FREDERICK LANDSEER GRIGGS. "THEFREDERICK LANDSEER GRIGGS. "THE FORD," ETCHING (British, 1876-1938). Etching, 1915, signed "F.L. Griggs" lr, plate size: 5 3/4 x 9 1/4 in., framed.
FORD CRULL, UNTITLED ABSTRACT ONFORD CRULL, UNTITLED ABSTRACT ON PAPER, 1986 Ford Crull, (American, b.1952), Untitled Abstract, 1986, oil stick on paper, signed and dated in pencil at lower right, framed behind glass Dimensions: (Sight) approx h 30", w 22", (Overall) approx h 46", w 38", d 3"
FORD CRULL, AMERICAN 1952-, WHITEFORD CRULL, AMERICAN 1952-, WHITE NUDE, 2001, OIL AND WAX ON WOOD, 30 1/4 X 22 1/2 IN. (76.84 X 57.15 CM.)FORD CRULL, AMERICAN, 1952- WHITE NUDE, 2001, Oil and wax on wood Verso inscribed: "WHITE NUDE" / copyright 2001 FORD CRULL / 30" X 22" / OIL, WAX, WOOD Oil and wax on wood Dimensions: 30 1/4 x 22 1/2 in. (76.84 x 57.15 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL (AMERICAN, B. 1952)FORD CRULL (AMERICAN, B. 1952) 80" x 100" overall Diptych "Fall from Grace II", 1985. Oil on canvas, signed, dated, and titled verso, gallery wrapped.
Ford Crull (born June 6, 1954) is an American neo-symbolist abstract artist. Crull was born in Boston, MA, but lived in Seattle until 1976, when he moved to Los Angeles to embark on his professional career. While still an art student at the University of Washington, he won many prizes at local arts festivals and was the youngest ever artist to be invited to show at the Northwest Art Annual. Considered a precocious talent, Crull joined Foster White Gallery,[3] one of Seattle's premier at galleries where he had several exhibitions before graduating university.
From 1976 to 1983 Crull's paintings focused on organic, biomorphic shapes on white backgrounds, a gestational period for the artist that expressed in a pure abstract manner with impasto like surfaces. He joined the Stella Polaris Gallery[4] in 1983, where he met art critic and writer Edward Goldman, and host of KCRW's “Art Talk.” Goldman championed Crull's works, which were acquired by corporate art collections, and was also instrumental in Crull's first significant non-gallery[5] show at the USC Fisher Museum of Art (then, the Fisher Gallery) at the University of Southern California.
In 1983 Crull relocated to New York City, and became a seminal figure in the East Village art scene. He was discovered by Colin de Land, founder of Vox Populi, and the Armory Art Show. Crull had several shows at the Vox Populi, a time marked also by commercial success, and national recognition for the artist. The Metropolitan Museum of Art acquired Crull's works, the Brooklyn Museum, the National Gallery of Art, and the Dayton Art Institute.
In 1989, Crull was part of the very first showing of American artists in the USSR, Painting Beyond the Death of Painting at the Kuznetsky Most Exhibition Hall in Moscow curated by American art critic and historian, Donald Kuspit. This coincided with the time Crull was influenced by the Philosophy of Dualism. Upon his return from Russia, Crull began using steel framing for his paintings, with the edges burned. It was an invention that came to him after seeing the ancient icons in Russia. The new works were titled, “Relic Series”.
In a 1994 interview on the artist's work at Howard Scott Gallery in NYC noted art critic Eleanor Heartney stated,"The key to Crull’s vision is his simultaneous embrace of the uncertainties of the contemporary world and his affirmation of the reality of the individual consciousness within it. In his work, the authentic self remains the last bulwark against an anarchic world."
From 2006 - 2010, Crull made several visits to Shanghai, China, culminating in the first of his subsequent interdisciplinary live art works. At the opening of the Bund 1919 art bank, a cultural and art enclave developed from five 1919 buildings at Shanghai No. 8 Cotton and Textile Factory, Crull executed a public art project to a live performance of pianist Shi Wen.
(PRESIDENTS) FORD JR. HENRY A group(PRESIDENTS) FORD JR. HENRY A group of two typed letters signed and a black and white photograph of the twenty-millionth Ford motor vehicle produced dated August 1931 signed by Henry Ford Jr.
BUCK BAKER'S TRICK FORD'S.Kelty,BUCK BAKER'S TRICK FORD'S.Kelty, Edward (American, 1888 Ð 1967). Buck Baker's Trick Ford's. New York: Century, 1932. Sepia-toned large format photograph showing a variety of clowns and other performers from the Ringling Brothers and Barnum & Bailey Combined Shows crammed into three automobiles. 14 x 11_". Light creasing and soiling. Very good.
