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ALISON JACKSON CONTEMPORARY ENGLISH
ALISON JACKSON CONTEMPORARY ENGLISH PHOTOGRAPH Alison Jackson (English, b. 1970) photograph "Camilla Tries on the Crown," C-print on board, signed and numbered 1/5 on reverse. Image: 23.5" H x 36" W; overall: 34" H x 46.5" W.
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FRAMED THANK YOU LETTER FROM PRINCE
FRAMED THANK YOU LETTER FROM PRINCE CHARLES AND CAMILLA DUCHESS OF CORNWALLSigned note in recognition of an oil study on the occasion of their wedding, with original envelope and a photograph of the work.
11 3/4 x 9 3/4 in. (frame).
Condition
Minor fading to signatures, two horizontal creases from the envelope. In very good condition. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
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SPODE PORCELAIN SERVICESpode
SPODE PORCELAIN SERVICESpode Porcelain Service, "Camilla Blue" pattern; printed factory marks; comprising 24 dinner plates (10 3/8 in. dia.); 20 luncheon plates (9 1/8 in. dia.); 12 soup plates (7 5/8 in. dia.); 12 salad plates (7 1/2 in. dia.); 12 cream soup saucers (7 1/8 in. dia.); three bouillon saucers (6 3/8 in. dia.); 13 saucers (6 in. dia.); one bread plate (6 1/4 in. dia.); two coupe cereal bowls (6 3/8 in. dia.); two oval vegetable bowls (9 1/4 x 12 1/4 in.); one oval vegetable bowl (6 7/8 x 9 in.); one oval vegetable bowl (7 1/4 x 9 3/4 in.); one jubilee platter (6 7/8 x 11 1/8 in.); one handled cake plate (11 1/4 x 9 3/8 in.); a canterbury centerpiece tureen with lid (9 1/2 x 9 1/2 x 7 3/4 in.); four diamond-shape canterbury side dishes (5 3/8 x 13 7/8 x 7 5/8 in.) with two lids; 12 cream soup bowls (2 x 6 1/4 x 4 7/8 in.); three bouillon cups (2 1/4 x 5 3/4 x 4 1/8 in.); two creamers (4 in. high and 4 1/4 in. high); one sugar bowl with lid (5 in. high); a two-piece salt and pepper set); a chocolate pot (6 1/8 in. high); a coffee pot (8 1/4 in. high); a teapot (7 in. high); 13 teacups; and an octagonal handled cake plate with gilt overlay (9 1/2 x 9 1/4 in.); together with a group of Spode "Blue Italian" comprising two creamers (Each: 4 1/8 in. high) and three covered sugar bowls Dimensions: (Each: 3 3/8 in. high) Provenance: The Walter and Donna Conn Estate; located within the desirable estate enclave of San Marino. Designed by the renowned architect Roland E. Coate in 1929, and built for a member of the Keck family, the gated Colonial Revival home graces over an acre of meticulously manicured park-like grounds. Formerly the USC Presidential Mansion. Condition: The jubilee platter chipped. No ladle for tureen. Two of the diamond-shaped canterbury dishes without lids.
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CAMILLA BIRKE ART DECO MIXED
CAMILLA BIRKE ART DECO MIXED MEDIA ON PAPER, 2 Camilla Birke (Austrian, 1905-1988) two Art Deco period mixed media works on paper, likely theater costume illustrations, and comprising "Der Trompeter" [The Trumpeter] watercolor painting and pencil drawing depicting an abstracted figure, signed, dated 1924, and titled lower right, and "Murziai" watercolor painting with collage elements depicting a standing woman, titled lower left and signed lower right, each housed under glass in a wood frame, one ebonized and one gilt. Images: 10.75" H x 7.75" W; frames: 15.75" H x 12.75" W.
