A few examples of appraisal values for
BUNK

• FREDERIC REMINGTON (1861-1909), THE
  FREDERIC REMINGTON (1861-1909), THE WOUNDED BUNKIE Title: Frederic Remington (1861-1909), The Wounded Bunkie Medium: bronze, 14/100 Dimensions: 20 x 30 x 12 Framed dimension: 21 1/2 x 30 x 14
• ATTRIBUTED TO JACOB EICHHOLTZ,
  ATTRIBUTED TO JACOB EICHHOLTZ, PORTRAITAttributed to Jacob Eichholtz (American 1776-1842) , oil on panel oval portrait of Nathan Bunker, 12" h. Provenance: Christie's, Chieffo Collection, September 28, 1999, lot 83. Competitive in-house shipping is available for this lot. Condition: Split to frame. Frame size - 16'' x 14''.
• J. VALET A LIEGE MODEL 1728
  J. VALET A LIEGE MODEL 1728 MUSKET AND BAYONET Present day Belgium,C. 1744-47.76 bore, NSN, walnut stock, steel fittings, lock marked "JACQUES VALET/A LIEGE", the hammer was refaced during the period, the left side of the breech marked "HDL", an iron ramrod with a tapered head, and an early French Model 1717/29 square-shouldered contract-type bayonet with a small star or sun pattern on the base of the blade and light Roman numerals engraved on the socket, with correspondence from Norm Flayderman regarding how he had come upon the gun and some history. Note: The letters relate that Norm Flayderman purchased this gun and bayonet in 1958 from noted Lexington, Massachusetts artist A. Lassell Ripley. In the notes is a letter from Ripley stating that the gun came from the descendant of Benjamin Hall (1730-1810) from Barrington, New Hampshire with the question whether Hall had been at Lexington and Concord or the Battle of Bunker Hill. He would not have made it to Concord or Lexington in time for the fight, and a search of the New Hampshire records showed that Benjamin Hall of Barrington (there was another Benjamin Hall from the Keene area) was not at Bunker Hill but had arrived for the Siege of Boston not long after the battle. Hall was a member of Captain Titcomb's company, Col. Poor's regiment stationed at Medford and served until his enlistment ran out in the late fall of 1775. While searching the town and county histories for Hall, a History of Dover New Hampshire had a listing for him which stated "He lived in Barrington, was a soldier of the Revolution, commencing at Cambridge, and brought home a remarkable musket." In Kevin Gelinas' article titled "Liege Firearms in New France," his research proves that these Liege-produced small arms were made for service in New France between 1744 and 1747. For more information on the history of these guns, see the above mentioned article in the October 2016 issue of Man at Arms magazine, pp. 23-33. For information on the bayonet, see "The Bayonet in New France 1665-1760" by Erik Goldstein, Museum Restoration Service, 1997, pp. 19-22.
• NAGASAKI BUNKEN ROKU, JAPANESE
  NAGASAKI BUNKEN ROKU, JAPANESE WOODCUT BOOK, 1817 Hirokawa Kai; NAGASAKI BUNKEN ROKU, "Record of Things Seen and Heard in Nagasaki" (Kyoto: H. Magobei and B. Gannen, circa 1817) 2nd ed., the 1st in 1800; 5 vols. in 3, 10 x 7 in., in traditional Japanese fukurotoji bindings: pale blue covers, applied printed title labels. The author was a doctor who travelled to the restricted Deshima district of Nagasaki to learn about Dutch medical knowledge. His book covers this with a broad additional account of the Dutch and Chinese mercantile communities, their technology and reports of exotic creatures and monsters, all richly illustrated.
• MICHA ULLMAN. "BUNKERS," GRAPHITE
  MICHA ULLMAN. "BUNKERS," GRAPHITE (Israeli, b. 1939). Two graphite works on paper, both signed "Micha Ullman" lr, both dated 1979 lr, sheet size each: 8 1/2 x 11 in., framed size: 22 3/4 x 16 inches.
• ENGLISH ENGRAVING, CA.
