A few examples of appraisal values for
BURMANTOFT

• BURMANTOFTS FAIENCE JARDINIERRE &
  BURMANTOFTS FAIENCE JARDINIERRE & PEDESTAL Circa 1900; majolica jardinierre with molded dimpling and medallions, having cream bleeding into light blue glazes, stamped "Burmantofts Faience England 1978 A," 8 1/2 in. H., 10 in. Diam. with matching pedestal, 27 in. H.
• BURMANTOFTS POTTERY, LEEDS
  BURMANTOFTS POTTERY, LEEDS GROTESQUE FIGURE, CIRCA 1890 glazed ceramic, impressed maker's mark/ LEEDS/ 2174, 11.5cm across; a BURMANTOFTS FAIENCE CANDLESTICK, glazed ceramic, impressed BURMANTOFTS FAIENCE 834, 11cm high; and a ROYAL DOULTON FIGURAL SPOUT, glazed ceramic, impressed maker's mark, 17.5cm high(3)Provenance: The Peter Rose and Albert Gallichan Collection
• Burmantofts Jardiniere and Base
  Burmantofts Jardiniere and Base decorated with Flowers in Blue and Brown Height 30cm Diameter 36cm (matched up)
• BORGE MOGENSEN (danish 1914-1972)
  BORGE MOGENSEN (danish 1914-1972) 2213 Sofa Designed by Mogensen in 1962, made by Fredericia Furniture. Original black leather with teak feet. Removable seat, back and arm cushions. H: 29 1/2 i., W: 87 in., D: 32 in. Tear on the underside of sofa. Cracking to the leather, wear consistent with age and use. Slight surface scratches to the legs. White paint spots on the back of sofa (ALX 08/15/08)
• Artur Bengtsson ''Hamnmotiv
  Artur Bengtsson ''Hamnmotiv Stockholm'' Etching Matted 20''x16''
• BURMANTOFTS FAIENCE POTTERY,
  BURMANTOFTS FAIENCE POTTERY, LEEDS PLATE, CIRCA 1890 lustre-glazed ceramic, impressed BURMANTOFTS/ FAIENCE/ THE LEEDS FIRECLAY CO LTD/ ENGLAND, lustre monogram JW, painted TL26cm (10 ¼in) diameter
• BORMEL, Eugen, (German, 1858-):
  BORMEL, Eugen, (German, 1858-): Bust of a Scholar, Bronze, 7'' h., incised signature, Berlin, dated 1897, affixed to marble plinth with chips, 10 1/2'' h.
• ROBERTO BURLE MARX (BRAZIL,
  ROBERTO BURLE MARX (BRAZIL, 1909-1994) LITHOGRAPHROBERTO BURLE MARX (Brazil, 1909-1994) lithograph and book. The lithograph titled "Catumbi," a neighborhood in Rio de Janeiro in the cubist style, signed lower right, dated 1986, titled, edition 43/50, image measures 17.5" x 25.25", in a wood frame measuring 27.75" x 34.75" overall. The book titled "The Gardens of Roberto Burle Marx," published 1991.
• Borge Mogensen (1914-1972)
  Borge Mogensen (1914-1972) 'Tremmesofa' (Spoke-Back Sofa), model 1789, c. 1950Fritz Hansen, Denmark beech, upholstery, leather with manufacturer's label H 34 x W 64 x D 30 inches
• Burton (Sir Richard) Falconry in
  Burton (Sir Richard) Falconry in the Valley of the Indus, 12 mo., original cloth, 1852
• BERTHA BOYNTON BULL LUM
  BERTHA BOYNTON BULL LUM (AMERICAN, 1860-1954), TEMPLE COURTYARD Mixed media on paper, a view of a temple courtyard through an open door, signed to the lower right.
• Burt Procter (1901-1980 Palm
  Burt Procter (1901-1980 Palm Springs CA) Figures in a Marketplace with Distant Church Pueblo of Isleta New Mexico
• ARTHUR BURDETT FROST (PA/CA,
  ARTHUR BURDETT FROST (PA/CA, 1851-1928) "Bohemians", an illustration from the book "Jersey Street and Jersey Lane, Urban and Suburban Sketches" by N.C. Bunner (1855-1896), published by Charles Scribner's Sons, New York, 1896; gouache and ink on illustration board, en grisaille, signed lower right, titled verso, in gold stick frame, linen mat, glazed OS: 19 1/2" x 20", SS: 13" x 13 3/4". Very good condition.
