A few examples of appraisal values for
CAMELIA

• Anne Charlotte Claudine Rodet
  Anne Charlotte Claudine Rodet (French, 19th Century) "Camellia", watercolor, ca. 1850, used for the French botanical publication Revue Horticole ou Journal des Jardinieres et Amateurs, presented in an Italian enameled frame, sight 11" x 7-1/2".
• CAMELLIAS Oil on panel: 10 x 8
  CAMELLIAS Oil on panel: 10 x 8 1/4 in. Framed
• Five engravings of camellias,
  Five engravings of camellias, from Laurent Berlese, Iconographie du Genre Camellia…, Paris, 1841-43, engraved by Oudet, one with text, partially color printed stipple engravings with hand finishing and heightened with gum arabic, unframed, 11-5/8 x 10-5/8 in. Some with tears, light to medium toning, one with tape verso edges and at tears.
• CAMILLA BIRKE ART DECO MIXED
  CAMILLA BIRKE ART DECO MIXED MEDIA ON PAPER, 2 Camilla Birke (Austrian, 1905-1988) two Art Deco period mixed media works on paper, likely theater costume illustrations, and comprising "Der Trompeter" [The Trumpeter] watercolor painting and pencil drawing depicting an abstracted figure, signed, dated 1924, and titled lower right, and "Murziai" watercolor painting with collage elements depicting a standing woman, titled lower left and signed lower right, each housed under glass in a wood frame, one ebonized and one gilt. Images: 10.75" H x 7.75" W; frames: 15.75" H x 12.75" W.
• ''Lady of the Camellias (La Dame
  ''Lady of the Camellias (La Dame aux Camelias)''. image size: 16.25'' H x 20.25'' W.
• After Clara Maria Pope SINGLE WHITE
  After Clara Maria Pope SINGLE WHITE CAMELLIA, SINGLE RED CAMELLIA BUFF OR HUMES BLUSH CAMELLIA Two color photoreproductions Estimate:$100-$150
• After Clara Maria Pope (British,
  After Clara Maria Pope (British, 1750-1838) \"Camellias\", pair of offset lithographs, sight 25\" x 17\", legend lower margin, published London, August 1, 1819, by John and Arthur Arch, Cornhill. Glazed, French matted and presented in carved giltwood frames.
• MIRIAM CAMILLA TOYA, MELON SWIRL
  MIRIAM CAMILLA TOYA, MELON SWIRL JAR WITH BUTTERFLY LIDMiriam Camilla Toya, (Jemez, b. 1974) Melon Swirl Jar with Butterfly Lid, fired clay, pigments inscribed: Camilla Toya [corn cipher] Jemez fired clay, pigments Dimensions: Height 7 1/8 x Diameter 7 1/4 in. (18.1 x 18.4 cm.) Provenance: Private Collection, New Mexico
• ZELDA SAYRE
  ZELDA SAYRE FITZGERALD(American/Alabama, 1900-1948) Camellias, unsigned, gouache on paper, 13-3/4 x 10-3/4 in; modern frame, 20 x 16-3/4 in. An Introduction by the consignor: Zelda’s paintings “Bourgoise” and The Camellias, hung in my grandparent’s home, then my parent’s and now hang in mine. Thanks to the stories my grandmother told and retold to me, Zelda was as large a figure in my imagination as she was in real life. My grandmother, Birdie Frank Gassenheimer, was a friend of Zelda’s in Montgomery, Alabama in the early 1900’s. Born in Montgomery just a few years earlier, they both attended Sidney Lanier High School. The last child of 11, Birdie wasn’t even given a name until 6 years old; she was called “Baby” until one day hanging from a window she pointed and called “Birdie” and so named herself. Like Zelda and another contemporary, Tallulah Bankhead, born two years after Zelda, all three were extroverted and independent. Spoiled in childhood and doted on in adolescence they lived a carefree life lacking for little. Birdie’s stories were about outings, dating, and parties. The one I loved the most was about Zelda, Birdie and friends late night skinny dipping in the Dexter Avenue fountain in downtown Montgomery. They were free, uninhibited and determined to enjoy their youth. Having