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P. Barbey & Son Brewers Sign. From
P. Barbey & Son Brewers Sign.
From Reading, PA. 1904 calendar page included at bottom. Nicely framed under glass. Strong overall condition with almost no wear, marks, or soiling. Just a few miniscule nicks or marks within the oval and one tiny area of touchup in her hair.
Condition (Excellent - Near Mint). Size ...
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In the Style of James Bard
In the Style of James Bard (American, 1815-1897)
Steamboat St. John, circa 1850
oil on board
signed spuriously Thomas Chambers (lower right)
18 x 52 inches.
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GUY BARDONE (b. 1927): CAMPAGNE
GUY BARDONE (b. 1927): CAMPAGNE SIENNOISE Oil on canvas 31 1/2 x 31 1/2 in. signed dated and titled on verso and signed on recto. Provenance: Findlay Galleries NYC; Estate of Louis Auchincloss.
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THE CADSMANBriscoe, Arthur
THE CADSMANBriscoe, Arthur (British, 1873 _ 1943). The Cadsman. 1933. Drypoint etching on wove paper, signed and numbered 34 of an edition of 75 copies, depicting a young fisherman preparing to cast line into the sea. 15 x 9 _”. Fine condition with very minor abrasions lower right.
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C.L. Berger & Sons, Inc., Boston,
C.L. Berger & Sons, Inc., Boston, MA, brass and black metal engineers transit #20659 in its original mahogany box with labels.
Instrument: 14"h x 10"l
Tripod: 37" (closed)
Box: 16.5"h x 10"w x 11.25"l
Condition: Wear consistent with age.
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PERRY BARD, MIXED MEDIA, 1995 Perry
PERRY BARD, MIXED MEDIA, 1995 Perry Bard (American/New York, 20th c.), "Place", pigment, charcoal, ink, and newspaper, on rag paper, signed "Perry Bard" at lower right, inscription verso, 17.5"h x 22"w (sheet), 20.25"h x 24.5"w (frame)
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BARDENHEIER LIQUOR CO. LITHOGRAPH
BARDENHEIER LIQUOR CO. LITHOGRAPH SIGN: Perfection Whiskey Tin Front Oak Whiskey Barrel Sign. John Bardenheier Wine & Liquor Co. St. Louis. Depicting Gentleman toasting. Approx. 25'' h x 29'' w.
CONDITION: 4- nail holes & 2- holes at sides for hanging wire. Scattered light paint spatter.
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WORK ON PAPER, DON BARCHARDY Don
WORK ON PAPER, DON BARCHARDY Don Barchardy (American, b. 1934), Portrait of a Young Gentleman, pencil and watercolor on paper, signed lower right, sight: 28.25"h x 22.25"w, overall (with frame): 32"h x 26"w
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James Ward (1769-1859)/Sir
James Ward (1769-1859)/Sir Francis Baring, 1st Bt, John Baring and Charles Wall/after Sir Thomas Lawrence/inscribed in pencil to margin/engraving, 45.5cm x 65.5cm in a Hogarth frame
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Thomas Bardwell/Portrait of The
Thomas Bardwell/Portrait of The Reverend Francis Barton/half length in clerical dress/signed and dated 1765/oil on canvas 76cm x 63.5cm (30" x 25") /Provenance: Property of Sir Thomas Beauchamp-Proctor Bt Langley Park Norfolk and by descent. Sir Thomas Beauchamp-Proctor 2nd Bt (1756-1827) was a notable collector who was advised after his inheritance in 1773 by the artist Henry Walton. Sir Thomas' most celebrated acquisition was Poussin's 'Adoration of the Magi' now in the National Gallery London. The Collection at Langley Park was started by his great-great uncle George Proctor who had acquired a notable group of works by Canaletto while in Venice and purchased the house in 1742/Literature: Catalogue of the Collection at Langley Park
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Manner of Thomas Bardwell (English,
Manner of Thomas Bardwell (English, 1704-1767)
Portrait of an English Noble Lady
oil on panel
48 5/8 x 37 inches.