  ENGLISH ENGRAVING, CA. 1775English engraving, ca. 1775 , View of the Attack on Bunker's Hill, with the Burning of Charles Town, June 17, 1775, Drawn by Mr. Millar, Engraved by Lodge , 9" x 12". Competitive in-house shipping is available for this lot. Condition: Not glued down. Good condition. No apparent damages or repairs.
• A late 19th C. tea tin with a
  A late 19th C. tea tin with a hinged lift top, the front has lithographic paper label 'Bunker Hill Brand Boston, Mocha and Java Coffees'. 19.5"H x 13.5"W x 13.25D Condition: wear commensurate with age, staining and loss to paper label CT Transfer Fee $10
• Two 19th C. prints, Battle of
  Two 19th C. prints, Battle of Lexington and Battle of Bunker Hill, both framed and labeled by Godspeed's Bookshop, Boston. Images 17" x 22" Frames 22" x 25" Condition: various CT Transfer Fee $10
• COLLECTION OF ART REFERENCE BOOKS
  COLLECTION OF ART REFERENCE BOOKS ON ASIAN WORKS OF ART ????????????????????????????????????????including art reference books for jade, works or art, archaeology, musuem and exhibition catalogues, in total 46 publications.12th Annual New York Arts of Pacific Asia Show, New York, 2004Asian Art Museum: Selected articles from Orientations, Hong Kong: Orientations Magazine Ltd., 1999Bonhams: Fine Asian Art, London: Bonhams, 2005Chinese Buddhist Sculpture: from the collection of C.R. Moss O.B.E. and other properties (catalogue), Oriental Arts, 2000Chinese Jade Animals, Hong Kong: Urban Council of Hong Kong, 1997Chinese Jade: Selected articles from Orientations 1983-1996, Hong Kong: Orientations Magazine Ltd., 1997Christie's: Fine Chinese Ceramics and Works of Art Including Export Art, 2008Denwood, Philip (ed.), The Arts of the Eurasian Steppelands: a Colloquy held 27-29 June 1977 (Colloquies on Art & Archaeology in Asia No.7), London: School of Oriental and African Studies, 1977Fong, Wen and Watt, James C.Y., Possessing the Past: Treasures from the National Palace Museum, Taipei, New York: The Metropolitan Museum of Art, 1996Forsyth, Angus and McElney, Brian, Jades from China, Bath: The Museum of East Asian Art, 1994Hansford, S. Howard, Chinese Carved Jades, London: Faber and Faber Limited, 1968Howard, David S., A Tale of Three Cities: Canton, Shanghai & Hong Kong, London: Sotheby's, 1997Juliano, Annette L., Lerner, Judith A., Alram, Michael, Monks and Merchants: Silk Road Treasures from Northwest China, New York: Harry N. Abrams, 2001Kerr, Rose, Chinese Art and Design: The T.T. Tsui Gallery of Chinese Art, London: Victoria and Albert Museum, 1991Knapston Rasti catalogue Nov 05Knapston Rasti catalogue Nov 07Leiper, Susan, Precious Cargo: Scots and the China Trade, Edinburgh: National Museums of Scotland, 1997Lin, James C.S. (ed.), The Search for Immortality: Tomb Treasures of Han China, New Haven: Yale University Press, 2012Lu, Wenbao, Jades of the Liangzhu Culture, Hong Kong: The Chinese University of Hong Kong Art, 1998Michaelson, Carol, Gilded Dragons: Buried Treasures from China's Golden Ages, London: The British Museum, 1999Ming, Yu, Chinese Jade, Cambridge: Cambridge University Press, 2011Morgan, Michell (ed.), The Museum of East Asian Art Journal Volume V, Bath: The Museum of East Asian Art, 1999Morgan, Michelle, 100 Treasures: The Museum of East Asian Art, Bath: The Museum of East Asian Art, 2000National Museums of Scotland, Ming: The Golden Empire, Edinburgh: National Museums of Scotland, 2014Oriental Art Vol 44 No. 2 (1998)Oriental Art Vol 45 No. 1 (1999)Peterson, Harold (ed.), Chinese Jades: Archaic and Modern from the Minneapolis Institute of Arts, Rutland: Charles E. Tuttle Company, 1977Pirazzoli-t'Serstevens, Michele, The Han Dynasty, New York: Rizzoli International Publications, 1982Portal, Jane and Duan, Qingbo (ed.) The First Emperor: China's Terracotta Army, London: The British Museum, 2007Rawson, Jessica (ed.), Treasures from Shanghai: Ancient Chinese Bronzes and Jades, London: The British Museum, 