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CAMILLA MARON 'PROVEEDOR DE LA REAL
CAMILLA MARON 'PROVEEDOR DE LA REAL CASA' ALCALA DE HENARES SPANISH TINCamilla Maron 'Proveedor de la Real Casa' Alcala de Henares Spanish Tin,
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Watercolor of High Court Estate,
Watercolor of High Court Estate, Cornish NH, signed lower right, Camilla Churchill. Information on artist and location on reverse. Built in 1896, High Court was the first commission for architect Charles Platt. It became a center for artistic social gatherings at the Cornish Colony. Camilla Churchill was the daughter in law of novelist and Cornish Colony member, Winston Churchill. Image 20.5" x 26.75" Frame 26" x 33" Condition: very good CT Transfer Fee $20
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CAMILLA HN1710 - ROYAL DOULTON
CAMILLA HN1710 - ROYAL DOULTON FIGURINEPart of the Harradine Classics series collection.
Royal Doulton backstamp. Hand painted HN.
Artist: Leslie Harradine
Issued: 1935 - 1949
Dimensions: 7"H
Manufacturer: Royal Doulton
Country of Origin: England
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CAMILLA HN1711 - ROYAL DOULTON
CAMILLA HN1711 - ROYAL DOULTON FIGURINERare style one figurine. Green, yellow, and pink coloration.
Series: Harradine Classics. Royal Doulton backstamp.
Artist: Leslie Harradine
Issued: 1935 - 1949
Dimensions: 7"H
Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good.
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CAMILLA HN1711 - ROYAL DOULTON
CAMILLA HN1711 - ROYAL DOULTON FIGURINEHarradine Classics series. Polychrome dress with floral designs. Royal Doulton backstamp.
#Doulton
Artist: Leslie Harradine
Issued: 1935 � 1949
Dimensions: 6.75"H
Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good condition.
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PETER BEARD (AMERICAN, B.1938)
PETER BEARD (AMERICAN, B.1938) PIRELLI 2009 CALENDARDESCRIPTION: American photographer Peter Beard's original (2009) calendar, features digital pigment prints from Beard's time practicing photography while living in Kenya. Casting Director: Jennifer Starr, Producer: Camilla Johnson, Hill Models include: Daria Werbowy, Emanuela de Paula, Lara Stone, Malgosia Bela, Mariacarla Boscono, and Rianne Ten Haken.CIRCA: 20th Ct.ORIGIN: USA DIMENSIONS: H: 16" x L: 23.5"CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
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PAL FRIED (HUNGARIAN
PAL FRIED (HUNGARIAN 1893-1976)PAL FRIED (HUNGARIAN 1893-1976)
Camilla
oil on canvas
74 x 60 cm (29 1/2 x 23 5/8 in.)
signed lower right; titled on verso
CONDITION
Observed in frame, the work appears in excellent original condition with no issues to report. Inspection under UV light shows no signs of restoration.
N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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AN IMPORTANT PORTRAIT OF ROBERTO
AN IMPORTANT PORTRAIT OF ROBERTO D'ALTEMPS, 1ST DUKE OF...AN IMPORTANT PORTRAIT OF ROBERTO D'ALTEMPS, 1ST DUKE OF GALLESE (ITALIAN SCHOOL, LATE 16TH CENTURY)
Oil on canvas, unsigned. The subject in lace ruff above silver collar with the crowned heraldic crest of a ram with shield above an armored vest with red cross; holding a scroll in his right hand.
The Latin phrase "RVBERTVS DVX ABALTAEMPS BVRGI GVBERNATOR CVSTODIAE PONTIFICIAE ET AVENIONEN GENERALIS PRAEFECTUS" painted above the whole.
The sitter, Roberto d'Altemps, was the illegitimate son of Marco Sittico Altemps and of the woman he loved, the Genoese Camilla Bonfiglio, to whom Marco Sittico privately sent (as stated in the ledger of 1577) a monthly pension. His father, who was embarking on an ecclesiastical career, subsequently recognized and legitimized his son, but nevertheless decided to continue his ecclesiastical career which led him to the rank of cardinal, also sponsored by his cousin Carlo Borromeo .
He grew up under the protection of his father and above all of Gregory XIII with whom the Altemps family had excellent relations, and like other young nobles of his time he had a decisive and strong-willed character, but at the same time his father tried to root his family in the Roman nobility through a prestigious marriage and for this reason Roberto was married to Cornelia Orsini (December 1576), daughter of Virginio, 1st Duke of San Gemini, exponent of the ancient and powerful Orsini dynasty of Rome. In the same year of his marriage, Roberto would be created Duke of Gallese by Pope Gregory XIII. In 1579, Roberto was also appointed prefect of the papal armies in Avignon and his father had provided him with the fiefdoms of Soriano, Rocchette, Tassignano and Mesuraca from the Madruzzos.
