A few examples of appraisal values for
BUSCH

• 2 FRAMED PRINTED BIRTH & BAPTISM
  2 FRAMED PRINTED BIRTH & BAPTISM RECORDS CA. 1819& 1851; printed by Moser & Peters, 1826, Carlisle, PA with ten illustration blocks with colored accent: angels, eagle, birds, etc. for Maria Alleman, born in Dauphin Co. on December 11, 1819, 19"x 23", Condition: poorly written, unable to ready pieces, under mat, fold creasing, pressed minor foxing, minor separation in lower center; printed by Blumer, Busch & Co., Allentown with five illustrated block prints: angels, birds on stems and eagle with watercolor accents, record for Servin Keck, daughter of Johannes and Maria (George) Keck, born November 2, 1851, in Salisbury Twp., Lehigh Co., PA, framed in a painted corner block frame, scrivener attributed Conrad Kresh, 20"x 23 1/4", Condition: poor scrivenerwork typical polka dot accent by noted scrivener, lower center separation, framed under matting
• Cased Analytical Beam Balance,
  Cased Analytical Beam Balance, Seederer-Kohlbusch, Inc., Englewood, NJ., mid 20th century with applied metal distributor's label for 'Scientific Glass Apparatus, Broomfield, New Jersey' 17.7 x 16.9 x 9.6 in — 45 x 43 x 24.5 cm
• ANHEUSER-BUSCH CUSTER'S LAST
  ANHEUSER-BUSCH CUSTER'S LAST STAND LITHOGRAPHAnheuser-Busch Custer's Last Stand advertising lithograph, early 20th c., frame 36 1/2" x 46 3/4". NO in-house shipping for this lot. Condition: Good condition. No apparent damages or repairs.
• BOOKS ON MUSIC, PIANOS, AND
  BOOKS ON MUSIC, PIANOS, AND COMPOSERS, 14 Group of 14 Books on Music, Pianos, and Composers comprising: foreword by Wilhelm Altmann "Zwei Konzerte fur Pianoforte von Johannes Brahms", foreword by Wilhelm Altmann "Kammermusik von Johannes Brahms", foreword by Theodor Kroyer "Sechs Symphonien von W.A. Mozart", "Symphonie No. 5 C moll Ludwig Van Beethoven Op. 67", "Symphonie No. 9 D moll mit Schlusschor uber Schillers Ode an die Freude von Ludwig Van Beethoven Op. 125", Walter Damrosch "My Musical Life", Busch "Verdi's Aida: The History of an Opera in Letters and Documents", ed. Robert Winter and Robert Martin "The Beethoven Quartet Companion", Paul Stefan "Arturo Toscanini", Samuel Holland Rous "The Victrola Book of the Opera: Stories of One-Hundred and Twenty Opera with Seven-Hundred Illustrations and Descriptions of Twelve-Hundred Victor Opera Records", Autographed copy of James Barron "Piano: The Making of a Steinway Concert Grand", ed. Neal Zaslow "The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart", Alex Ross "The Rest is Noise: Listening to the Twentieth Century", largest: 9.25" H x 6.25" W x 2.25" D. Keywords: Sheet Music, Musicians, Reading, Library
• A BAUHAUS BUILDING GAME BY NAEF
  A BAUHAUS BUILDING GAME BY NAEF SPIELE A Bauhaus building game by Naef Spiele, designed by Alma Siedhoff-Buscher in 1923, [approximately 30 pieces]
• GROUP THREE BLUE & BLUE GREEN
  GROUP THREE BLUE & BLUE GREEN ROOKWOOD VASES Group of three Rookwood blue and blue-green glaze ceramic vases, comprising one trumpet form blue green mottled glaze vase with tulip motif (h. 7.875"), one Edward T. Hurley, 1945, sleeve form vase with a landscape scene (h. 8.75"), and one Frederick Rothenbusch, 1920, sleeve form matte glaze floral motif vase (h. 9.5"), all with impressed maker's mark, date, and artist's monograms. Provenance: From the Private Collection of James Culp, Jacksonville, Florida. Approximate dimensions:
• SEEDERER-KOHLBUSCH CHEMIST'S
  SEEDERER-KOHLBUSCH CHEMIST'S SCALE Retailed by Arthur H. Thomas Co., Philadelphia, 1st half, 20th century; comprising a balance scale in a maple and glass case, 18 in. H., 17 in. W., 10 in. D. Together within a few accessories.