2009Rawson, Jessica, Chinese Jade from the Neolithic to the Qing, London: The British Museum, 2002Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London: The British Museum, 1984Schafer, Edward H., The Golden Peaches of Samarkand: A Study of Tang Exotics, Berkeley: The University of California Press, 1985Scott, Rosemary E., Chinese Jades (Colloquies on Art & Archaeology in Asia No.18), London: School of Oriental and African Studies, 1997Shanghai Museum Chinese Painting Gallery, Shanghai: Shanghai MuseumSickman, Laurence and Soper, Alexander, The Art and Architecture of China, New Haven: Yale University Press, 1992So, Jenny F. and Bunker, Emma C., Traders and Raiders on China's Northern Frontier, Washington: Smithsonian Institution, 1995The International Asian Art Fair, 2004Watson, William, The Arts of China to AD 900, New Haven: Yale University Press, 1995Watson, William, The Genius of China: An exhibition of archaeological finds of the People's Republic of China, London: Times Newspapers Ltd., 1973Watt, James C.Y. (et al.), China: Dawn of a Golden Age, 200-750 AD, New York: The Metropolitan Museum of Art, 2004Whitfield, Roderick (ed.), The Problem of Meaning in Early Chinese Ritual Bronzes (Colloquies on Art & Archaeology in Asia No.15), London: School of Oriental and African Studies, 1993Wilson, Ming, Chinese Jades (Victoria & Albert Museum Far Eastern Series), London: V&A Publications, 2004Yang, Xiaoneng (ed.), New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century: Cultures and Civilizations Reconsidered (Vol 1), New Haven: Yale University Press, 2004Yang, Xiaoneng (ed.), New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century: Major Archaeological Discoveries in Twentieth Century China (Vol 2), New Haven: Yale University Press, 2004Zhang, Hongxing, The Qianlong Emperor: Treasures from the Forbidden City, Edinburgh: National Museums of Scotland, 2002(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
• CERAMIC FLOWER VASE BY KUSUBE
  CERAMIC FLOWER VASE BY KUSUBE YAICHI (1897-1984), SHOWA PERIOD, CA. 1960 ?? ?1960 ???? ?? ??signed Ya, with a wooden tomobako inscribed Heigyokuyu kabin(Jasper glaze flower vase) signed Yaichi sakuand sealed(1)35.5cm highProvenance: Greg Baker Asian Art, 7 November 2018, with a printed valuation document from the gallery after purchase.Exhibited: 'Diversity from Adversity: An exhibition of Japanese works of art from the 1950s and 1960s', Gregg Baker Asian Art & Brian Harkins Oriental Art, 3rd-19th November 2005, catalogue no. 2, with a copy of the catalogue.Dr. Kenneth P. Lawley's inventory number: Cer.168.Note: Kusube Yaichi was born to a family of ceramic exporters in Kyoto and studied ceramics at the Ceramic Institute of Kyoto.In 1920, joined by other aspiring young ceramists, he formed the innovative group Sekidosha manifesting to create ceramics as art objects. He first exhibited at theTeiten(the Imperial Fine Art Exhibition) in 1927, the year when the ‘works of art’ section was first introduced and won theTokusen(Speciality) prize in 1933.After serving as a judge for theShin-Bunten(Ministry of Education New Fine Arts Exhibition) and theNitten(The Japan Fine Art Exhibition) for many years, he became a director in 1969 and a consultant in 1974.Kusube was honoured with the Minister of Education Award in 1951 at the 7th Nitten, the Japan Art Academy Award in 1962 and both the Mainichi Newspaper Art Award and the cultural merit award in 1972. After receiving the Order of the Sacred Treasure from the government, his solo exhibition was successfully held at the Louvre (Museé Des Art Décoratifs) in Paris in 1977. Finally, theBunka Kunsh?, or Order of Cultural Merit, was conferred upon him in 1978.Having studied all kinds of ceramic techniques in Japan, China and Korea and utilising them for his creations, Kusube is regarded as one of the most important ceramic artists of the 20th century.Please note this lot will be offered with no reserve. ???????