visited the fountain myself countless times, I could never get enough of this story, picturing their hats, dresses and under things hanging on the wrought iron fencing around the fountain. Imagining them shrieking and splashing under the stars was captivating. They went with boys on hunting and fishing trips- not to hunt and fish but to drink, smoke, and gossip. Nights were filled with fancy dress dinners and dancing and of course their dance cards were always full. They definitely exemplified “living in the moment.” But as you know from the fame of Zelda and Tallulah, there was also a dark side with episodes of manic depression, substance abuse and attention seeking behavior. Birdie did not escape this. A semi-pro golfer with a bright future she gave it up when she married. It seems as if even women as self sufficient as these were often cowed and overshadowed by the men in their lives, in constant rebellion to what was expected of women at the time. Very close to Birdie and like lots of kids, I spent more time at her house than my own. She was always so much fun. I loved watching her entertain grown-ups with fancy cocktails and lavish multi-course meals. She was the life of the party. Kids were expected to”be seen and not heard” so we sat on the floor playing with cards and poker chips, underneath where “The Zelda’s” were prominently hung. Listening to the conversations we’d wonder what was always so riotously funny. Often we would take our Shirley Temples outside on the terrace of their Bankhead Avenue home and play at being grown up, a little drunk on the happy time, food,and heady aromas of camellias and magnolias surrounding the home in abundance. I would often spend Friday night with Birdie after the parties and we’d lie awake talking until falling asleep when she’d tell me the stories again. They seemed like the very best memories for her too. Saturday afternoons would find us listening to opera in the living room, she on the sofa and me on the floor beneath “The Zeldas” given to Birdie from Zelda with love. Provenance: By descent in the Gassenheimer family; Property from a Private Collector Condition: paper toned, possible moisture stain upper left; frame with light wear
• FLORENCE CERAMICS PORCELAIN
  FLORENCE CERAMICS PORCELAIN FIGURINE, CAMILLEPorcelain figurine, soft pink colorway with emerald accents; Glossy finish. Issued: 20th Century Dimensions: 8.5"H Manufacturer: Florence Ceramics Co. Country of Origin: USA Condition: Good
• CAMBRIDGE GLASS BASHFUL CHARLOTTE
  CAMBRIDGE GLASS BASHFUL CHARLOTTE FLOWER FROGCambridge Glass Bashful Charlotte Flower Frog
• ALPHONSE MUCHA (1860-1939): LA DAME
  ALPHONSE MUCHA (1860-1939): LA DAME AUX CAMELIAS Lithograph in colors and metallic inks 79 1/2 x 27 3/4 in. (sight).
• STEFANO DELLA BELLA BASAN ETCHING
  STEFANO DELLA BELLA BASAN ETCHING OF A CAMEL Italy,1610-1664Realist profile of a camel's head with meticulously detailed fur patterns. The etching comes with a certificate of authenticity from the Associated American Artists.
• SIX ENGRAVINGS, CAMELLIASEarly 20th
  SIX ENGRAVINGS, CAMELLIASEarly 20th Century. In gilt-lined wood frames. Together with a Victorian engraving of a boy and girl poised on a rocky beach, framed. (7 pcs) The camellias, overall 8.5 by 7.25 in.
• FLORENCE GIUSEPPE ARMANI "
  FLORENCE GIUSEPPE ARMANI " CAMILLE " FIGURINESFlorence Giuseppe Armani dama deco con rose " Camille " Made in Italy model 1300/C design for member of 2000. ( height: 13.5, width: 4) Certification and and original box included.
• * Camelia Whitehurst (20th
  * Camelia Whitehurst (20th Century School) Portrait of a Girl lithograph signed (upper left) 15 1/2 x 12 1/2 inches.
