A few examples of appraisal values for
C AHRENFELDT

• AAGE SCHAD
  AAGE SCHAD
• SCHMIDT-HOFER Arthur (German
  SCHMIDT-HOFER Arthur (German 1873-1925): Archer Chalkware 20'' h. x 15 1/2''
• CARL REICHERT (JULIUS OR JOHANNN
  CARL REICHERT (JULIUS OR JOHANNN HARTUNG; H. HEINZ AND J. LOHINGER) (GERMAN, 1836-1918) DACHSHUNDS PLAYING THE ACCORDION OIL ON PANE...Framed; lower left signed: J. Hartung Oil on panel: 11 1/2 x 9 1/2 in.
• MAX ACHERMANN, (2) COLOR
  MAX ACHERMANN, (2) COLOR LITHOGRAPHS Max Achermann (German, 1887-1975), "Agitato", 1960 and "Rotes Farbturm", 1964, each pencil signed, dated and numbered from an edition of 100, matted and framed under glass, each 29"h x 21"w (frame)
• CARL EDUARD AHRENDTS(Dutch,
  CARL EDUARD AHRENDTS(Dutch, 1822-1898) A pair of river scenes: Fishing Near a Windmill, 13-1/2 x 16-5/8 in.; Figures by a Castle, both signed lower left "K.E. Ahrendts..", both oil on panel, 13-1/2 x 16-3/4 in.; matching gilt wood and composition frames, 17-3/8 x 20-1/2 in. Provenance: Private Collection, Hickory, North Carolina Condition: yellowed varnish, surface dirt, abrasions and a chip at edges
• C. HOLLAND VAN SUCHTELEN, MODERN
  C. HOLLAND VAN SUCHTELEN, MODERN A/C C. Holland van Suchtelen (Canadian b. 1920), 1954, acrylic on canvas, depicting a black abstract figure at right against a dark background, signed and dated at lower left, inscription with artist's name and studio address located en verso, framed. Approx. overall h. 49.25", w. 37.25", d. 2".
• AUGUST ACHTENHAGEN (GERMANY,
  AUGUST ACHTENHAGEN (GERMANY, 1865-1938), ALPINE LANDSCAPE WITH CHALET., OIL ON CANVAS, 22” X 26”. FRAMED 26” X 29”.AUGUST ACHTENHAGEN, Germany, 1865-1938, Alpine landscape with chalet. Signed lower left "A. Achtenhagen". Dimensions: Oil on canvas, 22" x 26". Framed 26" x 29".
• Johann Andreas Pfeffel (German
  Johann Andreas Pfeffel (German 1674-1748), after Johann Cyriak Hackhofer (Austrian, 1675-1731)/A Banquet/with three tables for Furschneiders, Stabelmeisters and Falckenmeisters/engraving, 28.5cm x 37cm
• AAGE SCHAD(Danish, 1904-1974) The
  AAGE SCHAD(Danish, 1904-1974) The Artist's Courtyard, Stormgade 5, Dragor, Denmark, signed lower right "Schad.", oil on canvas, 27-1/8 x 23 in.; painted wood frame, 28-3/4 x 24-1/2 in. Provenance: Estate of Brock Arms, Flat Rock, North Carolina Condition: surface dirt, original stretcher and tacking edge, canvas slack; frame with abrasionsÿ
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) Untitled. Etching on paper signed in pencil at the lower right "E.A." in pencil at the lower left framed under glass overall apprx. 23-1/4" x 20-1/2".
• AAGE SCHAD(Danish, 1904-1974) House
  AAGE SCHAD(Danish, 1904-1974) House on a Knoll, 1948, signed lower left "Aa. Schad - 68.", oil on canvas, 26-1/2 x 33-1/2 in.; painted wood frame, 27-1/4 x 34-3/4 in. Provenance: Estate of Brock Arms, Flat Rock, North Carolina Condition: laid on paper board, surface dirt, crackle; frame with abrasions
• AUGUST HAERNING (DANISH, 1874-1961)
  AUGUST HAERNING (DANISH, 1874-1961) 16" x 20 ¾" "Entrance to Frederiksberg Garden", ca. 1910-1920. Oil on canvas, signed with initials AH lower left, in a gilt wood frame, overall 20" x 25". Provenance: Obro Art Gallery, Copenhagen, Denmark.
• AUGUST HAERNING (DANISH, 1874-1961)
  AUGUST HAERNING (DANISH, 1874-1961) 16" x 20 ¾" "Entrance to Frederiksberg Garden", ca. 1910-1920. Oil on canvas, signed with initials AH lower left, in a gilt wood frame, overall 20" x 25". Provenance: Obro Art Gallery, Copenhagen, Denmark.