Property from Lawry’s The Prime Rib, located in the historic L. Hamilton McCormick Mansion, Chicago, Illinois, offered without reserve
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Guy Bardone French, b. 1927 Still
Guy Bardone French, b. 1927 Still Life with Basket of Fruit and Glass of Wine
Estimate:$1,200-$1,800
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DON SWANN (AMERICAN B. 1889),
DON SWANN (AMERICAN B. 1889), BARDI'S FIELDS, ST. MARY'S CO., TWO ETCHINGS, FRAMED, 12 X 12-1/2 INCHESDon Swann (American b. 1889), Bardi's Fields, St. Mary's Co., Two Etchings, Framed, 12 x 12-1/2 inches
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12 PCS BARDOU & SON PARIS TELESCOPE
12 PCS BARDOU & SON PARIS TELESCOPE W/ PERIPHERALS Bardou & Son, Paris brass telescope, late 19th century, with an adjustable brass mounting bracket and a wheel driven sight adjustment, rising on a surveyor's type wooden tripod, marked to eye piece, retailed by Work & Words St. Louis, together with a long pine box containing various peripheral pieces including a table base. Approximate dimensions: l. 39", dia 3", tripod h. 49", box h. 5. 25", l. 40", w. 7. 25".
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Dodd & Sons classical harp, painted
Dodd & Sons classical harp, painted and gilt frame with caryatid, anthemion and other classical composition decoration, paw feet, brass engraved "T Dodd & Sons, Patent Harp 3 Berners Strt. London No. 638", British, 19th century, 66 x 32-1/2 x 16 in. Unrestored condition with cracks and losses to composition ornament especially at base (large separation), losses and abrasions to painted surface, lacking most strings, gilt surface with later overpaint.
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C. STEVENS & SON (1880-1920),
C. STEVENS & SON (1880-1920), BRITISH PORTABLE BRASS BALANCE SCALE London, marked to brass pedal foot and steel beam "(C) STEVENS & SON / 38 GOSWELL ROAD / LONDON E C 1," collapsible instrument mounts atop the custom mahogany box, lid with brass plaque engraved "H. DONALDSON / Chancery Lane / W C," lower drawer with campaign brass pull and period label to drawer backing, includes brass gemstone tweezer scoop and handwritten gemologist notes from a pervious owner.
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CARRIER. Bronze
CARRIER. Bronze Shakespeare.Signed A. Carrier-Belleuse on back. From a Mamaroneck NY location. Dimensions: 14'' high.
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Clyde J. Singer (American
Clyde J. Singer (American 1908-1999) "McSorley's With Cat". Graphite on perforated edge paper signed in the image and dated 84. Image depicted the sign over the bar "Be good or be gone". Framed in black wood frame with cream mat and non-glare glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009.
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(SANGORSKI AND SUTCLIFFE) BARRIE J.
(SANGORSKI AND SUTCLIFFE) BARRIE J. M. The Works. London: Hodder and Stoughton 1888-1902. 11 vols. 8vo full blue morocco with gilt acorn motif at corners gilt-lettered spines publisher's brown cloth bound in the rear. Wear to boards on all vols.; chipping to spine ends on vols. with some evidence of touch-up and loss to heads of spines on six vols.; boards detached on two.
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Manner of Thomas Barker of
Manner of Thomas Barker of Bath/Neapolitan Musician with Child on his Back/oil on canvas, 55.5cm x 38cm
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GUY BARDONE (1927 - 2015): TWO
GUY BARDONE (1927 - 2015): TWO STILL LIFESeach lithograph; each signed in pencil lower right; one numbered 32/90, the other editioned E.A. (artist's proof); The Estate of Herbert Mayer Berk; larger: 35 1/4 X 27 1/4 inches frame; smaller: 33 3/4 x 27 inches frame Condition:
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Claude Cardon (fl. 1892-1920) - Two
Claude Cardon (fl. 1892-1920) - Two watercolours - ''Milking Time At Springfield Farm Whitstable'' 8ins x 11.5ins and ''The Brook at Radfall Whitstable'' 6ins x 8.25ins both signed in gilt frames and glazed
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1 vol. Dodd, James William.
1 vol. Dodd, James William. Ballads of Archery, Sonnets, & C. London, 1818. 8vo, contemp. calf; scuffed & rubbed, spine defective, covers detached. Head & tail pieces. Internally clean. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
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CHARLIE CHAPLIN WITH PANELED BARREL
CHARLIE CHAPLIN WITH PANELED BARREL STILL BANK Borgfeldt & Co. clear glass example features classic pose Charlie Chaplin with cane in hand and top hat painted in black. 4'' x 4''. (Exc. Cond.)
