of Hippodameia depicting the Greek mythological scene of a centaur kidnapping Hippodameia on her wedding day.
• SIX ENGLISH PRINTS, TO INCLUDE
  SIX ENGLISH PRINTS, TO INCLUDE COACHING SCENES ANDSix English prints, to include coaching scenes and landmark buildings.
• GEORGE SHEDD, SEA FOGG,
  GEORGE SHEDD, SEA FOGG, WATERCOLORGeorge Shedd, Sea Fogg, Watercolor, (Massachusetts/New York, 1922-2006), signed lower right, with brochure and label on back, depicting buildings along a harbor, matted and framed. Frame Size: 15 1/4
• D. SPANGLER, TRAIN STATION, PEN AND
  D. SPANGLER, TRAIN STATION, PEN AND INKD. Spangler, Train station, Pen and Ink, probably 1970's, signed lower right, depicting a train yard with buildings in the distance. Frame size: 17 1/4 in. x 22 in. MEASURMENTS: Height: by sight 15 1/
• KEN HERRINGTON, CATHEDRAL AT
  KEN HERRINGTON, CATHEDRAL AT SUNSET, WATERCOLORKen Herrington, Cathedral at Sunset, Watercolor, (Savannah, b. 1948), signed lower right, depicting a rooftop view of buildings and cathedral spires at sunset, matted and framed. Frame size: 24 in. x
• MYRTLE JONES, DRAWING OF DOG, PEN
  MYRTLE JONES, DRAWING OF DOG, PEN AND INKProperty of a Private Collection, Savannah, GA (GA, 1913-2005), signed bottom right and marked No. 2 in upper left corner, depicting dog on bed with shutters behind opening to buildings, matted and fr
• FRENCH WALLPAPER FOUR PANEL
  FRENCH WALLPAPER FOUR PANEL SCREENProperty of Greenwich / Dataw the wallpaper depicting a river landscape with Neoclassical buildings in the background and a field with cows in the foreground. H. 76 1/4 in. x W.of each panel 19 1/4 in
• RARE 19TH C. EARTHENWARE
  RARE 19TH C. EARTHENWARE PLATTEREngland Stoke-on-Trent, showing a large rectangular platter with brown transfer decoration of flowering vines and two off-set cartouches - one illustrating and titled 'PARLIAMENT BUILDINGS, OTTAWA' , the other 'NOTRE DAME, MONTREAL', measuring 15.75" wide x 12.5" deep. The reverse showing factory marks 'THE WORLD' for Wallis Gimson & Co., registry number RD 7624 (for 1884) and importer / distributor marks MB&C.
• GROUP OF 6 LARGE INK RUBBING ON
  GROUP OF 6 LARGE INK RUBBING ON PAPER A group of 6 ink rubbings on paper. An Emperor on high official rides in a chariot with figures in front of him declaring his presence. A compound of an important figure as seen from above, with many buildings. Vertical rubbing of a woman and a baby. A vertical of a peacock in nature, with lines of Chinese poetry. An aerial view of a walled city with red detail to the black ink, and Chinese character writing. Vertical of a woman smiling as she watches a small child wade into a river, with a huge waterfall in background. Rubbings: H. 12" (30.5 cm), L.44" (111.7 cm) to H. 25" (63.5 cm) , W. 44 1/4" (112.4 cm) to W. 22" (55.8 cm), H. 55" (139.7 cm) Provenance: Estate by Francis J. Caro, son of Frank Caro from Frank Caro Gallery, formerly owned by C.T Loo Link to HD Natural Light photos:
• LARGE CHINESE PAINTING OF
  LARGE CHINESE PAINTING OF LANDSCAPE, MING DYNASTY A large Chinese painting of landscape, dating from the Ming Dynasty (1368-1644). A large horizontal landscape with green covered mountains on the left and right, with water nearby. Through the right mountain one can see a walled city with buildings. Painted area only: W. 75" (190.5 cm) H: 20 3/4"(52.7 cm) Provenance: Estate by Francis J. Caro, son of Frank Caro from Frank Caro Gallery, formerly owned by C.T Loo Link to HD Natural Light photos:Click here for high resolution imagesCondition: in overall good condition with surface wear ,discoloration and scratch to some area
• Lot 4 JUNE ALEXANDER, RICHARD C
  Lot 4 JUNE ALEXANDER, RICHARD C MILLER Photographs. Bridge. Buildings. Industrial. Photographer's Business. All framed alike. PATRICK PARRISH Gallery labels. Dimensions: Frame Height: 25.5 inches, Frame Width: 21.25 inches. - Image Size: Image Height: 13.25 inches, Image Width: 10 inches. --- Condition: Light wear.