• CARMELA VALUD, "THE DINKEY BIRD",
  CARMELA VALUD, "THE DINKEY BIRD", WATERCOLOR, AN ORANGE BIRD SITS IN LARGE FLOWERING TREE WITH RED FLOWERS/FRUITS, THREE BUNNIES ARO...Carmela Valud, "The Dinkey Bird", watercolor, an orange bird sits in large flowering tree with red flowers/fruits, three bunnies around base of the tree, signed in pencil on mat lower right, titled lower left, not examined out of frame, wear consistent with age, ss: 3 1/3" h. x 4 3/4" w.
• § KATHARINE CAMERON (1874-1965)
  § KATHARINE CAMERON (1874-1965) PRIMULAS, NARCISSI AND IRISES pencil and watercolour, signed upper right K. CAMERON 54cm x 36.5cm
• "AZIZA" CLAUDIA GIBSON-HUNTER.
  "AZIZA" CLAUDIA GIBSON-HUNTER. "BLUE ARCHES," MIXED MEDIA (American, 20th century). Mixed media, acrylic, colored pencil, collage, on 100% cotton paper, 2015, sheet size: 24 1/2 x 21 1/2 in., framed.
• 1 vol. Nouvelle Iconographie des
  1 vol. Nouvelle Iconographie des Camellias. Gent, 1852-1853. 2 vols. in 1. 4to, contemp. 1/4 red morocco & cloth, spine gilt; moderately scuffed, front joint cracked. With 96 hand-colored litho plates, a few fold. plates, tissue guards. Scattered light, very occasionally moderate, foxing. ,000-
• AMALIA ELENA VERALLI (20TH C.)
  AMALIA ELENA VERALLI (20TH C.) GICLEE CALLA LILIESFramed giclee print on paper, "Orange Calla Lilies," signed lower right Amalia Elena Veralli (American, 20th c.), numbered 79/ 250, artist label verso dated 2006, sight: approx 31.25"h, 20.25"w, overall: 38.5"h, 27.5"w, 7.75lbs
• CARLOS CAMARA, (2) WATERCOLORS ON
  CARLOS CAMARA, (2) WATERCOLORS ON PAPER, C. 1935 Carlos Camara (Mexican, 20th c.), Woman Circle and Woman's Head, signed upper right and lower right, matted and unframed, 13"h x 10"w (sheet), 20"h x 15"w (mat)
• CARLOS CAMARA, (2) WATERCOLORS ON
  CARLOS CAMARA, (2) WATERCOLORS ON PAPER, C. 1935 Carlos Camara (Mexican, 20th c.), Woman Circle and Woman's Head, signed upper right and lower right, matted and unframed, 13"h x 10"w (sheet), 20"h x 15"w (mat)
• BOTANICAL PRINT, 19TH CBotanical
  BOTANICAL PRINT, 19TH CBotanical Print, 19th c., "Camellia Meloni", hand-colored lithograph, from Nouvelle Iconographie des Camilles, published by Alexander and Abrose Vershaffelt, 10 in. x 6 3/4 in., unframed. Condition: Overall poor condition.
• GIUSEPPE ARMANI FIGURINE, LADY WITH
  GIUSEPPE ARMANI FIGURINE, LADY WITH CAMELLIAS 1612FFeatures smiling lady in long backless dress holding bouquet, hat with floral decoration; attached wooden square base. Includes mini Armani care booklet. Giuseppe Armani signature on porcelain. Official Armani Florence golden plate on wooden base. Includes original Giuseppe Armani Florence box. Dimensions of box: 16" x 7.5" x 16." Giuseppe Armani backstamp.#italy #armani #camellias #lady Issued: 2000 Dimensions: 12.5" H Manufacturer: Giuseppe Armani Country of Origin: Italy Condition: Good.