• AUGUST ACHTENHAGEN (GERMANY,
  AUGUST ACHTENHAGEN (GERMANY, 1865-1938), WOMAN SEATED BENEATH AN ARBOR., OIL ON CANVAS, 24.5” X 18.5”. FRAMED 27.5” X 22”.AUGUST ACHTENHAGEN, Germany, 1865-1938, Woman seated beneath an arbor. Signed lower right "A Achtenhagen". Dimensions: Oil on canvas, 24.5" x 18.5". Framed 27.5" x 22".
• HANS SCHIEBOLD (OREGON/GERMANY,
  HANS SCHIEBOLD (OREGON/GERMANY, 20/21ST CENTURY) AHANS SCHIEBOLD (Oregon/Germany, 20/21st century) acrylic and mixed media on canvas, "Falls In the Sierras," artist inventory number 344. Signed lower left, signed again and titled verso. Image measures 58" x 46". In a thin wood frame.
• CHARCOAL DRAWING - View of
  CHARCOAL DRAWING - View of Festung Ehrenbreitstein Koblenz Germany by J. Andre Castaigne (French 1860-1930) signed lr and dated 1914 depicting the famous fortress above the frozen confluence of the Rhine and Moselle Rivers pedestrians and a Prussian
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) Untitled. Etching in colors signed in pencil in the lower right numbered X/XV E.A. in the lower left matted and framed under glass overall apprx. 30-1/2" x 25-1/2"
• Johann
  Johann
• GEORG ACHEN (DANISH, 1860 - 1912)
  GEORG ACHEN (DANISH, 1860 - 1912) "VILLAGE SCENERY" OIL ON CANVAS, IMPRESSIONISTIC SCENE OF A RED ROOFED HOUSE, SURROUNDED BY TREES...Georg Achen (Danish, 1860 - 1912) "Village Scenery" oil on canvas, impressionistic scene of a red roofed house, surrounded by trees and a picket fence, signed AG lower right, gilt frame, pencil inscriptions verso including date 1890, wear consistent with age, overall craquelure and toning, not examined out of frame, ss: 10 3/4" h. x 15" l.
• HANS SCHIEBOLD (OREGON/GERMANY,
  HANS SCHIEBOLD (OREGON/GERMANY, 20/21ST CENTURY) AHANS SCHIEBOLD (Oregon/Germany, 20/21st century) acrylic and mixed media on canvas, "N.W. Landscape #180," a seascape. Signed lower left, signed again and titled verso. Label attached verso from the Lawrence Gallery. Image measures 46" x 46". In a thin wood frame.
• Arthur Johann Severin Nikutovski
  Arthur Johann Severin Nikutovski (German, 1830-1888) Abschied des Landsturmmannes, 1876 oil on canvas signed A. Nikutowski and dated (lower right) 17 1/2 x 22 1/4 inches.
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) "Stilleben litho". Lithograph on paper titled and dated in pencil at at the lower right signed at the lower left framed under glass overall apprx. 30-1/2" x 24".
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) Untitled. Etching on paper signed in pencil in the lower right numbered XVIII/XX in the lower left framed under glass overall apprx. 23-1/2" x 31".
• AAGE SCHAD(Danish, 1904-1974) Two
  AAGE SCHAD(Danish, 1904-1974) Two works: Self Portrait, 1925, signed in pencil and plate, etching, plate 5-5/8 x 3-7/8 in.; Isole Eolie, Stromboli, Italy, possibly Panarea, signed lower right "Schad.", watercolor, sight 11-1/2 x 8-1/2 in.; framed, largest 17-1/4 x 13-1/8 in. Provenance: Estate of Brock Arms, Flat Rock, North Carolina Condition: not examined out of frames, some toning, etching with stains; frames with abrasions
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) Untitled. Etching on paper signed in pencil in the lower right matted and framed under non-glare glass overall apprx. 26-1/2" x 32-1/2".
• AUGUST ACHTENHAGEN (GERMANY,
  AUGUST ACHTENHAGEN (GERMANY, 1865-1938), TERRAZZO, CIRCA 1890., OIL ON CANVAS BOARD, 16” X 10.5”. FRAMED 17.5” X 11.75”.AUGUST ACHTENHAGEN, Germany, 1865-1938, Terrazzo, circa 1890. Signed lower left. Dimensions: Oil on canvas board, 16" x 10.5". Framed 17.5" x 11.75".
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) Untitled. Etching on paper signed in pencil in the lower right "Epreuve d'Artiste" in the lower left matted and framed under glass overall apprx. 21-1/2" x 17-1/2".
• Wolfgang Gafgen (German b. 1936)
  Wolfgang Gafgen (German b. 1936) Untitled. Lithograph in colors signed inscribed and dated 1961 in pencil at the lower right "eprouve d'artiste" in pencil in the lower left matted and framed under non-glare glass overall apprx. 24" x 30-1/4".