• BYRON BURFORD (AMERICAN,
  BYRON BURFORD (AMERICAN, 1920-2011)Byron Burford American, 1920-2011 The Tournabouni Twins , 1983 Aquatint, signed and titled, edition of 250 Two young women back-to-back in matching kimono wielding crosses, unframed. Byron Leslie Burford, Jr., born July 12, 1920, in Jackson, Mississippi, blossomed as a young artist in a fascination with the carnivals and circuses booked by his YMCA director father, before leaving at age 14 to work as a roadie for the Tom Mix Circus, all the while using his exposure to circus life as inspiration for his work. Burford studied at the University of Iowa School of Art and Art History, where he mentored by Grant Wood. In 1941 Burford completed a commission for the Treasury Department's Section of Painting and Sculpture, a mural for the U.S. post office in Houston, Mississippi. He received his bachelor's degree in 1942 and, after a brief stint in the Air Corps during Word War II, completed his Master of Fine Arts degree in 1947. He would continue at University of Iowa for 38 years as a painting instructor - developing a camaraderie with Kurt Vonnegut, who taught at the Iowa Writers' Workshop for two years in the 1960s. Burford's academic success did not defer him from his aesthetic interest in circus life, and continued to subject soldiers, athletes, jazz musicians, factory workers and circus people in his work. A well-known artist in the Midwest, Burford exhibited widely and received many honors and awards, including a Guggenheim Fellowship in 1960 and a grant from the National Academy of Arts and Letters in 1967. Plate: 13 3/4 x 10 3/4 in. (34.9 x 27.3 cm.), sheet: 20 1/2 x 15 in. (52.1 x 38.1 cm.) Ex Iowa Wesleyan University collection Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• BJORN WIINBLAD (DANISH, 1918 -
  BJORN WIINBLAD (DANISH, 1918 - 2006) 54 ½" x 36" "Den Fine Mand", 1957. Original silkscreen poster, printed by T.T. Serigrafi, Copenhagen, signed and dated in the plate, in a black metal frame, 55" x 38" overall. Bjørn Wiinblad designed this whimsical silkscreen poster for a 1957 performance of Molière's play "Le Bourgeois Gentilhomme" at the Det Ny Teater in Copenhagen.
• A late Victorian Burmantofts
  A late Victorian Burmantofts faience pottery ''Diamond Jubilee'' bulbous jardiniere 12.5ins diameter x 12ins high (stamped ''Burmantofts Faience England'' and No. 151 to base - hairline crack to rim and chip to base) and conforming stand for same 30.5ins high (impressed mark and No. 152 to base)
• BJULF, Soren, (Danish,
  BJULF, Soren, (Danish, 1890-1958): Danish Police at Flower Market in Copenhagen, OIL/Canvas, 18 1/2'' x 16 1/2'', signed, framed, 23'' x 21''.
• Birger Sandzen (1871-1954 Lindsborg
  Birger Sandzen (1871-1954 Lindsborg KS) Night Poplars in Moonlight
• WILLIAM MELLOR (1851-1951) THE
  WILLIAM MELLOR (1851-1951) THE RIVER BURBAGE AT GRINDLEFORD DERBYSHIRE signed, inscribed verso, 40 x 60cm
• BORGE MOGENSEN STYLE WHITE
  BORGE MOGENSEN STYLE WHITE UPHOLSTERED 3 SEAT SOFA Borge Mogensen (Danish, 1914-1972) style Danish Modern white upholstered 3 seat sofa or couch, having curved continuous back and arms, raised on wood feet. 29" H x 72" W x 31" D; seated: 18". Provenance: Property from the Manhattan apartment of the Danish Ambassador to the United Nations. Note: This item is only available for preview at our Astoria warehouse, located at 36-01 35th St., Astoria, NY 11106. To see an item, you must make an appointment. Pick-up and shipping arrangements must also be completed at this location. Please email auctions@nyshowplace.com or call 212.633.6063 ext. 816 or 841 to make arrangements.
• Børge Mogensen (1914-1972)
  Børge Mogensen (1914-1972) 'Embassy' SetteeFredericia, Denmark leather, teak H 29 1/2 x W 63 x D 33 1/2 inches
• Mungo Burton after Sir Henry
  Mungo Burton after Sir Henry RaeburnPortrait of Sir James Gibson Craig Btoil on canvas 75cm x 61.5cm (29.5" x 11.5")
• A Copenhagen B&G model of a girl
  A Copenhagen B&G model of a girl with flowers and a model of a boy with conical hat and bird mask.