• CAMAROON, PALM WINE VESSEL 20th c.,
  CAMAROON, PALM WINE VESSEL 20th c., Cameroon Grasslands region, fired clay, wrapped lip with openwork, nice symmetrical form with even lines and carefully applied decorations including cowrie shell motif, approx. 17"h x 17"dia
• Claudine Paluzzi (American, b.1931)
  Claudine Paluzzi (American, b.1931) young girl with her cat charcoal on paper 21" x 15 1/2"
• LLADRO "CAMELOT" PORCELAIN
  LLADRO "CAMELOT" PORCELAIN FIGURINEDESCRIPTION: Lladro model 1458 "Camelot" Porcelain Figurine depicting an amorous couple dressed in renaissance costumes, the cavalier on his knees declaring his devotion to the lady. Wonderfully detailed with glazed finish. Traditionally marked "Lladro Handmade in Spain" on the bottom. Signed Salvador Furio (creator) and V. Navarro (painter). Numbered 755. CIRCA: 20th Century. ORIGIN: Spain. DIMENSIONS: W: 10" H: 14 1/2". CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• MARK CATESBY (ENGLISH,
  MARK CATESBY (ENGLISH, 1683-1749), SILKY CAMELLIA AND RUBY-CROWNED KINGLET Hand-colored engraving on laid paper, from Natural History of Carolina, Florida and the Bahama Islands, matted and framed.
• Clelia B. Battaglia watercolor
  Clelia B. Battaglia watercolor (Clelia Bompiani Bottaglia, Italian, 1848-1927), flower vendors in Rome, watercolor on paper, 21 x 14-1/2 in. (sight); probably original gilt wood and composition frame. Fading, laid down on card, foxing, not examined out of frame; frame with minor separations, abrasions.
• CALI VEILLEUX (CONTEMPORARY
  CALI VEILLEUX (CONTEMPORARY MAINE) Lady Slippers, oil on canvasboard, initialed lower right and dated '21, in black molded panel frame, OS: 13" x 15", SS: 7 1/2" x 9 1/2", fine condition. The Camden Garden Club was formed in 1915 and is one of the oldest garden clubs in Maine. This year, the club will hold its 74th Annual House and Garden Tour, featuring some of Camden's finest homes and gardens. People plan their vacations around this event, which is always held on the third Thursday in July. Last year, my lovely wife was invited to create plein aire paintings of the gardens on the tour. We're offering some today to raise funds for the Camden Garden Club's Scholarship Fund. This fund has for many years supported local students who are interested in careers in environmental or horticultural sciences and which has helped them attend schools including the University of Maine and the Yale School of Forestry. These paintings offer a rare and unique look at some of the Midcoast's loveliest private gardens. You can hang one of these beauties on your wall and know that you're supporting a great cause!
• Belgian School (19th Century)
  Belgian School (19th Century) "Camellias", suite of four hand-colored engravings, sight 9-1/2" x 6-1/2" by Severyns, Belgium, 1856. Glazed, matted and presented in giltwood frames.
• Celia Perceval (Australia b.
  Celia Perceval (Australia b. 1949) "Eagles Over the Hills Above the Coast with Blackbirds". Oil on canvas signed at the lower right framed in a narrow white painted frame overall 31-1/4" x 39-1/4".
• AMELIA PELAEZ (1897-1968): UNTITLED
  AMELIA PELAEZ (1897-1968): UNTITLED Acrylic on canvas 27 x 15 1/2 in. initialed and dated '61.
• HEREND PORCELAIN CAMEL FIGURINE
  HEREND PORCELAIN CAMEL FIGURINE Large Hungarian Hand Painted Porcelain Figure, depicting a recumbent camel, with black fishnet surface, marked "Kingdom Classic, 1999" on base, 5" high, 10" x 4 1/2". Good condition.
• 17th century beaded embroidery,
  17th century beaded embroidery, assembled from fine panels, female figure in blue gown holding flowers and surrounded by exotic flowers, fruit and animals including a camel, parrots, phoenix and griffin, all within rectangular panel with canted corners, polychrome beads, purl and raised work on probably a linen ground mounted on green silk mat, 16-1/2 x 20-1/2 in. (sight); painted black wood frame with gilt reeding and anthemion corner decoration. Panels were the interior of a basket, bead loss. Cora Ginsburg Inc.; W. Ted Gossett Collection