• HEINRICH CAMPENDONK, DUTCH/GERMAN
  HEINRICH CAMPENDONK, DUTCH/GERMAN (1889-1957), DIE BETTLER (AFTER BRUEGHEL), 1922, WOODCUTHeinrich Campendonk, Dutch/German, (1889-1957) Die Bettler (after Brueghel), 1922, woodcut loose, unframed. Provenance: From a private collector, Indianapolis. From the archives of AskArt: After his studies under Dutch artist Johan Thorn Prikker at the Krefeld "Kunstgewerbeschule", Heinrich Campendonk followed Franz Marc's invitation to the Bavarian village of Sindelsdorf and moved there in 1911. At that time Heinrich Campendonk already found the basic subject of his works: the depiction of harmony between man and beast, Creation, the infinite circle of life and death. He produced paintings, watercolors, gouaches and his first woodcuts. In Sindelsdorf the artist met other members of the "Blauer Reiter" group and participated in one of the group's exhibitions that very same year. Two years later, Heinrich Campendonk also showed his work together with the "Blauer Reiter" at the "Erster Deutscher Herbstsalon" at Herwarth Walden's gallery "Der Sturm" in Berlin. During these years Campendonk's artwork was influenced by Marc, Macke and Kandinsky. A stiff geometrical form language was combined with color in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Heinrich Campendonk moved to Seeshaupt at the Starnberger See, from where he went on extensive travels. At that point Campendonk's painting was marked by softly flowing forms, large calm areas of intensive light and lyrical, often fairytale-like mood. He also produced works in glass painting. In 1926 Campendonk was appointed professor at the Düsseldorf Art Academy. Campendonk gained acclaim as an artist since the mid-1920s particularly through numerous glass windows he made for churches and public buildings (such as the Düsseldorf parliament building and the Paulskirche and the Essen Münster etc.). When he was dismissed from his teaching profession in 1933, he emigrated to the Netherlands, where he accepted a teaching position for "monumental and decorative art" at the "Rijksakademie van beeldende Kunsten" in Amsterdam. After the end of the war, Campendonk did not return to Germany. He continued to work as a teacher and received numerous orders for glass windows in the Netherlands and Germany. In 1956 Campendonk was awarded the Quellinus Prize by the city of Amsterdam and made knight of the order "De Nederlandse Leeuw". woodcut
• HENRY GLINTENKAMP (AMERICAN
  HENRY GLINTENKAMP (AMERICAN 1887-1946), NUREMBERG, ALBERT DURER'S HOUSE, PLATE FROM A. WANDERED IN WOODCUTS, FRAMED, 15-5/8 X 12-5/8 IHenry Glintenkamp (American 1887-1946), Nuremberg, Albert Durer's House, Plate from A. Wandered in Woodcuts, Framed, 15-5/8 x 12-5/8 i
• CHRISTIAN ALSDORF WATERCOLOR
  CHRISTIAN ALSDORF WATERCOLOR FRAKTUR VORSCHRIFTChristian Alsdorf (Southeastern Pennsylvania active 1789-1821) , ink and watercolor fraktur vorschrift for Johanes Lantz, dated 1796 , 7 1/2" x 12 3/4". Competitive in-house shipping is available for this lot. Condition: Scattered small repairs, mostly along edges. Laid down.
• AUGUST ACHTENHAGEN (GERMANY,
  AUGUST ACHTENHAGEN (GERMANY, 1865-1938), SICILIAN SHORELINE., OIL ON CANVAS BOARD, 8.25” X 13.75”. FRAMED 9.5” X 15.25”.AUGUST ACHTENHAGEN, Germany, 1865-1938, Sicilian shoreline. Signed lower right. Dimensions: Oil on canvas board, 8.25" x 13.75". Framed 9.5" x 15.25".
• KASSNER, ALOIS. KASSNER.
  KASSNER, ALOIS. KASSNER. ILLUSIONEN.Hamburg, Adolph Friedländer, 1927. Evocative lithographed poster depicts Kassner’s head and hands below a woman who is levitating high above him in a widening beam of swirling colors. 28 x 74". Over-coloring in margins and at old folds, some abrasions; B+.
• AAGE SCHAD(Danish, 1904-1974)
  AAGE SCHAD(Danish, 1904-1974) View by a Villa, 1938, signed under brush stroke lower right "Aug, Schad 38", oil on canvas laid on paperboard, 26 x 36 in.; modern gilt wood frame, 28 x 38 in. Provenance: Estate of Brock Arms, Flat Rock, North Carolina Condition: warped, crackle, surface dirt; frame with abrasions
• GERHARDT LIEBMANN(American,
  GERHARDT LIEBMANN(American, 1928-1989) 728, 1972, signed and inscribed verso "Gerhardt Liebmann", acrylic polymer on canvas, 58 x 48 in.; lattice type wood frame, 58-7/8 x 49 in., Provenance: Gift from Artist: Estate of Brock Arms, Flat Rock, North Carolina; Note: Lot is accompanied by a brochure and correspondence from the artist. Condition: original stretcher and tacking edge, light surface dirt; frame with abrasions
• J. Hartung (Carl Reichert)
  J. Hartung (Carl Reichert) German, 1836-1918 Best Friends Estimate:$7,000-$9,000