In 1585 with the death of Gregory XIII, a new pope, Sixtus V, ascended the throne of Peter, who immediately tried to put a stop to the power of the noble Roman families over the papal curia and to moralize customs. The new pontiff was well aware of the delicate situation involving Roberto's father, as well as the character of the young man, whose hasty ways he certainly did not appreciate. Furthermore, the Altemps had been one of his opponents during the last conclave that had led to his accession to pontiff and had opposed him with a group of traditionalists who wanted to maintain the status quo of the curia.
With an ad hoc trial, Roberto was accused of adultery at the age of twenty and sentenced to death by decapitation at the behest of Sixtus V in 1586. The pleas of his cardinal father were useless to which the pontiff replied contemptuously: "there can be no clemency for those who break the laws, even if they are young, noble or prelate". Before Roberto's execution, he also wrote to the pontiff Cornelia, the young man's wife, who was carrying the couple's child, but always without success.
Marco never recovered from the death of his son and, although not knowing that he could not be personally accused of crimes, he temporarily decided to leave his posts, while Sixtus V still raged against him and his family by publishing the apostolic constitution Postquam verus of 1586, Sixtus V had established that anyone who had offspring could not become a cardinal, which would have led Marcus to be excluded from the college of cardinals.
He retired to Palazzo Altemps in Rome where he dedicated himself to modernizing the building, having the large loggia of the structure and the interior frescoed with a series of metaphors, allegories and typical symbols of esotericism, to recall the unfair trial suffered by his son. Pope Clement VIII , who still as a cardinal had discreetly supported the Altemps and who, in private, had always criticized the death of his cardinal friend's son, decided to "repay" the offense suffered by his family by donating in 1602 to the son of Roberto, Giovanni Angelo, the body of Pope Sant'Aniceto, martyred by decapitation.
Stretcher: 26 x 20 3/4 in. (66 x 52.7 cm.), frame: 30 3/4 x 25 1/4 in. (78.1 x 64.1 cm.)
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3 EUROPEAN STREET SCENES & CANAL
3 EUROPEAN STREET SCENES & CANAL SCENESEuropean street scene print, after Julien Celos. 15 1/4" x 19 1/2"; canal scene aquatint, pencil signed illegibly lower right, 18" x 22 1/2"; canal scene aquatint engraving, copyright 1934 Camilla Lucas NYC, pencil signed illegibly lower right and numered lower left 144/350, 24"L x 18"
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MIRIAM CAMILLA TOYA, MELON SWIRL
MIRIAM CAMILLA TOYA, MELON SWIRL JAR WITH BUTTERFLY LIDMiriam Camilla Toya, (Jemez, b. 1974) Melon Swirl Jar with Butterfly Lid, fired clay, pigments inscribed: Camilla Toya [corn cipher] Jemez fired clay, pigments Dimensions: Height 7 1/8 x Diameter 7 1/4 in. (18.1 x 18.4 cm.) Provenance: Private Collection, New Mexico
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43 PC. BLUE AND WHITE ENGLISH SPODE
43 PC. BLUE AND WHITE ENGLISH SPODE DINNER SERVICE MISC. LOT CONSISTING OF 43 PIECE BLUE AND WHITE ENGLISH SPODE "CAMILLA" COPELAND DINNER SERVICE INCLUDING 21" TREE WELL PLATTER MARKED IN BLUE UNDERGLAZE ON REVERSE WITH IMPRESSED PONTIL MARK