FORD CRULL, AMERICAN 1952-, RED,FORD CRULL, AMERICAN 1952-, RED, BLACK, FLOWER, 1998, OIL AND WAX ON CANVAS, 72 X 60 IN. (182.88 X 152.40 CM.)FORD CRULL, AMERICAN, 1952- RED, BLACK, FLOWER, 1998, Oil and wax on canvas Verso inscribed: "RED, BLACK, FLOWER / copyright 1998 FORD CRULL / 72" X 60 " / OIL, WAX, Oil and wax on canvas Dimensions: 72 x 60 in. (182.88 x 152.40 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL, AMERICAN 1952-, UNTITLED,FORD CRULL, AMERICAN 1952-, UNTITLED, 1987, OIL ON PAPER, SHEET: 38 X 50 IN. (96.52 X 127 CM.), FRAME: 41 1/4 X 52 1/2 IN. (104.78 X 133.35 CM.)FORD CRULL, AMERICAN, 1952- UNTITLED, 1987, Oil on paper Lower right signed and dated: 87 Oil on paper Dimensions: Sheet: 38 x 50 in. (96.52 x 127 cm.), Frame: 41 1/4 x 52 1/2 in. (104.78 x 133.35 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL, DRAWING, 1991 FordFORD CRULL, DRAWING, 1991 Ford Crull (American, b. 1952), Untitled, color pencil on paper, in the style of Jean-Michel Basquiat, pencil signed and dated lower right, matted and framed under glass, 14"h x 11"w (sheet), 23.5"h x 20.5"w (frame)
FORD CRULL, AMERICAN 1952-, WHITEFORD CRULL, AMERICAN 1952-, WHITE FLOWER IN RED NIGHT, OIL, WAX, PENCIL, OIL STICK AND COLLAGE ON PAPER, 19 X 15 IN. (48.26 X 38.10 CM.), FRAME: 21 X 17 IN. (53.34 X 43.18 CM.)FORD CRULL, AMERICAN, 1952- WHITE FLOWER IN RED NIGHT, Oil, wax, pencil, oil stick and collage on paper Verso inscribed: "WHITE FLOWER / IN RED NIGHT" / copyright 2001 FORD CRULL / 20" X 16" / OIL, WAX, PAPER / PENCIL, OIL STICK Oil, wax, pencil, oil stick and collage on paper Dimensions: 19 x 15 in. (48.26 x 38.10 cm.), Frame: 21 x 17 in. (53.34 x 43.18 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
EIGHT FRANKLIN MINT SCALE MODELEIGHT FRANKLIN MINT SCALE MODEL COLLECTOR VEHICLES including; 1930 Ford Tudor 1932 Ford (Bonnie & Clyde) 1932 Ford Deuce coupe 1932 Chevrolet convertible 1936 Ford convertible 1940 Ford pick-up 1949 Ford Woody wagon and 1950 Chevrolet hardtop; all in original boxes with papers.
Ford (20th century) Lady SittingFord (20th century) Lady Sitting on Bedcanvas mounted on board signed at lower left matted and framed under glass.SS 9.25 x 11 in.
FORD CRULL, AMERICAN 1952-, PORTRAITFORD CRULL, AMERICAN 1952-, PORTRAIT #4, OIL, PENCIL AND WAX ON PAPER, SHEET: 12 X 9 IN. (30.48 X 22.86 CM.), FRAME: 21 X 17 IN. (53.34 X 43.18 CM.)FORD CRULL, AMERICAN, 1952- PORTRAIT #4, Oil, pencil and wax on paper Verso inscribed: "Portrait #4" copyright 1999 Ford Crull / 12" x 9" Oil, Pencil / Wax, Paper; numbered: 870-6 Oil, pencil and wax on paper Dimensions: Sheet: 12 x 9 in. (30.48 x 22.86 cm.), Frame: 21 x 17 in. (53.34 x 43.18 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL, AMERICAN 1952-, THEFORD CRULL, AMERICAN 1952-, THE RENEWAL, 1995, OIL AND ENCAUSTIC ON PANEL, 7 1/4 X 5 1/2 IN. (18.42 X 13.97 CM.), FRAME: 11 X 9 1/8 IN. (27.94 X 23.18 CM.)FORD CRULL, AMERICAN, 1952- THE RENEWAL, 1995, Oil and encaustic on panel Verso inscribed: "THE RENEWAL" / copyright 1995 FORD CRULL / OIL, ENCAUSTIC / WOOD, / 11 1/2 X 9 1/2" Oil and encaustic on panel Dimensions: 7 1/4 x 5 1/2 in. (18.42 x 13.97 cm.), Frame: 11 x 9 1/8 in. (27.94 x 23.18 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
WILLIAM C. "BILLY" FORD, JR. (AMERICAN)WilliamWILLIAM C. "BILLY" FORD, JR. (AMERICAN)William C. "Billy" Ford, Jr. (American/Mississippi, 1934-1995), "You Don't Look Bad in Red!", watercolor on paper laid on board, signed lower right, signed, titled and inscribed on backing board, 6 in. x 9 in., framed, overall 12 3/8 in. x 15 3/8 in. x 1 3/8 in. Condition: Overall fair condition.