• NINE AMERICAN VIEW MAUCHLINE WARE
  NINE AMERICAN VIEW MAUCHLINE WARE SOUVENIR ITEMSNine American view Mauchline Ware souvenir items, 19th c., to include Old Orchard Beach, Maine; Absecon Lighthouse, Atlantic City; Washington's Headquarters, Morristown N.J.; Haine's Falls, Catskill Mountains; two Bunker Hill Monument; Lake Mohonk Mountain House; Maplewood Hotel Bethlehem N.H.; and, The Auditorium Ocean Grove; small shelf - 6 3/4" h. Provenance: Estate of Edwin C. Bramble. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• RUSTIC BUNK BED, HAND HEWN PINE
  RUSTIC BUNK BED, HAND HEWN PINE LOGSRustic bunk bed constructed of hand hewn pine logs, the ends with original bark, the rails without bark, complete with ladder, approximate inside: 78" x 39"; outside: 76"h, 92"w, 47"d
• (26) EASTON PRESS & OTHER
  (26) EASTON PRESS & OTHER LEATHER-BOUND BOOKS(lot of 26) Books published by Easton Press and other fine publishers, some signed first editions (SFE), leather binding, gilt page ends, many appear unread, titles: (1) The Last 100 Days, Toland; (1 The Bourne Supremacy, Ludlum (SFE); (1) The Gallic Wars, Julius Caesr; (1) Twenty Two Tales; (1) The Armada, Mattingly; (1) Anna Karenina, Tolstoy; (1) Andersen's Fairy Tales & Stories (2vol); (1) The Teturn of the Native, Hardy; (1) The Mill on the Floss, Eliot; (1) David Copperfield, Dickens; (1) Kampus, Gunn; (1) Nine Women, Grau (SFE); (1) A Journey to the Center of the Earth, Verne; (1) Plays, Chekhov; (1) Selected Plays, Plutarch; (1) Madame Bovary, Falubert; (1) Decisive Day, The Battle of Bunker Hill, Ketchum; (7) Harvard Classics, Shakespeare (2vol), Dana (2vol), Cervantes, Plato, Homer; 52lbs total
• 'WOUNDED BUNKIE' WESTERN BRONZE
  'WOUNDED BUNKIE' WESTERN BRONZE AFTER REMINGTONPatinated bronze sculpture, "Wounded Bunkie," after the original by Frederic Sackrider Remington (United States, 1861-1900), depicting two riders on horseback, on marble base, approx 20.5"h, 28.5"w, 14.5"d
• HENRY PEMBER SMITH (AMERICAN,
  HENRY PEMBER SMITH (AMERICAN, 1854-1957). Oil on canvas. "Near Kennebunkport". Signed lower right. From a Connecticut collection. Dimensions: 11.25" high x 17" wide Condition: Loss at lower left. Spot loss at center. Slight yellowing.