• Mildred Nung
  Mildred Nung
• Roberto Burle Marx (Brazilian,
  Roberto Burle Marx (Brazilian, 1909-1994) "Macuhaima", color lithograph, 24" x 32", numbered lower left: "38/66", signed and dated lower right: "Roberto Burle Marx 1985". Unframed. Roberto Burle Marx is internationally known as one of the most important landscape architects of the twentieth century. An artist of multiple facets, he was also an excellent painter, sculptor and printmaker.
• Børge Mogensen (1914-1972)
  Børge Mogensen (1914-1972) 'Embassy' Sofa Fredericia, Denmark leather, teak with manufacturer's label H 29 1/2 x W 86 x D 33 1/2 inches
• DOULTON BURSLEM MORRISIAN WARE
  DOULTON BURSLEM MORRISIAN WARE UMBRELLA STANDHolbein glaze, featuring Eastern figures against stylised Art Nouveau trees and floral designs. Designed with grapevine and stylized leaves borders. Doulton Burslem mark, Morrisian mark and other factory markings to bottom base. Artist: Will H. Bradley Issued: 1901-1902 Dimensions: 24"H Manufacturer: Doulton Burslem Country of Origin: England
• MORTIMER BORNE (american
  MORTIMER BORNE (american 1902-1987) VIEW OF MANHATTAN FROM NEW JERSEY 1941, pencil signed, dated and dedicated in the margin. Etching. 7 x 10 in. Framed and matted behind glass. On light wove paper with unidentified watermark "FRAN". 9 3/4 x 13 1/4 in. sheet Sheet cut at right. Mat burn and light staining. Brown tape affixed verso and on corners. Reverse foxing where papertape is affixed verso.
• BORGE MOGENSEN CREDENZA Borge
  BORGE MOGENSEN CREDENZA Borge Mogensen for A/S Soborg Mobelfabrik 'Soborg Mobler', circa 1960. Teak wood with oak interior. Soborg Mobler logo (ship & castle) label (on reverse).
• Roberto Burle Marx (Brazilian,
  Roberto Burle Marx (Brazilian, 1909-1994) "Entranhas", color lithograph, 24" x 32", numbered lower left: "47/66", signed lower right: "Roberto Burle Marx". Unframed. Roberto Burle Marx is internationally known as one of the most important landscape architects of the twentieth century. An artist of multiple facets, he was also an excellent painter, sculptor and printmaker.
• A DERBY MODEL OF A BUNTING
  A DERBY MODEL OF A BUNTING perched on a stump and painted in polychrome, the forked stump applied with three flowers and on yellow and turquoise base, 8cm h, c1760-65
• EXHIBITED MARGARET MELLIS PASTEL
  EXHIBITED MARGARET MELLIS PASTEL - "BIG BURDOCK LEAF"Margaret Mellis (Scottish born in China, 1914-2009). "Big Burdock Leaf" pastel on envelope, n.d. Initialed "M.M." twice at lower left and once at lower right. Exhibition label on verso. A wonderful pastel composition on a deconstructed paper envelope by Margaret Mellis mounted behind glass in a custom frame. The composition is true to its title, depicting a bouquet of colorful flowers displayed in a glass vase before a massive Burdock leaf. All is delineated in Mellis' signature expressive style, and a label on the verso indicates that this piece was exhibited at Gainsborough's House Sudbury Suffolk, August 22 to October 18, 1992. In addition to Mellis' undeniable artistry, unique style and format, the theme of this piece is particularly symbolic as Burdock is associated with abundance and has been used in rituals to bring about vitality, prosperity, and virility. Size (artwork): 12" L x 15.5" W (30.5 cm x 39.4 cm) Size (frame): 19.2" L x 22.25" W (48.8 cm x 56.5 cm) About the artist: "Born in 1914, in China, Margaret Mellis and her family returned to Scotland soon after her birth. She studied at Edinburgh College of Art, where she was taught by SJ Peploe and WG Gillies, and learnt alongside Wilhelmina Barns-Graham and William Gear. In 1933, she went to Paris to study under Andre Lhote, followed by another visit in 1937. In between, in 1936, she met Adrian Stokes; the couple married in 1938. Together, they moved to St Ives, Cornwall, arguably heralding the next wave of artists to the area, with Ben Nicholson, Barbara Hepworth, Naum Gabo, Terry Frost, Patrick Heron, and Roger Hilton. Before this, she studied for a time at the Euston Road School, before fleeing to Cornwall following the outbreak of war. This move