• ODA KAZUMA, JAPANESE 1882-1856, THE
  ODA KAZUMA, JAPANESE 1882-1856, THE GREAT BRIDGE AT MATSUE - MATSUE OHASHI, COLOR WOODBLOCK PRINT, SIGHT: 9 3/4 X 15 IN. (24.8 X 38.1 CM.), FRAME: 15 X 19 1/2 IN. (38.1 X 49.5 CM.)ODA KAZUMA, JAPANESE, 1882-1856 THE GREAT BRIDGE AT MATSUE - MATSUE OHASHI, Color woodblock print Signed in black ink and red seal with black publisher's seal: Watanabe Shozaburo; purchased from Rolf M. Degener Japanese Fine Prints, Meerbusch, Germany, in 2010 for 2,600,00 Euros Color woodblock print Dimensions: Sight: 9 3/4 x 15 in. (24.8 x 38.1 cm.), Frame: 15 x 19 1/2 in. (38.1 x 49.5 cm.)
• THREE LIONEL TRAIN SETS Including
  THREE LIONEL TRAIN SETS Including TCA Bicentennial Special; Desert King; and Anheuser-Busch Budweiser Modern Era Train Set; all appearing as new, with original boxes.
• FRANZ STUCK (1863-1928) EXHIBITED
  FRANZ STUCK (1863-1928) EXHIBITED OIL ON PANELIMPORTANT :: NEW INFORMATION: Click Here for a third party condition report by an expert on panel paintings.Franz Von Stuck (1863-1928)Lauschende Faune (Listening Fauns), BelauschtThe important oil on panel signed Franz Stuck lower right front is displayed in its original frame of the artist's design produced by Hans Irlbacher of Munich. Hans Irlbacher's original label remains verso, as does part of an exhibition label from The Metropolitan Museum of Art.Franz Stuck was an influential artist of the 19th century and co-founder of the Munich Secession movement. As art instructor his students included Paul Klee, Hans Purrmann, Wassily Kandinsky, Alf Bayrle and Josef Albers, most of whom were involved in the Munich Secession as well. This important early work from the artist's oeuvre was only recently re-discovered in a Kansas City, Missouri home after a 100-year absence from exhibition or publication. Until now, the painting was known only by black and white images in early 20th century art journals and exhibition catalogs.TITLE OF THE WORK:The Art Loss Register lists the title of this work as Lauschende Faune (Listening Fauns).The German art journal Die Kunst, 1904, pictures this work on page 38 and lists the title as Belauscht (Overheard or Eavesdropping).The International Studio - An Illustrated Magazine of Fine and Applied Art, August 1909, illustrates this painting and lists the title as Listening Fauns.The exhibition catalog for the Dallas Art Association's First Annual Exhibition: Contemporary International Art,' November 18-27, 1919 also lists the title as Listening Fauns.EXHIBITION:Metropolitan Museum of Art 1909 (remains of the Metropolitan Museum of Art exhibition label remain verso)Chicago Institute of Art 1909.Copley Society Boston 1909.Dallas Art Association's First Annual Exhibition: Contemporary International Art, 1919.PROVENANCE:Art Loss Registry lists the succession as beginning with Galerie Heinemann, Franz Stuck's primary dealer, 09 August 1899 acquired for RM 9000 (inventory number 4612) and sold to Hugo Reisinger on 14 August 1899 for RM 9000. Then Hugo Reisinger until at least 1908.The International Studio · An Illustrated Magazine of Fine and Applied Art for August of 1909 includes an image of this painting as part of a nine-page piece titled THE COLLECTION OF HUGO REISINGER I GERMAN AND AMERICAN PICTURES. BY CHRISTIAN BRITON, confirming the owner as Hugo Reisinger in 1909.The painting was exhibited at The Metropolitan Museum of Art in January, 1909 and again identified in the exhibition catalog as being the property of Hugo Reisinger.As an aside, Hugo Reisinger was a banker, businessman and serious art collector. He married the 18-year-old daughter of St. Louis, Missouri brewer Adolphus Busch in 1890.In 1919, the exhibition catalog for the Dallas Art Association's First Annual Exhibition: Contemporary International Art,' November 18-27, 1919 marks a change by listing the owner of this painting as Edward A. Faust, a prominent St. Louis, Missouri restaurateur and close friend of Adolphus Bush.As an aside, Edward A. Faust was close friend to Adolphus Bush who brewed a lager named for him. Their families were later connected by marriage. In 1878 Faust went to the Paris Exposition where he purchased his own electric power plant