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Charles Baxter painting (British,
Charles Baxter painting (British, 1809-1879), "So You Have Come At Last" inscribed verso, young girl wearing red cloak, signed lower right "C.B." and inscribed verso "C. Baxter, Harring Terrace, Camden Town", oil on canvas, 16 x 12-3/4 in.; original gilt wood and composition Empire cove molding frame. Original stretcher and tacking edge, retouch affecting 50 percent of surface including face, crackle, cupping; frame with some resurfacing, abrasions, loss to composition, repairs. Private Collection, Charlotte, North Carolina
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BELPER & DENBY BOURNES POTTERIES
BELPER & DENBY BOURNES POTTERIES STONEWARE CHARACTER FLASK. Depicted holding a scroll which reads ''The Second Magna Charta''. With ''Brougham's Reform Cordial'' impressed below Height: 7'' Condition: No Specific Condition Recorded - Sold As Is
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1952 YORK B-FLAT BARITONE HORNIn
1952 YORK B-FLAT BARITONE HORNIn brass. Vincent Bach #3 mouthpiece (serial # 177940). Hard-shell case not original.
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5 vols. American Poets & Poetry:
5 vols. American Poets & Poetry: (Coffin, Robert S.) Oriental Harp: Poems of The Boston Bard. Providence, R.I.: Smith & Parmenter, 1826. 8vo, contemp. 1/4 straight-grained red morocco & bds.; joints & extremities rubbed. Additional engraved title, frontis. portrait by S. Maverick. Light to occasionally moderate foxing. Early owner's ink stamp at head of title page. American Imprints 24145. * Aldrich, Thomas Bailey. Cloth of Gold. Boston: James R. Osgood, 1874. 1st ed. thus. 12mo, orig. green cloth, gilt; light edge wear, front hinge stressed. Bayard Taylor's copy, inscribed to him & initialed by Aldrich on verso of 1/2 title. Autograph fair copy of Taylor's poem, "The Mountains," signed by Taylor, on folded 4to sheet, inserted. Bright copy in custom 1/2 green morocco slipcase, green cloth chemise. A. Edward Newton bookplate on front paste-down. BAL 280 . * Whittier, John G. The Pennsylvania Pilgrim. Boston, 1872. 1st ed., 2nd ptg. 12mo, orig. terra-cotta cloth, gilt; light edge wear, corners bumped. Frontis., text illus. Scattered light foxing. Bayard Taylor's copy, signed by Taylor at head of contents page. BAL 21904, bdg. A. * Johnston, George, ed. The Poets and Poetry of Chester County, Pennsylvania. Philadelphia: J.B. Lippincott, 1890. 8vo, orig. dark brown cloth, gilt, a.e.g.; light edge wear. Frontis. portraits of Bayard Taylor & Thomas Buchanan Read. Signed at foot of title by the contributor Mary Eloisa Thropp (Cone). * Another copy of the preceding, orig. brown cloth, gilt (edges not gilt); light wear. Both with advert. leaf.
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JOHN AND JAMES BARD (NEW YORK,
JOHN AND JAMES BARD (NEW YORK, 1815-1897), PORTRAIT OF THE GOLD RUSH STEAMER WILSON G. HUNT., OIL ON CANVAS, RELINED, 28.75" X 49.5". FRAMED 39.25" X 59.25".JOHN AND JAMES BARD, New York, 1815-1897, Portrait of the Gold Rush steamer Wilson G. Hunt. Signed and dated lower right "Drawn and painted by J&J Bard, NY 1849". Inscribed at bottom "Steamer connecting Coney Island, Shreveburg, Red Bank & 'W...Cilly' [indistinct] New York Captain A.H. Haggerty - Commander 1849 For T. Hunt Bros. N.J. Built by Thom. & Wm. Colyer N.Y. Engines of Wilson G. Hunt built by H.R. Nenham N.Y. Drawn & painted by J & J Bard N.Y. 1849". Provenance: The Mariner's Museum, Newport News, Virginia. Northeast Auctions, Portsmouth, New Hampshire, March 2001. The Kelton Collection of Marine Art & Artifacts, acquired from the above at that sale. Literature: See J & J Bard Picture Painters, by Anthony J. Peluso (Hudson River Press, 1977), p. 7-9 for a reference to this painting, noting it is one of the last paintings signed by John and James Bard, and John Bard's demise., The Wilson G. Hunt was built at New York in 1849 for the excursion trade to Coney Island, but on March 2, 1850, shortly after her completion, she was sent around the Horn to San Francisco, arriving there in early 1850. She was immediately placed in the Sacramento River trade and became a "bonanza steamer," carrying gold speculators to the gold fields. She proceeded to make a fortune for her owners, clearing over $1 million in her first year. The steamer was sent to Victoria, British Columbia in