to St Ives coincided with Mellis exploring collage and relief. Created from found materials and paper, these collages were exhibited in New Movements in Art, at the London Museum in 1942. In 1946, following her divorce from Stokes, Mellis met the artist Francis Davison, with whom she moved to London, and then to Cap d' Antibes, in 1947. They married in 1948, and relocated to Walberswick, and later Syleham, Norfolk, in 1950, and then to Suffolk. For much of this time, though both continued to create artworks, neither was widely exhibited in London - they were geographically and, at times, conceptually, distant from life in the capital. This began to change, after Mellis embarked upon a series of large abstract paintings known as 'colour structures'. These were exhibited in London, with solo shows at Grabowski Gallery, in 1969, and then at Basil Jacobs Gallery, in 1972. From both shows, Mellis sold work to important public collections; the Government Art Collection bought a painting from the Basil Jacobs show, in 1972, while a painting had earlier been purchased by the Arts Council of Great Britain, in 1969. In 1978, Mellis started creating driftwood reliefs, which she found while walking along the local coast at Southwold, and likened the creative process to Surrealist automatism. In the mid-'80s, Mellis was included in several high-profile exhibitions, including the important survey show of St Ives 1939-64, staged at the Tate Gallery, London, in 1985, and later Scottish Art since 1900, at the Scottish National Gallery of Modern Art, Edinburgh. In 1987, the Redfern Gallery staged a retrospective exhibition, from which the Tate and Arts Council bought recent driftwood reliefs. The exhibition was also attended by a young Damien Hirst; intrigued by the driftwood constructions in particular, Hirst wrote to the artist, and was invited to visit Mellis in Southwold, forming a lasting friendship. Mellis was part of the Tate St Ives' inaugural exhibition in 1993, and was the subject of a retrospective that opened at City Art Centre, Edinburgh, and toured the UK, in 1997. Recent exhibitions include Modern Scottish Women 1885-1965, at the Scottish National Gallery of Modern Art, and a joint-show with Damien Hirst at Pier Arts Centre, Orkney. In 2018, her work featured in an exhibition inspired by Virginia Woolf and her writings, at Tate St Ives." (Redfern Gallery website) Provenance: private Santa Barbara, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179037 Condition: Initialed "MM" twice at lower left and once at lower right. Exhibition label for Gainsborough's House Sudbury Suffolk, August 22 to October 18, 1992 on verso. Artwork is mounted under glass in a custom frame. It has not been examined outside the frame but appears to be in excellent condition. Gold tone metal frame has minor surface wear but is otherwise very nice. Frame is fit with suspension wire.
• A CONTINENTAL RED AND BLACK
  A CONTINENTAL RED AND BLACK MARBLE BUST OF A MOORA Continental variegated red and black marble bust of a moor20th centuryheight 28in (71cm); width 21in (53.5cm); depth 10 1/2in (27cm) Provenance:Property from a private collector, Riverside, Californ
• Burhan Dogancay (New York
  Burhan Dogancay (New York /Turkish b.1929) WALLS 70 color lithograph signed & numbered: lower margin in pencil 115/120 sight size: H29'' W21'' Provenance: Myrtle Beach South Carolina private collection. Good original condition hinged at top.
• BORGE MOGENSEN (1914-1972, DANISH
  BORGE MOGENSEN (1914-1972, DANISH CONTROL)MID-CENTURY MODERN FOR FREDERICA “STOLEFABRIK, DENMARK" PAIR OF DARK BROWN LEATHER LOVESEATS. BOTH WITH ORIGINAL LABELS, CA. 1960S. SLIGHTLY DISTRESSED LOOK FROM WEAR AND USE AND A FEW CAT SCRATCHES. VERY COMFORTABLE. 30" HIGH, 62" WIDE, 32 1/2" DEEP.
• DOULTON BURSLEM UMBRELLA
  DOULTON BURSLEM UMBRELLA STANDDOULTON BURSLEM UMBRELLA STAND, with underglaze blue mark under base, of shaped cylindrical form with upper and lower bands of elaborate gilt designs reserved on deep blue ground, the central section of scattered floral sprigs and bouquets on a shaded cream ground - h:24in.