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ALEXANDER DZIGURSKI, (1911-1995,
ALEXANDER DZIGURSKI, (1911-1995, LOS ANGELES, CA), WATERFALL IN A MOUNTAIN LANDSCAPE, OIL ON CANVAS, 24" H X 36" WAlexander Dzigurski, (1911-1995, Los Angeles, CA) Waterfall in a mountain landscape Oil on canvas Signed lower right: A. Dzigurski, signed again and inscribed verso: "Original by Prof. A. Dzigurski" 24" H x 36" W Provenance: Camilla Lucas, New York, NY Oil on canvas Dimensions: 24" H x 36" W Provenance: Camilla Lucas, New York, NY
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ALEXANDER DZIGURSKI (1911-1995, LOS
ALEXANDER DZIGURSKI (1911-1995, LOS ANGELES, CA)Alexander Dzigurski (1911-1995, Los Angeles, CA), Two works Meadow in a mountain landscape Oil on canvas Signed lower right: A. Dzigurski 24" H x 36" W "Lake San Marie, Glacier N.P. Montana" Oil on canvas Signed lower right: A. Dzigurski, titled on the stretcher 24" H x 36" W Provenance: Each: Camilla Lucas, New York, NY Provenance: Each: Camilla Lucas, New York, NY
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ALEXANDER DZIGURSKI, (1911-1995,
ALEXANDER DZIGURSKI, (1911-1995, LOS ANGELES, CA), "MANY GLACIER - MONTANA", OIL ON CANVAS, 30" H X 25" WAlexander Dzigurski, (1911-1995, Los Angeles, CA) "Many Glacier - Montana" Oil on canvas Signed lower right: A. Dzigurski, titled on the stretcher 30" H x 25" W Provenance: Camilla Lucas, New York, NY Oil on canvas Dimensions: 30" H x 25" W Provenance: Camilla Lucas, New York, NY
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ALEXANDER DZIGURSKI, (1911-1995,
ALEXANDER DZIGURSKI, (1911-1995, LOS ANGELES, CA), "GLACIER NTL. PARK MONTANA - SUN HIGHWAY", OIL ON CANVAS, 24" H X 36" WAlexander Dzigurski, (1911-1995, Los Angeles, CA) "Glacier Ntl. Park Montana - Sun Highway" Oil on canvas Signed lower right: A. Dzigurski, titled on the stretcher 24" H x 36" W Provenance: Camilla Lucas, New York, NY Oil on canvas Dimensions: 24" H x 36" W Provenance: Camilla Lucas, New York, NY
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ALEXANDER DZIGURSKI, (1911-1995,
ALEXANDER DZIGURSKI, (1911-1995, LOS ANGELES, CA), "TWO MEDICINE MOUNTAIN - GLACIER NATL. PARK", OIL ON CANVAS, 24" H X 36" WAlexander Dzigurski, (1911-1995, Los Angeles, CA) "Two Medicine Mountain - Glacier Natl. Park" Oil on canvas Signed lower right: A. Dzigurski, titled on the stretcher 24" H x 36" W Provenance: Camilla Lucas, New York, NY Oil on canvas Dimensions: 24" H x 36" W Provenance: Camilla Lucas, New York, NY
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ALEXANDER DZIGURSKI, (1911-1995,
ALEXANDER DZIGURSKI, (1911-1995, LOS ANGELES, CA), "DREAM LACE - ESTES PK. COLO.", OIL ON CANVAS, 24" H X 36" WAlexander Dzigurski, (1911-1995, Los Angeles, CA) "Dream Lace - Estes Pk. Colo." Oil on canvas Signed lower right: A. Dzigurski, titled on the stretcher 24" H x 36" W Provenance: Camilla Lucas, New York, NY Oil on canvas Dimensions: 24" H x 36" W Provenance: Camilla Lucas, New York, NY
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CAMILLA ENGMAN TWO MIXED MEDIAS
CAMILLA ENGMAN TWO MIXED MEDIAS ON BOARDCAMILLA ENGMAN (Sweden, 20/21st century) two mixed medias on board, "Leaving, but Not for Good" and an untitled portrait of a boy in the woods. Both pencil signed lower right. Images measure 15.75" x 14.25" and 14.25" x 11". Unframed.