for $15,000 and installed it in his restaurant, establishing the first electric illumination in St. Louis.For the next 100 years the whereabouts of this painting are not precisely known. It was never again exhibited or published and went unrecognized by survivors of the couple who owned it most recently, Colonel and Mrs. S.D. Slaughter of Kansas City, Missouri.When this lost work by Franz Stuck was re-discovered inside the Slaughter's Kansas City, Missouri mansion in 2021, another painting was found there as well. This other painting, a large equestrian scene by a British artist, was accompanied by documentation confirming that it had been purchased by the Colonel and his wife in St. Louis, Missouri in 1964. No receipts for the work by Stuck were found. The city of St. Louis, Missouri is 348 miles from Kansas City.Through descent, this work by Franz Stuck is being offered by two brothers who confirm its existence in the home of their grandparents, Colonel and Mrs. S.D. Slaughter, beginning sometime in the 1960s.ALTERNATE SPELLING:The artist's alternate spelling of Franz Von Stuck marks his receiving the Order of Merit of the Bavarian Crown in 1906 after which he was known as Franz Ritter von Stuck.Overall framed size measures 45 x 47.25 inches.Very good condition, apparently untouched but for an old over-varnish that has darkened and in some areas, shows some drips and thickness.There are no areas or bits of touch-up or inpainting indicated under UV light examination.There is a 2.5 inch diameter area of deterioration of the medium that shows as a cluster of fine, irregular, vertical lines of white medium exposed in a cluster just to the left of the figure, and scattered to a far lesser degree just below the figure and to the left quadrant. There are no other issues of loss, no major scratches, chips, dents, gouges, flakes, cupping, rubs or other issues.The frame displays scattered chips overall as shown and heavy wear to the painted laurel running vertically along each long side.
• (6) NOVELTY & ADVERTISING
  (6) NOVELTY & ADVERTISING ELECTRIC CLOCKS(lot of 6) Novelty electric clocks, including: (1) seaplane propeller clock, Howard Clock Corp., lacking base and pendulum, (1) airplane desk clock, Sessions Clock Co., (1) Poll Parrot Shoes advertising clock, movement by Lanshire, (1) Busch Bavarian Beer drum-form clock, (1) O'Doul's non-alcoholic brew clock, (1) Say Pepsi Please clock, largest: approx 15.75"h, 15.75"w
• HAND DRAWN ILLUSTRATION & FRAKTUR
  HAND DRAWN ILLUSTRATION & FRAKTUR WRITTEN RECORD Fca. 1817; non-typical form Fraktur following form of printed Frakturs with cherub, angels and birds on stems, hand drawn in ink with watercolors, text boxes brightly painted in colors used by the artist possibly the "Ehre Vater" artist, record for Johan Henrich Renner, son of Henrich & Hanamaria (Rieder/Reeder) Renner born Dec 25, 1817 in Buschkill Twp., Northampton Co., PA, confirmed 1837 framed in bead molded grain painted frame, 19 1/4"x 22" framed; Condition: multi-tone ink two-part text for scrivener and subject, some roll creasing and one hole in left angels hairline, professionally framed in small corner mounts
• 2 FRAMED WATERCOLOR COLORIZED
  2 FRAMED WATERCOLOR COLORIZED PRINTED BIRTH & BAPTca. 1843 & 1860; one printed by Peters, Harrisburg with record of Maria Anna Gamberlin (Gamber), daughter of Daniel (?) and Anna (?) Gamberlin, born July 22, 1843 in Juniata Co., framed in a deep well frame, PA, 15 1/2"x 18 1/2", Condition: poorly written, some roll creasing and soiling spots; Blumer & Leisenring, Allentown, PA record of Emma (Lipetta) Kostenbader, daughter of Thomas & Christianna (Bauer) Kostenbader, born April 12, 1860 in Buschkill Twp., Northampton Co., PA, unsigned, 19 1/4"x 23 1/4", Condition: good
• FRED ROTHENBUSCH (AMERICAN,
  FRED ROTHENBUSCH (AMERICAN, 1876-1937). Signed Rookwood vase .The vase with a large leaf in relief and a flower at the rim. The body of the vase depicting moonlight on water (?). Marked on the base with the Rookwood RP mark, the Fred Rothenbusch cypher, and an original retailer's label from Davis Collamore & Co, N.Y. From a Larchmont, NY estate. Dimensions: 7" h. Condition: Good. Light crazing.