August 1858, and ran for a short time on the New Westminster route. In October 1858 she was withdrawn, and then in the following year she replaced the steamer Constitution on Puget Sound. Early in the 1860s she was bought by the Oregon Steam Navigation Company and taken to the Columbia River, where she operated on the Cascade Route under command of Captain John Wolf. She ran on the Columbia until 1869, carrying from 250 to 300 passengers, 100 head of stock and a substantial amount of freight on a single trip. The Wilson G. Hunt was rebuilt in 1865, and in 1869 she returned to Puget Sound. She continued to be used on various runs until 1890, when she was broken up and sold for iron scrap to Cohn & Company of San Francisco. Her hull was burned shortly thereafter. Twin brothers John and James Bard were self-taught ship portraitists who specialized in steamships. The painting of the Wilson G. Hunt was one of the last two paintings signed jointly by the Bard brothers, and it has been speculated that John Bard went off in search of gold shortly after the completion of this work. By March of 1850 James Bard was the only signer of these works. After November 1855, John reappears and is known to have become a "destitute painter" in and out of New York almshouses until his death October 18, 1856. James lived a long and artistically productive life. He died 41 years after his brother, on March 26, 1897. Dimensions: Oil on canvas, relined, 28.75" x 49.5". Framed 39.25" x 59.25".
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JAMES BALLANTINE & SON, EDINBURGH
JAMES BALLANTINE & SON, EDINBURGH
TWO STAINED GLASS CARTOONS, CIRCA 1896 sepia wash on paper, later framed,186cm x 63cm; and 218cm x 63cm; and another STAINED GLASS CARTOON, sepia wash on paper, later framed, 150cm x 60cm(3)Note: Two of the cartoons in the present lot were made for a window depicting scenes from the life of Joseph in St Giles Cathedral, Edinburgh. The completed window, dating to around 1896, is comprised of four pointed trefoiled lights arranged in two stages with tracery and bears the inscription ‘To the Glory of God and in Memory of/ Alexander Stewart Born at New Rattray/ Blairgowrie 26th July 1822/ Died Edinburgh 13th Nov 1896.’
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Oscar B. Bach Bach Brothers Humidor
Oscar B. Bach Bach Brothers Humidor New York ca. 1922 Pewter box with patina having Zodiac design in relief throughout top finial lid stamped with signature "Oscar B. Bach" a central image of a female profile flanked on each side by a double-struck B and star. Interior lined in cedar wood. Bottom with applied red felt.
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Guy Bardone 1927–2015. Untitled.
Guy Bardone 1927–2015. Untitled. oil on canvas. 45 h × 57½ w in. result: $3,640. estimate: $1,500–2,500. Signed to lower right ‘Bardone’.
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Charles Kenyon (American,
Charles Kenyon (American, 1853-1965) "My Son, the Suitor Arrives", first quarter 20th century, depicting a galants scene in a park in the Louis XV style, signed lower left, 24" x 36". Presented in a good, period, carved giltwood and plaster frame in the Louis XV style.
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BERNARD CATHELIN (1919-2004): NU AU
BERNARD CATHELIN (1919-2004): NU AU CASAQUIN BLANCLithograph in color son wove paper, signed in pencil, numbered 31 /125.
30 x 22 in. (sheet), 33 x 25 in. (frame).
Condition
The full sheet. Unable to open frame. Frame with splits and losses.
Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
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HAYES Frederick William (British
HAYES Frederick William (British 1848-1918): ''Under the Cliffs Bardsey Sound'' Depicts a Coastal Scene with Cliffs and Gulls OIL/Canvas 12'' x 18'' signed gilded carved gesso frame with gold overpaint 23'' x 28 1/2''.
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Four Works by Sir David Young
Four Works by Sir David Young Cameron (1865-1945)each an etching and drypoint on paper each pencil signed titles include ''The Wine Farm '' ''Le Pont Neuf '' ''Chartres '' and ''The Belfry of Bruges.'' Each matted and framed under glass. Three works retain original labels from Arthur Ackermann & Son Inc. of Chicago.Heights range from 21.5 in. to 14.5 in.Not examined out of the frames.The Estate of the late Dr. John and Mrs. Lorna Lamont Boston MA