• JAPANESE GOLD AND SILVER LACQUER
  JAPANESE GOLD AND SILVER LACQUER HARI MAKI-E BUNKO BOXThe interior of the cover decorated with a boat at the edge of a stream. 5 1/2 x 8 1/2 x 9 3/4 in. Condition Minor wear and in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JAPANESE EXPORT SILK AND METALLIC
  JAPANESE EXPORT SILK AND METALLIC THREAD EMBROIDERED PANEL, 'THE GROWTH OF OUR NATIONAL FLAG'31 3/4 x 43 1/4 in. (framed). Note: The list of flags: 1. Colonial Flag used chiefly by Colonies of New England previous to Revolutionary War. 2. Bunker Hill Flag used by New England troops at Battle of Bunker Hill. 3. Pine Tree Flag of the Navy, used by the American ships early in the Revolutionary War. 4. Rattlesnake Flag used early in Revolutionary War. 5. First National Flag, used in 1776, before the Declaration of Independence, the thirteen stripes signified the thirteen Colonies. 6. The present "Star, Spangled Banner", the stripes signify the original thirteen colonies, and the stars, the present number of states. Condition Rippling with minor tears and losses to the silk background. The losses are on the right side near the edge. Otherwise, in good overall condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• GEORGE III CARVED MAHOGANY CLOCK,
  GEORGE III CARVED MAHOGANY CLOCK, DIAL SIGNED JOHN BARR, PT. GLASGOW7 ft. 10 3/4 in. x 20 1/2 x 9 3/4 in. Note on the interior door: 'This clock was imported in 1751 by Obadiah Curtis, a ship owner of Boston. Mr. Curtis' family arrived in Boston in 1630 with Governor Winthrop's party of Puritans. He was born in 1724 and died November 11, 1811, the son of Samuel Curtis. Mr. Obadiah Curtis was a member of The Boston Tea Party, objecting to the tax on tea imposed on the American Colonies. His loyalty to King George was weakened further by the closing of the port of Boston by the British in 1775, where he is reported to have had interests in 14 ships which were then at sea and could not return to their home port. During the ensuing military confrontation between the Colonies and the British, the lead weights in this clock were melted down to be used in the Battle of Bunker Hill, where the British took great losses to capture the heights above Boston Harbor. Being unable to hold these heights, the British were forced to abandon the Port of Boston to the Revolutionaries. This clock descended from Obadiah Curtis to his daughter Martha, wife of Samuel Clarke. Her husband had also joined the Revolutionary cause, having interests in a dozen ships which were stranded by the closing of the port of Boston. At the death of Martha in 1841, this clock came to her daughter-in-law, Mrs. Rebecca Clarke. Mrs. Clarke gave it to her daughter, Sarah, the painter, then of Newport, R.I., but who subsequently moved to live permanently in Rome, Italy to pursue her painting career. At this time, deciding not to ship the the clock overseas, she gave it to her brother, Samuel C. Clarke, who was then living in Milwaukee and who later moved to Marrietta, Georgia. It was returned to Boston in 1920 to Eliot C. Clarke, another descendant of Obadiah Curtis. It descended to his son James F. Clarke of Boston and from him to his sold Eliot C. Clarke of New York City. It has registered time in Massachusetts, Rhode Island, Wisconsin, Georgia and New York for 234 years. Lithgow, Millbrook, NY 1985. Condition The finials and tops of the columnar supports are added later with restorations to the top crest and bonnet with age cracks and minor losses. Both side panels and base with old age splits, some of the panels are warped with old restorations. The dial has oxidized and the interior mildewed. Lacking a door key and pendulum. It has two associated weights and one winding key. Not currently in working order. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• GEORGE BENTLEY NICK (AMERICAN,
  GEORGE BENTLEY NICK (AMERICAN, B.1927). Kennebunkport Maine House. Oil on canvas, 1967. Signed, inscribed and dated at lower right. from a private collection. Dimensions: 19 1/8" h x 34" w. Condition: Good. Would benefit from a cleaning. Light craquelure. Unframed.
• P. FROST (CONTEMPORARY ME) A Pair
  P. FROST (CONTEMPORARY ME) A Pair of Old Wooden Bead and Board Cottage Shutters, painted in oils, marked on reverse "Turbat's Creek, P. Frost". Depicting a harbor with empty skiff beached in the foreground. Kennebunk, ME location. 57" x 30" excluding hardware, not conjoined.