• EDWARD QUIGLEY "INDUSTRIAL SCENE"
  EDWARD QUIGLEY "INDUSTRIAL SCENE" GELATIN PRINT Edward Quigley (American, 1898-1977), "Industrial Scene", Gelatin Silver Print, 1933, Barry Friedman Ltd. label to verso. Image: 3.5" H x 4.25" W; frame: 15.75" H x 15.5" W. Illustrated: Edward Quiqley, American Modernist, New York, Houk Friedman, 1991, plate 59. Provenance: Reputedly from the estate of the artist; from the 50 East 89th Street estate of a 20th century photography collector. Keywords: Photography, Buildings, Construction, Industrialism, Art Deco period
• MICHAEL KENNA UNTITLED
  MICHAEL KENNA UNTITLED (CITYSCAPE) GELATIN PRINT Michael Kenna (British, b. 1953), Untitled (Cityscape), Gelatin Silver Print, 1984, pencil signed, dated " '84", and numbered "#2/45" on bottom edge. Image: 6" H x 9" W; frame: 21.5" H x 17.75" W. Provenance: From the 50 East 89th Street estate of a 20th century photography collector. Keywords: Architecture, Buildings, Photograph, Photography, Landscape, Industrial
• LOUIS STETTNER "DOWNTOWN..."
  LOUIS STETTNER "DOWNTOWN..." GELATIN SILVER PRINT Louis Stettner (American, 1922-2016), "Downtown Near Canal Street", Gelatin Silver Print, 1986, embossed white signature to lower right. Image: 7" H x 4.75" W; 14.5" H x 12" W. Provenance: From the 50 East 89th Street estate of a 20th century photography collector. Keywords: Photography, Cityscape, Abstract, Industiral, Buildings
• DAVID ROSS "4:45 PM FRIDAY"
  DAVID ROSS "4:45 PM FRIDAY" PASTEL ON PAPER David Ross (American, XX), "4:45 pm Friday", Pastel on Paper, 1993, inscribed, signed, and dated lower left. Image: 38.25" H x 25" W; frame: 41.75" H x 29" W. Provenance: From a Fifth Avenue Collection. Keywords: Drawings, Contemporary Art, Works on paper, Cityscape, Landscape, Abstract, Buildings, Trees
• MARY JO SCHWALBACH 21 CLUB
  MARY JO SCHWALBACH 21 CLUB WATERCOLOR Mary Jo Schwalbach (American, b. 1939), 21 Club, watercolor painting on paper, depicting the iconic New York City eatery, signed in pen lower right, housed in a gold-toned metal frame. Image: 14" H x 11" W; frame: 22.25" H x 19.25" W. Keywords: Paintings, Cityscape scene, Buildings, Cars, Figures, Abstract, Female, Woman, Women artists
• MARY JO SCHWALBACH PARISIAN
  MARY JO SCHWALBACH PARISIAN CITYSCAPE WATERCOLOR Mary Jo Schwalbach (American, b. 1939), Parisian Street Scene, watercolor painting on paper, 1974, signed in pen lower right, housed in a gold-toned metal frame. Image: 14" H x 11" W; frame: 22.25" H x 19.25" W. Keywords: Paintings, France, French scene, Buildings, Cars, Abstract, Female, Woman, Women artists
• KAYO LENNAR "SANTORINI" OIL ON
  KAYO LENNAR "SANTORINI" OIL ON CANVAS, 1978 Kayo Lennar (French/American, b. 1923), "Santorini", 1978, Oil on Canvas, signed, titled, and dated to verso. 34" H x 26" W. Provenance: Property from an estate located at 160 E 65th Street. Keywords: Paintings, Landscape scene, Grecian cityscape, Buildings
• PAINTING, PAUL LAURITZ Paul Lauritz
  PAINTING, PAUL LAURITZ Paul Lauritz (American, 1889-1975), "Buildings in a Country Landscape," oil on canvas, signed lower left, canvas: 24"h x 34"w, overall (with frame): 30.25"h x 40.25"w. Provenance: John Moran Auctioneers, February 2011.
• DAVID ROBERTS, LEATHER BOUND
  DAVID ROBERTS, LEATHER BOUND SKETCHBOOK, 1800S Sketchbook of David Roberts (Scotland 1796-1864), a Scottish painter. Book with five sketches, three of which are signed D. Roberts. First is a one page showing two boats with a background of a large mountain, was drawn from a boat. Second is a two page pencil drawing of Naples Italy, taken aboard the Harriet in 1844. Third is a study of cows and a donkey signed. Fourth is a two page pencil drawing of Florence, Italy as seen from the countryside and is signed. The fifth and final sketch shows unknown buildings on one page. Sketchbook is fully leather bound with ornate gilt titling on the front, back and spine. Latch present. Key not present.