• LUDWIG VON ZUMBUSCH (GERMAN,
  LUDWIG VON ZUMBUSCH (GERMAN, 1861-1927)Ludwig Von Zumbusch (German, 1861-1927), "Two Putti", oil on board, signed upper left, "E. Burkhalter & Co, Zurich" label on reverse of frame, 10 in. x 11 3/4 in., framed, overall 19 3/4 in. x 21 1/2 in. x 2 1/4 in. Condition: Overall fair condition.
• OTTO VON KIENBUSCH'S FRAMED
  OTTO VON KIENBUSCH'S FRAMED FLIESFramed Flies, 1997 mounted flies, 6 1/2 by 21 in. Carl Otto Kretzschmar von Kienbusch (1884-1976) was a New York businessman, armor collector, and avid fisherman. He donated his impressive angling book collection to the Princeton University Library, where he was a graduate of the class of 1906. Adding to his fly fishing bona fides, Kienbusch owned forty-five miles of the Patapedia River near the Restigouche, one of his Garrison bamboo rods is in the collection of the American Museum of Fly Fishing, and he was a member of the Anglers' Club of New York. Provenance: Literature: Dale R. Roylance, "The Angler as Bibliophile: Princeton University's Kienbusch Collection," The Princeton University Library Chronicle, vol. 50, no. 2, Winter 1989, pp. 169-188.
• PAINTING, JOHN BOHRER John Busch
  PAINTING, JOHN BOHRER John Busch Bohrer (American, 1925-2013), Portrait of a Gardener, 1988, oil on canvas, signed and dated lower left, overall (with frame): 37.5"h x 31.5"w. Provenance: Sold to benefit the acquisitions fund of Filoli Museum and Gardens, Woodside, CA
• HANS BUSCH (AMERICAN/OHIO, 1880 -
  HANS BUSCH (AMERICAN/OHIO, 1880 - 1954) 20" x 22" Still life with fruit. Oil on board, not signed, not framed.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Vellum vase with cherry blossoms. 1931, glazed porcelain, glazed earthenware. 9¼ h × 3½ dia in. estimate: $1,000–1,500. Sold with Olga Geneva Reed banded Vellum vase with red berries (1905), measuring 3.25 dia x 7 h inches. Impressed signature, date and number to underside of Rothenbusch vase ‘Flame mark XXXI 907E FR’ and to underside of Reed vase ‘Flame mark X 1124 E V OGR’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. banded scenic Vellum vase. 1916, glazed earthenware. 13 h × 6½ dia in. result: $3,072. estimate: $1,800–2,200. Impressed signature, date, and number to underside ‘Flame mark/XVI/900A/V/FR’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. After the Rain Vellum plaque. 1918, glazed earthenware, original frame. 5 h × 9¼ w in. result: $2,750. estimate: $2,000–3,000. Glazed signature to lower right ‘FR’. Impressed signature and date to verso ‘Flame mark/XVIII’. Original paper label to frame.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Rural Scene Vellum plaque. early 20th century, glazed porcelain, original frame. 6¾ h × 11¼ w in. result: $3,500. estimate: $3,000–4,000. Glazed signature to lower right ‘FR’. Partial original paper label and circular manufacturer's label to verso.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Vellum plaque (River Road). 1922, glazed porcelain. 7¼ h × 5¼ w in. result: $3,250. estimate: $2,000–3,000. Glazed signature to lower left ‘FR’. Impressed signature, date and number to verso ‘Flame mark/XXII/P’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Snowy Peaks Vellum plaque. 1931, glazed porcelain. 9½ h × 7¾ w in. result: $4,063. estimate: $3,000–4,000. Glazed signature to lower right ‘FR’. Impressed signature and date to verso ‘Flame mark/XXXI’. Original paper label present.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Storm at Sea Vellum plaque with schooners. early 20th century, glazed porcelain, original frame. 16 h × 14¼ w in. estimate: $9,000–12,000. Glazed signature to lower left ‘FR’. Flame mark to verso.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. large Vellum vase with forest landscape. 1928, glazed porcelain. 15 h × 7 dia in. estimate: $5,000–7,000. Impressed signature, date and number to underside ‘Flame mark/XXVIII/614B/FR’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. large Vellum plaque (Mountains Over Lake). 1935, glazed porcelain. 13¼ h × 15¾ w in. result: $10,000. estimate: $9,000–12,000. Glazed signature to lower right ‘FR’. Impressed signature and date to verso ‘Flame mark/XXXV’.