• (2) 1832 ENGRAVINGS OF EARLY
  (2) 1832 ENGRAVINGS OF EARLY REVOLUTIONAY WAR BATTLES, FRAMED Both by J. Baker, handcolored copper engravings, published in 1832, including: "Battle of Bunker's Hill, (June 17th, 1775.)", marked "To the Enlightened and Patriotic Citizens of the United States, this plate respectfully inscribed by their Obedient Servant, J. Baker", along with numbered key identifying individuals; PLUS "Battle of Lexington, April 19, 1775", published by Humphrey & Phelps, New York, also with numbered key. The two are housed in their original lemon gold frames, similar but not identical, under old rippled glass. OS: 19 1/2" x 23 1/2", SS: 14 1/2" x 18 1/2", toned, stained, old repaired tears at bottom of Bunker's Hill. Well worth restoring.
• UNFRAMED SAMPLER (IN FOLIO)
  UNFRAMED SAMPLER (IN FOLIO) "Sarah Ann Bunker Worked this Sampler in the 23 year of her age", wool on linen, English, early 19th c. Two alphabets within wavy border, sentiment among floral urns and doves reads "Jesus permit thy gracious name to stand, As the first efforts of a youthful hand, And while her fingers o'er this canvas move, Engage her tender heart to seek thy love, With thy dear children let her share a part, And write thy name thyself upon her heart.". Unframed, loose in folio, backed. 18" x 17".
• FLAMESTITCH CREWELWORK
  FLAMESTITCH CREWELWORK POCKETBOOK, DATED 1773 In a shadowbox frame, Pocketbook of a Minuteman, with integral inscription "MOODY MORSE, HIS BOOK, 1773", having gusseted expanding sides and four pink cotton partitions. 9 1/2" x 8" opened flat, housed in a shadowbox red walnut molded frame, under glass. 14" x 12" overall. Captain Moody Morse was born in Newbury, Essex County, MA on 1 April, 1719, died 14 Aug, 1805 (aged 87) in Sutton, MA. He was in the muster roll of the Minutemen who marched from Newbury to Headquarters in Cambridge, MA. on 20 April, 1775, under the command of Capt. Thomas Noyes, 3rd. Enroute, they were present April 19, 1775 at Lexington and after arrival, June 17, 1775 at Bunker Hill. He served on the Committees of 1776 and 1779.
• ANNE GABLE ALLAIRE (ME
  ANNE GABLE ALLAIRE (ME CONTEMPORARY) "Sacred Space - Franciscan Monastery", pastel on paper, signed ?, with title and artist name verso on Mast Cove Galleries (Kennebunk, ME) label, artist biography sheet affixed verso, in gilded and molded wooden frame with mat, glazed, OS: 34 1/2" x 28", SS: 24" x 18 1/2".
• DAVID HARRISON BLOWER (1901 -
  DAVID HARRISON BLOWER (1901 - 1976): SIX WORKSDavid Harrison Blower (1901 - 1976): Six Works, depicting Los Angeles architecture and views; each ink on paper; signed with initials to lower corners; comprising "Malibu Shore", "Bunker Hill House", "Bunker Hill", "Los Angeles from Bunker Hill", "House on Bunker Hill" and "Bunker Hill Apartment House" Dimensions: Each frame: 19 1/2 x 25 in. (49.5 x 63.5 cm.) Condition:
• GROUP OF AMERICAN THEMED PRESSED
  GROUP OF AMERICAN THEMED PRESSED GLASSWAREComprising: Eight 'Give Us This Day Our Daily Bread' oval dishes of various form Ten 'Give Us This Day Our Daily Bread' circular dishes of various form Seven Declaration of Independence Commemorative oval dishes A Presidential Remembrance oval dish A George Washington Remembrance oval dish A Bunker Hill Commemorative oval dish A U.S. Grant Commemorative dish with leaf tip border Four pickle dishes with various themes The largest 12 1/2 x 10 in., (33 pcs). Condition Minor wear, a few tiny losses. Otherwise in good condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• FOUR ANTIQUE BOOKSFour Antique
  FOUR ANTIQUE BOOKSFour Antique Books, incl. Lolme, The Constitution of England, 1792; two Japanese dance books by Kokusai Bunka Shinkokai; and Le Vieux Strasbourg. Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.