FORD CRULL, AMERICAN 1952-, PRECARIOUSFORD CRULL, AMERICAN 1952-, PRECARIOUS LANDSCAPE, 1990, OIL, WOOD, STEEL, ENAMEL AND WAX, FRAME: 68 X 54 IN. (172.72 X 137.16 CM.)FORD CRULL, AMERICAN, 1952- PRECARIOUS LANDSCAPE, 1990, Oil, wood, steel, enamel and wax Verso inscribed: "PRECARIOUS / LANDSCAPE" copyright 1990 FORD CRULL / 68 x 54 in. /OIL, WOOD, STEEL, ENAMEL, WAX Oil, wood, steel, enamel and wax Dimensions: Frame: 68 x 54 in. (172.72 x 137.16 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL, AMERICAN 1952-, STUDY,FORD CRULL, AMERICAN 1952-, STUDY, SUBTERRANEAN LANDSCAPE, OIL, WAX, AND OIL STICK ON PAPER, SHEET: 11 X 14 IN. (27.94 X 35.56 CM.), FRAME: 13 X 17 IN. (33.02 X 43.18 CM.)FORD CRULL, AMERICAN, 1952- STUDY, SUBTERRANEAN LANDSCAPE, Oil, wax, and oil stick on paper Lower right signed and dated: 86; verso numbered: #08696 Oil, wax, and oil stick on paper Dimensions: Sheet: 11 x 14 in. (27.94 x 35.56 cm.), Frame: 13 x 17 in. (33.02 x 43.18 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL, AMERICAN 1952-, THEFORD CRULL, AMERICAN 1952-, THE QUEEN, 2020, LATEX ON PAPER, 20 X 20 IN. (50.80 X 50.80 CM.)FORD CRULL, AMERICAN, 1952- THE QUEEN, 2020, Latex on paper Lower right signed and dated: 2020; verso inscribed: "THE QUEEN" / copyright 2020 FORD CRULL / LATEX ON PAPER / 20" X 20" Latex on paper Dimensions: 20 x 20 in. (50.80 x 50.80 cm.) Provenance: Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
Ford (20th century) Lady in BlackFord (20th century) Lady in Black on Bedoil on board signed at lower left matted and framed under glass.SS 12.75 x 19.5 in.
1964 FORD GALAXIE 500XL Yonezawa1964 FORD GALAXIE 500XL Yonezawa Japan black tin body friction powered litho interior white wise side band rubber tires tinted celluloid windshield and rear window. 15'' l. Wear to chrome finish.
Ford Ruthling (American b. 1933)Ford Ruthling (American b. 1933) Good Evening Cita (or) Rooster on a Melon 1993 signed Ford Ruthling and dated (lower right) 40 x 29 inches.
Ford, Worthington Chauncey. GeorgeFord, Worthington Chauncey. George Washington, Paris and New York, 1900 No. 161 of 200 copies of the Edition de Luxe, 2 vols., tall 8vo., Large Paper, cont. red morocco gilt, teg., other edges uncut. Plates, including duplicate set of all the full page illustrations on India paper mounted, in sepia tint (2)/Provenance: Spetchley Park
WILLIAM C. "BILLY" FORD, JR. (AMERICAN/MS)WilliamWILLIAM C. "BILLY" FORD, JR. (AMERICAN/MS)William C. "Billy" Ford, Jr. (American/Mississippi, 1934-1995) , "Conversation with a Kid", watercolor on paper, signed lower right, signed and titled on backing, 6 in. x 9 in., framed
ARCADE MODEL 'T' FORD COUPE C.ARCADE MODEL 'T' FORD COUPE C. 1926 cast iron beautiful example of classic American auto painted in black overall nickel plated with removable driver white painted wheels with black spokes gold side stripe. 6 1/2'' l. Wear at wheels. (Exc. Cond.)