• Peter Busch 1861–1942. Untitled.
  Peter Busch 1861–1942. Untitled. 2005, oil on canvas. 51 h × 86½ w in. result: $33. estimate: $500–700. Signed and dated to verso ‘Peter Busch '05’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Scenic Vellum vase. 1926, glazed earthenware. 8¾ h × 4¼ dia in. result: $1,125. estimate: $1,000–1,500. Incised signature to underside ‘FR’. Impressed manufacturer's mark, date, and number to underside ‘Flame mark XVI 943D V’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. The Winding Stream plaque. 1935, glazed porcelain, original frame. 9¾ h × 7¾ w in. result: $2,375. estimate: $2,500–3,500. Glazed signature to lower right ‘FR’. Impressed manufacturer's mark, date, and number to verso ‘Flame mark XXXV 8X10’. Remnants of original paper label to verso of frame ‘The Winding Stream F. Rothenbusch’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Scenic Vellum plaque. 1921, glazed earthenware, original frame. 5 h × 7¾ w in. result: $1,875. estimate: $1,000–2,000. Impressed manufacturer's mark and date to verso ‘Flame mark XXI’. Glazed artist's initials to lower left 'FR'.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Scenic Vellum vase. 1919, glazed earthenware. 10 h × 4½ dia in. result: $1,188. estimate: $1,500–2,000. Impressed manufacturer's mark, date, and number to underside ‘Flame mark XIX 1652D V’ with incised artist's initials ‘FR’.
• Fred Rothenbusch for Rookwood
  Fred Rothenbusch for Rookwood Pottery. Scenic Vellum vase. 1923, glazed earthenware. 7¼ h × 3½ dia in. result: $1,063. estimate: $1,400–1,800. Impressed manufacturer's mark, date, and number to underside ‘Flame mark XXIII 1357E V’ with incised artist's initials ‘FR’.
• ANHEUSER-BUSCH BUDWEISER GIRL
  ANHEUSER-BUSCH BUDWEISER GIRL POSTER.Anheuser-Busch Budweiser Girl Advertising Poster. Victorian girl in a red dress holding a rose and a bottle of beer. Framed and matted 31-1/4" x 19" overall. Condition: Very good.
• LG ROYAL DOULTON CHARACTER JUG,
  LG ROYAL DOULTON CHARACTER JUG, CHRISTOPHER COLUMBUSChristopher Columbus D6891. Doulton backstamp. Map of the new world Handle. Artist: Stanley Taylor Issued: 1991 Dimensions: 7"H Manufacturer: Royal Doulton Country of Origin: England Condition: Overall good
• STEPHANIE RAUSCHENBUSCH
  STEPHANIE RAUSCHENBUSCH WATERCOLOR PAINTINGStill life of paint and paintbrushes. Signed and dated to center. Stephanie Rauschenbusch, a graduate of Harvard and Columbia, has painted still life paintings in oil since 1970 and watercolors since 1980 in studios in Soho, DUMBO, and Windsor Terrace. She has exhibited her work at Noho Gallery, Katherina Rich Perlow, Bitter Larkin, The Clocktower, the Florence Biennale, Prince Street Gallery, and elsewhere. She has co-curated two exhibitions for the Women?s Caucus for Art and curated a Brisons Veor, Cornwall exhibition at the Painting Center. Her work has been written about by John Russell of The New York Times and Kate Millett in her memoir, AD. She is a former president of the New York Society of Women Artists, a former director and co-director of Prince Street Gallery, and a docent at the Brooklyn Museum of Art for ten years. Artist: Stephanie Rauschenbusch Issued: 1983 Dimensions: 33"L x 27"H x 1.5"D, framed Country of Origin: United States