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C ESCAMILLA, 20TH CENTURY SCHOOL,
C ESCAMILLA, 20TH CENTURY SCHOOL, THE C & O RAILROAD, WATERCOLOR ON PAPER, FRAME: 19-1/2 X 26-1/2 INC Escamilla, 20th Century School, The C & O Railroad, Watercolor on Paper, Frame: 19-1/2 x 26-1/2 in
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Italian gilded icon on wood panel
Italian gilded icon on wood panel depicting a crowned saint with a quill and red robes, with inscription on verso "Camilla Perinetti Casoni"; the Perinetti family are painters and restorers of fine paintings and worked out of their home in Siena, Italy; overall good condition, wear consistent with age, some surface wear, surface soiling, flaws, losses; L 7 3/4" W 1" H 9 1/4" (Approx.)
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WHALING JOURNAL FROM THE BARK
WHALING JOURNAL FROM THE BARK "CAMILLA" OF NEW BEDFORD 16.75" X 7.25".WHALING JOURNAL FROM THE BARK "CAMILLA" OF NEW BEDFORD, For a voyage that commenced July 16, 1867 and ended July 5, 1871, captained by Benjamin F. Jones. Consists of 106 pages (approximately 2/3 of the book) with short entries and approx. 84 whale stamps. Marbled boards and leather spine. Dimensions: 16.75" x 7.25".
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BRASS-BOUND CAMPHORWOOD TRAVEL DESK
BRASS-BOUND CAMPHORWOOD TRAVEL DESK 19TH CENTURY HEIGHT 7.25”. WIDTH 19.25”. DEPTH 11.25”.BRASS-BOUND CAMPHORWOOD TRAVEL DESK, 19th Century, Top with brass plaque "BF Jones", for whaling captain Benjamin Franklin Jones of New Bedford, captain of the barks Sea Breeze and Camilla. Fitted with a secret compartment. Contains a 1849 Colt revolver, serial #137867, the cylinder engraved with a coach robbery scene, as well as a metal powder flask with raised eagle and Liberty shield decoration, a bullet mold, etc. Dimensions: Height 7.25". Width 19.25". Depth 11.25". Provenance: The Collection of Chuck and Jan Deluca.
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FRIED PAL. "CAMILLA," OIL
FRIED PAL. "CAMILLA," OIL (Hungarian, 1893-1976). Oil on canvas, signed "Fried Pal" ul, titled on verso, 30 x 24 in., framed.
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PRINT, BETH VAN HOESEN Beth Van
PRINT, BETH VAN HOESEN Beth Van Hoesen (American, 1926-2010), "Basket of Camillas," 1991, etching in colors with aquatint, pencil signed and dated lower right, titled lower left, edition AP II/V, image: 9.5"h x 10.25"w, sheet (unframed): 19.5"h x 19"w
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PAIR OF RABBITWARE PATTERN
PAIR OF RABBITWARE PATTERN PLATESca. late 19th-early 20th century; with black border transfer of rabbits, frogs, flowers and grasses with green and yellow clobbering, stick spatter central motifs of camillas and stars in blue, green and red, also blue and red brushed foliage and flowers, English Staffordshire earthenware, 9"d; Condition: good
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Two Paint Decorated Wood Sleds
Two Paint Decorated Wood Sleds
one stenciled Camilla / J.H.R. / 1862.
Length of larger 45 inches.
Property from the Dean Lower Estate, Lanark, Illinois
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CHARLES BLONDIN FRENCH
CHARLES BLONDIN FRENCH IMPRESSIONIST PAINTING France,1913-1991Depicts an empty Parisian street lined with trees and buildings. Blondin was best known for his depictions of Paris in different seasons with the Paris Etching Society and the Camilla Lucas Gallery publishing a collection Blondin's Paris etchings.
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SPODE'S CAMILLA PATTERN PARTIAL
SPODE'S CAMILLA PATTERN PARTIAL DINNER SERVICE Comprising about 66 pieces.
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Royal Doulton Figures Camilla
Royal Doulton Figures Camilla HN4220 and Belle HN2340 (seconds)
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A large collection of Spode Blue
A large collection of Spode Blue and Whiteware including Italian and Camilla designs Plates Serving Dishes etc (34)
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Tray to include Royal Albert Jug
Tray to include Royal Albert Jug and Bowl Royal Doulton Camilla Vases Plates etc
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Royal Doulton Figure Camilla HN1586
Royal Doulton Figure Camilla HN1586 (chip to hat and broken mirror and foot present)