FORD CRULL, AMERICAN 1952-, WILDERFORD CRULL, AMERICAN 1952-, WILDER SIDE OF LOVE, 1993, OIL AND WAX ON CANVAS, FRAME: 81 X 56 1/2 IN. (205.74 X 143.51 CM.)FORD CRULL, AMERICAN, 1952- WILDER SIDE OF LOVE, 1993, Oil and wax on canvas Verso inscribed: "WILDER SIDE OF LOVE" / copyright 1993 FORD CRULL / 78" x 54" / OIL, WAX, CANVAS Oil and wax on canvas Dimensions: Frame: 81 x 56 1/2 in. (205.74 x 143.51 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
F.C. Clifton (Anglo-American, 19thF.C. Clifton (Anglo-American, 19th Century) oil on canvas equine portrait titled, "Taking the Lead," of a pony training on the lunge in side reins, signed and dated lower right, "F.C. Clifton / 95," in its original frame, sight 16"h x 20"w
1935 FORD COUPE A.C. Williams rare1935 FORD COUPE A.C. Williams rare and desirable cast iron take-apart toy auto painted in orange body black frame nickel grille and rubber tires only the coupe and sedan were produced in this series. 6 1/2'' l. (Exc. - Near Mint Cond.)
MARK SCEARCE STERLING MINT JULEPMARK SCEARCE STERLING MINT JULEP CUP GERALD FORDMark J. Scearce, Shelbyville Kentucky sterling silver president GRF Gerald R. Ford mint julep cup. 3 3/4" tall x 3" diameter rim, 148.5 grams. Excellent condition with minimal wear, no dents. Please see our other lots for more Scearce mint julep cups. shipping info This lot can be shipped in-house.
Lot of Vintage Toy Cars. From aLot of Vintage Toy Cars. From a Greenwich, CT estate.
[FORD, GERALD] Large photograph[FORD, GERALD] Large photograph mounted to card of President Gerald Ford with Beverly Sills,
Estimate: $100 - $200
C. 1950 Sports lightweight roadster.C. 1950 Sports lightweight roadster. Good original condition.
FORD CRULL, AMERICAN 1952-, CHIMU,FORD CRULL, AMERICAN 1952-, CHIMU, 1989, OIL AND OIL STICK ON TWO CANVASES, 72 X 96 IN. (182.88 X 243.84 CM.), EACH PANEL: 72 X 46 IN. (182.88 X 116.84 CM.)FORD CRULL, AMERICAN, 1952- CHIMU, 1989, Oil and oil stick on two canvases Lower left signed and dated: '89; verso inscribed on left panel: "CHIMU"/ copyright 1989 FORD CRULL / LEFT PANEL / FROM FRONT; on right panel: "CHIMU" copyright 1989 FORD CRULL/ 72" X 96" / OIL, OIL STICK / RIGHT PANEL FROM FRONT (2) Oil and oil stick on two canvases Dimensions: 72 x 96 in. (182.88 x 243.84 cm.), Each panel: 72 x 46 in. (182.88 x 116.84 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
FORD CRULL, AMERICAN 1952-, SECRETFORD CRULL, AMERICAN 1952-, SECRET OF THE MASK, 1987, OIL ON PAPER MOUNTED ON CANVAS, 22 5/8 X 30 1/4 IN. (57.47 X 76.84 CM.)FORD CRULL, AMERICAN, 1952- SECRET OF THE MASK, 1987, Oil on paper mounted on canvas Lower right signed and dated: 87; verso inscribed: "SECRET OF / THE MASK" / copyright 1986-87 FORD CRULL / OIL, OIL STICK / 22" x 30" Oil on paper mounted on canvas Dimensions: 22 5/8 x 30 1/4 in. (57.47 x 76.84 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C. Please note this is not part of the estate of Ruth Bader Ginsburg.
1925 FORD COUPE A.C. Williams cast1925 FORD COUPE A.C. Williams cast iron two-door Model T painted in blue overall nickel spoke wheels. 6'' l. (Exc. Cond.)
A.C. WILLIAMS CAR CARRIER CastA.C. WILLIAMS CAR CARRIER Cast iron enclosed red Ford cab with green slant ramp for transporting autos nickel wheels. 12'' l. (VG Cond.)
A quantity of Ford wall calendarsA quantity of Ford wall calendars