• +CLOCK: TALL CLOCK, DIAL SIGNED
  +CLOCK: TALL CLOCK, DIAL SIGNED “FREDRICK WINGATE, AUGUSTA, MAINE,1807, NO. 30,” IN BIRCH ROXBURY STYLE CASE, HOOD WITH PIERCED FRET, THREE BRASS FINIALS ON TALL PLINTHS, FLUTED COLUMNS, BRASS CAPITALS OVER WAIST WITH...+CLOCK: Tall Clock, dial signed "Fredrick Wingate, Augusta, Maine,1807, No. 30," in birch Roxbury style case, hood with pierced fret, three brass finials on tall plinths, fluted columns, brass capitals over waist with rectangular door, fluted corner quarter columns over base with step molding and straight bracket feet, 8 day brass time and strike movement with arched plates, painted white dial with floral decoration, intermediate plate with cast name "OWEN, date wheel stamped E OWE…", case refinished, waist door hinges replaced, waist door inside painted black, feet probably replaced, bottom board and pendulum not present, 93" h. x 19" w. x 9" d. [+PROVENANCE: Purchased from Sam's Stairs, Maine Street, Kennebunkport, ME in 1989 for $16,000.00. Copy of receipt available to successful bidder.] [++Accompanied by winding key at purchase.]
• 6pc Studio Pottery Modernist Glazed
  6pc Studio Pottery Modernist Glazed Pottery Vases. Includes G BUNKER; TODD; ROYAL HAEGER and unsigned pieces. --- Condition: Very Good Condition. Light wear.
• A Large-Scale Map of Edo (Tokyo),
  A Large-Scale Map of Edo (Tokyo), Dated 1861 Details include Edo Castle for the Tokugawa Shogunate, along with the residences of various Daimyo feudal lords indicated by family crests (mon), dated Bunkyu 1 (1861); woodblock print, ink and colour on paper, framed including frame 37.4 x 42.7 in — 95 x 108.5 cm
• PRINT “THE BATTLE OF BUNKER HILL
  PRINT “THE BATTLE OF BUNKER HILL NEAR BOSTON, C.1798. Copper plate print/engraving after John Trumbull, (1756-1843) of his eyewitness account of a scene at Battle of Bunker on 6/17/1775. Engraved by J.G. Muller, published by Antionio C. de Poggi, London. Ex. Walter Backoff collection. Image sight size 22.75”H x 31.5”W. Overall double matted in a black frame with gold liner 34.5”H x 43.25”W.
• A Gold and Black Lacquer
  A Gold and Black Lacquer Ryoshibako/Bunko (Document Box), Meiji Period (1868-1912) The large and deep rectangular box decorated on the surface and sides with flower sprays in gold, the interior with a nashiji (aventurine-flecked) ground 6.6 x 12.8 x 16.1 in — 16.7 x 32.5 x 41 cm
• AFTER FREDERIC REMINGTON 21"x 30" x
  AFTER FREDERIC REMINGTON 21"x 30" x 15" "The Wounded Bunkie". Bronze, mounted to marble base, signed to base.
• A CONTINENTAL ENAMELED GREEN
  A CONTINENTAL ENAMELED GREEN GLASS SPIRIT BOTTLE A Continental enameled green glass spirit bottle, decorated with bunch of grapes and 'Congac' mold blown with relief mark 'ENVASES BUNKER', 13.75"h
• JAPANESE EDO PERIOD BUNKA PEWTER
  JAPANESE EDO PERIOD BUNKA PEWTER TEA CADDY Japanese Edo period Bunka pewter tea caddy, 13.5"h.
• Various Artists. Five theatrical
  Various Artists. Five theatrical posters. 1904-16, lithograph in colors. 26½ h × 17½ w in. result: $328. estimate: $700–900. Lot is comprised of posters for Mrs. Bridgey O'Brien Esq., The Tourists, Sheriff of Angel Gulch, The Bachelor's Baby, and His Majesty Bunker Bean.